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Phil Keaggy

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September 11, 2019
27:31

Phil Keaggy

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Phil Keaggy

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  • [MUSIC]
  • 00:00:00.100 --> 00:00:02.100
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:00:02.110 --> 00:00:06.010
  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
  • 00:00:06.020 --> 00:00:10.170
  • ON YOUR SCREEN OR GO ONLINE.
  • 00:00:10.180 --> 00:00:12.260
  • [MUSIC]
  • 00:00:12.270 --> 00:00:15.110
  • THE CD AND DVD ARE BOTH
  • 00:00:15.120 --> 00:00:17.060
  • YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF
  • 00:00:17.070 --> 00:00:21.030
  • HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN
  • 00:00:21.040 --> 00:00:25.090
  • OR GO ONLINE AND REQUEST YOUR COPY NOW.
  • 00:00:25.100 --> 00:00:28.250
  • [MUSIC]
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  • -YEAH, ESPECIALLY WHEN I GO TO HIT THAT NOTE.
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  • OH! THAT WENT UP THERE.
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  • THAT NOTE WAY UP THERE IN THE CEILING, YOU KNOW. [CHUCKLES]
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  • DID THAT HURT?
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  • [MUSIC]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO! MY NAME IS
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  • JACKIE VELASQUEZ AND I'D LIKE TO WELCOME YOU TO THIS EPISODE
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  • FEATURING PHIL KEAGGY. PHIL IS, HANDS DOWN, CONSIDERED ONE OF
  • 00:01:06.210 --> 00:01:09.210
  • THE GREATEST GUITAR PLAYERS TO EVER LIVE, AND HE HAS CREATED AN
  • 00:01:09.220 --> 00:01:13.110
  • INCREDIBLE 60 SOLO ALBUMS IN HIS 50 PLUS YEARS OF MAKING MUSIC.
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  • PHIL'S LIFELONG FRIEND AND FIRST MEMBER OF HIS SOLO BAND, LYNN
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  • NICHOLS, AND WORD RECORDS A&R MAN, MARC MAXWELL, REMINISCE
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  • ABOUT THE GOOD OLD DAYS AND HOW MAKING MUSIC WITH PHIL WAS AN
  • 00:01:25.070 --> 00:01:28.060
  • HONOR AND JOY, MUCH MORE THAN WORK. PHIL JOINED HIS FIRST BAND
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  • AT 13 AND THAT'S WHERE WE PICK UP HIS STORY. -BUT IN THE MID
  • 00:01:33.050 --> 00:01:36.170
  • 60S WHEN I WAS SAY, HEY, EIGHTH GRADE, WELL, YOU KNOW, I WAS
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  • GOING TO A CATHOLIC SCHOOL. MY FRIEND JOHN SFERRA, DRUMMER FROM
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  • GLASS HARP, WE MET IN EIGHTH GRADE. WE'VE BEEN FRIENDS EVER
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  • SINCE. GOOD FRIENDS. JOHN AND I WOULD GET TOGETHER WITH GUITARS
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  • AND SING, YOU KNOW, BEATLE TUNES, OR CHAD AND JEREMY, OR
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  • PETER AND GORDON, YOU KNOW, AND WE LOVED THE EVERLY BROTHERS.
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  • AND SO WE ALWAYS THOUGHT, YOU KNOW, WE'RE GONNA GET IN A BAND
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  • SOMEDAY. WE EVENTUALLY DID. BUT I'D PLAY IN CLUBS, AND WE WERE
  • 00:02:02.120 --> 00:02:06.000
  • DOING OUR THING AND I WAS, YOU KNOW, MY MOM AND DAD LET ME GO
  • 00:02:06.010 --> 00:02:10.100
  • OUT AND PLAY AND BE OUT LATE. WE DID A RECORD, AND THEN WE DID
  • 00:02:10.110 --> 00:02:14.240
  • ANOTHER RECORD WITH ANOTHER BAND. I WAS LISTENING TO
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  • EVERYTHING I COULD GET MY EARS ON, BUT I LOVED ALL KINDS OF
  • 00:02:18.130 --> 00:02:22.160
  • MUSIC, YOU KNOW. SO, I'M KIND OF A HEINZ 57 YOU COULD SAY. I'VE
  • 00:02:22.170 --> 00:02:27.010
  • KIND OF LIKE TRIED THIS AND TRIED THAT MUSICALLY,
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  • ARTISTICALLY, STYLISTICALLY OVER THE YEARS. I WAS A CATHOLIC BOY
  • 00:02:30.080 --> 00:02:34.050
  • GOING THROUGH THE MOTIONS BUT DIDN'T UNDERSTAND MUCH OF IT. IT
  • 00:02:34.060 --> 00:02:39.200
  • WAS UNTIL I HAD A DEVASTATING EXPERIENCE LOSING MY MOM IN A
  • 00:02:39.210 --> 00:02:46.150
  • CAR ACCIDENT THAT KIND OF, LIKE, BROKE MY HEART. AND THROUGH MY
  • 00:02:46.160 --> 00:02:52.200
  • SISTER, MARY ELLEN, SHE WITNESSED TO ME ABOUT JESUS
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  • THROUGH THE WORD OF GOD, THROUGH THE BIBLE, THROUGH HER HER LIFE,
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  • THROUGH HER SMILE, THROUGH HER LOVE AND PATIENCE. SPIRITUALITY
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  • REALLY TOOK ON SERIOUS MEANING TO ME BY THE TIME I WAS 19.
  • 00:03:04.110 --> 00:03:09.160
  • -AND I CAME INTO THE THEATER AND THERE WAS THIS GUY STANDING
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  • THERE WITH A BIG BEARD. AND THERE WAS, LIKE, A LITTLE
  • 00:03:13.000 --> 00:03:17.210
  • PRINCETON AMP, I THINK, AND YOUR LES PAUL. AND HE GOES, HI, I'M
  • 00:03:17.220 --> 00:03:22.230
  • PHIL KEAGGY. YOU KNOW? AND THAT'S THE FIRST TIME WE MET.
  • 00:03:22.240 --> 00:03:26.290
  • AND I YOU HAD JUST, -I WAS 21. -YOU WERE 21, RIGHT. -IT WAS
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  • BEFORE I GOT MARRIED TO BERNADETTE. I WENT UP THERE BY
  • 00:03:29.180 --> 00:03:33.170
  • MYSELF. -SO, I WAS PROBABLY 18-19. -YEAH. -SO, YOU SAID,
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  • HEY, I'M HERE, AND YOU HAD YOUR GUITAR SET UP AND PLUGGED IN AND
  • 00:03:39.030 --> 00:03:41.130
  • EVERYTHING. -RARING TO GO! -IT WAS SO FUNNY. AND YOU SAID, SO,
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  • WHAT ARE YOU DOING? I SAID, WELL, WE'RE GONNA PLAY TONIGHT,
  • 00:03:45.090 --> 00:03:47.150
  • OR SOMETHING, LATER. YOU SAID MIND IF I, CAN I PLAY WITH YOU.
  • 00:03:47.160 --> 00:03:51.080
  • -OH, YEAH. -IT WAS SO FUNNY. -I LOVED DOING THAT. -YOU JUST
  • 00:03:51.090 --> 00:03:53.060
  • COULDN'T DO THAT THESE DAYS? SHOW UP SOMEPLACE. -JUST SHOW
  • 00:03:53.070 --> 00:03:55.130
  • UP SOMEWHERE WITH YOUR GUITAR. -YOU'D GET THROWN OUT. BUT THAT
  • 00:03:55.140 --> 00:03:58.110
  • WAS SO FUNNY. AND YOU DID PLAY WITH US. I HAD NO IDEA. I DIDN'T
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  • KNOW WHO PHIL KEAGGY WAS THEN. AND, -YEAH, AND JUST TEN MONTHS
  • 00:04:01.290 --> 00:04:05.230
  • BEFORE THAT I PLAYED CARNEGIE HALL WITH GLASS HARP OPENING UP
  • 00:04:05.240 --> 00:04:08.040
  • FOR THE KINGS. -AND THERE YOU ARE PLAYING IN A BARN, A LOFT, A
  • 00:04:08.050 --> 00:04:12.210
  • HAYLOFT. [LAUGHTER] -SO, YOU DID PLAY. AND IT WAS LIKE, I'M
  • 00:04:12.220 --> 00:04:17.090
  • THINKING, WHO IS THIS GUY? CUZ HE WASN'T BAD. IT WASN'T BAD.
  • 00:04:17.100 --> 00:04:21.290
  • [CHUCKLES] -HE DIDN'T KNOW THE SONGS BUT HE DID OKAY.
  • 00:04:22.000 --> 00:04:24.060
  • [LAUGHTER] -JUST IN THE JOY. THERE WAS SO MUCH JOY IN MAKING
  • 00:04:24.070 --> 00:04:29.000
  • THOSE RECORDS. IT WASN'T WORK. -MY SONG, WHICH IS CALLED WHAT
  • 00:04:29.010 --> 00:04:33.260
  • A DAY, I THINK I WROTE IT EARLY 72, AND THAT'S 1972 FOR ALL OF
  • 00:04:33.270 --> 00:04:40.110
  • YOU YOUNGER FOLKS, AND, ACTUALLY, THE INTRODUCTION
  • 00:04:40.120 --> 00:04:47.070
  • DOO-DOO-DOO-DOO, WAS, ACTUALLY, A MCCARTNEY INSPIRED THING FROM
  • 00:04:47.080 --> 00:04:54.230
  • ABBEY ROAD, YOU NEVER GIVE YOUR MONEY, THE SAME KIND OF
  • 00:04:54.240 --> 00:04:57.110
  • PROGRESSION. I ALWAYS LIKE THAT SO I KIND OF, LIKE, WAS NOODLING
  • 00:04:57.120 --> 00:05:01.190
  • WITH THAT. AND THEN I STARTED THINKING ABOUT MY MOM AND HER
  • 00:05:01.200 --> 00:05:05.220
  • PASSING. SHE'D GONE TO HEAVEN AS A RESULT OF A CAR ACCIDENT. A
  • 00:05:05.230 --> 00:05:11.040
  • WEEK BEFORE I GAVE MY HEART TO THE LORD, ACTUALLY. HER ACCIDENT
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  • HAD EVERYTHING TO DO WITH THAT AND MY OLDER SISTER LEADING ME
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  • TO FAITH IN JESUS. SO, I THOUGHT ABOUT HEAVEN AND I THOUGHT ABOUT
  • 00:05:17.200 --> 00:05:23.060
  • WHEN I GET HOME I'LL SEE ALL. YOU KNOW? ALL THE HOLY MEN
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  • I'VE READ ABOUT IN THE BIBLE, BECAUSE THE BIBLE WAS NEW AND
  • 00:05:26.290 --> 00:05:29.070
  • FRESH TO ME AT THAT TIME. AND AT THE TIME I WROTE THAT SONG I WAS
  • 00:05:29.080 --> 00:05:32.240
  • IN THE HARP, THE GLASS HARP. AND SO I FOUND OUT THAT WHEN I DID
  • 00:05:32.250 --> 00:05:38.170
  • THIS SONG IN CONCERT, IT REALLY ENCOURAGED A LOT OF PEOPLE;
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  • PEOPLE WHO'D LOST LOVED ONES OR IN THEIR DECLINING YEARS,
  • 00:05:42.130 --> 00:05:48.030
  • WHATEVER IT MIGHT BE. I REMEMBER SINGING THAT SONG AT MY FATHER'S
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  • MEMORIAL SERVICE AND MY SISTER PEG'S MEMORIAL SERVICE. THE
  • 00:05:51.290 --> 00:05:56.020
  • SECOND VERSE IS ABOUT WHEN WE GET HOME, OUR ETERNAL HOME, NO
  • 00:05:56.030 --> 00:06:01.210
  • SICK AND DYING, YOU KNOW, AND THERE'LL BE NO MORE CRYING. HE
  • 00:06:01.220 --> 00:06:07.270
  • WILL WIPE AWAY ALL TEARS FROM OUR EYES. THOSE PROMISES THAT I
  • 00:06:07.280 --> 00:06:11.150
  • REALLY HOLD TRUE, I BELIEVE, ARE TRUE AND FAITHFUL.
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  • [MUSIC]
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  • [MUSIC]
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  • [MUSIC]
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  • [MUSIC]
  • 00:07:07.280 --> 00:07:22.260
  • [MUSIC]
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  • WHEN WE GET HOME
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  • OUR ETERNAL HOME
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  • THERE'LL BE NO MORE SICK AND DYING
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  • OH, OH NO ONE IS SAD
  • 00:07:40.070 --> 00:07:43.270
  • NO ONE IS ALONE
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  • OH, OH THERE WILL BE NO MORE TRY CRYING
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  • FOR HE WILL WIPE AWAY EVERY TEAR
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  • FROM HIS CHILDREN'S EYES
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  • AND PUT A SMILE UPON THEIR FACES
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  • WHAT A HAPPY DAY
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  • WHEN WE SEE OUR LORD IN PARADISE
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  • CROWNED AS KING OF KINGS
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  • OH, OH, OH WHAT A DAY THAT WILL BE
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  • OH, OH WHAT A DAY THAT WILL BE
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  • OH, WHAT A DAY THAT WILL BE
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  • WHAT A DAY THAT WILL BE
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  • WHAT A DAY THAT WILL BE
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  • WHAT A DAY THAT WILL BE
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  • YEAH, YEAH WHAT A DAY
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  • WHAT A DAY
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  • WHAT A DAY THAT WILL BE
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  • YEAH, YEAH WHAT A DAY
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  • WHAT A DAY
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  • WHAT A DAY THAT WILL BE
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  • [MUSIC]
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  • [MUSIC]
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  • [MUSIC]
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  • [MUSIC]
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  • YEAH WHAT A DAY
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  • WHAT A DAY
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  • WHAT A DAY THAT WILL BE
  • 00:10:12.020 --> 00:10:16.260
  • WHAT A DAY
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  • WHAT A DAY
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  • WHAT A DAY THAT WILL BE
  • 00:10:21.290 --> 00:10:24.250
  • ONE MORE TIME YEAH WHAT A DAY
  • 00:10:24.260 --> 00:10:29.100
  • WHAT A DAY
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  • WHAT A DAY THAT WILL BE
  • 00:10:32.000 --> 00:10:36.270
  • WHAT A DAY
  • 00:10:36.280 --> 00:10:39.070
  • WHAT A DAY
  • 00:10:39.080 --> 00:10:41.230
  • WHAT A DAY THAT WILL BE
  • 00:10:41.240 --> 00:10:45.000
  • [MUSIC]
  • 00:10:45.010 --> 00:10:59.290
  • [MUSIC]
  • 00:10:59.290 --> 00:11:16.110
  • [MUSIC]
  • 00:11:16.120 --> 00:11:23.220
  • THE NEW CCM UNITED MUSIC, MOMENTS &
  • 00:11:23.230 --> 00:11:26.180
  • MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL
  • 00:11:26.190 --> 00:11:30.260
  • KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL AL
  • 00:11:30.270 --> 00:11:35.120
  • DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:11:35.130 --> 00:11:39.060
  • ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE BIGGEST CCM
  • 00:11:39.070 --> 00:11:44.190
  • SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A
  • 00:11:44.200 --> 00:11:48.090
  • DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL
  • 00:11:48.100 --> 00:11:54.130
  • THE NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:11:54.140 --> 00:11:59.150
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:11:59.160 --> 00:12:03.100
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:12:03.110 --> 00:12:08.180
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:12:08.190 --> 00:12:12.160
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:12:12.170 --> 00:12:16.030
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW.
  • 00:12:16.040 --> 00:12:21.010
  • [MUSIC]
  • 00:12:21.020 --> 00:12:27.260
  • JACKIE VELASQUEZ: WELCOME BACK! CHILDHOOD FRIEND, JOHN SFERRA,
  • 00:12:27.270 --> 00:12:30.120
  • AND PHIL STARTED THE BAND GLASS HARP TOGETHER IN YOUNGSTOWN,
  • 00:12:30.130 --> 00:12:33.210
  • OHIO IN 1968. THEY ORIGINALLY WANTED TO BE A SEVEN-PIECE BAND
  • 00:12:33.220 --> 00:12:38.020
  • WITH HORNS, BUT ENDED UP BEING A THREE-PIECE WITH BASSIST, DANIEL
  • 00:12:38.030 --> 00:12:42.090
  • PECCHIO. THEY ALL GREW UP CATHOLIC, BUT AS DANIEL PUT IT
  • 00:12:42.100 --> 00:12:45.260
  • IN INTERVIEWS BACK THEN, WE'RE ALL BELIEVERS, JUST THAT PHIL
  • 00:12:45.270 --> 00:12:49.150
  • WASN'T LISTENING. BUT AFTER PHIL'S MOTHER WENT TO HEAVEN AND
  • 00:12:49.160 --> 00:12:53.210
  • HE ACCEPTED CHRIST AS HIS LORD AND SAVIOR, HE BECAME PASSIONATE
  • 00:12:53.220 --> 00:12:58.160
  • ABOUT THE WORD OF GOD AND TO TELL AS MANY OF HIS PEERS ABOUT
  • 00:12:58.170 --> 00:13:02.130
  • CHRIST AS HE COULD. HE REALIZED HIS MUSIC WAS A MISSION FIELD.
  • 00:13:02.140 --> 00:13:06.290
  • -I KNOW ONE THING, I WAS HUNGRY. I WAS REALLY HUNGRY TO
  • 00:13:07.000 --> 00:13:09.090
  • KNOW GOD. I WANTED TO KNOW GOD. THERE'S SOMETHING INSIDE OF YOU,
  • 00:13:09.100 --> 00:13:15.190
  • THIS LONGING THAT YOU HAVE TO BE WITH YOUR, RIGHT WITH YOUR
  • 00:13:15.200 --> 00:13:19.140
  • MAKER, AND IDENTIFY WITH SOMETHING LASTING AND SPIRITUAL.
  • 00:13:19.150 --> 00:13:24.250
  • SO, WHEN I WENT THROUGH THIS NEW BIRTH, ALL OF A SUDDEN I WANTED
  • 00:13:24.260 --> 00:13:29.160
  • TO TELL MY FRIENDS WHO ARE IN THE AUDIENCE ABOUT JESUS. AND
  • 00:13:29.170 --> 00:13:36.240
  • HAVE I MENTIONED THE TIME I READ THE 53RD CHAPTER OF ISAIAH IN A
  • 00:13:36.250 --> 00:13:42.130
  • CLUB? I READ THE WHOLE 53RD CHAPTER WHEN I WAS DOING ONE OF
  • 00:13:42.140 --> 00:13:48.020
  • MY SOLO SONGS AT THIS CLUB. AND THESE ARE THE KIND OF PLACES WE
  • 00:13:48.030 --> 00:13:52.070
  • WERE OPENING UP FOR AMBOY DUKES AND HUMBLE PIE AND THOSE KINDS
  • 00:13:52.080 --> 00:13:55.000
  • OF GROUPS, YOU KNOW, STIX, WHAT HAVE YOU, IRON BUTTERFLY. BUT I
  • 00:13:55.010 --> 00:14:01.210
  • READ THAT YOU COULD HEAR A PIN DROP. YOU KNOW? SO, THERE WAS A
  • 00:14:01.220 --> 00:14:04.080
  • MISSION. I WAS MISSION MINDED. I WANTED, WHAT WAS MORE IMPORTANT
  • 00:14:04.090 --> 00:14:08.180
  • THAN THE LICKS AND THE JAMS THAT WE DID WAS I WANTED KIDS TO KNOW
  • 00:14:08.190 --> 00:14:13.150
  • ABOUT JESUS; KIDS MY AGE THAT WERE LOST, SEARCHING, TRYING
  • 00:14:13.160 --> 00:14:17.160
  • THIS AND THAT, AND NOT REALLY GETTING ANYWHERE. JESUS SAID I'M
  • 00:14:17.170 --> 00:14:24.140
  • THE LIGHT OF THE WORLD, HE WHO FOLLOWS ME WILL NOT WALK IN
  • 00:14:24.150 --> 00:14:27.020
  • DARKNESS. AND I THOUGHT, WOW, WHO CAN SAY THAT? AND SO, I
  • 00:14:27.030 --> 00:14:33.100
  • WANTED TO TELL PEOPLE THAT FOLLOW JESUS, GET TO KNOW HIM,
  • 00:14:33.110 --> 00:14:39.050
  • READ ABOUT HIM, HE'S ALIVE. AND THAT WAS OUR MISSION. ONE TIME
  • 00:14:39.060 --> 00:14:44.280
  • JOHN AND DANIEL WERE IN A SEPARATE CAR TO A GIG, AN
  • 00:14:44.290 --> 00:14:48.130
  • OUTDOOR GIG THAT WE DID IN OHIO, AND SO I WAS THERE FIRST. AND
  • 00:14:48.140 --> 00:14:54.070
  • THE CONCERT WAS TO START AND I SAID TO THE PROMOTER, I SAID,
  • 00:14:54.080 --> 00:14:56.220
  • WELL, I'VE GOT MY ACOUSTIC HERE, I COULD DO A FEW SONGS. YOU
  • 00:14:56.230 --> 00:15:00.110
  • KNOW? SO, I GO UP THERE AND I'M SINGING MY SONGS, MY LITTLE
  • 00:15:00.120 --> 00:15:03.150
  • SONGS. AND I WAS SINGING THE ANSWER IS JESUS, YOU DON'T HAVE
  • 00:15:03.160 --> 00:15:06.210
  • TO BE ALONE ANYMORE. AND THEN I DID ABOUT FOUR SONGS, FIVE
  • 00:15:06.220 --> 00:15:11.190
  • SONGS, AND I WALK OFF. AND THE AUDIENCE IS KIND OF LIKE, AND SO
  • 00:15:11.200 --> 00:15:15.220
  • I WALK BACK ON WITH THE BAND AND WE JUST BLOW THE SET DOWN, YOU
  • 00:15:15.230 --> 00:15:21.020
  • KNOW. AND IT WAS REALLY POWERFUL! WE WERE REALLY GOOD.
  • 00:15:21.030 --> 00:15:25.210
  • AND THESE TWO GUYS CAME UP TO ME AND SAID I CAN'T BELIEVE YOU'RE
  • 00:15:25.220 --> 00:15:29.100
  • THE SAME GUY THAT WAS UP THERE SINGING ABOUT JESUS, THEN YOU
  • 00:15:29.110 --> 00:15:31.210
  • CAME ON WITH YOUR LES PAUL AND YOU START WAILING. AND SO, WOULD
  • 00:15:31.220 --> 00:15:36.020
  • YOU TELL ME MORE ABOUT JESUS? I HAD OPPORTUNITY, I WOULD GET OFF
  • 00:15:36.030 --> 00:15:40.290
  • THE STAGE AND WALK IN A CROWD AND FIND SOMEONE WHO I THOUGHT
  • 00:15:41.000 --> 00:15:45.140
  • LOOKED INTERESTED TO TALK TO ME. AND I WOULD OPEN UP AND I WOULD
  • 00:15:45.150 --> 00:15:50.010
  • PRAY WITH THEM RIGHT THERE. I REMEMBER ONE GUY, HE WAS ON AN
  • 00:15:50.020 --> 00:15:53.170
  • LSD TRIP, AND HE CAME COMPLETELY SOBER. HE JUST COMPLETELY, HE
  • 00:15:53.180 --> 00:15:58.270
  • GOES, I DON'T FEEL HIGH ANYMORE. I SAID, LOOK, JESUS IS GONNA
  • 00:15:58.280 --> 00:16:03.060
  • WANT TO COME INTO YOUR HEART NOW. YOUR LOVE BROKE THROUGH
  • 00:16:03.070 --> 00:16:07.060
  • IS PRETTY SPECIAL TO ME ON A NUMBER OF LEVELS. ONE DAY, WHILE
  • 00:16:07.070 --> 00:16:13.130
  • WE WERE JUST SITTING AROUND TALKING ABOUT MUSIC, I HAD MY
  • 00:16:13.140 --> 00:16:15.230
  • GUITAR OUT, KEITH GREEN BOUNCES IN TO THEIR FRONT DOOR. AND HE
  • 00:16:15.240 --> 00:16:21.060
  • COMES AROUND AND HE'S FULL OF ENERGY, ENTHUSIASM. HE'S LIKE A
  • 00:16:21.070 --> 00:16:26.090
  • LIGHT BULB, YOU KNOW, AND HE'S JUST EXCITED. HE'S GOT THIS NEW
  • 00:16:26.100 --> 00:16:30.200
  • SONG HE WANTED TO SIT DOWN AT ANNIE'S PIANO AND PLAY FOR US.
  • 00:16:30.210 --> 00:16:34.170
  • HE SAT DOWN AND I REMEMBER, I CAN REMEMBER IT, THERE WAS A
  • 00:16:34.180 --> 00:16:37.230
  • LITTLE UPRIGHT PIANO IN THE CORNER, AND HE'S SITTING THERE
  • 00:16:37.240 --> 00:16:41.030
  • AND HE'S LOOKING AT ME AND HE'S SINGING THE SONG, AND THAT'S ONE
  • 00:16:41.040 --> 00:16:44.190
  • OF THE THINGS ABOUT HIM, HE WAS VERY DIRECT, AND HE SANG THIS
  • 00:16:44.200 --> 00:16:47.280
  • SONG WITH SUCH PASSION AND CONVICTION. IT JUST KIND OF BLEW
  • 00:16:47.290 --> 00:16:51.160
  • ME AWAY BECAUSE, LET'S FACE IT, HE WAS A GREAT SONGWRITER. AND
  • 00:16:51.170 --> 00:16:55.280
  • HE ALSO HAD A GREAT VOCAL ABILITY. BUT AFTER THE SONG WAS
  • 00:16:55.290 --> 00:17:01.250
  • DONE, HE JUST SAT THERE, KIND OF GRINNING. AND BUCK HERRING SAYS
  • 00:17:01.260 --> 00:17:06.070
  • TO ME, BROTHER, WE GOT TO DO THIS SONG ON YOUR ALBUM. AND
  • 00:17:06.080 --> 00:17:10.100
  • ANOTHER INTERESTING THING IS BACK IN '82, IN THE SUMMER, I
  • 00:17:10.110 --> 00:17:15.070
  • WAS SINGING THAT SONG AT A CONCERT, AND WHEN I SANG THAT
  • 00:17:15.080 --> 00:17:18.080
  • SONG THAT NIGHT I JUST FELT THIS SOMETHING SPECIAL BLESSING FROM
  • 00:17:18.090 --> 00:17:27.130
  • THE LORD, OR JUST I FELT THE SONG. I JUST, IT MEANT MORE TO
  • 00:17:27.140 --> 00:17:34.000
  • ME AT THAT MOMENT THAN ANYTHING ELSE I SANG ALL NIGHT LONG OR
  • 00:17:34.010 --> 00:17:37.000
  • PLAYED THAT NIGHT. AND THEN WHEN I GET HOME, BERN RUNS OUT THE
  • 00:17:37.010 --> 00:17:41.010
  • BACK DOOR, BERNADETTE, MY WIFE, AND SHE SAYS KEITH JUST DIED IN
  • 00:17:41.020 --> 00:17:44.000
  • A PLANE CRASH THIS EVENING.
  • 00:17:44.010 --> 00:17:46.090
  • [MUSIC]
  • 00:17:46.100 --> 00:18:01.100
  • [MUSIC]
  • 00:18:01.100 --> 00:18:04.030
  • LIKE A FOOLISH DREAMER
  • 00:18:04.040 --> 00:18:05.230
  • TRYING TO BUILD A HIGHWAY TO THE SKY
  • 00:18:05.240 --> 00:18:11.050
  • ALL MY HOPES WOULD COME TUMBLING DOWN
  • 00:18:11.060 --> 00:18:16.120
  • AND I NEVER KNEW JUST WHY
  • 00:18:16.130 --> 00:18:19.180
  • UNTIL TODAY
  • 00:18:19.190 --> 00:18:21.290
  • WHEN YOU PULLED AWAY THE CLOUDS
  • 00:18:22.000 --> 00:18:23.190
  • THAT HUNG LIKE CURTAINS ON MY EYES
  • 00:18:23.200 --> 00:18:28.200
  • I WAS BLIND
  • 00:18:28.210 --> 00:18:31.050
  • ALL THESE WASTED YEARS
  • 00:18:31.060 --> 00:18:33.250
  • AND I THOUGHT I WAS SO WISE
  • 00:18:33.260 --> 00:18:37.030
  • THEN YOU TOOK ME BY SURPRISE
  • 00:18:37.040 --> 00:18:41.130
  • [MUSIC]
  • 00:18:41.140 --> 00:18:45.180
  • I'M WAKING UP FROM THE LONGEST DREAM
  • 00:18:45.190 --> 00:18:53.040
  • HOW REAL IT SEEMED
  • 00:18:53.050 --> 00:18:58.170
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:18:58.180 --> 00:19:03.130
  • AND I WAS LOST IN A FANTASY
  • 00:19:03.140 --> 00:19:10.240
  • THAT BLINDED ME
  • 00:19:10.250 --> 00:19:16.040
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:19:16.050 --> 00:19:21.060
  • [MUSIC]
  • 00:19:21.070 --> 00:19:29.130
  • ALL MY LIFE I'VE BEEN SEARCHING
  • 00:19:29.140 --> 00:19:32.060
  • FOR THAT CRAZY, MISSING PART
  • 00:19:32.070 --> 00:19:36.110
  • AND WITH ONE TOUCH
  • 00:19:36.120 --> 00:19:39.000
  • YOU JUST ROLLED AWAY THE STONE THAT HELD MY HEART
  • 00:19:39.010 --> 00:19:44.270
  • NOW I SEE THAT THE ANSWER WAS AS SIMPLE
  • 00:19:44.280 --> 00:19:49.280
  • AS JUST LETTING YOUR LOVE IN
  • 00:19:49.290 --> 00:19:53.210
  • AND AM SO SURE I COULD NEVER DOUBT
  • 00:19:53.220 --> 00:19:58.230
  • YOUR GENTLE TOUCH AGAIN
  • 00:19:58.240 --> 00:20:02.040
  • IT'S LIKE THE POWER OF THE WIND
  • 00:20:02.050 --> 00:20:06.020
  • [MUSIC]
  • 00:20:06.030 --> 00:20:10.120
  • LIKE WAKING UP FROM THE LONGEST DREAM
  • 00:20:10.130 --> 00:20:18.030
  • HOW REAL IT SEEMED
  • 00:20:18.040 --> 00:20:23.230
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:20:23.240 --> 00:20:28.180
  • AND I WAS LOST IN A FANTASY
  • 00:20:28.190 --> 00:20:35.170
  • THAT BLINDED ME
  • 00:20:35.180 --> 00:20:41.080
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:20:41.090 --> 00:20:46.000
  • YEAH, YEAH
  • 00:20:46.010 --> 00:20:47.280
  • LIKE WAKING UP FROM THE LONGEST DREAM
  • 00:20:47.290 --> 00:20:55.010
  • HOW REAL IT SEEMED
  • 00:20:55.020 --> 00:21:00.240
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:21:00.250 --> 00:21:05.160
  • AND I WAS LOST IN A FANTASY
  • 00:21:05.170 --> 00:21:12.160
  • THAT BLINDED ME
  • 00:21:12.170 --> 00:21:18.070
  • UNTIL YOUR LOVE BROKE THROUGH
  • 00:21:18.080 --> 00:21:23.150
  • [MUSIC]
  • 00:21:23.160 --> 00:21:38.140
  • [MUSIC]
  • 00:21:38.140 --> 00:21:52.090
  • [MUSIC]
  • 00:21:52.100 --> 00:21:58.270
  • THE NEW CCM UNITED
  • 00:21:58.280 --> 00:22:00.170
  • MUSIC, MOMENTS & MEMORIES FEATURING MORE CCM HITS YOU GREW
  • 00:22:00.180 --> 00:22:05.070
  • UP WITH LIKE PHIL KEAGGY'S WHAT A DAY, CLAY CROSSE'S I
  • 00:22:05.080 --> 00:22:09.050
  • SURRENDER ALL AL DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO
  • 00:22:09.060 --> 00:22:14.010
  • AND KEY'S ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE
  • 00:22:14.020 --> 00:22:19.090
  • BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:22:19.100 --> 00:22:23.110
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:22:23.120 --> 00:22:28.060
  • TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE.
  • 00:22:28.070 --> 00:22:32.120
  • MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS
  • 00:22:32.130 --> 00:22:38.010
  • YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD
  • 00:22:38.020 --> 00:22:42.100
  • AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE
  • 00:22:42.110 --> 00:22:47.180
  • THE MESSAGE OF HOPE AND GRACE AROUND THE WORLD. CALL THE
  • 00:22:47.190 --> 00:22:50.290
  • NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST YOUR COPY
  • 00:22:51.000 --> 00:22:55.130
  • NOW.
  • 00:22:55.140 --> 00:22:57.040
  • [MUSIC]
  • 00:22:57.050 --> 00:23:03.160
  • -YOU KNOW, THE THING IS, PEOPLE DO
  • 00:23:03.170 --> 00:23:05.000
  • WHAT THEY DO BECAUSE THEY'RE SEARCHING, BECAUSE THEY'RE LOST
  • 00:23:05.010 --> 00:23:07.200
  • AND LONELY, BECAUSE THEY NEED SOMETHING THAT IS DEEPER. AND
  • 00:23:07.210 --> 00:23:12.170
  • I'VE NEVER BEEN A REAL HEAVY, YOU KNOW, EXPOSITORY OF
  • 00:23:12.180 --> 00:23:17.230
  • ANYTHING, YOU KNOW. BUT THERE'S JOY AND JOY IS INFECTIOUS. AND
  • 00:23:17.240 --> 00:23:24.200
  • THERE'S LOVE, THERE'S LOVE IN GOD. GOD IS LOVE. AND THE GOOD
  • 00:23:24.210 --> 00:23:29.270
  • NEWS IS THE BEST NEWS, SO FAR, I'VE EVER HEARD. AND YOU JUST
  • 00:23:29.280 --> 00:23:34.090
  • READ THE GOSPEL OF JOHN AND GO THAT'S IT, THAT'S IT, THAT'S
  • 00:23:34.100 --> 00:23:38.090
  • WHAT I WANT. I WANT TO HONOR GOD. I WANT TO, ESPECIALLY IN
  • 00:23:38.100 --> 00:23:41.210
  • THE TIMES WE LIVE IN, OUR CULTURE IS REALLY SUFFERING A
  • 00:23:41.220 --> 00:23:45.060
  • LACK OF HOPE AND YOUNG PEOPLE ARE LOOKING FOR A NEW DIRECTION.
  • 00:23:45.070 --> 00:23:49.200
  • AND I ALWAYS BELIEVED THAT JESUS IS THE BEST WAY. HE IS THE WAY
  • 00:23:49.210 --> 00:23:55.170
  • AND I BELIEVE THAT WITH ALL MY HEART. AND I HOPE I REFLECT THAT
  • 00:23:55.180 --> 00:23:58.250
  • IN MY ART. -THANK YOU SO MUCH FOR JOINING US. WE HOPE YOU'VE
  • 00:23:58.260 --> 00:24:03.030
  • BEEN INSPIRED AND ENCOURAGED BY HEARING ABOUT THE INCREDIBLE
  • 00:24:03.040 --> 00:24:06.080
  • JOURNEY OF PHIL KEAGGY. HE CERTAINLY DOES HONOR GOD, NOT
  • 00:24:06.090 --> 00:24:10.010
  • ONLY HIS MUSIC, BUT IN THE WAY HE LIVES HIS LIFE WITH KINDNESS
  • 00:24:10.020 --> 00:24:14.020
  • AND HUMILITY. PLEASE JOIN US NEXT TIME FOR MORE AMAZING
  • 00:24:14.030 --> 00:24:17.000
  • STORIES ABOUT YOUR FAVORITE LEGENDARY CCM ARTISTS. GOD BLESS
  • 00:24:17.010 --> 00:24:20.190
  • YOU AND WE'LL SEE YOU SOON.
  • 00:24:20.200 --> 00:24:25.170
  • [MUSIC]
  • 00:24:25.180 --> 00:24:40.160
  • [MUSIC]
  • 00:24:40.160 --> 00:24:52.160
  • WHAT A DAY
  • 00:24:52.170 --> 00:24:54.260
  • WHAT A DAY
  • 00:24:54.270 --> 00:24:57.220
  • WHAT A DAY THAT WILL BE
  • 00:24:57.230 --> 00:25:00.270
  • COME ON WHAT A DAY
  • 00:25:00.280 --> 00:25:02.120
  • WHAT A DAY
  • 00:25:02.130 --> 00:25:04.260
  • WHAT A DAY THAT WILL BE
  • 00:25:04.270 --> 00:25:10.090
  • ONE MORE TIME WHAT A DAY
  • 00:25:10.100 --> 00:25:14.250
  • WHAT A DAY
  • 00:25:14.260 --> 00:25:17.150
  • WHAT A DAY THAT WILL BE
  • 00:25:17.160 --> 00:25:22.150
  • WHAT A DAY
  • 00:25:22.160 --> 00:25:24.260
  • WHAT A DAY
  • 00:25:24.270 --> 00:25:27.130
  • WHAT A DAY THAT WILL BE
  • 00:25:27.140 --> 00:25:31.050
  • [MUSIC]
  • 00:25:31.060 --> 00:25:46.040
  • [MUSIC]
  • 00:25:46.040 --> 00:26:05.250
  • FOLLOWING THE SUCCESSFUL RELEASE OF CCM UNITED WE WILL STAND
  • 00:26:05.260 --> 00:26:10.090
  • COMES THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES FEATURING
  • 00:26:10.100 --> 00:26:15.050
  • MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT A DAY,
  • 00:26:15.060 --> 00:26:20.010
  • CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE ONE, EDDIE
  • 00:26:20.020 --> 00:26:24.170
  • DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES KING'S THE
  • 00:26:24.180 --> 00:26:29.010
  • ROBE. [MUSIC] FOR THE ROBE [MUSIC] TWENTY OF THE BIGGEST
  • 00:26:29.020 --> 00:26:35.050
  • CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE
  • 00:26:35.060 --> 00:26:39.050
  • IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO TBN. CALL
  • 00:26:39.060 --> 00:26:44.250
  • NOW! DON'T MISS THIS COLLECTION OF CCM'S BEST LOVED SONGS THAT
  • 00:26:44.260 --> 00:26:50.190
  • HONOR OUR LORD JESUS CHRIST. AVAILABLE EXCLUSIVELY TO TBN
  • 00:26:50.200 --> 00:26:54.170
  • VIEWERS DURING THIS SPECIAL PRESENTATION. SIMPLY CALL THE
  • 00:26:54.180 --> 00:26:59.030
  • NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:26:59.040 --> 00:27:04.060
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:04.070 --> 00:27:08.070
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:27:08.080 --> 00:27:12.260
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.270 --> 00:27:16.290
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:27:17.000 --> 00:27:20.150
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW.
  • 00:27:20.160 --> 00:27:28.130
  • [MUSIC]
  • 00:27:28.140 --> 00:27:31.150