Al Denson | TBN

Al Denson

Watch Al Denson
February 5, 2020
27:29

Music; Moments; and Memories highlights the friendships legendary CCM artists have maintained over the years; their faith and journey in music.

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Al Denson

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  • [MUSIC]
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  • THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
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  • FEATURING MORE CCM HITS YOU GREWUP WITH. SIMPLY CALL THE NUMBER
  • 00:00:06.192 --> 00:00:10.763
  • ON YOUR SCREEN OR GO ONLINE. THECD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.797 --> 00:00:18.004
  • YOUR GIFT OF $39 OR MORE. HELPTAKE THE MESSAGE OF HOPE AND
  • 00:00:18.037 --> 00:00:22.008
  • GRACE AROUND THE WORLD. CALL THENUMBER ON YOUR SCREEN OR GO
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  • ONLINE AND REQUEST YOUR COPYNOW.
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  • [MUSIC]
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  • -I MET JERRY NOW
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  • EATING OUT OF THE DUMPSTERBEHIND THE GOLDEN CORRAL. AND I
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  • SAID, MAN, YOU SHOULD GET INCHRISTIAN MUSIC. -SAID YOU CAN
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  • GET BETTER DRUGS THAN THIS, MAN.[CHUCKLES] -SHOULD WE START
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  • OVER? IT'S GONNA BE LIKE THISTHE WHOLE WAY. [CHUCKLES]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HI, MYNAME IS JACKIE VELASQUEZ AND I'D
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  • LIKE TO WELCOME YOU TO THISEPISODE FEATURING AL DENSON. AL
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  • HAS ALWAYS LOVED KIDS ANDSTARTED HIS CAREER IN MUSIC
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  • SINGING AT YOUTH CAMPS. HE METCHRISTIAN YOUTH MINISTERS DAWSON
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  • MCALLISTER AND JOSH MCDOWELL INTEXAS BACK IN THE DAY AND
  • 00:01:15.128 --> 00:01:18.564
  • STARTED SINGING AND SPEAKING ATLARGE CONFERENCES WITH THEM. ONE
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  • THING LED TO ANOTHER AND DANCLEARY FROM BENSON RECORDS WENT
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  • OUT TO SEE AL AT ONE OF HISSHOWS. DAN WAS SO IMPRESSED WITH
  • 00:01:25.805 --> 00:01:29.041
  • WHAT HE SAW, HE ASKED JERRYPARKS, THE CEO OF BENSON, TO GO
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  • SEE AL IN CONCERT. AND THATSEALED THE DEAL. AFTER ALL, AL
  • 00:01:33.079 --> 00:01:38.417
  • WAS JUST A BIG HIT HIMSELF ANDHE STILL IS AS YOU'LL FIND OUT
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  • LATER IN THIS EPISODE. -OKAY,YOU KNOW, WHEN I FIRST STARTED
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  • SINGING IT WAS KIND OF COOLBECAUSE KIDS WERE WHERE I WAS
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  • AT. SO, I WAS INTO KIDS AND IWAS A KID AND I WAS KIND OF
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  • HANGING OUT. YOU KNOW WHAT I'MSAYING? SO, AND I WAS LIKE CRAZY
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  • ENOUGH TO FIT IN. THAT MAKESENSE? AND THEN ALL OF A SUDDEN
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  • I'M MAKING RECORDS, AND I'MSELLING RECORDS OUT OF THE TRUNK
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  • OF MY CAR, BUT I'M SELLING MORETHAN PEOPLE ON THE BENSON LABEL.
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  • -WAIT A MINUTE, NOW, MAYBEPEOPLE ON THE WORD LABEL.
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  • -YEAH, WORD LABEL IS WHAT IMEANT. WORD OR SPARROW.
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  • [CHUCKLES] BUT ANY, THAT'SFUNNY, BUT, NO, I WAS JUST
  • 00:02:14.120 --> 00:02:17.490
  • SELLING A LOT OF CDS, A LOT OFCASSETTES. -THEY DIDN'T HAVE
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  • CDS THEN. -SO, SELLING A LOT OFTHOSE AND THEN IT KIND OF GOT
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  • THEIR ATTENTION AND THEN ALL THESUDDEN I GET THIS CALL FROM THIS
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  • GUY AND HE SAYS HEY WE'RE GONNACOME OUT AND SEE YOU. SO, HE
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  • CAME OUT TO THE CONFERENCE. HISNAME WAS DAN CLEARY. -ANYWAY, I
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  • WENT THERE AND IT WAS SO OBVIOUSTHAT HE WAS LIKE HE SAID, ONE OF
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  • THOSE KIDS. HE WAS A LITTLEOLDER. BUT, BOY, HE SURE
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  • IDENTIFIED WITH THEM AND KNEWWHAT TO SAY, WHAT TO SING, AND
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  • HOW TO INVOLVE THEM. THE PLACEWAS RAUCOUS. I THINK ONE OF THE
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  • BIGGEST FEARS OF ANY PERFORMERIS IT'S A DEAD CROWD. WELL, I
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  • NEVER SAW ANYTHING, YOU KNOW,WITH HIM UP ON THE STAGE, THAT
  • 00:02:55.561 --> 00:03:00.399
  • WAS EVER LIKE THAT. SO, IT WASGREAT AND WE KIND OF KNEW RIGHT
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  • AWAY. AND SECONDLY, HE WAS AHARD WORKER. AND WE LOOK FOR
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  • THAT. I MEAN, YOU CAN'T DEPENDON THE RECORD COMPANY TO DO
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  • EVERYTHING. YOU'VE GOT TO WORKAND AL WAS A WORKER. TIRELESS. A
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  • LOT OF ENERGY. SO, WE SAID LET'SDO IT. AND IT'S GREAT, -YEAH.
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  • -BUNCH OF YEARS. -NOT ONLY ABUNCH OF YEARS, GREAT
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  • RELATIONSHIPS. -YEAH. -I MEAN,I CAN GO BACK TO ALL THE PEOPLE,
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  • AND WE WOULD COME IN AND HALFTHE TIME IT WAS JUST FUN.
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  • -WELL, HE'S THE ONLY ARTIST IEVER HAD THAT I WAS AFRAID OF.
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  • -AND WHY WOULD THAT BE? -WELL,IF HE WAS IN THE BUILDING, I'M
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  • LOOKING OVER MY SHOULDER AND I'MASKING SOMEBODY TO TEST MY FOOD
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  • FOR ME. [CHUCKLES] AND WHAT'STHAT SMELL? -YEAH, EXACTLY
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  • RIGHT. -YEAH, SO, -SORRY. -IMEAN, I GOT TO TELL, OR WE OUGHT
  • 00:03:49.482 --> 00:03:54.987
  • TO TELL IT TOGETHER. -FEELFREE. FEEL FREE. YOU START. I'LL
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  • FOLLOW. -THE CONFERENCE. -IDON'T KNOW WHERE YOU'RE GOING,
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  • BUT YOU START AND I'LL FOLLOW.-WELL, THEY CAME TO ME, -OH,
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  • YES. -WANTING TO KNOW IF ALHARDIN, WHO'S AROUND HERE
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  • SOMEWHERE, WAS HEAD OF SALES,BUT THEY CAME TO ME AND SAID,
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  • EHY, WE'RE GOING TO HAVE SOMEFUN AT THE SALES CONFERENCE,
  • 00:04:08.501 --> 00:04:11.737
  • PULL A REAL TRICK ON THE SALESREPS. SO, HERE'S THE DEAL. WE'RE
  • 00:04:11.771 --> 00:04:15.141
  • GOING TO TAKE 2-3 SALES REPS OUTIN THE HALL SO THEY CAN'T SEE
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  • WHAT'S GOING ON, AND WE'RE GOINGTO TIME THEM. THEY'RE GONNA COME
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  • IN AND GO UP TO THIS TABLE INTHE FRONT. THERE'S 3 BASKETS
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  • UPSIDE DOWN. AND THEY'VE GOT TOPULL THE BASKET OFF AND IDENTIFY
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  • THE BALL: BASKETBALL, SOCCERBALL, WHATEVER. AND YOU'RE GONNA
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  • BE THE 3RD. -WE CUT A HOLE INTHE TABLE, -YEAH, A LITTLE
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  • HOLE. -IT'S LIKE WHACKA-MOLE.AND SO, I'M UNDER THT BASKET. SO
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  • THE 1ST TWO GUYS COME THROUGHAND I SCREAM AND THEY JUMP BACK.
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  • -YOU'D UNCOVER A BALL. -YEAH.-SAY BASKETBALL, FOOTBALL. THEN
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  • THEY UNDERCOVERED HIS HEAD ANDYOU GO -SCREAM. -JUST SCARE
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  • THE SNOT OUT OF THEM. MAN, ITWAS FANTASTIC. -AND THE 3RD
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  • ONE, MAN, I'M FEELING GOOD, ISAID, I'M DOING MY JOB, YOU
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  • KNOW. WHAT CEO WOULD DO THIS?THIS KIND OF FUN STUFF? I'M ONE
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  • OF THEM. SO, THE BASKET COMESOFF, I OPEN MY MOUTH TO SCREAM
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  • AND THIS PIE, THIS CREAM PIEWHACKS ME AND I KNEW, BUT I DID
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  • THIS, AND I LOOKED UP AND ITHINK I CURSED AS I RECALL.
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  • -YEAH, YOU DID. -HE GOT ME.AND HE FLEW ACROSS THE COUNTRY.
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  • THE GUY'S OUT ON TOUR, FLIESACROSS THE COUNTRY TO DO THIS,
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  • GETS BACK ON THE PLANE AND GOESBACK. -YEAH, ONCE I SAW THE PIE
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  • IN HIS FACE, I SAID DONE! GOINGBACK TO MY CONCERT. WENT BACK
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  • HOME, WENT BACK TO THE CONCERT.-GREAT! IT WAS GREAT! -BUT
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  • LOOK, -HE GOT ME FAIR ANDSCARE. -IT WAS SO GOOD BECAUSE
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  • I KEPT GOING, THE MARKETING GUYSARE GOING, MAN, I DON'T KNOW IF
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  • I'D PUT JERRY UNDER THERE, MAN,HE'S THE CEO. HE DETERMINES HOW
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  • MUCH BUDGET YOU GET, AND BLAH,BLAH, BLAH. I SAID, DUDE, HE'S
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  • THE ONLY CAT I WANT UNDER THATTABLE. SO THE 2 GUYS DIDN'T
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  • KNOW, BUT THE 3RD GUY KNEW THATHAD THE PIE. AND IT PULLED IT
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  • OFF, HE SCREAMED, -OH IT WAS.-IT WAS A HIGHLIGHT. BUT THAT'S
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  • THE KIND OF RELATIONSHIP WE HAD,WHERE WE COULD HAVE FUN WITH
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  • EACH OTHER. -AL IS QUITE THEPRACTICAL JOKER, BUT HE ALSO
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  • WROTE MANY HEARTFELT ANDPOIGNANT SONGS LIKE “TAKE ME TO
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  • THE CROSS”. -OH, MY GOSH. NOWTHIS WAS A FUN SONG TO WRITE.
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  • “TAKE ME TO THE CROSS” I WASREADING THIS BILLY GRAHAM
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  • MAGAZINE ‘DECISION' IT WAS ASTORY ABOUT A LITTLE GIRL WHO'S
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  • IN A GROCERY STORE AND SHE GETSLOST FROM HER DAD. SO, THE STORY
  • 00:06:16.629 --> 00:06:19.932
  • KIND OF SAYS DAD LEFT HER AT THEGROCERY STORE. YOU KNOW, MY
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  • PARENTS USED TO DO THAT TO ME ALOT. THEY SAID IT'S BY ACCIDENT,
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  • BUT ANYWAY, I WAS AT THE STOREALL OF THE TIME. SO, I STARTED
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  • READING IT CUZ IT CAUGHT MYATTENTION. AND IT WAS THIS 3
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  • YEAR OLD LITTLE GIRL WHO GETSLOST. SHE THINKS SHE KNOWS WHERE
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  • SHE IS, LITTLE SMALL TOWN, SHEWALKS OUT OF THE STORE AND
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  • INSTEAD OF TURNING RIGHT SHETURNED LEFT. SHE WAS WALKING
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  • HOME, SHE REALIZES SHE'S TOTALLYLOST. SOME MAN SEES HER IN THE
  • 00:06:37.082 --> 00:06:40.386
  • FRONT YARD, BRINGS HER UP ANDTHEY START TALKING. HE'S TRYING
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  • TO FIND OUT HER ADDRESS, HERPHONE NUMBER. SHE'S 3, SHE
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  • DOESN'T KNOW ANYTHING. SO,THEY'RE GONNA GO CALL THE COPS
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  • THE STORY SAYS. AND THE MAN, THELITTLE GIRL SAID, MISTER, I
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  • REMEMBER WHAT MY DAD SAID TO DOIF I EVER GOT LOST. HE SAID
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  • WHAT'S THAT? SHE SAID, MISTER,WHERE I LIVE, AT THE END OF MY
  • 00:06:54.567 --> 00:06:57.036
  • STREET THERE'S THIS BIG OLDCHURCH AND ON TOP OF THIS CHURCH
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  • THERE'S THIS REAL TALL STEEPLE.MISTER, ON TOP OF THE STEEPLE
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  • THERE'S THIS CROSS. AND THEN SHESAID, MISTER, IF YOU CAN JUST
  • 00:07:01.874 --> 00:07:06.445
  • TAKE ME TO THAT CROSS, I CANFIND MY WAY HOME. AND I SAID,
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  • MAN, THERE'S A SONG THERE. YOUKNOW WHAT I'M SAYING? SO, I PUT
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  • IT ALL OUT. I WROTE THE MUSICREAL FAST AND I TOOK THE WHOLE
  • 00:07:14.753 --> 00:07:17.122
  • STORY, AND WHEN I GOT DONE I HADA VERSE AND A CHORUS AND THE
  • 00:07:17.156 --> 00:07:19.592
  • STORY WAS OVER, SO I SAID, I'VEGOT TO HAVE MORE THAN THIS IN A
  • 00:07:19.625 --> 00:07:22.661
  • SONG, SO I WROTE A SECOND VERSEAND KIND OF HAD THE GIRL GO AWAY
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  • FROM GOD. THEN I WROTE A 3RDVERSE, I GAVE HER KIDS, I MEAN,
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  • I HOOKED HER UP, I TOOK CARE OFHER. SO IT ENDED UP BEING A
  • 00:07:28.133 --> 00:07:30.202
  • REALLY, REALLY FUN SONG TOWRITE. THAT MAKE SENSE? NOW THAT
  • 00:07:30.236 --> 00:07:33.739
  • SONG, WHEN I SING THAT SONG ALLTHE TIME, THAT'S A BLAST. I
  • 00:07:33.772 --> 00:07:37.376
  • ABSOLUTELY LOVE SINGING THATSONG.
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  • [MUSIC]
  • 00:07:39.712 --> 00:07:50.523
  • ♪ SHE'S DADDY'SLITTLE GIRL ♪
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  • ♪ ONLY THREE YEARS OLD
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  • ♪ ALL DRESSED UP IN HERSUNDAY CLOTHES ♪
  • 00:07:56.462 --> 00:08:01.233
  • ♪ DADDY HELD HER HAND ONBENDED KNEE ♪
  • 00:08:01.267 --> 00:08:07.306
  • ♪ HE SAID I NEED TOSHOW YOU HOW ♪
  • 00:08:07.339 --> 00:08:11.544
  • ♪ TO FIND YOUR WAYHOME ♪
  • 00:08:11.577 --> 00:08:23.255
  • ♪ AS THEY WALKED ALONG
  • 00:08:23.289 --> 00:08:26.058
  • ♪ HOWSWEET THE SOUND ♪
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  • ♪ CHURCH BELLS RINGIN'PEOPLE GATHERED 'ROUND ♪
  • 00:08:29.662 --> 00:08:34.934
  • ♪ HE SAID REMEMBERTHIS CHURCH ♪
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  • ♪ ANDTHE CROSS WAY UP THERE ♪
  • 00:08:37.303 --> 00:08:39.672
  • ♪ SWEETHEART, IF YOUEVER GET LOST ♪
  • 00:08:39.705 --> 00:08:44.343
  • ♪ SAY TAKE ME TO THE CROSS
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  • ♪ HIGHUPON A STEEPLE ♪
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  • ♪ ONE WHERE JESUSDIED ♪
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  • ♪ FOR ALL THE LOST PEOPLE
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  • ♪ IFYOU CAN'T FIND HOME ♪
  • 00:08:55.521 --> 00:09:00.759
  • ♪ KNOW YOU'RENOT ALONE ♪
  • 00:09:00.793 --> 00:09:06.332
  • ♪ TAKE ME TO THE CROSS
  • 00:09:06.365 --> 00:09:18.377
  • ♪ AS THE YEARS WENT BY
  • 00:09:18.410 --> 00:09:20.980
  • ♪ DADDY'SLITTLE GIRL ♪
  • 00:09:21.013 --> 00:09:24.450
  • ♪ LOST HERSELF OUT INA BIG, BIG WORLD ♪
  • 00:09:24.483 --> 00:09:29.555
  • ♪ AND ON THE DAY
  • 00:09:29.588 --> 00:09:32.224
  • ♪ THAT HER DADDY,HE DIED ♪
  • 00:09:32.257 --> 00:09:36.762
  • ♪ SHE SAIDI NEED TO KNOW WHY ♪
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  • ♪ SOMEONE TAKEME TO THE CROSS ♪
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  • ♪ HIGH UPON ASTEEPLE ♪
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  • ♪ THE ONE WHEREJESUS DIED ♪
  • 00:09:47.172 --> 00:09:49.541
  • ♪ FOR ALL THELOST PEOPLE ♪
  • 00:09:49.575 --> 00:09:52.244
  • ♪ IF YOUCAN'T FIND HOME ♪
  • 00:09:52.277 --> 00:09:57.549
  • ♪ KNOW YOU'RE NOTALONE ♪
  • 00:09:57.583 --> 00:10:03.188
  • ♪ TAKE ME TO THE CROSS
  • 00:10:03.222 --> 00:10:18.904
  • ♪ NOWTHAT SAME LITTLE GIRL ♪
  • 00:10:18.937 --> 00:10:22.908
  • ♪ THIRTYYEARS GONE BY ♪
  • 00:10:22.941 --> 00:10:26.612
  • ♪ SHE STILL KNOWSHER DADDY'S BY HER SIDE ♪
  • 00:10:26.645 --> 00:10:32.618
  • ♪ SO SHERAISES A LITTLE BOY ♪
  • 00:10:32.651 --> 00:10:35.621
  • ♪ IN HERFATHER'S WAY ♪
  • 00:10:35.654 --> 00:10:40.225
  • ♪ AND SHE SMILES
  • 00:10:40.259 --> 00:10:42.528
  • ♪ WHENSHE HEARS HER SON SAY ♪
  • 00:10:42.561 --> 00:10:47.132
  • ♪ HEY, MOM, COULDTAKE ME TO THAT CROSS ♪
  • 00:10:47.166 --> 00:10:52.304
  • ♪ HIGHUPON A STEEPLE ♪
  • 00:10:52.337 --> 00:10:55.474
  • ♪ THE ONE WHEREJESUS DIED ♪
  • 00:10:55.507 --> 00:10:57.876
  • ♪ FOR ALL THE LOSTPEOPLE ♪
  • 00:10:57.910 --> 00:11:00.913
  • ♪ IF YOU CAN'T FIND HOME
  • 00:11:00.946 --> 00:11:06.151
  • ♪ KNOW YOU'RE NOT ALONE
  • 00:11:06.185 --> 00:11:11.457
  • ♪ REMEMBERTHE CROSS ♪
  • 00:11:11.490 --> 00:11:14.526
  • ♪ HIGH UPON A STEEPLE
  • 00:11:14.560 --> 00:11:17.096
  • ♪ THE ONE WHERE JESUS DIED
  • 00:11:17.129 --> 00:11:19.698
  • ♪ FOR ALLTHE LOST PEOPLE ♪
  • 00:11:19.732 --> 00:11:22.568
  • ♪ IF YOU CAN'TFIND HOME ♪
  • 00:11:22.601 --> 00:11:28.240
  • ♪ KNOW YOU'RE NOT ALONE
  • 00:11:28.273 --> 00:11:34.279
  • ♪ MAMA, TAKE METO THE CROSS ♪
  • 00:11:34.313 --> 00:11:41.620
  • ♪ MAMA,TAKE ME TO THE CROSS ♪
  • 00:11:41.653 --> 00:11:46.625
  • ♪ MY GRANDMASAID ONE DAY ♪
  • 00:11:46.658 --> 00:11:49.628
  • ♪ I COULD MEET THEMTHERE ♪
  • 00:11:49.661 --> 00:11:57.269
  • [MUSIC]
  • 00:11:57.302 --> 00:12:08.013
  • THE NEW CCMUNITED “MUSIC, MOMENTS &
  • 00:12:08.046 --> 00:12:12.017
  • MEMORIES” FEATURING MORE CCMHITS YOU GREW UP WITH LIKE PHIL
  • 00:12:12.050 --> 00:12:15.187
  • KEAGGY'S “WHAT A DAY”, CLAYCROSSE'S “I SURRENDER ALL” AL
  • 00:12:15.220 --> 00:12:19.224
  • DENSON “BE THE ONE”, EDDIEDEGARMO OF DEGARMO AND KEY'S
  • 00:12:19.258 --> 00:12:23.629
  • “ROCK SOLID”, WES KING'S “THEROBE”. TWENTY OF THE BIGGEST CCM
  • 00:12:23.662 --> 00:12:29.034
  • SONGS SUNG BY THE ARTISTS WHOMADE THEM FAMOUS AVAILABLE IN A
  • 00:12:29.067 --> 00:12:32.471
  • DOUBLE CD AND DVD FOR A GIFT OF$39 OR MORE TO TBN. SIMPLY CALL
  • 00:12:32.504 --> 00:12:38.610
  • THE NUMBER ON YOUR SCREEN OR GOONLINE. “MUSIC, MOMENTS &
  • 00:12:38.644 --> 00:12:43.715
  • MEMORIES” THE AUDIO DOUBLE CD ISOUR GIFT AS YOU GIVE YOUR BEST
  • 00:12:43.749 --> 00:12:47.786
  • GIFT TO TBN AND ITS GLOBALOUTREACH. THE CD AND DVD ARE
  • 00:12:47.820 --> 00:12:52.457
  • BOTH YOURS FOR YOUR GIFT OF $39OR MORE. HELP TAKE THE MESSAGE
  • 00:12:52.491 --> 00:12:56.929
  • OF HOPE AND GRACE AROUND THEWORLD. CALL THE NUMBER ON YOUR
  • 00:12:56.962 --> 00:13:01.166
  • SCREEN OR GO ONLINE AND REQUESTYOUR COPY NOW.
  • 00:13:01.200 --> 00:13:06.004
  • [MUSIC]
  • 00:13:06.038 --> 00:13:12.010
  • JACKIE VELASQUEZ: WELCOME BACK!AL'S RECORD LABEL CHOSE HIM TO
  • 00:13:12.044 --> 00:13:14.613
  • BE THE SPOKESPERSON FOR THEWORLD FOOD BANK VIDEO. LABEL
  • 00:13:14.646 --> 00:13:18.450
  • MATE EDDIE DEGARMO TOLD AL WHATAN HONOR THIS WAS. SO, THE IDEA
  • 00:13:18.483 --> 00:13:24.022
  • IS YOU TAKE YOUR SCRAPS OFLEFTOVER FOOD OFF YOUR PLATE AND
  • 00:13:24.056 --> 00:13:28.493
  • WRAP THEM IN ALUMINUM FOIL TO BELATER FREEZE-DRIED AND SHIPPED
  • 00:13:28.527 --> 00:13:32.264
  • ALL OVER THE WORLD TO THE POORVIA A DROP BOX. AS AL WAS
  • 00:13:32.297 --> 00:13:37.369
  • READING THE CUE CARD LINES, ONEMAN'S LEFTOVERS IS ANOTHER MAN'S
  • 00:13:37.402 --> 00:13:41.707
  • ENTRÉE, HE STARTED TO THINKMAYBE THE TABLES OF PRACTICAL
  • 00:13:41.740 --> 00:13:46.812
  • JOKING HAD BEEN TURNED ON HIM.-I JUST LOOKED AT THE CAMERA
  • 00:13:46.845 --> 00:13:50.015
  • PEOPLE AND THE PRODUCER GUY,BECAUSE I HAVEN'T SEEN ANYBODY I
  • 00:13:50.048 --> 00:13:52.751
  • KNOW. THESE ARE ALL JUST PEOPLE,LIKE, PEOPLE I DON'T KNOW. I
  • 00:13:52.784 --> 00:13:54.987
  • SAID, MAN, THIS REALLY JUSTFEELS LIKE A JOKE. YOU KNOW? I'M
  • 00:13:55.020 --> 00:13:59.725
  • TALKING TO YOU, RIGHT. THISFEELS LIKE A JOKE. AND THEN THE
  • 00:13:59.758 --> 00:14:02.995
  • CAMERA GUY DROPS HIS CAMERA ANDGOES, DUDE, YOUR LABEL SAID YOU
  • 00:14:03.028 --> 00:14:06.331
  • WERE A SERIOUS ARTIST. THEY SAIDYOU CARE ABOUT PEOPLE. YOU THINK
  • 00:14:06.365 --> 00:14:09.001
  • THIS IS FUNNY? STARVING PEOPLE?AND I DIDN'T CARE WHAT THAT SIGN
  • 00:14:09.034 --> 00:14:12.604
  • SAID, I SAID PUT IT BACK UP,MAN. AND THEN I'M GOING, SO CALL
  • 00:14:12.638 --> 00:14:15.941
  • US AT 1-800-MEATLOAF. [LAUGHTER]-THAT'S WHAT IT WAS,
  • 00:14:15.974 --> 00:14:20.145
  • 1-800-MEATLOAF. -SO, I JUST GOTHAMMERED. SO, THEN IT ALL GETS
  • 00:14:20.178 --> 00:14:23.849
  • DONE. THEY COME OUT, THEY SAY,BLAH BLAH. AND I SAID WHAT'S
  • 00:14:23.882 --> 00:14:26.518
  • THIS UP? AND I SAID, MAN, Y'ALLSPENT ALL THIS MONEY, AND HERE'S
  • 00:14:26.551 --> 00:14:29.955
  • THE KICKER, SAID, YEAH, ANDJERRY TOOK IT OUT OF YOUR
  • 00:14:29.988 --> 00:14:33.125
  • MARKETING BUDGET. [LAUGHTER] SO,I ENDED UP PAYING FOR IT OUT OF
  • 00:14:33.158 --> 00:14:35.928
  • MY RECORD MARKETING BUDGET. SO,THEN I GET AN AWARD FOR “BE THE
  • 00:14:35.961 --> 00:14:38.964
  • ONE”. REMEMBER THAT? AND I'MGOING UP TO GET THE AWARD, AND
  • 00:14:38.997 --> 00:14:42.167
  • INSTEAD OF THE AWARD, WHAT DOYOU THINK HAPPENS? THE LIGHTS GO
  • 00:14:42.200 --> 00:14:45.304
  • OUT, BOOM, THERE COMES THATVIDEO. AND I WENT, WELL, THAT'S
  • 00:14:45.337 --> 00:14:49.608
  • NOT A GOOD DAY FOR ME. I KNEWWHAT I WAS GONNA SAY IF I WON, I
  • 00:14:49.641 --> 00:14:52.511
  • WAS ALL PREPARED, AND THEN IT'SLIKE, HEY, SO I WENT TO GET UP,
  • 00:14:52.544 --> 00:14:55.948
  • THEY'RE CLAPPING AND I GET UPAND ALL THE SUDDEN, THEN THE
  • 00:14:55.981 --> 00:14:57.916
  • SCREEN COMES UP, AND SAYS, HI,1-800-MEATLOAF. [LAUGHTER] I
  • 00:14:57.950 --> 00:15:03.255
  • MEAN, AND I PAID FOR ALL THAT.-WELL, YOU DON'T APPRECIATE
  • 00:15:03.288 --> 00:15:05.924
  • THINGS IF IT DON'T COST YOUSOMETHING. -EXACTLY RIGHT.
  • 00:15:05.958 --> 00:15:09.594
  • -YOU KNEW I APPRECIATED ITBECAUSE IT COST ME A DAY FLYNG
  • 00:15:09.628 --> 00:15:12.064
  • THERE. IT WAS HILARIOUS, MAN.BUT -SOMEWHERE IN THERE WE
  • 00:15:12.097 --> 00:15:15.100
  • MINISTERED A LITTLE AND SOLD ARECORD. -YEAH, WE SOLD A BUNCH
  • 00:15:15.133 --> 00:15:18.904
  • OF RECORDS. -IT WAS A LOT OFMUSIC. -IT WAS, OUR MISSION,
  • 00:15:18.937 --> 00:15:22.774
  • TOGETHER, BECAUSE YOU KNOW IT'S,BENSON CARED, AND I DON'T KNOW
  • 00:15:22.808 --> 00:15:27.746
  • THE OTHER LABEL, SO BENSON CAREDAS MUCH ABOUT THE MINISTRY OF
  • 00:15:27.779 --> 00:15:31.950
  • WHAT YOU DID. -PRACTICAL JOKINGASIDE, AL HAS HAD THE
  • 00:15:31.984 --> 00:15:35.520
  • OPPORTUNITY TO LIVE HIS DREAMS,SING HIS SONGS, AND WRITE
  • 00:15:35.554 --> 00:15:39.091
  • ANTHEMS LIKE “BE THE ONE”. -YOUKNOW, IT'S CRAZY WHEN YOU SING A
  • 00:15:39.124 --> 00:15:42.794
  • SONG OVER AND OVER AND OVER, INFACT, I HAD A LITTLE GIRL ASKED
  • 00:15:42.828 --> 00:15:46.965
  • ME ON THE WAY OVER HERE, DO YOUEVER GET TIRED OF SINGING THOSE
  • 00:15:46.999 --> 00:15:49.334
  • SONGS? AND I SAID, WELL, YEAHAND, NO, BECAUSE IT TAKES YOU
  • 00:15:49.368 --> 00:15:55.073
  • BACK TO WHERE YOU WERE. AND IFYOU'RE SINGING, AND YOU SING THE
  • 00:15:55.107 --> 00:15:59.144
  • SONGS THAT YOU LOVE AND THAT YOUWROTE AND THAT ARE A PART OF
  • 00:15:59.177 --> 00:16:01.780
  • YOU, YEAH, AT TIMES IT MAY FEELLIKE IT'S A LITTLE MORE JUST
  • 00:16:01.813 --> 00:16:06.785
  • SINGING A SONG, BUT AS YOU GETIN THAT SONG, FOR ME, EVERY TIME
  • 00:16:06.818 --> 00:16:11.089
  • IT TAKES ME BACK TO DIFFERENTPLACES. AND THOSE DIFFERENT
  • 00:16:11.123 --> 00:16:14.593
  • PLACES ARE ALL REALLY GOODPLACES. SO, YEAH, I LOVE SINGING
  • 00:16:14.626 --> 00:16:18.463
  • THE SONGS. IT'S CRAZY, I WAS ANARTIST OF RESIDENCE FOR YOUTH
  • 00:16:18.497 --> 00:16:23.235
  • FOR CHRIST. AND THERE WAS A GUYNAMED MARK GEVARD. AND HE WAS
  • 00:16:23.268 --> 00:16:26.338
  • LIKE ON THE YOUTH FOR CHRISTHEAD COMMITTEE. AND THEY WERE
  • 00:16:26.371 --> 00:16:28.874
  • GOING TO DO THIS BIG EVENT INWASHINGTON D.C. AND IN THEIR
  • 00:16:28.907 --> 00:16:31.643
  • MINDS THEY WANTED 50.000STUDENTS FROM ALL OVER AMERICA
  • 00:16:31.676 --> 00:16:34.980
  • TO COME. AND HE SAID I NEED ATHEME SONG. AND I SAID, ALL
  • 00:16:35.013 --> 00:16:39.084
  • RIGHT. SO, I TALKED TO DON COOKAND DAVE CLARK , WE SAT DOWN IN
  • 00:16:39.117 --> 00:16:42.154
  • THE ROOM IN MY HOUSE AND SAID WEGOT WRITE SOMETHING. SO, SURE
  • 00:16:42.187 --> 00:16:44.356
  • ENOUGH, OUT OF THAT SONG CAME“BE THE ONE”. AND IT WAS AMAZING
  • 00:16:44.389 --> 00:16:48.460
  • AND 1991 TO STAND THERE AND THEYHAD ABOUT 35.000 KIDS. AND WE
  • 00:16:48.493 --> 00:16:53.031
  • WERE OUT AT THE CAPITOL, THATMONUMENT, AND THEY WERE ALL OUT
  • 00:16:53.065 --> 00:16:55.700
  • THERE. TO SEE THEM SINGING THATSONG AND IT WAS COOL CUZ THE
  • 00:16:55.734 --> 00:16:58.837
  • RADIO STATIONS AND, YOU KNOW,EVERYBODY KIND OF GOT BEHIND IT
  • 00:16:58.870 --> 00:17:01.706
  • BECAUSE IT WAS A MANTRA FOR AMOVEMENT FOR THOSE STUDENTS. AND
  • 00:17:01.740 --> 00:17:06.545
  • I DON'T KNOW IF IT WAS THAT GOODA SONG, BUT I KNOW FOR THAT
  • 00:17:06.578 --> 00:17:09.781
  • MOMENT, FOR THAT TIME, GOD USEDTHAT SONG. AND I THINK AS
  • 00:17:09.815 --> 00:17:13.752
  • SONGWRITERS THAT'S WHAT YOUWANT. AT THE END OF THE DAY YOU
  • 00:17:13.785 --> 00:17:16.121
  • DON'T KNOW IF IT'S GONNA GO UPOR DOWN OR WHATEVER, BUT YOU
  • 00:17:16.154 --> 00:17:18.723
  • WRITE IT SO GOD CAN USE IT. ANDIT WAS NEAT TO SEE HIM USE THAT
  • 00:17:18.757 --> 00:17:21.593
  • SONG IN ALL THOSE STUDENTS FORTHAT ONE BIG EVENT. I MEAN, I
  • 00:17:21.626 --> 00:17:26.064
  • SAT AT A TABLE LAST NIGHT WITH ABUNCH OF ARTISTS THAT WERE
  • 00:17:26.098 --> 00:17:29.835
  • ARTISTS WHEN I WAS AN ARTIST.THEY'RE STILL ARTISTS, BUT, AND
  • 00:17:29.868 --> 00:17:33.905
  • I WAS ON THE END AND I COULD SEETHEM ALL TALKING, AND I PULLED
  • 00:17:33.939 --> 00:17:37.509
  • BACK FROM THE CONVERSATION ONPURPOSE JUST TO LOOK. AND I WAS
  • 00:17:37.542 --> 00:17:44.783
  • JUST BLESSED AT HOW MANY PEOPLEHAD TO HAVE COME TO CHRIST
  • 00:17:44.816 --> 00:17:51.590
  • BECAUSE OF ALL THOSE PEOPLE. ANDTHEN I THOUGHT AND I'M SITTING
  • 00:17:51.623 --> 00:17:55.060
  • THERE WITH THEM. AND IT JUSTTOTALLY BLESSED ME THAT SITTING
  • 00:17:55.093 --> 00:17:59.764
  • HERE WITH THEM, THEIR AREPARTNERSHIPS THAT WE HAD
  • 00:17:59.798 --> 00:18:04.035
  • TOGETHER, LIKE THIS, THAT AREFRIENDSHIPS FOR LIFE, THAT LAST
  • 00:18:04.069 --> 00:18:07.873
  • YOU, BUT THEY HAD A PART OF ALLOF IT, NOT JUST SOME OF IT. MAKE
  • 00:18:07.906 --> 00:18:12.110
  • SENSE? AND I WATCHED IT GOING,HEY, I REMEMBER SITTING IN THE
  • 00:18:12.144 --> 00:18:15.647
  • CROWD AFTER I SANG WATCHING THATGUY SING AND SEEING KIDS COME TO
  • 00:18:15.680 --> 00:18:22.120
  • CHRIST. AND I WANTED TO BE THEREWITH HIM.
  • 00:18:22.154 --> 00:18:27.592
  • [MUSIC]
  • 00:18:27.626 --> 00:18:30.362
  • YOU KNOW, DON
  • 00:18:30.395 --> 00:18:31.630
  • COOK, DAVE CLARK, AND MYSELF, WEWROTE THIS SONG FOR TEENAGERS.
  • 00:18:31.663 --> 00:18:35.033
  • AMD THE SONG WAS TO CHALLENGETEENAGERS TO TAKE A STAND FOR
  • 00:18:35.066 --> 00:18:37.536
  • CHRIST WHERE THEY WERE. TO TAKEA STAND AND TO BE THE ONE TO
  • 00:18:37.569 --> 00:18:42.641
  • SHOW THEIR FRIENDS JESUS.
  • 00:18:42.674 --> 00:18:45.076
  • [MUSIC]
  • 00:18:45.110 --> 00:18:48.647
  • ♪ IN A WORLD FULL OFBROKEN DREAMS ♪
  • 00:18:48.680 --> 00:18:55.654
  • ♪ WHERE THE TRUTH ISHARD TO FIND ♪
  • 00:18:55.687 --> 00:19:02.827
  • ♪ FOR EVERY PROMISETHAT IS KEPT ♪
  • 00:19:02.861 --> 00:19:06.932
  • ♪ THERE ARE MANY LEFTBEHIND ♪
  • 00:19:06.965 --> 00:19:13.638
  • ♪ AND THOUGH IT SEEMS THATNOBODY CARES ♪
  • 00:19:13.672 --> 00:19:20.545
  • ♪ IT STILL MATTERSWHAT YOU WILL DO ♪
  • 00:19:20.579 --> 00:19:27.919
  • ♪ CAUSE THERE'S ADIFFERENCE YOU CAN MAKE ♪
  • 00:19:27.953 --> 00:19:31.957
  • ♪ BUT THE CHOICE ISTO YOU AND YOU AND YOU ♪
  • 00:19:31.990 --> 00:19:41.233
  • ♪ WILL YOU BE THE ONE
  • 00:19:41.266 --> 00:19:43.068
  • ♪ TO ANSWER TOHIS CALL ♪
  • 00:19:43.101 --> 00:19:47.672
  • ♪ WILL YOU STAND WHENTHOSE AROUND YOU FALL ♪
  • 00:19:47.706 --> 00:19:54.312
  • ♪ WILL YOUBE THE ONE ♪
  • 00:19:54.346 --> 00:19:57.315
  • ♪ TO TAKE HIS LIGHTINTO A DARKENED WORLD ♪
  • 00:19:57.349 --> 00:20:04.356
  • ♪ OH, TELLME WILL YOU BE THE ONE ♪
  • 00:20:04.389 --> 00:20:20.472
  • ♪ OH, SOMETIMES IT'S SO HARDTO KNOW ♪
  • 00:20:20.505 --> 00:20:26.778
  • ♪ WHO IS RIGHT ANDWHAT IS WRONG ♪
  • 00:20:26.811 --> 00:20:33.852
  • ♪ AND WHERE AREYOU SUPPOSED STAND ♪
  • 00:20:33.885 --> 00:20:37.922
  • ♪ WHEN THE BATTLELINES ARE DRAWN ♪
  • 00:20:37.956 --> 00:20:44.629
  • ♪ THERE'S A VOICE THAT KEEPSCALLING OUT ♪
  • 00:20:44.663 --> 00:20:49.734
  • ♪ HE'S CALLING RIGHTHERE ♪
  • 00:20:49.768 --> 00:20:52.003
  • ♪ FOR SOMEONE WHO'S NOTAFRAID ♪
  • 00:20:52.037 --> 00:20:58.843
  • ♪ TO BE THE BEACON IN THENIGHT ♪
  • 00:20:58.877 --> 00:21:02.881
  • ♪ TO A WORLD THAT'S LOST ITSWAY ♪
  • 00:21:02.914 --> 00:21:11.222
  • ♪ WILL YOU BE THE ONE
  • 00:21:11.256 --> 00:21:14.225
  • ♪ TOANSWER TO HIS CALL ♪
  • 00:21:14.259 --> 00:21:18.530
  • ♪ AND WILL YOUSTAND ♪
  • 00:21:18.563 --> 00:21:21.166
  • ♪ WHEN THOSE AROUNDYOU FALL ♪
  • 00:21:21.199 --> 00:21:25.103
  • ♪ WILL YOU BE THE ONE
  • 00:21:25.136 --> 00:21:28.340
  • ♪ TO TAKE HIS LIGHTINTO A DARKENED WORLD ♪
  • 00:21:28.373 --> 00:21:35.647
  • ♪ TELLME WILL YOU BE THE ONE ♪
  • 00:21:35.680 --> 00:21:43.855
  • ♪ YEAH, THELORD PROVIDES THE POWER ♪
  • 00:21:43.888 --> 00:21:47.692
  • ♪ FOR METO STAND AND SAY ♪
  • 00:21:47.726 --> 00:21:54.099
  • ♪ YES, I'LL BETHE ONE ♪
  • 00:21:54.132 --> 00:21:57.102
  • ♪ TO ANSWER TO HIS CALL
  • 00:21:57.135 --> 00:22:01.106
  • ♪ AND I WILL STAND WHEN THOSEAROUND ME FALL ♪
  • 00:22:01.139 --> 00:22:08.012
  • ♪ I WILL BE THE ONE
  • 00:22:08.046 --> 00:22:11.249
  • ♪ THAT WILL TAKE HIS LIGHT INTOA DARKENED WORLD ♪
  • 00:22:11.282 --> 00:22:22.594
  • ♪ WILL YOU BE THEONE ♪
  • 00:22:22.627 --> 00:22:25.830
  • ♪ WILL YOU BE THE ONE
  • 00:22:25.864 --> 00:22:30.435
  • ♪ WILL YOUBE THE ONE TO SAY ♪
  • 00:22:30.468 --> 00:22:33.772
  • ♪ I WILL BE THATONE ♪
  • 00:22:33.805 --> 00:22:49.454
  • [MUSIC]
  • 00:22:49.487 --> 00:23:10.909
  • THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
  • 00:23:10.942 --> 00:23:14.913
  • FEATURING MORE CCM HITS YOU GREWUP WITH LIKE PHIL KEAGGY'S “WHAT
  • 00:23:14.946 --> 00:23:18.550
  • A DAY”, CLAY CROSSE'S “ISURRENDER ALL” AL DENSON “BE THE
  • 00:23:18.583 --> 00:23:23.621
  • ONE”, EDDIE DEGARMO OF DEGARMOAND KEY'S “ROCK SOLID”, WES
  • 00:23:23.655 --> 00:23:28.159
  • KING'S “THE ROBE”. TWENTY OF THEBIGGEST CCM SONGS SUNG BY THE
  • 00:23:28.193 --> 00:23:32.997
  • ARTISTS WHO MADE THEM FAMOUSAVAILABLE IN A DOUBLE CD AND DVD
  • 00:23:33.031 --> 00:23:36.801
  • FOR A GIFT OF $39 OR MORE TOTBN. SIMPLY CALL THE NUMBER ON
  • 00:23:36.835 --> 00:23:42.373
  • YOUR SCREEN OR GO ONLINE.“MUSIC, MOMENTS & MEMORIES” THE
  • 00:23:42.407 --> 00:23:47.412
  • AUDIO DOUBLE CD IS OUR GIFT ASYOU GIVE YOUR BEST GIFT TO TBN
  • 00:23:47.445 --> 00:23:51.916
  • AND ITS GLOBAL OUTREACH. THE CDAND DVD ARE BOTH YOURS FOR YOUR
  • 00:23:51.950 --> 00:23:56.721
  • GIFT OF $39 OR MORE. HELP TAKETHE MESSAGE OF HOPE AND GRACE
  • 00:23:56.754 --> 00:24:00.925
  • AROUND THE WORLD. CALL THENUMBER ON YOUR SCREEN OR GO
  • 00:24:00.959 --> 00:24:04.629
  • ONLINE AND REQUEST YOUR COPYNOW.
  • 00:24:04.662 --> 00:24:08.800
  • [MUSIC]
  • 00:24:08.833 --> 00:24:15.006
  • JACKIE VELASQUEZ:THANK YOU SO MUCH FOR
  • 00:24:15.039 --> 00:24:15.974
  • JOINING US. WE HOPE YOU'VE BEEN
  • 00:24:16.007 --> 00:24:17.308
  • ENTERTAINED AND UPLIFTED BYHEARING ABOUT THE AMAZING
  • 00:24:17.342 --> 00:24:20.078
  • JOURNEY OF AL DENSON. AL'STENDER HEART AND BEING A MUCHO
  • 00:24:20.111 --> 00:24:23.781
  • SEASONED PRACTICAL JOKER ISQUITE THE COMBO. PLEASE JOIN US
  • 00:24:23.815 --> 00:24:27.719
  • NEXT TIME FOR MORE AMAZINGSTORIES ABOUT YOUR FAVORITE
  • 00:24:27.752 --> 00:24:30.188
  • LEGENDARY CCM ARTISTS. GOD BLESSYOU AND WE'LL SEE YOU SOON.
  • 00:24:30.221 --> 00:24:34.726
  • -NOW THANKS TO THE LATESTMICROWAVE FREEZER TECHNOLOGY,
  • 00:24:34.759 --> 00:24:37.228
  • THE WORLD FOOD BANK CAN QUICKLYFREEZE AND DRY SHIP TO ALL THE
  • 00:24:37.262 --> 00:24:40.999
  • COUNTRIES ALL OVER THE GLOBE.THAT'S RIGHT! THIS CAN'T BE
  • 00:24:41.032 --> 00:24:44.736
  • RIGHT. WE WANT YOUR LEFTOVERS.OKAY, THAT'S RIGHT, WE WANT YOUR
  • 00:24:44.769 --> 00:24:47.772
  • LEFTOVERS. ONE MAN'S LEFTOVERSARE ANOTHER MAN'S ENTRÉE.
  • 00:24:47.805 --> 00:24:52.343
  • [CHUCKLES] I'LL TELL YOU THIS,RICK, I KNOW YOU'RE SLICK, BUT
  • 00:24:52.377 --> 00:24:55.313
  • THIS JUST FEELS LIKE IT'S AJOKE. THAT'S 1-800-MEATLOAF.
  • 00:24:55.346 --> 00:25:05.056
  • REMEMBER. -WE GOT HIM![LAUGHTER] -I KNEW IT! I KNEW
  • 00:25:05.089 --> 00:25:10.862
  • IT, MAN! [LAUGHTER]
  • 00:25:10.895 --> 00:25:14.499
  • ♪ REMEMBER THECROSS ♪
  • 00:25:14.532 --> 00:25:17.435
  • ♪ HIGH UPON A STEEPLE
  • 00:25:17.468 --> 00:25:20.138
  • ♪ THEONE WHERE JESUS DIED ♪
  • 00:25:20.171 --> 00:25:22.640
  • ♪ FOR ALL THELOST PEOPLE ♪
  • 00:25:22.674 --> 00:25:25.743
  • ♪ IF YOU CAN'T FINDHOME ♪
  • 00:25:25.777 --> 00:25:31.683
  • ♪ KNOW YOU'RE NOT ALONE
  • 00:25:31.716 --> 00:25:37.288
  • ♪ MAMA,TAKE ME TO THE CROSS ♪
  • 00:25:37.322 --> 00:25:44.362
  • ♪ MAMA, TAKEME TO THE CROSS ♪
  • 00:25:44.395 --> 00:25:49.467
  • ♪ MY GRANDMA SAID ONEDAY I COULD MEET THEM THERE ♪
  • 00:25:49.500 --> 00:25:55.907
  • [MUSIC]
  • 00:25:55.940 --> 00:26:05.817
  • FOLLOWING THE SUCCESSFULRELEASE OF CCM UNITED “WE WILL
  • 00:26:05.850 --> 00:26:09.454
  • STAND” COMES THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
  • 00:26:09.487 --> 00:26:13.825
  • FEATURING MORE CCM HITS YOU GREWUP WITH LIKE PHIL KEAGGY'S “WHAT
  • 00:26:13.858 --> 00:26:19.130
  • A DAY”, CLAY CROSSE'S “ISURRENDER ALL” AL DENSON “BE THE
  • 00:26:19.163 --> 00:26:23.735
  • ONE”, EDDIE DEGARMO OF DEGARMOAND KEY'S “ROCK SOLID”, WES
  • 00:26:23.768 --> 00:26:28.239
  • KING'S “THE ROBE”. FOR THE ROBETWENTY OF THE BIGGEST CCM SONGS
  • 00:26:28.272 --> 00:26:36.381
  • SUNG BY THE ARTISTS WHO MADETHEM FAMOUS AVAILABLE IN A
  • 00:26:36.414 --> 00:26:39.450
  • DOUBLE CD AND DVD FOR A GIFT OF$39 OR MORE TO TBN. CALL NOW!
  • 00:26:39.484 --> 00:26:45.890
  • DON'T MISS THIS COLLECTION OFCCM'S BEST LOVED SONGS THAT
  • 00:26:45.923 --> 00:26:50.862
  • HONOR OUR LORD JESUS CHRIST.AVAILABLE EXCLUSIVELY TO TBN
  • 00:26:50.895 --> 00:26:54.766
  • VIEWERS DURING THIS SPECIALPRESENTATION. SIMPLY CALL THE
  • 00:26:54.799 --> 00:26:59.303
  • NUMBER ON YOUR SCREEN OR GOONLINE. “MUSIC, MOMENTS &
  • 00:26:59.337 --> 00:27:03.941
  • MEMORIES” THE AUDIO DOUBLE CD ISOUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:03.975 --> 00:27:08.312
  • GIFT TO TBN AND ITS GLOBALOUTREACH. THE CD AND DVD ARE
  • 00:27:08.346 --> 00:27:12.717
  • BOTH YOURS FOR YOUR GIFT OF $39OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.750 --> 00:27:17.188
  • OF HOPE AND GRACE AROUND THEWORLD. CALL THE NUMBER ON YOUR
  • 00:27:17.221 --> 00:27:20.692
  • SCREEN OR GO ONLINE AND REQUESTYOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.725 --> 00:27:25.263
  • TO THE KING LET THE WHOLE WORLDSING
  • 00:27:25.296 --> 00:27:28.332