Praise l Israel Tour | 6/18/18 | TBN

Praise l Israel Tour | 6/18/18

Watch Praise l Israel Tour | 6/18/18
June 18, 2018
58:01

Matt & Laurie Crouch host Bethel Music's Brian Johnson, Leah Valenzuela and Bethany Wohrle from Jerusalem, Israel with music by Bethel Music.

Closed captions

Praise l Israel Tour | 6/18/18

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  • - BETHEL MUSIC, IT'S A GLOBAL THING NOW.
  • 00:00:01.090 --> 00:00:03.200
  • - WORSHIP IS NOT A MEANS TO GET UP AND SPEAK.
  • 00:00:03.220 --> 00:00:06.260
  • IT IS LIKE THE MAIN THING.
  • 00:00:06.280 --> 00:00:09.010
  • - YOU COULD JUST FEEL THE PRESENCE OF GOD COME
  • 00:00:09.030 --> 00:00:10.270
  • OVER IN THE ROOM.
  • 00:00:10.290 --> 00:00:12.220
  • - THE PRESENCE OF GOD IN WORSHIP HAS ALWAYS BEEN A
  • 00:00:12.240 --> 00:00:14.230
  • PART OF WHAT WE DO.
  • 00:00:14.250 --> 00:00:16.290
  • - WE NEEDED TO START A LABEL TO KIND OF HOLD
  • 00:00:17.010 --> 00:00:19.070
  • WHAT GOD WAS GIVING US.
  • 00:00:19.090 --> 00:00:21.160
  • - WORSHIP NO MATTER WHAT, AND THAT BRINGS YOU
  • 00:00:21.180 --> 00:00:23.180
  • OUT OF PLACES OF TORMENT AND OUT OF FEAR AND JUST
  • 00:00:23.200 --> 00:00:26.100
  • BRINGING YOUR EYES TO JESUS.
  • 00:00:26.120 --> 00:00:29.050
  • - IT WAS REALLY REALLY POWERFUL MOMENT THAT
  • 00:00:29.070 --> 00:00:32.030
  • HAPPENED IN THE ROOM.
  • 00:00:32.050 --> 00:00:33.210
  • - EACH OF US HAVE OUR TESTIMONIES, WHAT I'VE
  • 00:00:33.230 --> 00:00:35.230
  • BEEN THROUGH, YOU KNOW.
  • 00:00:35.250 --> 00:00:37.120
  • BUT IT ALSO GIVES ME WORDS WHETHER IT'S A SONG
  • 00:00:37.140 --> 00:00:39.020
  • IT'S GREAT TO BE ABLE TO GIVE IT BACK TO HIM.
  • 00:00:39.040 --> 00:00:41.150
  • [ MUSIC ]
  • 00:00:41.170 --> 00:00:45.030
  • - ANNOUNCER: BETHEL MUSIC IS A DOVE AWARD
  • 00:00:45.050 --> 00:00:46.200
  • WINNING AMERICAN WORSHIP GROUP COULD FOUNDED BY
  • 00:00:46.220 --> 00:00:48.240
  • BRIAN AND JEN JOHNSON IN 2001.
  • 00:00:48.260 --> 00:00:50.290
  • IT BEGAN AS A RELATIVELY SMALL LOCAL MINISTRY OUT
  • 00:00:51.010 --> 00:00:54.110
  • OF REDDING, CALIFORNIA'S BETHEL CHURCH.
  • 00:00:54.130 --> 00:00:56.130
  • HOWEVER, BETWEEN 2009 AND 2013 BETHEL MUSIC RAPIDLY
  • 00:00:56.150 --> 00:00:59.190
  • GREW INTO A FULL FLEDGE RECORD LABEL, PUBLISHER,
  • 00:00:59.210 --> 00:01:03.260
  • AND WORLDWIDE TOURING COMPANY FEATURING AN
  • 00:01:03.280 --> 00:01:07.100
  • ARTIST COLLECTIVE OF SONG WRITERS AND
  • 00:01:07.120 --> 00:01:09.200
  • WORSHIP LEADERS.
  • 00:01:09.220 --> 00:01:11.100
  • BETHEL'S PASSION IS FOR RAISING UP WORSHIPPERS
  • 00:01:11.120 --> 00:01:13.070
  • WHO TAKE HOLD OF THEIR TRUE IDENTITY AND PURSUE
  • 00:01:13.090 --> 00:01:16.120
  • INTIMACY WITH GOD ABOVE ALL ELSE.
  • 00:01:16.140 --> 00:01:18.210
  • THEY HAVE PRODUCED SEVERAL ALBUMS THAT HAVE
  • 00:01:18.230 --> 00:01:21.060
  • INFLUENCED THE CULTURE OF WORSHIP ACROSS THE GLOBAL
  • 00:01:21.080 --> 00:01:23.140
  • CHURCH WITH ANTHEMS SUCH AS THIS IS AMAZING GRACE,
  • 00:01:23.160 --> 00:01:27.050
  • NO LONGER SLAVES, AND ONE THING REMAINS.
  • 00:01:27.070 --> 00:01:31.160
  • - BRIAN JOHNSON: ONE OF THE MAIN THINGS IS WE'RE
  • 00:01:32.280 --> 00:01:35.030
  • ALL ABOUT THE PRESENCE AND WORSHIP, SO IT'S NOT
  • 00:01:35.050 --> 00:01:38.010
  • LIKE SONG THAT'S PREPARING FOR A MESSAGE
  • 00:01:38.030 --> 00:01:40.240
  • OR SONG THAT'S IN BETWEEN.
  • 00:01:40.260 --> 00:01:43.170
  • IT'S JUST LIKE WE HAVE THESE LONG WORSHIP SETS
  • 00:01:43.190 --> 00:01:45.140
  • WHERE ANYTHING CAN HAPPEN, LIKE THE SKY IS
  • 00:01:45.160 --> 00:01:47.060
  • THE LIMIT, THAT FEELING OF LIKE THERE'S GOING TO
  • 00:01:47.080 --> 00:01:49.210
  • BE BREAKTHROUGH TODAY IN WORSHIP.
  • 00:01:49.230 --> 00:01:50.270
  • AND WE'VE SEEN THESE MOMENTS WHERE YOU'LL GET
  • 00:01:50.290 --> 00:01:52.050
  • A MELODY, CALL IT A MELODY FROM HEAVEN,
  • 00:01:52.070 --> 00:01:56.030
  • WHATEVER YOU WANT, SINGING IN THE KEY OF
  • 00:01:56.050 --> 00:01:57.270
  • GOD, YOU KNOW.
  • 00:01:57.290 --> 00:01:59.200
  • I'VE HEARD THAT BE USED BY ONE OF OUR TEAM, KIND
  • 00:01:59.220 --> 00:02:01.150
  • OF COINED THAT PHRASE SINGING IN THE KEY OF GOD.
  • 00:02:01.170 --> 00:02:03.100
  • SOMETHING HAPPENS WHERE IT'S LIKE HEAVEN INVADES
  • 00:02:03.120 --> 00:02:05.200
  • A MOMENT AND YOU'RE JOINING IN THAT MOMENT,
  • 00:02:05.220 --> 00:02:09.110
  • AND LIKE A LOT OF THE MELODIES AND INITIAL
  • 00:02:09.130 --> 00:02:11.240
  • SPARKS ARE COMING FROM THOSE MOMENTS IN WORSHIP,
  • 00:02:11.260 --> 00:02:14.180
  • IN THE SPONTANEOUS WORSHIP.
  • 00:02:14.200 --> 00:02:16.120
  • AND OUT OF THAT, YOU KNOW, STEWARDING
  • 00:02:16.140 --> 00:02:20.190
  • THOSE MOMENTS.
  • 00:02:20.210 --> 00:02:23.060
  • AND I THINK THE COMBINATION OF CAPTURING
  • 00:02:23.080 --> 00:02:24.220
  • THE MOMENTS IN THE PRESENCE OF GOD BECAUSE
  • 00:02:24.240 --> 00:02:27.090
  • IT'S THICK, YOU KNOW, AND THEN STEWARDING THOSE
  • 00:02:27.110 --> 00:02:29.250
  • MOMENTS SO THAT THE WHOLE CHURCH CAN ACTUALLY SING
  • 00:02:29.270 --> 00:02:32.060
  • BASICALLY KIND OF SING THAT MOMENT, YOU KNOW.
  • 00:02:32.080 --> 00:02:34.070
  • THERE'S SO MANY SONGS WHERE YOU GET TESTIMONIES
  • 00:02:34.090 --> 00:02:36.230
  • OF LIKE, I WAS SINGING THIS SONG AND PEOPLE GOT
  • 00:02:36.250 --> 00:02:40.080
  • HEALED IN THE SERVICE, AND YOU CAN'T HELP BUT
  • 00:02:40.100 --> 00:02:42.090
  • SIT THERE AND GO THAT'S WHAT WE'RE CALLED TO DO
  • 00:02:42.110 --> 00:02:46.190
  • AS WORSHIPPERS, AS SONG WRITERS, IS TO CAPTURE A
  • 00:02:46.210 --> 00:02:49.060
  • MOMENT, STEWARD IT AS BEST WE CAN SO THAT
  • 00:02:49.080 --> 00:02:52.070
  • PEOPLE ALL AROUND THE WORLD CAN SING THAT
  • 00:02:52.090 --> 00:02:54.140
  • MOMENTS BASICALLY INTO BEING.
  • 00:02:54.160 --> 00:02:56.240
  • [ MUSIC ]
  • 00:02:56.260 --> 00:03:03.100
  • HIGHER THAN THE MOUNTAIN THAT I FACE ...
  • 00:03:03.120 --> 00:03:08.270
  • STRONGER THAN THE POWER OF THE GRAVE ...
  • 00:03:08.290 --> 00:03:15.220
  • CONSTANT IN THE TRIAL AND THE CHANGE ...
  • 00:03:15.240 --> 00:03:21.040
  • ONE THING REMAINS ...
  • 00:03:21.060 --> 00:03:25.210
  • ONE THING REMAINS ...
  • 00:03:25.230 --> 00:03:35.110
  • YOUR LOVE NEVER FAILS, NEVER GIVES UP ...
  • 00:03:35.130 --> 00:03:38.100
  • IT NEVER RUNS OUT ON ME ...
  • 00:03:38.120 --> 00:03:41.050
  • YOUR LOVE NEVER FAILS, IT NEVER GIVES UP ...
  • 00:03:41.070 --> 00:03:44.170
  • IT NEVER RUNS OUT ON ME ...
  • 00:03:44.190 --> 00:03:48.000
  • YOUR LOVE NEVER FAILS, IT NEVER GIVES UP ...
  • 00:03:48.020 --> 00:03:51.040
  • IT NEVER RUNS OUT ON ME ...
  • 00:03:51.060 --> 00:03:53.260
  • YOUR LOVE ...
  • 00:03:53.280 --> 00:03:56.210
  • [ MUSIC ]
  • 00:03:56.230 --> 00:04:01.030
  • ON AND ON AND ON IT GOES ...
  • 00:04:01.050 --> 00:04:07.120
  • YES, IT OVERWHELMS AND SATISFIES MY SOUL ...
  • 00:04:07.140 --> 00:04:13.180
  • AND I'LL NEVER EVER HAVE TO BE AFRAID ...
  • 00:04:13.200 --> 00:04:19.080
  • THIS ONE THING REMAINS ...
  • 00:04:19.100 --> 00:04:25.190
  • THIS ONE THING REMAINS ...
  • 00:04:25.210 --> 00:04:33.130
  • YOUR LOVE NEVER FAILS, IT NEVER GIVES UP ...
  • 00:04:33.150 --> 00:04:36.170
  • IT NEVER RUNS OUT ON ME ...
  • 00:04:36.190 --> 00:04:39.160
  • YOUR LOVE NEVER FAILS, IT NEVER GIVES UP ...
  • 00:04:39.180 --> 00:04:42.170
  • IT NEVER RUNS OUT ON ME ...
  • 00:04:42.190 --> 00:04:46.040
  • YOUR LOVE NEVER FAILS, IT NEVER GIVES UP ...
  • 00:04:46.060 --> 00:04:49.210
  • IT NEVER RUNS OUT ON ME ...
  • 00:04:49.230 --> 00:04:52.250
  • YOUR LOVE ...
  • 00:04:52.270 --> 00:04:59.010
  • IN DEATH, IN LIFE, I'M CONFIDENT AND COVERED ...
  • 00:04:59.030 --> 00:05:04.250
  • BY THE POWER OF YOUR GREAT LOVE ...
  • 00:05:04.270 --> 00:05:12.080
  • THERE'S NOTHING THAT CAN SEPARATE MY HEART FROM
  • 00:05:12.100 --> 00:05:18.080
  • YOUR GREAT LOVE ...
  • 00:05:18.100 --> 00:05:26.040
  • - MATT CROUCH: IT IS A BEAUTIFUL AFTERNOON RIGHT
  • 00:05:31.010 --> 00:05:33.100
  • HERE IN JERUSALEM, ISRAEL.
  • 00:05:33.120 --> 00:05:36.230
  • WE WELCOME YOU WHEREVER YOU'RE WATCHING AROUND
  • 00:05:36.250 --> 00:05:37.240
  • THE WORLD TO THE LAND OF THE BIBLE.
  • 00:05:37.260 --> 00:05:39.150
  • WE'RE SITTING HERE WITH NEW FRIENDS BETHEL MUSIC.
  • 00:05:39.170 --> 00:05:41.230
  • OKAY.
  • 00:05:41.250 --> 00:05:43.210
  • I'M GOING TO START WITH YOU, BRIAN.
  • 00:05:43.230 --> 00:05:45.240
  • MUSIC WITH GROWING UP IN YOUR -I MEAN, LOOK,
  • 00:05:45.260 --> 00:05:48.080
  • YOU'RE BROTHER AND SISTER, SO YOU'RE A
  • 00:05:48.100 --> 00:05:50.030
  • MUSICAL FAMILY.
  • 00:05:50.050 --> 00:05:51.270
  • - LAURIE CROUCH: YOUR DAD SINGS, YEAH?
  • 00:05:51.290 --> 00:05:53.250
  • - YEAH.
  • 00:05:53.270 --> 00:05:55.170
  • - SO TALK ABOUT MUSIC IN YOUR FAMILY AND HOW
  • 00:05:55.190 --> 00:05:58.060
  • BETHEL, HOW THE EXPRESSION STARTED.
  • 00:05:58.080 --> 00:06:00.220
  • - I THINK MY GRANDPA WAS A BIG -THEY'RE ALL
  • 00:06:00.240 --> 00:06:04.030
  • WORSHIP LEADERS INCLUDING MY DAD.
  • 00:06:04.050 --> 00:06:07.100
  • MY DAD FIRST STARTED TRAVELING TEACHING ABOUT
  • 00:06:07.120 --> 00:06:10.010
  • WORSHIP BEFORE ANYTHING.
  • 00:06:10.030 --> 00:06:11.240
  • HE MOVED TO WEAVER, ILLINOIS, AND THE FIRST
  • 00:06:11.260 --> 00:06:13.080
  • THING HE TAUGHT THE CHURCH WAS ABOUT WORSHIP
  • 00:06:13.100 --> 00:06:14.280
  • FOR YEARS.
  • 00:06:15.000 --> 00:06:16.230
  • SO WORSHIP FIRST, YOU KNOW, THE PRESENCE OF GOD.
  • 00:06:16.250 --> 00:06:18.200
  • EVERYTHING SURROUNDS THE PRESENCE.
  • 00:06:18.220 --> 00:06:20.140
  • SO WORSHIP IS NOT A MEANS TO GET UP AND SPEAK.
  • 00:06:20.160 --> 00:06:23.070
  • IT IS LIKE THE MAIN THING.
  • 00:06:23.090 --> 00:06:25.240
  • SO WITH THAT TEACHING ALWAYS ENGRAINED IN US, I
  • 00:06:25.260 --> 00:06:28.040
  • WAS A KID I WAS REALLY TORMENTED SO MY DAD
  • 00:06:28.060 --> 00:06:29.220
  • TAUGHT ME ABOUT THE POWER OF PRAISE AND WHAT
  • 00:06:29.240 --> 00:06:31.220
  • PRAISE DOES.
  • 00:06:31.240 --> 00:06:33.110
  • SO THROUGH OUR CHILDHOOD WE LEARNED ABOUT PRAISE I
  • 00:06:33.130 --> 00:06:35.170
  • THINK IN A LITTLE BIT OF A DIFFERENT CONTEXT THAN
  • 00:06:35.190 --> 00:06:38.000
  • PROBABLY MOST JUST BECAUSE OF THAT'S ALL WE DID.
  • 00:06:38.020 --> 00:06:41.110
  • AND WE SAW SO MANY LIKE MIRACLES AND THINGS
  • 00:06:41.130 --> 00:06:43.160
  • HAPPEN JUST WITHOUT EVEN ANYONE SAYING A WORD.
  • 00:06:43.180 --> 00:06:45.200
  • JUST IN THAT PRESENCE, SO I THINK THAT THE PRESENCE
  • 00:06:45.220 --> 00:06:48.080
  • OF GOD AND WORSHIP HAS ALWAYS BEEN A PART OF
  • 00:06:48.100 --> 00:06:50.040
  • WHAT WE DO.
  • 00:06:50.060 --> 00:06:51.280
  • - LAURIE CROUCH: WHY DO YOU THINK THAT HAPPENS?
  • 00:06:52.000 --> 00:06:54.050
  • WHAT IS SO SPECTACULAR AND SO MIRACULOUS WHEN
  • 00:06:54.070 --> 00:06:56.060
  • WE WORSHIP?
  • 00:06:56.080 --> 00:06:58.240
  • - WELL, I THINK IF YOU'RE IN IT LONG ENOUGH,
  • 00:06:58.260 --> 00:07:01.100
  • YOU REALIZE YOUR BROKENNESS FOR ONE.
  • 00:07:01.120 --> 00:07:03.290
  • YOU STAY IN THAT PLACE OF BROKENNESS BECAUSE
  • 00:07:04.010 --> 00:07:06.160
  • THERE'S NO DISTRACTION.
  • 00:07:06.180 --> 00:07:08.110
  • YOU'RE JUST IN A WORSHIP SERVICE, AND GOD IS MOVING.
  • 00:07:08.130 --> 00:07:10.220
  • IT ALWAYS BRINGS ME BACK TO THE PLACE OF
  • 00:07:10.240 --> 00:07:12.240
  • REMEMBRANCE BECAUSE EACH OF US HAVE OUR
  • 00:07:12.260 --> 00:07:15.150
  • TESTIMONIES, WHAT I'VE BEEN THROUGH, YOU KNOW,
  • 00:07:15.170 --> 00:07:17.250
  • AND IT REMINDS ME OF THAT BUT IT ALWAYS GIVES ME
  • 00:07:17.270 --> 00:07:20.040
  • WORDS WHETHER IT'S A SONG, IT'S GREAT TO BE
  • 00:07:20.060 --> 00:07:23.060
  • ABLE TO GIVE IT BACK TO HIM.
  • 00:07:23.080 --> 00:07:27.110
  • - ANNOUNCER: BETHEL MUSIC'S LOGO PROMINENTLY
  • 00:07:27.130 --> 00:07:28.280
  • FEATURES A DEER.
  • 00:07:29.000 --> 00:07:30.210
  • THIS COMES FROM PSALM 42'S VISUAL OF THE DEER
  • 00:07:30.230 --> 00:07:32.170
  • REPLENISHING BY THE STREAM AND EXHIBITS
  • 00:07:32.190 --> 00:07:34.230
  • THEIR HEART'S DESIRE, THAT IN TIMES OF
  • 00:07:34.250 --> 00:07:37.040
  • HUNGER AND THIRST OUR EYES WOULD BE SET UPON
  • 00:07:37.060 --> 00:07:40.010
  • FINDING JOY, HOPE, AND REST IN THE QUIET SAFE
  • 00:07:40.030 --> 00:07:42.130
  • PLACE OF THE LORD'S STREAMS OF LIVING WATER.
  • 00:07:42.150 --> 00:07:47.160
  • - LEAH VALENZUELA: WHAT I LOVE ABOUT THE SONG,
  • 00:07:47.180 --> 00:07:49.250
  • THIS IS AMAZING GRACE, IS HOW IT JUST WALKS YOU
  • 00:07:49.270 --> 00:07:52.130
  • THROUGH BEING SET FREE.
  • 00:07:52.150 --> 00:07:54.240
  • GOD'S GRACE IS AMAZING, AND CAN SET US FREE
  • 00:07:54.260 --> 00:07:56.280
  • FROM EVERYTHING.
  • 00:07:57.000 --> 00:07:59.190
  • AND WHEN IT TALKS ABOUT HOW IT BRINGS OUR CHAOS
  • 00:07:59.210 --> 00:08:01.230
  • BACK IN ORDER, I'VE HAD A LOT OF TIMES IN MY LIFE
  • 00:08:01.250 --> 00:08:05.000
  • WHEN I'VE HAD A LOT OF CHAOS AND TORMENT AND
  • 00:08:05.020 --> 00:08:07.070
  • FEAR, AND ANY SONG THAT TALKS ABOUT HOW GOD OVER
  • 00:08:07.090 --> 00:08:10.270
  • COMES THE DARKNESS AND OVER COMES THE CHAOS
  • 00:08:10.290 --> 00:08:13.210
  • REALLY RINGS SUPER TRUE TO ME, AND THEN AT THE
  • 00:08:13.230 --> 00:08:17.200
  • END IT JUST COMES UP TO THE WORSHIPPING AND HOW
  • 00:08:17.220 --> 00:08:20.160
  • IT JUST BRINGS IT ALL BACK TO GOD AND HOW WE
  • 00:08:20.180 --> 00:08:22.260
  • WORSHIP GOD, AND THAT IS TRULY WHAT IT'S ABOUT.
  • 00:08:22.280 --> 00:08:25.010
  • I MEAN, I WAS TAUGHT AS A KID TO WORSHIP NO MATTER
  • 00:08:25.030 --> 00:08:28.270
  • WHAT, AND THAT BRINGS YOU OUT OF PLACES OF TORMENT
  • 00:08:28.290 --> 00:08:32.050
  • AND OUT OF FEAR AND JUST BRINGING YOUR EYES TO
  • 00:08:32.070 --> 00:08:35.080
  • JESUS, AND THAT IS MY FAVORITE PART OF THAT
  • 00:08:35.100 --> 00:08:37.180
  • SONG FOR SURE.
  • 00:08:37.200 --> 00:08:40.240
  • [ MUSIC AND APPLAUSE ]
  • 00:08:40.260 --> 00:08:47.070
  • WHO BREAKS THE POWER OF SIN AND DARKNESS ...
  • 00:08:47.090 --> 00:08:50.290
  • WHOSE LOVE IS MIGHTY AND SO MUCH STRONGER ...
  • 00:08:51.010 --> 00:08:55.200
  • THE KING OF GLORY ...
  • 00:08:55.220 --> 00:08:57.290
  • THE KING ABOVE ALL KINGS ...
  • 00:08:58.010 --> 00:09:05.280
  • WHO SHAKES THE WHOLE EARTH WITH HOLY THUNDER ...
  • 00:09:06.000 --> 00:09:10.130
  • WHO LEAVES US BREATHLESS IN ALL HIS WONDER ...
  • 00:09:10.150 --> 00:09:14.260
  • THE KING OF GLORY ...
  • 00:09:14.280 --> 00:09:17.120
  • THE KING ABOVE ALL KINGS ...
  • 00:09:17.140 --> 00:09:22.240
  • THIS IS AMAZING GRACE ...
  • 00:09:22.260 --> 00:09:27.110
  • THIS IS UNFAILING LOVE ...
  • 00:09:27.130 --> 00:09:32.060
  • THAT YOU WOULD TAKE MY PLACE ...
  • 00:09:32.080 --> 00:09:36.060
  • THAT YOU WOULD BEAR MY CROSS ...
  • 00:09:36.080 --> 00:09:41.100
  • YOU WOULD LAY DOWN YOUR LIFE ...
  • 00:09:41.120 --> 00:09:46.110
  • THAT I WOULD BE SET FREE ...
  • 00:09:46.130 --> 00:09:52.020
  • OH, JESUS, I SING FOR ALL THAT YOU'VE DONE FOR ME ...
  • 00:09:52.040 --> 00:09:58.040
  • OH, YES ...
  • 00:09:58.060 --> 00:10:07.280
  • WHO BRINGS OUR CHAOS BACK INTO ORDER ...
  • 00:10:08.000 --> 00:10:12.130
  • WHO BREAKS OF YOKE OF SON AND DAUGHTER ...
  • 00:10:12.150 --> 00:10:17.130
  • THE KING OF GLORY, THE KING ABOVE ALL KINGS ...
  • 00:10:17.150 --> 00:10:26.010
  • WHO RULES THE NATIONS WITH TRUTH AND JUSTICE ...
  • 00:10:26.030 --> 00:10:31.100
  • SHINES LIKE THE SUN IN ALL OF ITS BRILLIANCE ...
  • 00:10:31.120 --> 00:10:36.080
  • THE KING OF GLORY, THE KING ABOVE ALL KINGS ...
  • 00:10:36.100 --> 00:10:43.210
  • THIS IS AMAZING GRACE ...
  • 00:10:43.230 --> 00:10:48.180
  • THIS IS UNFAILING LOVE ...
  • 00:10:48.200 --> 00:10:53.210
  • THAT YOU WOULD TAKE MY PLACE ...
  • 00:10:53.230 --> 00:10:58.210
  • THAT YOU WOULD BEAR MY CROSS ...
  • 00:10:58.230 --> 00:11:03.120
  • YOU WOULD LAY DOWN YOUR LIFE ...
  • 00:11:03.140 --> 00:11:08.030
  • THAT I WOULD BE SET FREE ...
  • 00:11:08.050 --> 00:11:13.100
  • OH, JESUS I SING FOR ALL THAT YOU'VE DONE FOR ME ...
  • 00:11:13.120 --> 00:11:23.120
  • OH, YEAH ...
  • 00:11:23.140 --> 00:11:26.020
  • [ MUSIC ]
  • 00:11:26.040 --> 00:11:31.200
  • [ MUSIC ]
  • 00:11:31.200 --> 00:11:39.120
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:11:39.140 --> 00:11:43.190
  • WORTHY IS THE KING WHO CONQUERED THE GRAVE ...
  • 00:11:43.210 --> 00:11:47.280
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:11:48.000 --> 00:11:52.270
  • WORTHY IS THE KING WHO CONQUERED THE GRAVE ...
  • 00:11:52.290 --> 00:11:57.200
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:11:57.220 --> 00:12:02.150
  • WORTHY IS THE KING WHO CANNOT CONQUERED
  • 00:12:02.170 --> 00:12:07.070
  • THE GRAVE ...
  • 00:12:07.090 --> 00:12:09.230
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:12:09.250 --> 00:12:12.070
  • WORTHY IS THE KING WHO CONQUERED THE GRAVE ...
  • 00:12:12.090 --> 00:12:17.030
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:12:17.050 --> 00:12:21.160
  • WORTHY IS THE KING WHO CONQUERED THE GRAVE ...
  • 00:12:21.180 --> 00:12:26.220
  • WORTHY IS THE LAMB WHO WAS SLAIN ...
  • 00:12:26.240 --> 00:12:31.070
  • WORTHY, WORTHY, WORTHY ...
  • 00:12:31.090 --> 00:12:33.210
  • THIS IS AMAZING GRACE ...
  • 00:12:33.230 --> 00:12:39.070
  • THIS IS UNFAILING LOVE ...
  • 00:12:39.090 --> 00:12:44.290
  • THAT YOU WOULD TAKE MY PLACE ...
  • 00:12:45.010 --> 00:12:49.080
  • THAT YOU WOULD BEAR MY CROSS ...
  • 00:12:49.100 --> 00:12:53.110
  • YOU WOULD LAY DOWN YOUR LIFE ...
  • 00:12:53.130 --> 00:12:58.180
  • THAT I WOULD BE SET FREE ...
  • 00:12:58.200 --> 00:13:04.060
  • OH, JESUS I SING FOR ALL THAT YOU'VE DONE FOR ME ...
  • 00:13:04.080 --> 00:13:11.040
  • [ APPLAUSE ]
  • 00:13:11.060 --> 00:13:23.120
  • - WORTHY!
  • 00:13:23.140 --> 00:13:25.230
  • - BETHEL MUSIC, IT'S A GLOBAL THING NOW, AND
  • 00:13:25.250 --> 00:13:29.010
  • WHERE WAS THE FIRST LITTLE PIECE OF WHAT
  • 00:13:29.030 --> 00:13:30.200
  • BETHEL IS?
  • 00:13:30.220 --> 00:13:32.150
  • - WELL, I THINK IT WAS A GRADUAL SEASON WHERE WE
  • 00:13:32.170 --> 00:13:34.220
  • WERE WRITING SONGS.
  • 00:13:34.240 --> 00:13:36.220
  • YOU KNOW, MY WIFE AND I SPECIFICALLY WRITING,
  • 00:13:36.240 --> 00:13:39.220
  • TRYING TO WRITE SONGS, AND THEN PEOPLE STARTED
  • 00:13:39.240 --> 00:13:41.140
  • MOVING, YOU KNOW.
  • 00:13:41.160 --> 00:13:43.090
  • BEING ATTRACTED TO THE WORSHIP AT THE CHURCH.
  • 00:13:43.110 --> 00:13:45.040
  • AND THEN MY BEST FRIEND -- - WHAT ---SET THE STAGE.
  • 00:13:45.060 --> 00:13:48.020
  • - 8 YEARS NOW.
  • 00:13:48.040 --> 00:13:50.200
  • 8, 9 YEARS NOW WHERE IT BECAME OFFICIAL, A LABEL.
  • 00:13:50.220 --> 00:13:53.090
  • MY BEST FRIEND WHO NOW IS MY BEST FRIEND MOVED,
  • 00:13:53.110 --> 00:13:57.150
  • STARTED HELPING ME AND JEN.
  • 00:13:57.170 --> 00:13:59.100
  • WE NEEDED TO START A LABEL TO KIND OF HOLD,
  • 00:13:59.120 --> 00:14:02.080
  • WHAT GOD WAS GIVING US.
  • 00:14:02.100 --> 00:14:04.150
  • WE NEEDED A STRUCTURE BECAUSE THERE WAS JUST A
  • 00:14:04.170 --> 00:14:06.230
  • LOT OF STUFF HAPPENING.
  • 00:14:06.250 --> 00:14:08.210
  • SO WE WERE TRYING TO FIEND SOME GUY TO RUN THE
  • 00:14:08.230 --> 00:14:10.280
  • LABEL, AND THEN ONE DAY WE WOKE UP IN THE MORNING
  • 00:14:11.000 --> 00:14:12.290
  • AT THE SAME TIME.
  • 00:14:13.010 --> 00:14:14.170
  • WE JUST HAD THIS LIKE, WHY DON'T YOU DO IT?
  • 00:14:14.190 --> 00:14:15.290
  • SO WE GOT A LOAN FROM A SIDE COMPANY, JUST A
  • 00:14:16.010 --> 00:14:19.210
  • SMALL LOAN TO PAY HIS SALARY FOR THE YEAR AND
  • 00:14:19.230 --> 00:14:22.020
  • TO DO ONE ALBUM.
  • 00:14:22.040 --> 00:14:24.000
  • IT WAS ONE OF THOSE THINGS, RIGHT.
  • 00:14:24.020 --> 00:14:26.120
  • AND THAT WAS BE LIFTED HIGH ALBUM.
  • 00:14:26.140 --> 00:14:29.140
  • THE ALBUM THAT ONE THING REMAINS WAS ON, AND THAT
  • 00:14:29.160 --> 00:14:33.090
  • WAS THE VERY BEGINNING, AND WE WERE FRUGAL.
  • 00:14:33.110 --> 00:14:36.200
  • WE DIDN'T EVEN HAVE AN OFFICE.
  • 00:14:36.220 --> 00:14:38.220
  • WE HAD ME AND HIM AND THEM JEN AND THEN A
  • 00:14:38.240 --> 00:14:40.180
  • PART-TIME INTERN.
  • 00:14:40.200 --> 00:14:43.030
  • WE WERE JUST SCRAPPY TO FIGURE IT OUT.
  • 00:14:43.050 --> 00:14:45.080
  • [ LAUGHTER ] AND KIND OF JUST STEP BY STEP, IT WAS
  • 00:14:45.100 --> 00:14:48.130
  • REALLY A STEP BY STEP PROCESS.
  • 00:14:48.150 --> 00:14:50.250
  • IT WASN'T REALLY OVERNIGHT, BUT THROUGH A
  • 00:14:50.270 --> 00:14:53.100
  • SONG THEN LEADING TO ANOTHER SONG AND
  • 00:14:53.120 --> 00:14:55.220
  • DIFFERENT WORSHIP LEADERS MOVING IT'S GROWN INTO WE
  • 00:14:55.240 --> 00:14:57.260
  • HAVE 65 ADD MINUTE STAFF, AND I DON'T KNOW HOW MANY
  • 00:14:57.280 --> 00:15:00.150
  • MUSICIANS AND LEADERS.
  • 00:15:00.170 --> 00:15:03.270
  • JUST A LOT OF TRYING TO KEEP IT, YOU KNOW, WHAT
  • 00:15:03.290 --> 00:15:07.240
  • GOD'S GIVEN US.
  • 00:15:07.260 --> 00:15:10.080
  • - DID THE SCHOOL OF MINISTRY AND WORSHIP, YOU
  • 00:15:10.100 --> 00:15:12.250
  • CALL IT THE SCHOOL OF -- - BSSN, BETHEL SCHOOL OF
  • 00:15:12.270 --> 00:15:14.280
  • SUPERNATURAL MINISTRY.
  • 00:15:15.000 --> 00:15:16.260
  • - WAS THAT BIRTHED OUT OF ITS OR WAS THAT
  • 00:15:16.280 --> 00:15:19.060
  • ALREADY GOING?
  • 00:15:19.080 --> 00:15:21.020
  • - THAT WAS GOING ALREADY.
  • 00:15:21.040 --> 00:15:23.090
  • I ACTUALLY WAS IN THE FIRST YEAR OF THAT.
  • 00:15:23.110 --> 00:15:24.250
  • - OKAY.
  • 00:15:24.270 --> 00:15:26.170
  • - RIGHT BEFORE I GOT MARRIED, LIKE 19 YEARS
  • 00:15:26.190 --> 00:15:29.160
  • AGO, AND A LOT OF THESE GUYS CAME IN THROUGH
  • 00:15:29.180 --> 00:15:30.040
  • THE SCHOOL.
  • 00:15:30.060 --> 00:15:31.100
  • SOME OF OUR ARTISTS CAME THROUGH THE SCHOOL.
  • 00:15:31.120 --> 00:15:33.070
  • AND THEN WE HAVE A WORSHIP SCHOOL THAT WE DO
  • 00:15:33.090 --> 00:15:35.220
  • SO THAT'S WHERE A LOT OF ARTISTS WOULD COME FROM
  • 00:15:35.240 --> 00:15:37.170
  • IN THE EARLY DAYS.
  • 00:15:37.190 --> 00:15:39.040
  • - YOU KNOW, IN IT ABOUT IN'S STORY THERE WAS A
  • 00:15:39.060 --> 00:15:40.230
  • TIME WHEN THE WIND HIT THE SALES AND IT JUST
  • 00:15:40.250 --> 00:15:42.150
  • WENT BOOM.
  • 00:15:42.170 --> 00:15:44.100
  • AND THAT WAS PROBABLY IN THE LATE 70'S, EARLY
  • 00:15:44.120 --> 00:15:46.070
  • 80'S, AND IT JUST KIND OF -YOU KNOW, I REMEMBER
  • 00:15:46.090 --> 00:15:48.220
  • MANY TIMES WE WERE SIGNING ON A NEW TV
  • 00:15:48.240 --> 00:15:52.180
  • STATION A WEEK, YOU KNOW.
  • 00:15:52.200 --> 00:15:54.260
  • AND IT WAS LIKE IT WAS JUST THIS PHENOMENAL KIND
  • 00:15:54.280 --> 00:15:58.050
  • OF THING THAT JUST ALL THE SUDDEN HAPPENED.
  • 00:15:58.070 --> 00:16:00.170
  • AND SOMETIMES YOU CAN KIND OF LOOK BACK AND SEE
  • 00:16:00.190 --> 00:16:03.110
  • WELL, THAT HAPPENED SO THAT HAPPENED, AND THE
  • 00:16:03.130 --> 00:16:05.150
  • WIND REALLY HIT THE SALES AFTER THAT CHANGED
  • 00:16:05.170 --> 00:16:07.190
  • OR SOMETHING.
  • 00:16:07.210 --> 00:16:09.260
  • IS THERE A TIME OR IS THERE JUST THIS KIND OF
  • 00:16:09.280 --> 00:16:12.220
  • STEADY GROWTH LIKE THIS, OR WAS THERE A CERTAIN
  • 00:16:12.240 --> 00:16:17.070
  • SONG THAT HIT THAT JUST KIND OF WENT NUTS?
  • 00:16:17.090 --> 00:16:19.290
  • IS IT JUST A SET OF STAIRS OR WAS THERE KIND
  • 00:16:20.010 --> 00:16:23.060
  • OF BIG LEAPS AND JUMPS EVERY ONCE IN A WHILE.
  • 00:16:23.080 --> 00:16:25.240
  • - IN THE BEGINNING I HAD THIS WORD ABOUT THIS BIG
  • 00:16:25.260 --> 00:16:28.260
  • OAK TREE AND ALL THE BRANCHES COMING OUT, AND
  • 00:16:28.280 --> 00:16:31.020
  • THAT WAS WHAT WAS FUTURE WAS GOING TO BE OF
  • 00:16:31.040 --> 00:16:33.100
  • THE LABEL.
  • 00:16:33.120 --> 00:16:35.160
  • AND BACK THEN IT WAS NOT.
  • 00:16:35.180 --> 00:16:37.250
  • IT WAS JUST ONE LITTLE TWIG, AND WHAT THAT
  • 00:16:37.270 --> 00:16:40.120
  • REPRESENTS IS ALL THESE ARTISTS AND BANDS AND
  • 00:16:40.140 --> 00:16:42.120
  • DIFFERENT COLORS GOING OUT.
  • 00:16:42.140 --> 00:16:44.160
  • SO NOW WE'VE GOT ALL THE DIFFERENT WORSHIP SCHOOL
  • 00:16:44.180 --> 00:16:46.150
  • AND ALL DIFFERENT ARTISTS.
  • 00:16:46.170 --> 00:16:48.170
  • RIGHT NOW WE'VE GOT ARTISTS OUGHT OVER THE
  • 00:16:48.190 --> 00:16:50.280
  • WORLD RIGHT NOW, AND I THINK WHEN WE GOT TO THE
  • 00:16:51.000 --> 00:16:53.090
  • POINT WHERE WE COULD, LIKE TEN ARTISTS COULD BE
  • 00:16:53.110 --> 00:16:54.210
  • OUT AT THE SAME TIME.
  • 00:16:54.230 --> 00:16:56.050
  • AND WE'VE GOT THE SCHOOL GOING AND ALL THIS STUFF
  • 00:16:56.070 --> 00:16:57.200
  • GOING ON, IN THAT IT HAPPENED LIKE YOU'RE
  • 00:16:57.220 --> 00:16:59.190
  • SAYING, LIKE OVERNIGHT ALMOST.
  • 00:16:59.210 --> 00:17:01.280
  • LIKE THE LAST FEW YEARS LIKE THINGS STARTED
  • 00:17:02.000 --> 00:17:03.190
  • KICKING INTO GEAR.
  • 00:17:03.210 --> 00:17:05.090
  • - IS IT PART OF YOUR OWN PERSONAL JOURNEY WHEN YOU
  • 00:17:05.110 --> 00:17:07.160
  • -IS IT IN THE LAST COUPLE OF YEARS SINCE YOU'VE
  • 00:17:07.180 --> 00:17:10.030
  • BEEN THROUGH KIND OF A WHOLE OTHER SET IN YOUR
  • 00:17:10.050 --> 00:17:13.000
  • LIFE AND YOU GOT ON THE OTHER SIDE OF THAT?
  • 00:17:13.020 --> 00:17:15.130
  • OR WAS IT IN THE MIDST OF THAT?
  • 00:17:15.150 --> 00:17:18.010
  • - I THINK THAT HELPED THE LOCAL TEAM OF IT MORE
  • 00:17:18.030 --> 00:17:19.110
  • OF THAT SEASON.
  • 00:17:19.130 --> 00:17:21.130
  • YOU KNOW, BECAUSE YOU GUYS KNOW MORE THAN
  • 00:17:21.150 --> 00:17:23.150
  • ANYONE, AND I THINK IT'S IMPORTANT FOR PEOPLE TO
  • 00:17:23.170 --> 00:17:25.150
  • KNOW THIS, TOO, BUT LIKE BEHIND THE SCENES IT'S
  • 00:17:25.170 --> 00:17:27.200
  • NOT ALL FUN.
  • 00:17:27.220 --> 00:17:29.200
  • THERE'S A LOT OF BIG BATTLES THAT YOU WIN
  • 00:17:29.220 --> 00:17:32.150
  • BEHIND THE SCENES, AND I THINK THAT YEARS OF THAT,
  • 00:17:32.170 --> 00:17:35.140
  • WINNING THOSE BATTLES, I REMEMBER SOME OF THOSE
  • 00:17:35.160 --> 00:17:37.270
  • BIG ONES THAT I THINK WE FINALLY WON CAME OUT AND
  • 00:17:37.290 --> 00:17:41.190
  • KIND OF CAME OUT ON THE OTHER SIDE LIKE OH, I
  • 00:17:41.210 --> 00:17:43.110
  • STILL LOVE GOD.
  • 00:17:43.130 --> 00:17:46.040
  • I LOVE PEOPLE MOST DAYS.
  • 00:17:46.060 --> 00:17:47.220
  • [ LAUGHTER ]
  • 00:17:47.240 --> 00:17:50.110
  • YOU KNOW WHAT I'M TALKING ABOUT.
  • 00:17:50.130 --> 00:17:52.040
  • - I FEEL YOU.
  • 00:17:52.060 --> 00:17:54.040
  • - AND I FEEL LIKE THERE WAS A COUPLE OF THOSE
  • 00:17:54.060 --> 00:17:56.080
  • BATTLES THAT I DON'T WANT TO EVEN GET INTO BECAUSE
  • 00:17:56.100 --> 00:17:58.150
  • THEY WERE MORE PRIVATE THAT I THINK THAT GOD
  • 00:17:58.170 --> 00:18:01.020
  • REALLY HONORED IT.
  • 00:18:01.040 --> 00:18:03.020
  • AND I THINK IT'S BECAUSE OF THOSE THINGS.
  • 00:18:03.040 --> 00:18:05.160
  • AND IN THE TIME WE WEREN'T THINKING WE'RE
  • 00:18:05.180 --> 00:18:07.240
  • GOING TO DO THIS AND TRICK GOD AND THEN HE'S
  • 00:18:07.260 --> 00:18:10.050
  • GOING TO REWARD US, RIGHT.
  • 00:18:10.070 --> 00:18:12.130
  • BUT HE DID REWARD US, AND THINGS STARTED JUST
  • 00:18:12.150 --> 00:18:14.130
  • OPENING UP.
  • 00:18:14.150 --> 00:18:16.130
  • AND IT WAS JUST LIKE OH, WOW.
  • 00:18:16.150 --> 00:18:18.220
  • GOD KNEW THE WHOLE TIME, WHAT WE THOUGHT WAS ONE
  • 00:18:18.240 --> 00:18:20.170
  • OF THE WORST THINGS ENDED UP BEING THE BEST THING.
  • 00:18:20.190 --> 00:18:22.260
  • - WOW.
  • 00:18:22.280 --> 00:18:24.170
  • - YOU KNOW, WHAT I LOVE ABOUT GOD IS JUST THROUGH
  • 00:18:24.190 --> 00:18:26.150
  • THE YEARS SOMETIMES IT'S TOUGH, AND I THINK, I
  • 00:18:26.170 --> 00:18:28.290
  • THINK THAT PEOPLE ALL THE SUDDEN JUST -THIS IS WHAT
  • 00:18:29.010 --> 00:18:32.030
  • HAPPENS TO ME.
  • 00:18:32.050 --> 00:18:38.050
  • I WAKE UP ONE DAY AND I ALL THE SUDDEN CAN FEEL
  • 00:18:38.070 --> 00:18:43.160
  • AND SEE THE FAITHFULNESS OF GOD IN MY LIFE.
  • 00:18:43.180 --> 00:18:45.280
  • AND I GO, WHAT?
  • 00:18:46.000 --> 00:18:48.080
  • HOW DO I DESERVE THAT?
  • 00:18:48.100 --> 00:18:50.130
  • BECAUSE I DOUBTED YOU.
  • 00:18:50.150 --> 00:18:52.180
  • BUT I KEPT MOVING.
  • 00:18:52.200 --> 00:18:54.200
  • AND I STRUGGLED LOVING, BUT I KEPT DOING IT,
  • 00:18:54.220 --> 00:18:56.240
  • YOU KNOW.
  • 00:18:56.260 --> 00:18:58.220
  • AND JUST THAT STILL GOING, TRYING TO GO
  • 00:18:58.240 --> 00:19:02.040
  • TOWARDS GOD DOESN'T MEAN THAT YOU DO EVERYTHING
  • 00:19:02.060 --> 00:19:04.140
  • RIGHT EVERY TIME.
  • 00:19:04.160 --> 00:19:06.250
  • BUT THAT FAITHFUL JUST I'M GOING TO DO WHAT,
  • 00:19:06.270 --> 00:19:09.050
  • GOD, HELP ME DO WHAT I'M SUPPOSED TO DO TODAY.
  • 00:19:09.070 --> 00:19:11.240
  • AND THEN ALL THE SUDDEN YOU WAKE UP ONE DAY AND
  • 00:19:11.260 --> 00:19:13.250
  • GO, WHAT IN THE WORLD HAS HAPPENED?
  • 00:19:13.270 --> 00:19:16.220
  • THE FAITHFULNESS OF GOD HAS MET ME EVERY TIME
  • 00:19:16.240 --> 00:19:19.090
  • ALONG THE WAY.
  • 00:19:19.110 --> 00:19:21.070
  • AND NOW LOOK WHAT GOD HAS DONE.
  • 00:19:21.090 --> 00:19:23.060
  • - OKAY.
  • 00:19:23.080 --> 00:19:24.270
  • LEAH, MAKE SURE YOU SAY WHAT YOU WANT TO SAY.
  • 00:19:24.290 --> 00:19:26.180
  • - SOMETIMES I HAVE A LOT OF FRIENDS THAT LIKE TO
  • 00:19:26.200 --> 00:19:29.140
  • GET INTO A LOT OF THEOLOGY, AND I ALWAYS
  • 00:19:29.160 --> 00:19:31.170
  • JOKE BECAUSE I'M NOT A DEBATER, AND I'M LIKE, I
  • 00:19:31.190 --> 00:19:33.080
  • LOVE JESUS.
  • 00:19:33.100 --> 00:19:35.030
  • JESUS LOVES ME.
  • 00:19:35.050 --> 00:19:37.120
  • THAT'S MY THEOLOGY.
  • 00:19:37.140 --> 00:19:39.030
  • THE END.
  • 00:19:39.050 --> 00:19:40.190
  • [ LAUGHTER ]
  • 00:19:40.210 --> 00:19:42.120
  • - SO YOU'RE A FEMALE JOEL OSTEEN.
  • 00:19:42.140 --> 00:19:44.020
  • GOT IT.
  • 00:19:44.040 --> 00:19:46.040
  • - YEAH.
  • 00:19:46.060 --> 00:19:49.060
  • JUST KEEP YOUR EYES ON JESUS AND LOVE JESUS, AND
  • 00:19:49.080 --> 00:19:52.150
  • I'M ALL ABOUT KEEPING IT SIMPLE.
  • 00:19:52.170 --> 00:19:54.060
  • YOU KNOW, THAT'S ALL YOU, BRIAN?
  • 00:19:54.080 --> 00:19:56.050
  • - YOU DON'T HAVE -SHE'S GOT FOUR KIDS AND A BUSY
  • 00:19:56.070 --> 00:19:57.220
  • LIFE SO SHE DOESN'T HAVE SPACE.
  • 00:19:57.240 --> 00:19:59.020
  • - I THINK IT TOOK
  • 00:19:59.040 --> 00:20:00.180
  • ME LIKE 30, 45 MINUTES JUST TO WRITE OUT THE
  • 00:20:00.200 --> 00:20:01.280
  • SCHEDULE FOR ME TO LEAVE.
  • 00:20:02.000 --> 00:20:03.100
  • NOT EVEN KIDDING.
  • 00:20:03.120 --> 00:20:04.250
  • [ LAUGHTER ]
  • 00:20:04.270 --> 00:20:06.110
  • SO THERE'S NOT A WHOLE LOT OF TIME.
  • 00:20:06.130 --> 00:20:08.070
  • - THEOLOGY -I DON'T HAVE ENOUGH TIME FOR THAT.
  • 00:20:08.090 --> 00:20:10.050
  • - YOU DON'T HAVE TIME TO WORK YOURSELF UP
  • 00:20:10.070 --> 00:20:11.240
  • FOR THAT.
  • 00:20:11.260 --> 00:20:13.230
  • - I'M JUST GETTING MY KIDS TO SCHOOL.
  • 00:20:13.250 --> 00:20:16.020
  • - IF YOU HAVE TIME TO WORK YOURSELF UP, GET A
  • 00:20:16.040 --> 00:20:17.110
  • REAL JOB, YOU KNOW.
  • 00:20:17.130 --> 00:20:18.290
  • - I LOVE IT.
  • 00:20:19.010 --> 00:20:20.160
  • - SO YOU'RE A WORSHIPPER, THOUGH.
  • 00:20:20.180 --> 00:20:22.010
  • - YES.
  • 00:20:22.030 --> 00:20:23.060
  • - THAT'S YOUR LIFE.
  • 00:20:23.080 --> 00:20:24.160
  • WHAT'S WHAT YOU GREW UP IN.
  • 00:20:24.180 --> 00:20:25.230
  • - EVERYTHING.
  • 00:20:25.250 --> 00:20:27.060
  • I THINK MY DAD ALWAYS SAYS, YOU KNOW, TO KEEP
  • 00:20:27.080 --> 00:20:28.100
  • YOUR WORSHIP HAT ON ALL THE TIME.
  • 00:20:28.120 --> 00:20:29.270
  • JUST KEEP THAT ON, AND NO MATTER WHAT YOU'RE DOING
  • 00:20:29.290 --> 00:20:31.220
  • DRIVING THE KIDS TO SCHOOL OR WHATEVER IT IS
  • 00:20:31.240 --> 00:20:34.100
  • JUST HAVE A WORSHIPPERS HEART AND DO A
  • 00:20:34.120 --> 00:20:36.100
  • WORSHIPPERS MIND AND JUST STAY FOCUSED ON JESUS,
  • 00:20:36.120 --> 00:20:39.260
  • AND IT'S GOING TO SHOW THROUGH.
  • 00:20:39.280 --> 00:20:41.160
  • - THIS IS YOUR FIRST TIME IN ISRAEL.
  • 00:20:41.180 --> 00:20:43.090
  • - BETHANY WOHRLE: YEAH.
  • 00:20:43.110 --> 00:20:44.270
  • THIS IS MY FIRST TIME.
  • 00:20:44.290 --> 00:20:46.180
  • - DOES IT TAKE ON A DIFFERENT FEEL?
  • 00:20:46.200 --> 00:20:47.280
  • - OH 100 %.
  • 00:20:48.000 --> 00:20:49.150
  • - OKAY.
  • 00:20:49.170 --> 00:20:50.240
  • TALK TO ME ABOUT THAT.
  • 00:20:50.260 --> 00:20:52.120
  • - I MEAN, EVEN WHEN WE WERE WALKING AROUND
  • 00:20:52.140 --> 00:20:54.100
  • YESTERDAY, I WAS LIKE THIS IS CRAZY.
  • 00:20:54.120 --> 00:20:56.090
  • I MEAN, IT'S ABSOLUTELY BEAUTIFUL WALKING AROUND
  • 00:20:56.110 --> 00:20:58.150
  • AND ACTUALLY WALKING IN, I MEAN WALKING IN
  • 00:20:58.170 --> 00:21:00.210
  • HISTORY HONESTLY.
  • 00:21:00.230 --> 00:21:02.120
  • LIKE, THAT WAS PROBABLY THE BIGGEST THING FOR ME.
  • 00:21:02.140 --> 00:21:05.150
  • WE WENT TO THE WAILING WALL, IS THAT WHAT
  • 00:21:05.170 --> 00:21:06.280
  • IT'S CALLED?
  • 00:21:07.000 --> 00:21:08.050
  • - YEAH.
  • 00:21:08.070 --> 00:21:09.110
  • - OKAY.
  • 00:21:09.130 --> 00:21:11.020
  • WE WENT THERE AND WE PUT PRAYERS IN THE WALL, AND
  • 00:21:11.040 --> 00:21:12.160
  • WHEN I LAID MY HANDS ON IT, I WAS LIKE THIS
  • 00:21:12.180 --> 00:21:13.290
  • IS INSANE.
  • 00:21:14.010 --> 00:21:15.150
  • LIKE THERE HAVE BEEN PRAYERS POURED ON, LIKE,
  • 00:21:15.170 --> 00:21:17.060
  • I MEAN, I KNOW IT'S JUST A WALL BUT THERE'S MORE
  • 00:21:17.080 --> 00:21:18.190
  • PURPOSE BEHIND THAT.
  • 00:21:18.210 --> 00:21:20.170
  • AND I THINK I LAID MY HANDS ON THAT WALL AND I
  • 00:21:20.190 --> 00:21:22.120
  • WAS LIKE WOW, THERE HAVE BEEN SO MANY PRAYERS AND
  • 00:21:22.140 --> 00:21:24.020
  • TESTIMONIES HONESTLY OF PEOPLE PUTTING PRAYERS ON
  • 00:21:24.040 --> 00:21:25.190
  • THAT WALL THAT IT HIT ME SO HARD AND I WAS LIKE
  • 00:21:25.210 --> 00:21:27.200
  • WOW, THIS PLACE IS -I MEAN, THAT WAS JUST LIKE
  • 00:21:27.220 --> 00:21:30.010
  • DAY ONE.
  • 00:21:30.030 --> 00:21:33.120
  • SO I'M EXCITED TO SEE WHAT ELSE IS GOING
  • 00:21:33.140 --> 00:21:35.110
  • TO HAPPEN.
  • 00:21:35.130 --> 00:21:36.290
  • - THIS IS YOUR FIRST TIME.
  • 00:21:37.010 --> 00:21:38.050
  • - THIS IS MY FIRST TRIP.
  • 00:21:38.070 --> 00:21:39.240
  • - AWESOME.
  • 00:21:39.260 --> 00:21:41.070
  • - HOW MANY TIMES HAVE YOU BEEN TO ISRAEL?
  • 00:21:41.090 --> 00:21:42.210
  • - THIS IS 1.
  • 00:21:42.230 --> 00:21:44.100
  • - FIRST TIME.
  • 00:21:44.120 --> 00:21:45.290
  • - YOU'RE READING THE BIBLE AND YOU'RE LIKE
  • 00:21:46.010 --> 00:21:47.080
  • OH, WAIT.
  • 00:21:47.100 --> 00:21:48.180
  • THAT'S WHERE IT WAS AT.
  • 00:21:48.200 --> 00:21:50.000
  • IT'S JUST SURREAL.
  • 00:21:50.020 --> 00:21:51.160
  • - BECAUSE I THINK WHEN YOU READ YOU
  • 00:21:51.180 --> 00:21:52.290
  • AUTOMATICALLY WITHOUT KNOWING IT VISUALIZE, AND
  • 00:21:53.010 --> 00:21:55.000
  • THEN WHEN YOU'RE HERE AND I READ THIS MORNING, I
  • 00:21:55.020 --> 00:21:57.030
  • DIDN'T EVEN MEAN TO.
  • 00:21:57.050 --> 00:21:58.170
  • IT WAS JUST NEXT CHAPTER IN THE BIBLE ABOUT THE
  • 00:21:58.190 --> 00:22:00.200
  • TEMPLE BEING TORE TOWN, THREE DAYS THERE WON'T BE
  • 00:22:00.220 --> 00:22:02.120
  • A STONE LEFT AND THEN HE GOES TO THE MOUNT OF OLIVES.
  • 00:22:02.140 --> 00:22:04.000
  • I'M LIKE HOLD ON A SECOND.
  • 00:22:04.020 --> 00:22:05.260
  • WHAT A SECOND.
  • 00:22:05.280 --> 00:22:07.160
  • THAT'S WHERE -WE WERE JUST RIGHT THERE.
  • 00:22:07.180 --> 00:22:10.200
  • AND THE VISUAL PICTURE OBVIOUSLY IS DIFFERENT
  • 00:22:10.220 --> 00:22:13.080
  • NOW THAN IT EVER WAS, AND OH, THE MOUNT OF OLIVES
  • 00:22:13.100 --> 00:22:16.110
  • IS ACTUALLY NOT THAT FAR AWAY.
  • 00:22:16.130 --> 00:22:18.200
  • I WANT TO SEE MORE SO THAT I READ OR HEAR, I
  • 00:22:18.220 --> 00:22:22.140
  • CAN KIND OF RELIVE THAT THIS IS EXACTLY WHAT IT
  • 00:22:22.160 --> 00:22:26.040
  • LOOKED LIKE, YOU KNOW.
  • 00:22:26.060 --> 00:22:28.080
  • BUT IT'S AMAZING.
  • 00:22:28.100 --> 00:22:29.260
  • - I HAVE A QUESTION.
  • 00:22:29.280 --> 00:22:31.190
  • - YEP.
  • 00:22:31.210 --> 00:22:33.020
  • - IS THERE ONE FAVORITE SONG?
  • 00:22:33.040 --> 00:22:34.110
  • IS THERE ONE SONG THAT --
  • 00:22:34.130 --> 00:22:36.200
  • - IS THERE A WAY TO SEPARATE ANYTHING LIKE THAT?
  • 00:22:36.220 --> 00:22:38.170
  • - IT CHANGES.
  • 00:22:38.190 --> 00:22:41.030
  • - IT DOES?
  • 00:22:41.050 --> 00:22:42.270
  • - YEAH, IT CHANGES.
  • 00:22:42.290 --> 00:22:45.020
  • - WHAT'S YOUR FAVORITE SONG TO SING?
  • 00:22:45.040 --> 00:22:48.000
  • - HONESTLY, I LOVE SINGING NO LONGER SLAVES.
  • 00:22:48.020 --> 00:22:49.290
  • IT'S JUST SO POWERFUL.
  • 00:22:50.010 --> 00:22:52.050
  • - YEAH.
  • 00:22:52.070 --> 00:22:53.180
  • - SO GOOD.
  • 00:22:53.200 --> 00:22:54.290
  • - LOVE IT.
  • 00:22:55.010 --> 00:22:58.170
  • BECAUSE I'M NO LONGER A SLAVE TO FEAR ...
  • 00:22:58.190 --> 00:23:01.180
  • I AM A CHILD OF GOD ...
  • 00:23:01.200 --> 00:23:08.220
  • BECAUSE I'M NO LONGER A SLAVE TO FEAR ...
  • 00:23:08.240 --> 00:23:16.060
  • I AM A CHILD OF GOD ...
  • 00:23:16.080 --> 00:23:22.110
  • - OKAY.
  • 00:23:22.130 --> 00:23:24.110
  • TELL US ONE SPECTACULAR STORY ABOUT WHEN GOD GAVE
  • 00:23:24.130 --> 00:23:27.170
  • YOU A SONG.
  • 00:23:27.190 --> 00:23:29.190
  • AND IT WAS JUST THERE OR YOU STRUGGLED OR --
  • 00:23:29.210 --> 00:23:33.070
  • - THIS IS ALL YOU, BRIAN.
  • 00:23:33.090 --> 00:23:35.070
  • - IT WAS JUST PAIN.
  • 00:23:35.090 --> 00:23:38.060
  • - WELL, HOW ABOUT THIS?
  • 00:23:38.080 --> 00:23:40.130
  • SO THE QUESTION IS ONE STORY WHEN GOD GAVE
  • 00:23:40.150 --> 00:23:42.020
  • YOU A SONG.
  • 00:23:42.040 --> 00:23:43.230
  • AND WE DID THIS EARLIER TALKING SONG WRITING.
  • 00:23:43.250 --> 00:23:45.160
  • FOR ME PERSONALLY MOST ANY SONG I'VE WRITTEN
  • 00:23:45.180 --> 00:23:49.040
  • THAT'S ANY GOOD THAT PEOPLE HAVE HEARD IT
  • 00:23:49.060 --> 00:23:53.230
  • STARTED LIKE IN WORSHIP.
  • 00:23:53.250 --> 00:23:57.020
  • SO THE CHORUS OR THE LITTLE SPARK, THE HOOK,
  • 00:23:57.040 --> 00:24:00.110
  • THE LYRIC OR WHATEVER, AND MATT REDMOND SAID IF
  • 00:24:00.130 --> 00:24:03.070
  • T IT'S STARTS IN WORSHIP IT USUALLY WORKS
  • 00:24:03.090 --> 00:24:04.190
  • IN WORSHIP.
  • 00:24:04.210 --> 00:24:06.250
  • SO A FEW OF MINE DURING BAPTISMS, SO WHEN IT'S
  • 00:24:06.270 --> 00:24:08.290
  • BAPTISMS NIGHT IT'S A LITTLE MORE FREE FORM, SO
  • 00:24:09.010 --> 00:24:11.150
  • YOU CAN KIND OF EXPERIMENT A LITTLE BIT.
  • 00:24:11.170 --> 00:24:14.090
  • SO IN THOSE MOMENTS OR EVEN ON THIS NEW ALBUM, I
  • 00:24:14.110 --> 00:24:17.270
  • HAVE THREE SONGS THAT LIKE THE INITIAL SECTIONS
  • 00:24:17.290 --> 00:24:20.010
  • WAS SPONTANEOUS.
  • 00:24:20.030 --> 00:24:22.180
  • AND SO I CAN'T GET AWAY FROM THE -AND I FEEL LIKE
  • 00:24:22.200 --> 00:24:26.130
  • THAT'S GOD BECAUSE IT'S AN OPEN PALATE.
  • 00:24:26.150 --> 00:24:30.050
  • YOU'RE JUST WORSHIPPING AND HOPEFULLY WORSHIP,
  • 00:24:30.070 --> 00:24:32.130
  • NOT PERFORMING, BUT SOMETIMES IT'S THE
  • 00:24:32.150 --> 00:24:35.160
  • SAME, WHATEVER.
  • 00:24:35.180 --> 00:24:37.240
  • LOOKS THE SAME.
  • 00:24:37.260 --> 00:24:40.290
  • AND YOU GET -IT'S LIKE A MOMENT WHERE YOU JUST GET
  • 00:24:41.010 --> 00:24:43.040
  • AN IDEA, YOU KNOW, AND YOU'RE JUST LIKE, IT'S
  • 00:24:43.060 --> 00:24:45.030
  • LIKE GOD'S GIVEN YOU AN IDEA.
  • 00:24:45.050 --> 00:24:47.060
  • SO I THINK FOR ME MY FAVORITE ONES ARE WHEN I
  • 00:24:47.080 --> 00:24:49.120
  • KNOW THAT I GOT THAT, LIKE THAT IDEA JUST LIKE
  • 00:24:49.140 --> 00:24:51.190
  • DROPPED OUT OF NOWHERE, AND THEN WATCHING IT TURN
  • 00:24:51.210 --> 00:24:54.220
  • INTO SOMETHING THAT ACTUALLY THE CHURCH IS
  • 00:24:54.240 --> 00:24:57.200
  • STARTING TO SING AND IT GOES AROUND THE WORLD.
  • 00:24:57.220 --> 00:25:00.070
  • AND I'M LIKE -BECAUSE ONLY I REMEMBER, YOU
  • 00:25:00.090 --> 00:25:02.240
  • KNOW, THAT MOMENT.
  • 00:25:02.260 --> 00:25:04.220
  • SO ANY WAYS.
  • 00:25:04.240 --> 00:25:06.130
  • - WHAT DOES YOUR TATTOO SAY ON YOUR BICEP
  • 00:25:06.150 --> 00:25:08.080
  • RIGHT HERE?
  • 00:25:08.100 --> 00:25:09.260
  • - OKAY.
  • 00:25:09.280 --> 00:25:12.190
  • - AND GIVE US - - I HAVEN'T WORKED OUT IN
  • 00:25:12.210 --> 00:25:14.050
  • SO LONG.
  • 00:25:14.070 --> 00:25:15.180
  • [ LAUGHTER ]
  • 00:25:15.200 --> 00:25:16.290
  • - YOU SHOULDN'T HAVE PUT IT THERE.
  • 00:25:17.010 --> 00:25:18.120
  • [ LAUGHTER ]
  • 00:25:18.140 --> 00:25:19.210
  • - I WORKED OUT THIS MORNING AND LAST NIGHT
  • 00:25:19.230 --> 00:25:21.070
  • BECAUSE AT THE HOTEL I GET THE CONTINENTAL
  • 00:25:21.090 --> 00:25:22.230
  • BREAKFAST WHICH IS LIKE EGGS WHICH IS LIKE EGGS.
  • 00:25:22.250 --> 00:25:24.210
  • THEY BRING ME OUT A TOWER OF BREAD.
  • 00:25:24.230 --> 00:25:27.170
  • AND I ATE ALL OF THIS, LIKE 2, 3 CHOCOLATE CROISSANTS.
  • 00:25:27.190 --> 00:25:31.030
  • - YOU'RE WELCOME.
  • 00:25:31.050 --> 00:25:34.080
  • - IT SAYS FOR THE KING TRUSTS IN THE LORD.
  • 00:25:34.100 --> 00:25:35.160
  • THROUGH THE UNFAILING OF THE MOST HIGH HE WILL NOT
  • 00:25:35.180 --> 00:25:37.030
  • BE SHAKEN.
  • 00:25:37.050 --> 00:25:38.100
  • SO THE STORY BEHIND THIS IS A FRIEND OF MINE WHOSE
  • 00:25:38.120 --> 00:25:41.110
  • A PROPHET TEXTED ME.
  • 00:25:41.130 --> 00:25:42.190
  • WE LED SUNDAY MORNING -- - CAN I ASK A QUESTION?
  • 00:25:42.210 --> 00:25:43.230
  • - YEAH.
  • 00:25:43.250 --> 00:25:44.290
  • - IS THAT SCRIPTURE OR A PROPHETIC WORD?
  • 00:25:45.010 --> 00:25:47.080
  • - SCRIPTURE.
  • 00:25:47.100 --> 00:25:48.150
  • THIS IS THE CRAZY PART.
  • 00:25:48.170 --> 00:25:49.170
  • THIS IS A SEASON IN MY LIFE.
  • 00:25:49.190 --> 00:25:52.060
  • HE TEXTED ME THIS VERSE JUST OUT OF NOWHERE, AND
  • 00:25:52.080 --> 00:25:54.240
  • I HAD LED WORSHIP SUNDAY MORNING, AND WE HAD
  • 00:25:54.260 --> 00:25:57.160
  • ANOTHER SERVICE IN 30 MINUTES.
  • 00:25:57.180 --> 00:25:59.250
  • AND SO THROUGH US TEXTING I SAID I'M GOING TO TURN
  • 00:25:59.270 --> 00:26:02.170
  • THIS INTO A SONG.
  • 00:26:02.190 --> 00:26:04.130
  • SO THE NEXT SERVICE WE HAD A 2 CORD PROGRESSION,
  • 00:26:04.150 --> 00:26:06.240
  • AND I STARTED SINGING OUT FOR ME TRUST IN OUR GOD ...
  • 00:26:06.260 --> 00:26:09.070
  • AND THROUGH HIS UNFAILING LOVE WE WILL NOT BE SHAKEN ...
  • 00:26:09.090 --> 00:26:11.120
  • WE WILL NOT BE SHAKEN.
  • 00:26:11.140 --> 00:26:13.190
  • SO I TURNED IT INTO A SONG, THAT WORD THEY
  • 00:26:13.210 --> 00:26:15.060
  • GAVE ME.
  • 00:26:15.080 --> 00:26:16.240
  • AND WE PUT IT ON AN ALBUM.
  • 00:26:16.260 --> 00:26:18.120
  • BUT THE STORY WAS BECAUSE OF THE TIMING OF THAT WAS
  • 00:26:18.140 --> 00:26:20.170
  • JUST SO ONE OF THOSE THINGS WE WERE TALKING
  • 00:26:20.190 --> 00:26:23.050
  • ABOUT, IT WAS LIKE GOD SPOKE SO CLEAR, SO I WAS
  • 00:26:23.070 --> 00:26:26.290
  • LIKE I'M TATTOOING THIS ON MY ARM SO I'LL
  • 00:26:27.010 --> 00:26:29.030
  • NEVER FORGET.
  • 00:26:29.050 --> 00:26:31.090
  • - ANNOUNCER: BETHEL MUSIC'S MISSION IS TO
  • 00:26:31.110 --> 00:26:34.080
  • CARRY THE CULTURE OF HEAVEN INTO THE NATIONS
  • 00:26:34.100 --> 00:26:36.170
  • THROUGH WORSHIP AND TO SEE THE GLOBAL EXPANSION
  • 00:26:36.190 --> 00:26:38.240
  • OF GOD'S KINGDOM THROUGH HIS MANIFEST PRESENCE.
  • 00:26:38.260 --> 00:26:40.290
  • THEIR WORSHIP TEAMS SERVE AND COLLABORATE TO WRITE
  • 00:26:41.010 --> 00:26:43.080
  • THE SONGS THAT BRING OUT THE BEST IN GOD'S PEOPLE,
  • 00:26:43.100 --> 00:26:45.090
  • TO GIVE THE BEST TO HIM.
  • 00:26:45.110 --> 00:26:47.230
  • [ MUSIC AND APPLAUSE ]
  • 00:26:47.250 --> 00:26:54.270
  • [ MUSIC AND APPLAUSE ]
  • 00:26:54.270 --> 00:27:02.130
  • YOU UNRAVEL ME WITH A MELODY ...
  • 00:27:02.150 --> 00:27:08.050
  • YOU SURROUND ME WITH A SONG ...
  • 00:27:08.070 --> 00:27:14.120
  • OF DELIVERANCE FROM MY ENEMY ...
  • 00:27:14.140 --> 00:27:24.100
  • UNTIL ALL MY FEARS ARE GONE ...
  • 00:27:24.120 --> 00:27:27.180
  • BECAUSE I'M NO LONGER A SLAVE TO FEAR ...
  • 00:27:27.200 --> 00:27:34.100
  • I AM CHILD OF GOD ...
  • 00:27:34.120 --> 00:27:39.240
  • I AM NO LONGER A SLAVE TO FEAR ...
  • 00:27:39.260 --> 00:27:47.060
  • I AM A CHILD OF GOD ...
  • 00:27:47.080 --> 00:27:51.260
  • [ MUSIC ]
  • 00:27:51.280 --> 00:28:04.100
  • FROM MY MOTHER'S WOMB YOU HAVE CHOSEN ME ...
  • 00:28:04.120 --> 00:28:09.180
  • LOVE HAS CALLED MY NAME.
  • 00:28:09.200 --> 00:28:15.240
  • AND I'VE BEEN BORN AGAIN INTO YOUR FAMILY ...
  • 00:28:15.260 --> 00:28:22.070
  • BECAUSE I'M NO LONGER A SLAVE TO FEAR ...
  • 00:28:22.090 --> 00:28:28.120
  • I AM A CHILD OF GOD ...
  • 00:28:28.140 --> 00:28:36.030
  • FOR I AM A CHILD OF GOD...
  • 00:28:36.050 --> 00:28:42.020
  • I'M NO LONGER A SLAVE TO FEAR...
  • 00:28:42.040 --> 00:28:48.230
  • FOR I AM A CHILD OF GOD...
  • 00:28:48.250 --> 00:28:54.290
  • I'M NO LONGER A SLAVE TO FEAR...
  • 00:28:55.010 --> 00:29:01.240
  • FOR I AM A CHILD OF GOD...
  • 00:29:01.260 --> 00:29:08.080
  • I'M NO LONGER A SLAVE TO FEAR...
  • 00:29:08.100 --> 00:29:14.220
  • FOR I AM A CHILD OF GOD...
  • 00:29:14.240 --> 00:29:21.050
  • - MATT CROUCH: BETHEL MUSIC IS AN EXPRESSION,
  • 00:29:23.140 --> 00:29:25.010
  • IF YOU JUST TUNED IN, IT'S OBVIOUS AS TO THE
  • 00:29:25.030 --> 00:29:28.270
  • SHOT THAT'S OVER OUR SHOULDER HERE WHERE WE ARE.
  • 00:29:28.290 --> 00:29:32.040
  • WELCOME TO JERUSALEM.
  • 00:29:32.060 --> 00:29:34.210
  • WHEREVER YOU'RE WATCHING, WE'RE INVITING YOU HERE.
  • 00:29:34.230 --> 00:29:36.270
  • - LAURIE CROUCH: GOD'S COUNTRY.
  • 00:29:36.290 --> 00:29:38.070
  • - BETHEL MUSIC IS WITH US.
  • 00:29:38.090 --> 00:29:39.250
  • WE'RE HERE EXPERIENCING A GREAT TOUR,
  • 00:29:39.270 --> 00:29:43.170
  • COUPLE OF THOUSAND PEOPLE FROM AROUND THE WORLD,
  • 00:29:43.190 --> 00:29:45.230
  • AND IT'S ALL HAPPENING RIGHT NOW.
  • 00:29:45.250 --> 00:29:48.040
  • YOU'VE BEEN LIFTING UP THE NAME OF THE LORD IN
  • 00:29:48.060 --> 00:29:52.070
  • WORSHIP. WHAT WAS YOUR PATHWAY INTO SINGING,
  • 00:29:52.090 --> 00:29:55.090
  • MUSIC MINISTRY?
  • 00:29:55.110 --> 00:29:57.150
  • - YEAH, SO I GREW UP IN THE CHURCH.
  • 00:29:57.170 --> 00:30:00.230
  • MY DAD IS ACTUALLY AN INCREDIBLE SINGER/MUSICIAN.
  • 00:30:00.250 --> 00:30:03.290
  • MY WHOLE FAMILY IS VERY SIMILAR.
  • 00:30:04.010 --> 00:30:07.000
  • ALL OF US ARE MUSICIANS, ALL OF US,
  • 00:30:07.020 --> 00:30:09.120
  • WE ACTUALLY USED TO TRAVEL AS A FAMILY AND
  • 00:30:09.140 --> 00:30:12.060
  • WE USED TO DO FAMILY, THE FOREMAN FAMILY,
  • 00:30:12.080 --> 00:30:14.290
  • THERE'S SEVEN KIDS SO IT'S ALL OF THEM.
  • 00:30:15.010 --> 00:30:17.250
  • ALL OF US PLAY MUSIC. MY DAD SINGS.
  • 00:30:17.270 --> 00:30:20.180
  • MOM, NOT A SINGLE NOTE. CAN'T SING AT ALL. SO SHE...
  • 00:30:20.200 --> 00:30:26.120
  • - SHE DOES THE TICKET BOOTH.
  • 00:30:26.140 --> 00:30:27.230
  • - SHE'S THE PREACHER.
  • 00:30:27.250 --> 00:30:29.130
  • SO WE USED TO DO THAT KIND OF STUFF.
  • 00:30:29.150 --> 00:30:33.200
  • BUT THE MAJORITY OF IT WAS IN OUR OWN HOME
  • 00:30:33.220 --> 00:30:36.200
  • CHURCH WE WOULD DO STUFF.
  • 00:30:36.220 --> 00:30:38.290
  • BUT I THINK, I DEFINITELY CAN RELATE,
  • 00:30:39.010 --> 00:30:42.090
  • LIKE I DEFINITELY GREW UP AND I THINK IT'S JUST,
  • 00:30:42.110 --> 00:30:45.050
  • I THINK SOMETIMES TOO IT'S JUST WORSHIP
  • 00:30:45.070 --> 00:30:46.240
  • LEADERS, THERE'S SUCH A CALL ON OUR LIVES,
  • 00:30:46.260 --> 00:30:48.220
  • AND I FEEL LIKE THAT'S SOMETHING FOR ME AS WELL,
  • 00:30:48.240 --> 00:30:52.000
  • JUST LIKE THAT FEAR, LIKE IT WILL COME OUT OF
  • 00:30:52.020 --> 00:30:54.060
  • ABSOLUTELY NOWHERE.
  • 00:30:54.080 --> 00:30:56.040
  • BUT I DEFINITELY DEALT WITH THAT AS WELL,
  • 00:30:56.060 --> 00:30:58.230
  • BUT EVEN ONLY BEING 25 YEARS OLD,
  • 00:30:58.250 --> 00:31:01.280
  • I FEEL LIKE I'VE, THE WAY THAT MY PARENTS RAISED
  • 00:31:02.000 --> 00:31:05.190
  • ME, AND WE MOVED OUT TO BETHEL WHEN I WAS ONLY
  • 00:31:05.210 --> 00:31:08.040
  • 17, SO I GREW UP KIND OF IN THIS CULTURE OF
  • 00:31:08.060 --> 00:31:11.120
  • WORSHIP, AND I'M LIKE OH, WOW,
  • 00:31:11.140 --> 00:31:13.030
  • I'VE ACTUALLY SEEN FROM THE TIME THAT I WAS A
  • 00:31:13.050 --> 00:31:15.230
  • YOUNG GIRL SINGING IN CHILDREN'S CHURCH ALL THE
  • 00:31:15.250 --> 00:31:17.220
  • WAY UP TO THIS POINT RIGHT NOW BEING LIKE OH,
  • 00:31:17.240 --> 00:31:20.020
  • WOW, I'VE ACTUALLY COME FROM A LONG WAY,
  • 00:31:20.040 --> 00:31:23.010
  • AND I'VE SEEN IT IN MY LIFE FROM THE MOMENT THAT
  • 00:31:23.030 --> 00:31:25.040
  • I WAS PROBABLY SEVEN OR EIGHT YEARS OLD.
  • 00:31:25.060 --> 00:31:27.290
  • - LAURIE CROUCH: WOW.
  • 00:31:28.010 --> 00:31:29.280
  • - SO GOING FROM A MUSICAL FAMILY TRAVELING
  • 00:31:30.000 --> 00:31:35.000
  • AROUND, LAURIE CAN RELATE TO THAT.
  • 00:31:35.020 --> 00:31:36.220
  • HER MOM AND DAD, THEY WERE ALL MUSICAL,
  • 00:31:36.240 --> 00:31:40.160
  • AND THERE WAS A WHOLE BUNCH OF MUSIC GOING ON.
  • 00:31:40.180 --> 00:31:42.080
  • IN THE CROUCH FAMILY, NOT SO MUCH.
  • 00:31:42.100 --> 00:31:46.100
  • - BOTH MOM AND DAD SANG.
  • 00:31:46.120 --> 00:31:48.070
  • - YEAH, KIND OF. NOT REALLY. SO...
  • 00:31:48.090 --> 00:31:52.110
  • - ACCORDION OR SOMETHING.
  • 00:31:52.130 --> 00:31:54.060
  • - THE STEP FROM BEING KIND OF A TRAVELING
  • 00:31:54.080 --> 00:31:56.030
  • MUSIC FAMILY TO AN INTERNATIONAL STAGE KIND
  • 00:31:56.050 --> 00:32:00.120
  • OF THING WITH BETHEL, HOW DID THAT HAPPEN FOR YOU?
  • 00:32:00.140 --> 00:32:04.260
  • - UM, WELL, I USED TO DO THIS-- GROWING UP,
  • 00:32:04.280 --> 00:32:09.030
  • I USED TO DO LIKE PERFORMING LIKE MUSIC
  • 00:32:09.050 --> 00:32:13.050
  • STUFF, SO WE HAD THIS CHRISTIAN THING THAT WE
  • 00:32:13.070 --> 00:32:16.070
  • USED TO DO IN JUNIOR HIGH,
  • 00:32:16.090 --> 00:32:18.090
  • HIGH SCHOOL FOR ME THAT WAS CALLED FINE ARTS,
  • 00:32:18.110 --> 00:32:20.200
  • AND I GOT TO A PLACE WHERE I REALIZED THAT I
  • 00:32:20.220 --> 00:32:24.180
  • DIDN'T WANT TO BE PERFORMING; ACTUALLY,
  • 00:32:24.200 --> 00:32:26.220
  • I WANTED TO DO WORSHIP.
  • 00:32:26.240 --> 00:32:28.130
  • THERE WASN'T THE SAME THING THERE.
  • 00:32:28.150 --> 00:32:30.050
  • SO IT WAS JUST KIND OF THIS TURNING POINT
  • 00:32:30.070 --> 00:32:32.160
  • PROBABLY WHEN I WAS 16, 17 YEARS OLD RIGHT BEFORE
  • 00:32:32.180 --> 00:32:35.120
  • I MOVED OUT TO BETHEL THAT I REALIZED I DON'T
  • 00:32:35.140 --> 00:32:39.120
  • WANT TO DO THIS THING ANYMORE,
  • 00:32:39.140 --> 00:32:42.000
  • I ACTUALLY WANT TO DO THIS THING.
  • 00:32:42.020 --> 00:32:43.220
  • SO IT WAS SUPER POWERFUL.
  • 00:32:43.240 --> 00:32:46.280
  • - SO THE DIFFERENCE BETWEEN A PERFORMER AND A
  • 00:32:47.000 --> 00:32:49.040
  • WORSHIPER IS SOMETHING THAT HIT YOU AS A TEENAGER.
  • 00:32:49.060 --> 00:32:52.090
  • - UH-HUH. YEAH.
  • 00:32:52.110 --> 00:32:54.190
  • - BRIAN JOHNSON: WELL, THE SONG FOREVER,
  • 00:32:57.010 --> 00:32:58.120
  • I THINK WITH MOST OF THESE SONGS THIS SONG
  • 00:32:58.140 --> 00:33:01.030
  • TOOK LIKE TWO YEARS TO FINISH MOSTLY BECAUSE WE
  • 00:33:01.050 --> 00:33:03.270
  • HAD AN IDEA FOR THIS SONG BEING ABOUT THE
  • 00:33:03.290 --> 00:33:06.210
  • RESURRECTION AND EVERYTHING,
  • 00:33:06.230 --> 00:33:08.010
  • BUT IT JUST TRYING TO GET IT TO SING AND SAY WHAT
  • 00:33:08.030 --> 00:33:11.110
  • WE FELT IN OUR HEARTS.
  • 00:33:11.130 --> 00:33:13.030
  • I REMEMBER SITTING IN THE STUDIO WITH THE GUYS
  • 00:33:13.050 --> 00:33:14.210
  • SAYING I NEED THIS PRE-CHORUS TO BE LIKE
  • 00:33:14.230 --> 00:33:17.170
  • THERE'S ALMOST LIKE A VENGEANCE,
  • 00:33:17.190 --> 00:33:20.110
  • ETERNITY IS LIKE THE GREAT REVENGE OF CHRIST,
  • 00:33:20.130 --> 00:33:24.190
  • YOU KNOW ON ALL DARKNESS.
  • 00:33:24.210 --> 00:33:26.160
  • AND I JUST REMEMBER SAYING WE NEED TO CAPTURE
  • 00:33:26.180 --> 00:33:28.230
  • THAT MOMENT IN THIS PRE-CHORUS
  • 00:33:28.250 --> 00:33:30.080
  • "RENDERED YOU DEFEATED".
  • 00:33:30.100 --> 00:33:32.100
  • WHEN THAT LYRIC CAME PART OF THE PRE-CHORUS IT WAS
  • 00:33:32.120 --> 00:33:34.200
  • LIKE THIS IS IT.
  • 00:33:34.220 --> 00:33:36.050
  • WITH ALL THESE SONGS WE TRY THEM LIVE.
  • 00:33:36.070 --> 00:33:37.250
  • THIS SONG WE PROBABLY TRIED 20 TIMES BEFORE IT
  • 00:33:37.270 --> 00:33:40.040
  • FINALLY LANDED, AND WHEN IT FINALLY LANDED,
  • 00:33:40.060 --> 00:33:42.230
  • WE RECORDED IT.
  • 00:33:42.250 --> 00:33:44.000
  • AND MY WIFE, WHO IS SUPER PROPHETIC,
  • 00:33:44.020 --> 00:33:47.000
  • DOES A LOT OF SPONTANEOUS WORSHIP,
  • 00:33:47.020 --> 00:33:48.140
  • WE LET THE CHORUS CORDS JUST PLAY OUT AND SHE
  • 00:33:48.160 --> 00:33:50.120
  • STARTED HUMMING THAT THING,
  • 00:33:50.140 --> 00:33:51.180
  • WE SING HALLELUJAH, WE SING HALLELUJAH,
  • 00:33:51.200 --> 00:33:53.110
  • THE LAMB HAS OVERCOME.
  • 00:33:53.130 --> 00:33:55.060
  • OBVIOUSLY WE SCRAPPED THE OLD RECORDING AND
  • 00:33:55.080 --> 00:33:57.130
  • RE-RECORDED IT WITH THAT AS A PART OF IT.
  • 00:33:57.150 --> 00:33:59.110
  • I KIND OF WITH ALL WORSHIP SONGS WHAT
  • 00:33:59.130 --> 00:34:01.120
  • USUALLY STARTS IN WORSHIP USUALLY WORKS FOR
  • 00:34:01.140 --> 00:34:04.180
  • WORSHIP, SO WE'RE TRYING TO CAPTURE THE ESSENCE OF
  • 00:34:04.200 --> 00:34:09.010
  • THE SONG IN A LIVE CONTEXT WHERE PEOPLE ARE
  • 00:34:09.030 --> 00:34:11.090
  • JUST SINGING OUT TO GOD, AND A LOT OF CREATIVITY
  • 00:34:11.110 --> 00:34:13.220
  • HAPPENS IN THAT SPACE VERSUS IN LIKE A STUDIO
  • 00:34:13.240 --> 00:34:17.170
  • THAT'S KIND OF REMOVED FROM THAT SPACE.
  • 00:34:17.190 --> 00:34:20.050
  • SO THIS SONG WAS A CO-WRITE BETWEEN ABOUT
  • 00:34:20.070 --> 00:34:22.190
  • FIVE OF US WRITERS.
  • 00:34:22.210 --> 00:34:24.040
  • AND YOU KNOW, IT WAS QUITE A PROCESS EVEN
  • 00:34:24.060 --> 00:34:28.070
  • RELATIONALLY TO GET FROM POINT A TO Z.
  • 00:34:28.090 --> 00:34:30.270
  • I REMEMBER SITTING WITH CARRIE JO,
  • 00:34:30.290 --> 00:34:33.170
  • WE ACTUALLY SAT IN MY DAD'S OFFICE AND WE HAD
  • 00:34:33.190 --> 00:34:36.210
  • THIS PRE-CHORUS AND THIS CHORUS KIND OF MELODY,
  • 00:34:36.230 --> 00:34:39.110
  • AND SHE STARTED HUMMING THIS LITTLE MELODY,
  • 00:34:39.130 --> 00:34:42.050
  • SHE THOUGHT IT WAS A PRE-CHORUS BUT I'M LIKE,
  • 00:34:42.070 --> 00:34:43.290
  • WAIT, HOLD ON, WHAT IS THAT?
  • 00:34:44.010 --> 00:34:45.110
  • AND ON THE SPOT SHE WROTE THE VERSE AND
  • 00:34:45.130 --> 00:34:47.190
  • MELODY, SO IT WAS COOL TO SEE THE PROGRESSION OF
  • 00:34:47.210 --> 00:34:49.240
  • THIS SONG AND HOW IT FELT IN PLACE.
  • 00:34:49.260 --> 00:34:52.050
  • BUT ULTIMATELY IT'S ABOUT THE RESURRECTION AND THE
  • 00:34:52.070 --> 00:34:56.020
  • SEVERITY OF THAT AND WHAT CHRIST DID FOR US ON THE
  • 00:34:56.040 --> 00:34:58.280
  • CROSS AND THEN THE VICTORY THAT CAME AFTER THAT.
  • 00:34:59.000 --> 00:35:02.030
  • [MUSIC]
  • 00:35:02.050 --> 00:35:13.150
  • THE MOON AND STARS THEY WEPT...
  • 00:35:13.170 --> 00:35:16.090
  • THE MORNING SUN WAS DEAD...
  • 00:35:16.110 --> 00:35:19.130
  • THE SAVIOR OF THE WORLD WAS FALLEN...
  • 00:35:19.150 --> 00:35:25.170
  • HIS BODY ON THE CROSS...
  • 00:35:25.190 --> 00:35:29.050
  • HIS BLOOD POURED OUT FOR US...
  • 00:35:29.070 --> 00:35:32.090
  • THE WEIGHT OF EVERY CURSE UPON HIM...
  • 00:35:32.110 --> 00:35:38.060
  • [MUSIC]
  • 00:35:38.080 --> 00:35:44.060
  • [MUSIC]
  • 00:35:44.060 --> 00:35:51.240
  • ONE FINAL BREATH HE GAVE...
  • 00:35:51.260 --> 00:35:55.130
  • AS HEAVEN LOOKED AWAY...
  • 00:35:55.150 --> 00:35:58.210
  • THE SON OF GOD WAS LAID IN DARKNESS...
  • 00:35:58.230 --> 00:36:05.120
  • A BATTLE IN THE GRAVE...
  • 00:36:05.140 --> 00:36:08.220
  • THE WAR ON DEATH WAS WAGED...
  • 00:36:08.240 --> 00:36:11.280
  • THE POWER OF HELL FOREVER BROKEN...
  • 00:36:12.000 --> 00:36:16.120
  • THE GROUND BEGAN TO SHAKE...
  • 00:36:16.140 --> 00:36:21.150
  • THE STONE WAS ROLLED AWAY...
  • 00:36:21.170 --> 00:36:24.240
  • HIS PERFECT LOVE WOULD NOT BE OVERCOME...
  • 00:36:24.260 --> 00:36:31.110
  • NOW DEATH WHERE IS YOUR STING...
  • 00:36:31.130 --> 00:36:34.170
  • OUR RESURRECTED KING...
  • 00:36:34.190 --> 00:36:38.000
  • HAS RENDERED YOU DEFEATED...
  • 00:36:38.020 --> 00:36:43.000
  • FOREVER HE IS GLORIFIED...
  • 00:36:43.020 --> 00:36:49.140
  • FOREVER HE IS LIFTED HIGH...
  • 00:36:49.160 --> 00:36:56.000
  • FOREVER HE IS RISEN...
  • 00:36:56.020 --> 00:37:01.110
  • HE IS ALIVE, HE IS ALIVE...
  • 00:37:01.130 --> 00:37:09.080
  • THE GROUND BEGAN TO SHAKE...
  • 00:37:09.100 --> 00:37:14.040
  • THE STONE WAS ROLLED AWAY...
  • 00:37:14.060 --> 00:37:17.110
  • HIS PERFECT LOVE WOULD NOT BE OVERCOME...
  • 00:37:17.130 --> 00:37:24.020
  • NOW DEATH WHERE IS YOUR STING...
  • 00:37:24.040 --> 00:37:27.080
  • OUR RESURRECTED KING...
  • 00:37:27.100 --> 00:37:30.270
  • HAS RENDERED YOU DEFEATED...
  • 00:37:30.290 --> 00:37:35.190
  • FOREVER HE IS GLORIFIED...
  • 00:37:35.210 --> 00:37:42.040
  • FOREVER HE IS LIFTED HIGH...
  • 00:37:42.060 --> 00:37:48.280
  • FOREVER HE IS RISEN...
  • 00:37:49.000 --> 00:37:53.280
  • HE IS ALIVE, HE IS ALIVE...
  • 00:37:54.000 --> 00:38:02.030
  • [MUSIC]
  • 00:38:02.050 --> 00:38:15.170
  • [MUSIC]
  • 00:38:15.170 --> 00:38:27.000
  • WE SING HALLELUJAH...
  • 00:38:27.020 --> 00:38:33.020
  • WE SING HALLELUJAH...
  • 00:38:33.040 --> 00:38:36.170
  • WE SING HALLELUJAH...
  • 00:38:36.190 --> 00:38:40.110
  • SAY WE SING...
  • 00:38:40.130 --> 00:38:43.040
  • WE SING HALLELUJAH...
  • 00:38:43.060 --> 00:38:46.130
  • WE SING HALLELUJAH...
  • 00:38:46.150 --> 00:38:49.140
  • WE SING HALLELUJAH...
  • 00:38:49.160 --> 00:38:52.250
  • FOR THE LAMB HAS OVERCOME...
  • 00:38:52.270 --> 00:38:56.070
  • WE SING HALLELUJAH...
  • 00:38:56.090 --> 00:38:59.110
  • WE SING HALLELUJAH...
  • 00:38:59.130 --> 00:39:02.260
  • WE SING HALLELUJAH...
  • 00:39:02.280 --> 00:39:05.260
  • THE LAMB HAS OVERCOME...
  • 00:39:05.280 --> 00:39:09.170
  • WE SING HALLELUJAH...
  • 00:39:09.190 --> 00:39:12.230
  • WE SING HALLELUJAH...
  • 00:39:12.250 --> 00:39:16.010
  • WE SING HALLELUJAH...
  • 00:39:16.030 --> 00:39:19.050
  • THE LAMB HAS OVERCOME...
  • 00:39:19.070 --> 00:39:22.180
  • WE SING HALLELUJAH...
  • 00:39:22.200 --> 00:39:25.270
  • WE SING HALLELUJAH...
  • 00:39:25.290 --> 00:39:29.040
  • WE SING HALLELUJAH...
  • 00:39:29.060 --> 00:39:32.020
  • THE LAMB HAS OVERCOME...
  • 00:39:32.040 --> 00:39:35.230
  • WE SING HALLELUJAH...
  • 00:39:35.250 --> 00:39:39.030
  • WE SING HALLELUJAH...
  • 00:39:39.050 --> 00:39:42.070
  • WE SING HALLELUJAH...
  • 00:39:42.090 --> 00:39:45.180
  • THE LAMB HAS OVERCOME...
  • 00:39:45.200 --> 00:39:53.210
  • FOREVER HE IS GLORIFIED...
  • 00:39:53.230 --> 00:40:00.020
  • FOREVER HE IS LIFTED HIGH...
  • 00:40:00.040 --> 00:40:07.000
  • FOREVER HE IS RISEN...
  • 00:40:07.020 --> 00:40:12.000
  • HE IS ALIVE!
  • 00:40:12.020 --> 00:40:14.290
  • HE IS ALIVE!
  • 00:40:15.010 --> 00:40:20.250
  • MAGNIFY HIS NAME!
  • 00:40:20.270 --> 00:40:25.030
  • [MUSIC]
  • 00:40:25.050 --> 00:40:36.000
  • ALL FOR YOUR NAME!
  • 00:40:36.020 --> 00:40:39.060
  • ALL FOR YOUR NAME!
  • 00:40:39.080 --> 00:40:42.080
  • [MUSIC]
  • 00:40:42.100 --> 00:40:50.170
  • WE LOVE YOU LORD!
  • 00:40:50.190 --> 00:40:52.250
  • WE PRAISE YOUR MIGHTY NAME!
  • 00:40:52.270 --> 00:40:55.270
  • - MATT CROUCH: BETHEL MUSIC IS A MOVEMENT.
  • 00:40:55.290 --> 00:40:58.290
  • IT IS, YOU KNOW IT'S A THING.
  • 00:40:59.010 --> 00:41:01.070
  • GET IT, GLOBAL THING.
  • 00:41:01.090 --> 00:41:03.240
  • AND SO THIS IS BRIAN AND LEAH JOHNSON.
  • 00:41:03.260 --> 00:41:08.130
  • I MEAN YOU'RE VALENZUELA NOW,
  • 00:41:08.150 --> 00:41:10.090
  • BUT YOU SAID JUST A MOMENT AGO,
  • 00:41:10.110 --> 00:41:12.030
  • AND YOU BREEZED BY IT SO I'M GONNA CIRCLE BACK TO
  • 00:41:12.050 --> 00:41:14.110
  • IT, YOU SAID YOU WERE TORMENTED AS A CHILD.
  • 00:41:14.130 --> 00:41:18.130
  • WHAT DID THAT MEAN?
  • 00:41:18.150 --> 00:41:19.240
  • WHAT DID YOU MEAN BY THAT?
  • 00:41:19.260 --> 00:41:21.050
  • - IT'S HARD TO EXPLAIN, BUT I WOULD JUST GET
  • 00:41:21.070 --> 00:41:23.000
  • INSTANTLY JUST LIKE TERRORIZED FEAR,
  • 00:41:23.020 --> 00:41:27.070
  • JUST ON ANOTHER LEVEL, NOT LIKE SCARED OF
  • 00:41:27.090 --> 00:41:29.060
  • SOMETHING BUT THE HAIR ON THE BACK OF MY NECK.
  • 00:41:29.080 --> 00:41:31.230
  • SO SORT OF FIGURING OUT THAT IT WAS A DEMONIC
  • 00:41:31.250 --> 00:41:35.230
  • THING HAPPENING. HARD TO DESCRIBE BUT IT
  • 00:41:35.250 --> 00:41:37.070
  • JUST WAS KIND OF BEYOND WORDS,
  • 00:41:37.090 --> 00:41:39.220
  • AND THE ONLY THING THAT BROKE IT,
  • 00:41:39.240 --> 00:41:41.060
  • WHICH WAS AMAZING-- AS A SEVEN YEAR OLD,
  • 00:41:41.080 --> 00:41:42.270
  • I SLEPT WITH MY PARENTS ALMOST EVERY NIGHT
  • 00:41:42.290 --> 00:41:45.130
  • IN THEIR ROOM BECAUSE I WAS TORMENTED.
  • 00:41:45.150 --> 00:41:47.170
  • THE ONLY THING THAT FIXED IT WAS WORSHIP.
  • 00:41:47.190 --> 00:41:50.160
  • NOT THE WORD, NOT, NOTHING, NOTHING,
  • 00:41:50.180 --> 00:41:52.220
  • BUT JUST SINGING LIKE THE OLD SONGS YOU COULD SING
  • 00:41:52.240 --> 00:41:55.000
  • WITHOUT AN INSTRUMENT: I LOVE YOU, I LIFT MY VOICE.
  • 00:41:55.020 --> 00:41:57.250
  • SO IN THOSE MOMENTS, IT BECAME VERY APPARENT THE
  • 00:41:57.270 --> 00:42:01.030
  • POWER OF PRAISE, AND SO WHEN YOU GO THROUGH
  • 00:42:01.050 --> 00:42:05.260
  • SOMETHING LIKE THAT, AND YOU START TO LEAD
  • 00:42:05.280 --> 00:42:07.110
  • WORSHIP, IT'S ALMOST LIKE YOU'RE LIKE OH,
  • 00:42:07.130 --> 00:42:09.080
  • MAYBE THERE'S A REASON, YOU KNOW, FOR THAT.
  • 00:42:09.100 --> 00:42:12.220
  • NOT THAT GOD ALLOWED IT OR WHATEVER,
  • 00:42:12.240 --> 00:42:15.020
  • BUT I THINK WHEN YOU COME TO A PLACE OF WORSHIP OR
  • 00:42:15.040 --> 00:42:19.050
  • PRAISE IN THAT CONTEXT WITH THAT MEMORY,
  • 00:42:19.070 --> 00:42:21.030
  • IT MEANS MORE.
  • 00:42:21.050 --> 00:42:22.290
  • - WE'RE TALKING ABOUT PASTOR BILL JOHNSON OF
  • 00:42:23.010 --> 00:42:25.200
  • BETHEL CHURCH.
  • 00:42:25.220 --> 00:42:27.220
  • HIS CHILDREN, SOMETIMES I THINK PEOPLE DON'T THINK
  • 00:42:27.240 --> 00:42:31.000
  • THAT WE EVER GO THROUGH EVERYTHING.
  • 00:42:31.020 --> 00:42:33.040
  • THEY'RE SITTING THERE, MAN THERE IS NOTHING THAT
  • 00:42:33.060 --> 00:42:36.060
  • THING THAT QUALIFIES US TO BE SITTING HERE AT
  • 00:42:36.080 --> 00:42:39.020
  • ALL, BUT GOD HAS DONE SOMETHING IN OUR LIVES,
  • 00:42:39.040 --> 00:42:42.280
  • YOU KNOW, AND SO YOUR BASIC MESSAGE IS THAT
  • 00:42:43.000 --> 00:42:49.000
  • THROUGH WORSHIP, I WAS SET FREE, THE FEAR LEFT,
  • 00:42:49.020 --> 00:42:52.280
  • MY LIFE WAS CHANGED THROUGH WORSHIP.
  • 00:42:53.000 --> 00:42:55.290
  • HOW IMPORTANT IS IT THAT-- AND DO YOU HAVE TO
  • 00:42:56.010 --> 00:43:00.130
  • LEARN HOW TO WORSHIP?
  • 00:43:00.150 --> 00:43:02.070
  • - WELL, I THINK I READ THIS MORNING THAT LUKE 7,
  • 00:43:02.090 --> 00:43:04.230
  • THE PROSTITUTE AT JESUS' FEET,
  • 00:43:04.250 --> 00:43:06.230
  • SHE'D NEVER WORSHIPPED BEFORE THAT WE KNOW OF,
  • 00:43:06.250 --> 00:43:08.170
  • AND WORSHIP IS A RESULT OF CREATION NOT OF EDUCATION.
  • 00:43:08.190 --> 00:43:12.090
  • SOMETIMES WE CAN EDUCATE OURSELVES OUT OF BEING
  • 00:43:12.110 --> 00:43:14.170
  • HUMBLE BEFORE GOD, BUT SHE JUST WAS SO BROKEN.
  • 00:43:14.190 --> 00:43:18.090
  • SHE DIDN'T KNOW ANYTHING ELSE TO DO BUT JUST GET
  • 00:43:18.110 --> 00:43:20.020
  • BEFORE GOD, SHE'S CRYING AT HIS FEET.
  • 00:43:20.040 --> 00:43:22.020
  • MEANWHILE, EVERYONE'S LOOKING AT HER LIKE
  • 00:43:22.040 --> 00:43:23.040
  • WHAT'S HAPPENING?
  • 00:43:23.060 --> 00:43:24.220
  • AND JESUS SAID THIS IS TRUE WORSHIP.
  • 00:43:24.240 --> 00:43:26.240
  • SHE LOVES MUCH BECAUSE SHE'S BEEN FORGIVEN MUCH.
  • 00:43:26.260 --> 00:43:29.270
  • AND I THINK LIFE CAN FORCE YOU INTO A PLACE OF
  • 00:43:29.290 --> 00:43:32.200
  • WORSHIP, BUT I DO THINK LIKE AS KIDS,
  • 00:43:32.220 --> 00:43:34.230
  • MOM SAID HEY YOU'RE GONNA GET ICE CREAM AFTER
  • 00:43:34.250 --> 00:43:37.100
  • CHURCH IF YOU WORSHIP. YOU'RE LIKE, I'LL WORSHIP!
  • 00:43:37.120 --> 00:43:40.090
  • AND MAYBE IT'S NOT LIKE THAT WOMAN AT JESUS'
  • 00:43:40.110 --> 00:43:43.100
  • FEET, BUT THROUGH LIFE, IT'S LIKE PRACTICE MAKES
  • 00:43:43.120 --> 00:43:46.190
  • PERFECT THAT IN THE REPETITION YOU REALIZE
  • 00:43:46.210 --> 00:43:48.230
  • THERE'S SOMETHING TO THIS.
  • 00:43:48.250 --> 00:43:50.170
  • AND WHEN YOU GO THROUGH SOMETHING IN LIFE,
  • 00:43:50.190 --> 00:43:52.130
  • YOU REMEMBER THOSE MOMENTS,
  • 00:43:52.150 --> 00:43:54.220
  • OH, THAT THAT'S WHAT THIS IS FOR.
  • 00:43:54.240 --> 00:43:56.190
  • AND I THINK THAT THAT KIND OF SUMS UP THAT WHOLE--
  • 00:43:56.210 --> 00:43:59.080
  • - OKAY LEAH, YOUR PATHWAY TO WORSHIP WASN'T
  • 00:43:59.100 --> 00:44:03.030
  • BASED OUT OF AS MUCH OF A "I GOTTA DO THIS" OR
  • 00:44:03.050 --> 00:44:07.150
  • "I AM BROKEN". YES.
  • 00:44:07.170 --> 00:44:11.060
  • SO YOUR PATHWAY INTO WORSHIP WAS BASICALLY
  • 00:44:11.080 --> 00:44:16.250
  • THROUGH YOUR PARENTS AND THE EXPRESSION.
  • 00:44:16.270 --> 00:44:19.020
  • YOUR DAD WAS WAY WORSHIP LEADER,
  • 00:44:19.040 --> 00:44:20.080
  • YOUR GRANDFATHER WAS A WORSHIP LEADER.
  • 00:44:20.100 --> 00:44:22.070
  • I ATTENDED BETHEL CHURCH WHEN IT WAS YOUR
  • 00:44:22.090 --> 00:44:26.190
  • GRANDFATHER'S ONE TIME WHEN THERE WAS A BIG
  • 00:44:26.210 --> 00:44:29.230
  • EVENT THERE, AND TBN WAS THERE,
  • 00:44:29.250 --> 00:44:31.110
  • AND WE HAD A THING UP IN REDDING.
  • 00:44:31.130 --> 00:44:33.140
  • JAMES ROBISON WAS A GUEST SPEAKER AT YOUR
  • 00:44:33.160 --> 00:44:37.020
  • GRANDFATHER'S CHURCH.
  • 00:44:37.040 --> 00:44:38.270
  • - HOW LONG AGO WAS THAT?
  • 00:44:38.290 --> 00:44:40.130
  • - WELL IT WAS--
  • 00:44:40.150 --> 00:44:41.290
  • - SIXTY YEARS AGO?
  • 00:44:42.010 --> 00:44:43.080
  • - I THINK IT WAS, YOU KNOW,
  • 00:44:43.100 --> 00:44:46.040
  • IT WAS A LONG TIME AGO, BUT I THINK IT WAS
  • 00:44:46.060 --> 00:44:48.180
  • IN THE EARLY 80'S.
  • 00:44:48.200 --> 00:44:50.150
  • SO LIKE MAYBE '81, '82, SOMEWHERE IN THAT RANGE.
  • 00:44:50.170 --> 00:44:53.290
  • WHAT DOES IT MEAN TO YOU-- LOOK,
  • 00:44:54.010 --> 00:44:56.090
  • I GET IT WHAT IT MEANS TO YOU.
  • 00:44:56.110 --> 00:44:58.040
  • THERE WAS A DESPERATION WITH YOU,
  • 00:44:58.060 --> 00:45:00.290
  • AND WORSHIP WAS A PATHWAY OUT OF A VERY DARK PLACE.
  • 00:45:01.010 --> 00:45:04.150
  • WHAT WAS YOUR PATHWAY TO-- YOU TAKE A STAGE AND
  • 00:45:04.170 --> 00:45:08.030
  • YOU DO THIS, I HATE TO SAY PROFESSIONALLY,
  • 00:45:08.050 --> 00:45:10.110
  • BUT YOU DO IT AS A VOCATION, AS A LIVING,
  • 00:45:10.130 --> 00:45:12.250
  • SO WHAT WAS YOUR PATHWAY TO IT.
  • 00:45:12.270 --> 00:45:15.000
  • - I THINK A LOT OF ME WAS I REALLY LOVE TO SING.
  • 00:45:15.020 --> 00:45:16.270
  • I LOVE SINGING, I LOVE MUSIC.
  • 00:45:16.290 --> 00:45:19.120
  • MY MOM USED TO SING HARMONIES IN MY EAR AS
  • 00:45:19.140 --> 00:45:21.140
  • A BABY, FROM BABY UNTIL I WAS OLDER,
  • 00:45:21.160 --> 00:45:23.290
  • AND JUST I LOVE DOING BACKUP VOCALS.
  • 00:45:24.010 --> 00:45:25.290
  • IT'S MY FAVORITE.
  • 00:45:26.010 --> 00:45:27.080
  • I LOVE DOING HARMONIES, SO I THINK THAT JUST
  • 00:45:27.100 --> 00:45:29.180
  • BROUGHT ME INTO THE PLACE OF WORSHIP AND BEING ON
  • 00:45:29.200 --> 00:45:34.070
  • STAGE, AND THEN THE REST JUST KIND OF COMES IN,
  • 00:45:34.090 --> 00:45:36.190
  • COMES AFTER.
  • 00:45:36.210 --> 00:45:39.010
  • - OKAY, I'M NOT GONNA KEEP DOING THIS ALL
  • 00:45:39.030 --> 00:45:42.150
  • PROGRAM, BUT I WANT TO ASK YOU SOMETHING ABOUT
  • 00:45:42.170 --> 00:45:44.150
  • THE KIND OF THE FEAR BASED RELIEF THAT YOU
  • 00:45:44.170 --> 00:45:49.150
  • WOULD GET FROM WORSHIP, BRIAN,
  • 00:45:49.170 --> 00:45:52.010
  • BECAUSE AN UNUSUAL SITUATION HAPPENED IN OUR LIFE.
  • 00:45:52.030 --> 00:45:56.070
  • ONE OF THE CAMERA GUYS RIGHT OVER HERE BELONGS
  • 00:45:56.090 --> 00:45:59.100
  • TO US, HE'S OUR CHILD, WELL TWO OF THEM
  • 00:45:59.120 --> 00:46:01.290
  • ACTUALLY, BUT ONE OVER HERE.
  • 00:46:02.010 --> 00:46:03.220
  • THE STRANGEST THING HAPPENED WHEN CAYLAN
  • 00:46:03.240 --> 00:46:07.240
  • WAS IN KINDERGARTEN.
  • 00:46:07.260 --> 00:46:10.250
  • LAURIE WOULD DRIVE OUR CHILDREN TO SCHOOL.
  • 00:46:10.270 --> 00:46:14.060
  • THEY WENT TO A PRIVATE SCHOOL,
  • 00:46:14.080 --> 00:46:15.210
  • IT WAS A LITTLE BIT OF A DRIVE,
  • 00:46:15.230 --> 00:46:18.060
  • AND SHE WAS THE FAITHFUL HOME MOTHER,
  • 00:46:18.080 --> 00:46:22.240
  • I MEAN MEANING WHAT DO THEY CALL THEM?
  • 00:46:22.260 --> 00:46:24.210
  • HOMEROOM MOTHER.
  • 00:46:24.230 --> 00:46:26.130
  • SO SHE WAS CONSTANTLY AT THE SCHOOL AND BRINGING
  • 00:46:26.150 --> 00:46:29.140
  • CUPCAKES AND BEING KIND OF THE TEACHER HELPER,
  • 00:46:29.160 --> 00:46:32.050
  • THAT KIND OF THING.
  • 00:46:32.070 --> 00:46:33.210
  • AND LAURIE HAD NEVER MISSED PICKING UP THE
  • 00:46:33.230 --> 00:46:37.080
  • KIDS FROM SCHOOL.
  • 00:46:37.100 --> 00:46:39.130
  • CODY'S YOUNGER AND CAYLAN IS OLDER.
  • 00:46:39.150 --> 00:46:41.120
  • BUT AS CAYLAN SHOWS UP AT THE NURSE'S OFFICE ONE
  • 00:46:41.140 --> 00:46:44.140
  • DAY AND SAYS I NEED TO CALL MY MOM.
  • 00:46:44.160 --> 00:46:47.190
  • HE WAS IN TEARS.
  • 00:46:47.210 --> 00:46:49.000
  • AND THE NURSE PICKS UP THE PHONE AND CALLS
  • 00:46:49.020 --> 00:46:51.220
  • LAURIE AND KNEW HER, AND SAID LAURIE,
  • 00:46:51.240 --> 00:46:55.070
  • I'VE GOT CAYLAN HERE, AND HE'S REALLY IN SOME
  • 00:46:55.090 --> 00:46:58.010
  • DISTRESS HERE AND WANTS TO TALK TO YOU ON THE
  • 00:46:58.030 --> 00:47:00.240
  • PHONE AND DOESN'T THINK YOU'RE GONNA COME PICK
  • 00:47:00.260 --> 00:47:02.280
  • HIM UP FROM SCHOOL TODAY. SO WHAT DID YOU SAY?
  • 00:47:03.000 --> 00:47:07.020
  • - I WAS JUST SHOCKED. I SAID WHAT?
  • 00:47:07.040 --> 00:47:09.080
  • AND SHE SAID HE TOLD ME I'M AFRAID MY MOM'S NOT
  • 00:47:09.100 --> 00:47:11.280
  • GONNA COME PICK ME UP TODAY. YOU KNOW.
  • 00:47:12.000 --> 00:47:14.170
  • - OUT OF THE BLUE.
  • 00:47:14.190 --> 00:47:15.250
  • - AND MY HEART JUST KILLED ME,
  • 00:47:15.270 --> 00:47:17.190
  • AND SO I SAID WELL LET ME TALK TO HIM,
  • 00:47:17.210 --> 00:47:20.110
  • AND I SAID BABY, AND HE'S JUST BAWLING.
  • 00:47:20.130 --> 00:47:23.120
  • I SAID WHAT'S WRONG? HE SAID I JUST FEEL LIKE
  • 00:47:23.140 --> 00:47:27.150
  • YOU'RE NOT GONNA PICK ME UP TODAY.
  • 00:47:27.170 --> 00:47:29.210
  • AND I SAID WHEN HAVE I NEVER PICKED YOU UP?
  • 00:47:29.230 --> 00:47:33.000
  • YOU KNOW THAT PLAYS TO US CRYING OUT TO GOD,
  • 00:47:33.020 --> 00:47:37.240
  • YOU'RE GONNA FORGET ME, I FEEL SO ALONE.
  • 00:47:37.260 --> 00:47:39.220
  • GOD'S SAYING WHEN HAVE I EVER FAILED YOU?
  • 00:47:39.240 --> 00:47:42.170
  • SO THAT, AND I WAS LIKE WHAT IN THE WORLD CAYLAN,
  • 00:47:42.190 --> 00:47:45.100
  • I SAID NO, I'LL BE THERE. AND THAT STARTED--
  • 00:47:45.120 --> 00:47:49.130
  • - A COUPLE OF YEARS.
  • 00:47:49.150 --> 00:47:51.200
  • - WELL, PROBABLY ABOUT A YEAR OF JUST THIS TO
  • 00:47:51.220 --> 00:47:57.000
  • WHERE HE DIDN'T WANT TO BE A FEET APART WITHOUT US.
  • 00:47:57.020 --> 00:48:02.130
  • IT WAS YOU PARK RIGHT IN FRONT OF THE STORE FRONT,
  • 00:48:02.150 --> 00:48:05.060
  • AND OTHER PEOPLE ARE IN THE CAR WITH YOUR KID,
  • 00:48:05.080 --> 00:48:08.110
  • AND YOU'D SAY I'M JUST GONNA GO INSIDE THAT
  • 00:48:08.130 --> 00:48:09.210
  • DOOR, NO! DON'T!
  • 00:48:09.230 --> 00:48:12.110
  • AND SO IT WAS THIS TERRIBLE FEAR.
  • 00:48:12.130 --> 00:48:15.030
  • AND OF COURSE IT'S LIKE SATAN, I HATE YOU.
  • 00:48:15.050 --> 00:48:17.230
  • GET YOUR HANDS OFF MY KID, YOU KNOW? BUT ANYWAY.
  • 00:48:17.250 --> 00:48:21.090
  • - ONE DAY WE WERE DEALING WITH THIS AND
  • 00:48:21.110 --> 00:48:25.020
  • TOTALLY CONFUSED BY IT, DIDN'T GET IT AT ALL,
  • 00:48:25.040 --> 00:48:28.020
  • AND MENTIONED IT TO MY DAD AT DINNER ONE NIGHT,
  • 00:48:28.040 --> 00:48:33.160
  • JUST KIND OF OUT OF THE BLUE.
  • 00:48:33.180 --> 00:48:35.050
  • DAD-- SO THIS IS 20 SOMETHING YEARS AGO,
  • 00:48:35.070 --> 00:48:39.180
  • AND I SAID DAD, WE'RE HAVING KIND OF A WEIRD
  • 00:48:39.200 --> 00:48:42.280
  • SITUATION GOING ON WITH CAYLAN AND HE KIND OF HAS
  • 00:48:43.000 --> 00:48:47.290
  • A SEPARATION ANXIETY.
  • 00:48:48.010 --> 00:48:49.220
  • AND MY DAD LISTENED TO US FOR A WHILE THEN GOT REAL
  • 00:48:49.240 --> 00:48:52.250
  • QUIET AND WAS LOOKING AT US AND SAID HOW OLD IS
  • 00:48:52.270 --> 00:48:55.080
  • CAYLAN RIGHT NOW?
  • 00:48:55.100 --> 00:48:56.240
  • I SAID HE'S SEVEN YEARS OLD.
  • 00:48:56.260 --> 00:48:59.280
  • MY DAD'S HEART JUST KIND OF THUMPED IN HIS CHEST
  • 00:49:00.020 --> 00:49:03.200
  • AND HE SAID MY FATHER DIED WHEN I WAS SEVEN
  • 00:49:03.220 --> 00:49:06.160
  • YEARS OLD, AND WHEN I WOULD GET READY TO GO TO
  • 00:49:06.180 --> 00:49:10.120
  • SCHOOL, MY MOTHER WOULD WALK ME A CERTAIN PART OF
  • 00:49:10.140 --> 00:49:14.040
  • THE WAY, AND THEN BASICALLY WOULD SAY
  • 00:49:14.060 --> 00:49:18.210
  • NOW GO ON TO SCHOOL.
  • 00:49:18.230 --> 00:49:20.190
  • AND HE'D GET A LITTLE WAYS AWAY FROM HIS MOTHER
  • 00:49:20.210 --> 00:49:23.170
  • AND START TO CRY AND COME BACK THINKING HE WAS
  • 00:49:23.190 --> 00:49:26.000
  • GONNA LOSE HIS MOTHER.
  • 00:49:26.020 --> 00:49:27.140
  • SEE HE'D LOST HIS FATHER, THOUGHT HE WAS GONNA LOSE
  • 00:49:27.160 --> 00:49:29.060
  • HIS MOTHER. SO THAT WAS LIKE WHAT IN THE WORLD?
  • 00:49:29.080 --> 00:49:33.140
  • HOW DID THAT DNA SWITCH TURN ON THAT IT HAD TO
  • 00:49:33.160 --> 00:49:38.080
  • COME THROUGH ME, IT HAD TO BYPASS ME BECAUSE
  • 00:49:38.100 --> 00:49:41.190
  • I DIDN'T HAVE THE SAME ISSUE,
  • 00:49:41.210 --> 00:49:43.270
  • AND THEM ALL OF A SUDDEN THE DNA TURNED ON IN
  • 00:49:43.290 --> 00:49:47.120
  • CAYLAN ONE TIME AT THE SAME AGE WHERE HE THOUGHT
  • 00:49:47.140 --> 00:49:49.290
  • HIS MOTHER WASN'T GONNA COME GET HIM,
  • 00:49:50.010 --> 00:49:52.190
  • THE EXACT SAME EMOTION HIT.
  • 00:49:52.210 --> 00:49:55.040
  • SO LOOK, IT WAS ONCE WE KIND OF WENT OKAY,
  • 00:49:55.060 --> 00:49:59.190
  • DON'T KNOW WHY THIS IS GOING ON, DON'T KNOW,
  • 00:49:59.210 --> 00:50:02.150
  • BUT AT LEAST WE CAN START PRAYING INTO THIS THING,
  • 00:50:02.170 --> 00:50:07.120
  • AND IT ENDED.
  • 00:50:07.140 --> 00:50:10.030
  • AND IT'S COMPLETELY OVER AND ALL THAT.
  • 00:50:10.050 --> 00:50:11.250
  • - NOW HE DON'T CARE WHEN WE LEAVE.
  • 00:50:11.270 --> 00:50:14.130
  • - NOW HE'S GONE ALL THE TIME.
  • 00:50:14.150 --> 00:50:15.180
  • - IT'S ALL GOOD!
  • 00:50:15.200 --> 00:50:17.070
  • - NOW WE'RE THE ONES WITH ANXIETY GOING...
  • 00:50:17.090 --> 00:50:19.030
  • [LAUGHTER]
  • 00:50:19.050 --> 00:50:21.060
  • CAN YOU COME BACK?
  • 00:50:21.080 --> 00:50:23.040
  • SO ULTIMATELY, THE ISSUE, IS THAT JUST AN
  • 00:50:23.060 --> 00:50:29.180
  • UNEXPLAINABLE KIND OF THING?
  • 00:50:29.200 --> 00:50:32.070
  • IS THAT KIND OF WHAT YOU'RE TALKING ABOUT?
  • 00:50:32.090 --> 00:50:33.190
  • YOU JUST CAN'T EXPLAIN.
  • 00:50:33.210 --> 00:50:35.140
  • - IF YOU COULD EXPLAIN IT, YOU COULD FIX IT,
  • 00:50:35.160 --> 00:50:37.250
  • BUT IRRATIONAL. IT'S ALL IRRATIONAL.
  • 00:50:37.270 --> 00:50:42.180
  • - AND WORSHIP WAS YOUR PATHWAY OUT OF THAT.
  • 00:50:42.200 --> 00:50:45.160
  • - SO DO YOU ACTUALLY MINISTER TO PEOPLE ABOUT THAT?
  • 00:50:45.180 --> 00:50:49.040
  • - YOU KNOW, A LOT OF TEACHING IS WHAT I DO
  • 00:50:49.060 --> 00:50:54.280
  • WHEN I'M TALKING BEHIND THE MIC I'LL DO THAT,
  • 00:50:55.000 --> 00:50:57.060
  • I'M WORKING ON A BOOK THAT TALKS ALL ABOUT THE
  • 00:50:57.080 --> 00:50:59.090
  • WHOLE PROCESS OF MY LIFE, I HAD A NERVOUS BREAKDOWN
  • 00:50:59.110 --> 00:51:03.160
  • TWO YEARS AGO, THE WHOLE KIND OF CONTEXT FOR THAT.
  • 00:51:03.180 --> 00:51:06.150
  • AND I THINK SOMETIMES WE'RE TRYING TO TEACH
  • 00:51:06.170 --> 00:51:10.260
  • PEOPLE STUFF BUT WHEN YOU GO THROUGH SOMETHING AND
  • 00:51:10.280 --> 00:51:13.050
  • YOU JUST TALK, THERE'S SO MUCH HEALING IN THAT FOR
  • 00:51:13.070 --> 00:51:15.100
  • PEOPLE THAT GO I WANT THAT, I KNOW THAT,
  • 00:51:15.120 --> 00:51:17.030
  • THE WORD YOU'RE USING THERE THAT IRRATIONAL
  • 00:51:17.050 --> 00:51:20.000
  • I'VE TRIED TO EXPLAIN IT NO ONE UNDERSTANDS AND
  • 00:51:20.020 --> 00:51:22.020
  • WHEN YOU SAY THAT, IT'S ALMOST LIKE A LIFE RAFT
  • 00:51:22.040 --> 00:51:25.050
  • FOR PEOPLE THAT ARE BECAUSE SO MANY PEOPLE
  • 00:51:25.070 --> 00:51:27.050
  • ARE HANGING ON BY A THREAD.
  • 00:51:27.070 --> 00:51:28.260
  • AND THEY HAVE NO ONE TO TALK TO,
  • 00:51:28.280 --> 00:51:30.180
  • AND YOU CAN HELP THEM BY GIVING THEM THAT HOPE
  • 00:51:30.200 --> 00:51:33.090
  • LIKE HEY, HERE'S AND FOR ME WORSHIP IS EVERYTHING.
  • 00:51:33.110 --> 00:51:35.270
  • - YOU KNOW WHAT, THERE'S A CAMERA RIGHT THERE
  • 00:51:35.290 --> 00:51:38.040
  • BRIAN, AND DO WHAT YOU DO.
  • 00:51:38.060 --> 00:51:41.120
  • - YOU WANT ME TO PRAY OVER SOME PEOPLE.
  • 00:51:41.140 --> 00:51:43.180
  • OKAY I'LL PRAY. IN THE CAMERA.
  • 00:51:43.200 --> 00:51:45.290
  • - MATT: DO IT. COME ON NOW.
  • 00:51:46.010 --> 00:51:47.240
  • - SO LORD, I JUST SPEAK HOPE OVER EVERYONE THAT'S
  • 00:51:47.260 --> 00:51:50.290
  • WATCHING THIS, THAT'S GONNA BE WATCHING THIS THAT'S
  • 00:51:51.010 --> 00:51:52.260
  • GOING THROUGH THAT CHAOS, EITHER MENTAL INSTABILITY
  • 00:51:52.280 --> 00:51:57.110
  • CHAOS, SPIRITUAL, PHYSICAL,
  • 00:51:57.130 --> 00:52:00.160
  • ALL OF THE ABOVE, AND I SPEAK HOPE INTO YOUR LIFE
  • 00:52:00.180 --> 00:52:03.080
  • RIGHT NOW, BY THE BLOOD OF JESUS.
  • 00:52:03.100 --> 00:52:05.290
  • RELEASE FREEDOM TO THESE PEOPLE LORD TODAY.
  • 00:52:06.010 --> 00:52:09.200
  • LET THIS BE THE BEGINNING OF A NEW SEASON
  • 00:52:09.220 --> 00:52:11.060
  • IN THEIR LIVES, LORD.
  • 00:52:11.080 --> 00:52:13.000
  • AND IF THERE'S PARENTS THAT ARE HAVING KIDS
  • 00:52:13.020 --> 00:52:14.270
  • GOING THROUGH UNEXPLAINABLE STUFF,
  • 00:52:14.290 --> 00:52:16.150
  • NIGHT TERRORS, IRRATIONAL STUFF,
  • 00:52:16.170 --> 00:52:18.250
  • GIVE THEM KEYS LORD, AND I PRAY FOR THAT HIGH
  • 00:52:18.270 --> 00:52:22.240
  • PRAISE GOD, THE HIGH PRAISE OF HEAVEN,
  • 00:52:22.260 --> 00:52:25.060
  • SINGING THE GOD SONG THAT WOULD COME INTO PLAY
  • 00:52:25.080 --> 00:52:27.280
  • IN THEIR LIVES RIGHT NOW.
  • 00:52:28.000 --> 00:52:30.000
  • AND THAT WORSHIP MUSIC WOULD TAKE ON A WHOLE NEW
  • 00:52:30.020 --> 00:52:32.010
  • SHAPE, A WHOLE NEW MEANING IN THIS SEASON. AMEN.
  • 00:52:32.030 --> 00:52:37.280
  • - WE ARE THRILLED TO BE WITH BETHEL MUSIC AND
  • 00:52:38.000 --> 00:52:40.280
  • LOOK, IT'S A MOVEMENT AROUND THE WORLD.
  • 00:52:41.000 --> 00:52:44.040
  • YOU ALREADY KNOW THAT.
  • 00:52:44.060 --> 00:52:45.210
  • WE'VE BEEN WITH THEM HERE IN ISRAEL.
  • 00:52:45.230 --> 00:52:47.060
  • WHY DON'T WE DO THIS.
  • 00:52:47.080 --> 00:52:48.170
  • WHY DON'T WE JUST GO LISTEN.
  • 00:52:48.190 --> 00:52:50.070
  • WORSHIP NOW WITH BETHEL MUSIC FROM RIGHT HERE IN ISRAEL.
  • 00:52:50.090 --> 00:52:54.010
  • [MUSIC]
  • 00:52:54.030 --> 00:53:02.270
  • BEFORE I SPOKE A WORD...
  • 00:53:02.290 --> 00:53:05.160
  • YOU WERE SINGING OVER ME...
  • 00:53:05.180 --> 00:53:12.050
  • YOU HAVE BEEN SO, SO GOOD TO ME...
  • 00:53:12.070 --> 00:53:18.170
  • BEFORE I TOOK A BREATH...
  • 00:53:20.130 --> 00:53:23.010
  • YOU BREATHED YOUR LIFE IN ME...
  • 00:53:23.030 --> 00:53:29.120
  • YOU HAVE BEEN SO, SO KIND TO ME...
  • 00:53:29.140 --> 00:53:36.050
  • OH, THE OVERWHELMING, NEVER-ENDING...
  • 00:53:36.070 --> 00:53:41.040
  • RECKLESS LOVE OF GOD...
  • 00:53:41.060 --> 00:53:44.150
  • OH, IT CHASES ME DOWN...
  • 00:53:44.170 --> 00:53:47.240
  • FIGHTS 'TIL I'M FOUND...
  • 00:53:47.260 --> 00:53:50.000
  • LEAVES THE NINETY-NINE...
  • 00:53:50.020 --> 00:53:53.100
  • I COULDN'T EARN IT, AND I DON'T DESERVE IT...
  • 00:53:53.120 --> 00:53:57.160
  • STILL, YOU GIVE YOURSELF AWAY...
  • 00:53:57.180 --> 00:54:01.270
  • OH, THE OVERWHELMING, NEVER-ENDING...
  • 00:54:01.290 --> 00:54:07.100
  • RECKLESS LOVE OF GOD...
  • 00:54:07.120 --> 00:54:11.200
  • [MUSIC]
  • 00:54:11.220 --> 00:54:22.030
  • [MUSIC]
  • 00:54:22.030 --> 00:54:29.200
  • WHEN I WAS YOUR FOE...
  • 00:54:29.220 --> 00:54:32.100
  • STILL YOUR LOVE FOUGHT FOR ME...
  • 00:54:32.120 --> 00:54:38.240
  • YOU HAVE BEEN SO, SO GOOD TO ME...
  • 00:54:38.260 --> 00:54:46.270
  • WHEN I FELT NO WORTH, YOU PAID IT ALL FOR ME...
  • 00:54:46.290 --> 00:54:56.010
  • YOU HAVE BEEN SO, SO KIND TO ME...
  • 00:54:56.030 --> 00:55:02.130
  • AND OH, THE OVERWHELMING...
  • 00:55:02.150 --> 00:55:06.000
  • NEVER-ENDING, RECKLESS LOVE OF GOD...
  • 00:55:06.020 --> 00:55:11.090
  • OH, IT CHASES ME DOWN...
  • 00:55:11.110 --> 00:55:14.170
  • FIGHTS 'TIL I'M FOUND...
  • 00:55:14.190 --> 00:55:16.240
  • LEAVES THE NINETY-NINE...
  • 00:55:16.260 --> 00:55:20.030
  • AND I COULDN'T EARN IT, AND I DON'T DESERVE IT...
  • 00:55:20.050 --> 00:55:24.130
  • STILL, YOU GIVE YOURSELF AWAY...
  • 00:55:24.150 --> 00:55:28.200
  • OH, THE OVERWHELMING, NEVER-ENDING...
  • 00:55:28.220 --> 00:55:34.030
  • RECKLESS LOVE OF GOD...
  • 00:55:34.050 --> 00:55:40.080
  • [MUSIC]
  • 00:55:40.100 --> 00:55:48.220
  • [MUSIC]
  • 00:55:48.220 --> 00:55:56.130
  • THERE'S NO SHADOW YOU WON'T LIGHT UP...
  • 00:55:56.150 --> 00:55:59.010
  • MOUNTAIN YOU WON'T CLIMB UP...
  • 00:55:59.030 --> 00:56:01.060
  • COMING AFTER ME...
  • 00:56:01.080 --> 00:56:04.290
  • THERE'S NO WALL YOU WON'T KICK DOWN...
  • 00:56:05.010 --> 00:56:07.160
  • LIE YOU WON'T TEAR DOWN...
  • 00:56:07.180 --> 00:56:09.250
  • COMING AFTER ME...
  • 00:56:09.270 --> 00:56:14.030
  • THERE'S NO SHADOW YOU WON'T LIGHT UP...
  • 00:56:14.050 --> 00:56:16.170
  • MOUNTAIN YOU WON'T CLIMB UP...
  • 00:56:16.190 --> 00:56:18.160
  • COMING AFTER ME...
  • 00:56:18.180 --> 00:56:22.130
  • THERE'S NO WALL YOU WON'T KICK DOWN...
  • 00:56:22.150 --> 00:56:24.260
  • LIE YOU WON'T TEAR DOWN...
  • 00:56:24.280 --> 00:56:27.050
  • COMING AFTER ME...
  • 00:56:27.070 --> 00:56:31.000
  • THERE'S NO SHADOW YOU WON'T LIGHT UP...
  • 00:56:31.020 --> 00:56:33.210
  • MOUNTAIN YOU WON'T CLIMB UP...
  • 00:56:33.230 --> 00:56:35.220
  • COMING AFTER ME...
  • 00:56:35.240 --> 00:56:39.150
  • THERE'S NO WALL YOU WON'T KICK DOWN...
  • 00:56:39.170 --> 00:56:42.060
  • LIE YOU WON'T TEAR DOWN...
  • 00:56:42.080 --> 00:56:44.140
  • COMING AFTER ME...
  • 00:56:44.160 --> 00:56:48.100
  • THERE'S NO SHADOW YOU WON'T LIGHT UP...
  • 00:56:48.120 --> 00:56:50.210
  • MOUNTAIN YOU WON'T CLIMB UP...
  • 00:56:50.230 --> 00:56:53.000
  • COMING AFTER ME...
  • 00:56:53.020 --> 00:56:57.010
  • THERE'S NO WALL YOU WON'T KICK DOWN...
  • 00:56:57.030 --> 00:56:59.190
  • LIE YOU WON'T TEAR DOWN...
  • 00:56:59.210 --> 00:57:01.210
  • COMING AFTER ME...
  • 00:57:01.230 --> 00:57:04.180
  • OH, THE OVERWHELMING, NEVER-ENDING...
  • 00:57:04.200 --> 00:57:09.170
  • RECKLESS LOVE OF GOD...
  • 00:57:09.190 --> 00:57:12.250
  • OH, IT CHASES ME DOWN...
  • 00:57:12.270 --> 00:57:16.000
  • FIGHTS 'TIL I'M FOUND...
  • 00:57:16.020 --> 00:57:18.080
  • LEAVES THE NINETY-NINE...
  • 00:57:18.100 --> 00:57:21.050
  • AND I COULDN'T EARN IT...
  • 00:57:21.070 --> 00:57:23.170
  • I DON'T DESERVE IT...
  • 00:57:23.190 --> 00:57:26.030
  • STILL, YOU GIVE YOURSELF AWAY...
  • 00:57:26.050 --> 00:57:30.060
  • OH, THE OVERWHELMING, NEVER-ENDING...
  • 00:57:30.080 --> 00:57:35.170
  • RECKLESS LOVE OF GOD...
  • 00:57:35.190 --> 00:57:43.090
  • HE'S COMING AFTER YOU AND I!
  • 00:57:43.110 --> 00:57:50.080
  • [MUSIC]
  • 00:57:50.100 --> 00:57:56.120