Mark Schultz | TBN

Mark Schultz

Watch Mark Schultz
November 13, 2019
27:32

Music, Moments, & Memories

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Mark Schultz

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  • [MUSIC]
  • 00:00:00.200 --> 00:00:02.110
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:00:02.120 --> 00:00:06.040
  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
  • 00:00:06.050 --> 00:00:10.200
  • ON YOUR SCREEN OR GO ONLINE. THE CD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.210 --> 00:00:18.020
  • YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND
  • 00:00:18.030 --> 00:00:21.160
  • GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:00:21.170 --> 00:00:25.280
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:00:25.290 --> 00:00:28.180
  • [MUSIC]
  • 00:00:28.190 --> 00:00:31.020
  • -WE SHOULD WRITE A
  • 00:00:31.030 --> 00:00:32.070
  • BOOK BECAUSE WE'VE GOT SOME PRETTY CRAZY ROAD STORIES.
  • 00:00:32.080 --> 00:00:34.160
  • -EVERY TIME I'M ON THE ROAD AND I GO, MAN, YOU ARE NOT GONNA
  • 00:00:34.170 --> 00:00:36.090
  • BELIEVE THIS, THEY'LL GO SAVE IT FOR THE BOOK. -FOR THE BOOK.
  • 00:00:36.100 --> 00:00:39.180
  • -SAVE IT FOR THE BOOK!
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  • [MUSIC]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO! MY NAME IS JACKIE VELASQUEZ AND I'D LIKE
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  • TO WELCOME YOU TO THIS EPISODE FEATURING MARK SCHULTZ.
  • 00:01:02.140 --> 00:01:05.230
  • EVERYBODY HAS THEIR UNIQUE STORY
  • 00:01:05.240 --> 00:01:07.140
  • OF HOW THEY MADE IT IN THE MUSIC BUSINESS, BUT MARK HAS BEEN TOLD
  • 00:01:07.150 --> 00:01:10.260
  • HIS STORY IS JUST SO DIFFERENT FROM EVERYBODY ELSE'S. WE PICK
  • 00:01:10.270 --> 00:01:15.090
  • UP WITH MARK AND HIS MANAGER GREG LUCID RECALLING HOW IT ALL
  • 00:01:15.100 --> 00:01:18.210
  • BEGAN WITH A LITTLE HELP FROM JODY WILLIAMS AT BMI. -I NEVER
  • 00:01:18.220 --> 00:01:23.010
  • MEANT TO BE A YOUTH DIRECTOR. I CAME TO WRITE SONGS OUT OF
  • 00:01:23.020 --> 00:01:27.100
  • COLLEGE AND I MET A GIRL. AND SHE'S LIKE, MAN, YOU'RE A NUT,
  • 00:01:27.110 --> 00:01:29.290
  • YOU NEED TO HANG OUT WITH A GUY THAT I KNOW. HIS NAME'S MARK
  • 00:01:30.000 --> 00:01:32.000
  • DEVRIES. I SAID WHAT DOES HE DO? SHE SAID HE'S A YOUTH MINISTER
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  • HERE IN TOWN. I WAS LIKE I'M NOT GONNA HANG OUT WITH HIM BECAUSE
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  • HE'S GONNA MAKE ME HANG OUT WITH KIDS AND I DON'T WANT ANY PART
  • 00:01:36.240 --> 00:01:38.230
  • OF THAT. SO NINE MONTHS GO BY AND, MAN, I'M GOING NOWHERE FAST
  • 00:01:38.240 --> 00:01:44.290
  • AND DOING BOTH JOBS. AND ONE AFTERNOON, LIKE IN JANUARY ABOUT
  • 00:01:45.000 --> 00:01:50.010
  • NOON, THIS COUPLE COMES TO THE DOOR AND THEY SIT DOWN AND
  • 00:01:50.020 --> 00:01:53.230
  • THERE'S NOBODY ELSE TO WAIT THEIR TABLE. SO I WENT OVER TO
  • 00:01:53.240 --> 00:01:56.130
  • THEM AND THEY ORDERED THEIR MEAL. I BROUGHT THEIR FOOD OUT
  • 00:01:56.140 --> 00:01:58.160
  • TO THEM AND THERE WAS A HOT PEPPER ON THIS GUY'S PLATE. AND
  • 00:01:58.170 --> 00:02:00.250
  • HE CUTS IT IN HALF AND HE GOES, HEY, I WANT TO SEE HOW TOUGH YOU
  • 00:02:00.260 --> 00:02:03.130
  • ARE. AND I WAS, LIKE, OKAY, WEIRDO. AND WE HAD A STARING
  • 00:02:03.140 --> 00:02:06.280
  • CONTEST AND HE ATE HALF A HOT PEPPER, AND I ATE THE HOTTER
  • 00:02:06.290 --> 00:02:09.080
  • HALF. AND THEN WE STARED AT EACH OTHER FOR LIKE TWO MINUTES NOT
  • 00:02:09.090 --> 00:02:11.280
  • BLINKING. I'M SWEATING, HE'S SWEATING. I DRANK HIS WATER AND
  • 00:02:11.290 --> 00:02:13.290
  • I DRANK HIS WIFE'S WATER. AND HE'S, LIKE, WE GOT TO LAUGHING
  • 00:02:14.000 --> 00:02:17.080
  • AND HE ASKED ME WHAT MY NAME WAS. I SAID MARK SCHULTZ. I SAID
  • 00:02:17.090 --> 00:02:19.180
  • WHAT'S YOUR NAME? HE SAID MARK DEVRIES. AND I SAID, MAN, ARE
  • 00:02:19.190 --> 00:02:22.070
  • YOU A YOUTH MINISTER IN TOWN. HE'S LIKE HOW WOULD YOU KNOW
  • 00:02:22.080 --> 00:02:25.060
  • THAT? I SAID, MAN, I MET A GIRL WHO TOLD ME TO CALL YOU LIKE
  • 00:02:25.070 --> 00:02:28.050
  • NINE MONTHS AGO. AND HE'S LIKE, MAN, YOU LIKE SNOW SKIING? AND I
  • 00:02:28.060 --> 00:02:32.030
  • WAS LIKE, YEAH, I LOVE IT. AND HE GOES YOU WANNA GO SNOW SKIING
  • 00:02:32.040 --> 00:02:34.150
  • WITH ME? AND I SAID, OKAY! AND I TOOK 15 SEVENTH GRADERS ON A SKI
  • 00:02:34.160 --> 00:02:38.240
  • TRIP. I GOT DUCT-TAPED TO A BED. I FELL IN LOVE WITH THE KIDS.
  • 00:02:38.250 --> 00:02:41.180
  • AND, YEAH, MAN, I BECAME THE YOUTH DIRECTOR FOR THAT CHURCH
  • 00:02:41.190 --> 00:02:46.020
  • FOR LIKE EIGHT YEARS. BUT THE STORY IS, AT BMI, I PLAYED SOME
  • 00:02:46.030 --> 00:02:50.140
  • SONGS FOR ONE OF THE GUYS THERE, ONE OF THE HEAD GUYS, AND HE
  • 00:02:50.150 --> 00:02:54.070
  • WOULD LISTEN. AND HE WAS REALLY NICE BUT I COULD TELL, MAN,
  • 00:02:54.080 --> 00:02:58.010
  • THESE SONGS AREN'T QUITE WHERE THEY NEED TO BE. AND SO I JUST
  • 00:02:58.020 --> 00:03:02.020
  • STARTED WORKING ON MY SONGS REALLY, REALLY HARD. FIVE YEARS
  • 00:03:02.030 --> 00:03:04.180
  • LATER I GO ON A MISSION TRIP AND THE SAME GUY WHO WAS AT BMI
  • 00:03:04.190 --> 00:03:08.160
  • COMES ON THAT TRIP WITH HIS SON. AND ALL THE KIDS WERE LIKE, HEY,
  • 00:03:08.170 --> 00:03:12.250
  • PLAY YOUR SONGS, WE WANT TO HEAR YOUR SONGS. AND I DID AND HE AND
  • 00:03:12.260 --> 00:03:15.140
  • HIS SON ARE JUST, THEY'VE GOT TEARS RUNNING DOWN THEIR FACE.
  • 00:03:15.150 --> 00:03:17.190
  • HE SAID, MAN, I THINK I NEED TO HELP YOU BE IN THE MUSIC
  • 00:03:17.200 --> 00:03:20.220
  • BUSINESS BECAUSE THESE SONGS ARE KILLING ME. AND I SAID I'M DOING
  • 00:03:20.230 --> 00:03:23.140
  • THIS SHOW AT THE RYMAN AUDITORIUM BECAUSE I'VE DONE A
  • 00:03:23.150 --> 00:03:26.100
  • COUPLE SHOWS AT THE CHURCH AND THEY GOT BIGGER AND BIGGER. AND
  • 00:03:26.110 --> 00:03:28.250
  • SOMEBODY SAID, HEY YOU SHOULD DO A SHOW AT THE RYMAN BECAUSE
  • 00:03:28.260 --> 00:03:31.130
  • YOU'RE GETTING TOO BIG FOR OUR CHURCH. I SAID OKAY, AND THEY
  • 00:03:31.140 --> 00:03:33.270
  • WERE KIDDING AND I DIDN'T KNOW IT. SO, I CALLED THE RYMAN I WAS
  • 00:03:33.280 --> 00:03:35.250
  • LIKE, HEY I WANT TO DO A SHOW THERE. AND THEY'RE LIKE, WHO ARE
  • 00:03:35.260 --> 00:03:37.210
  • YOU? AND I SAID I'M MARK SCHULTZ. WHAT DO YOU DO? I SAID
  • 00:03:37.220 --> 00:03:40.210
  • I'M A YOUTH DIRECTOR AND THEY GO, WE'VE NEVER HAD THAT BEFORE.
  • 00:03:40.220 --> 00:03:44.030
  • MAN, NOBODY REALLY KNOWS ME SO I'M JUST GONNA GIVE THEM A FREE
  • 00:03:44.040 --> 00:03:47.020
  • CD OF ALL MY LIVE SONGS AND SELL MY TICKETS FOR 10 BUCKS AND JUST
  • 00:03:47.030 --> 00:03:52.030
  • HOPE SOMEBODY SHOWS UP. AND ABOUT 10 MINUTES BEFORE THE SHOW
  • 00:03:52.040 --> 00:03:54.260
  • WE LOOKED OUT AND THERE WAS ABOUT, I DON'T KNOW, 300 PEOPLE
  • 00:03:54.270 --> 00:03:58.250
  • IN THE AUDIENCE. MAN, I GAVE IT MY BEST SHOT. AND THEY SAID, HEY
  • 00:03:58.260 --> 00:04:01.160
  • HOLD FOR 10 MINUTES BECAUSE THE TITANS GAME JUST LET OUT. AND AS
  • 00:04:01.170 --> 00:04:04.240
  • SOON AS THE TITAN'S GAME IS OVER AND WE GET THE PEOPLE THROUGH
  • 00:04:04.250 --> 00:04:07.000
  • HERE WE'LL OPEN UP THE DOOR SO YOU CAN DO YOUR SHOW. AND I
  • 00:04:07.010 --> 00:04:09.110
  • SAID, OKAY. AND MAN, HE CAME OUT, I STILL REMEMBER, DEVRIES
  • 00:04:09.120 --> 00:04:12.230
  • WALKS OUT ON STAGE AND HE SAID, AH, THERE'S A KID WHO CAME TO
  • 00:04:12.240 --> 00:04:20.200
  • NASHVILLE FROM KANSAS AND HE HAD A DREAM. AND HE SURROUNDED
  • 00:04:20.210 --> 00:04:25.170
  • HIMSELF WITH PEOPLE WHO ARE JUST CRAZY ENOUGH TO BELIEVE THAT
  • 00:04:25.180 --> 00:04:28.020
  • DREAM MIGHT COME TRUE. AND HE SAID WELCOME TO MARK SCHULTZ AT
  • 00:04:28.030 --> 00:04:30.290
  • THE RYMAN. AND THE CURTAIN RAISED AND IT WAS PACKED OUT.
  • 00:04:31.000 --> 00:04:34.160
  • THERE WAS 2.500 PEOPLE IN THE SEATS AND THEY JUST WENT CRAZY.
  • 00:04:34.170 --> 00:04:37.260
  • AND EVERYBODY WAS SINGING EVERY WORD TO ONE OF MY SONGS BECAUSE
  • 00:04:37.270 --> 00:04:40.100
  • I'D GIVEN FREE CDS OUT AND THEY HAD THREE MONTHS TO LISTEN TO IT
  • 00:04:40.110 --> 00:04:42.270
  • BEFORE THE SHOW. SO, THEY WERE LIKE, MAN, THIS GUY'S GONNA BE
  • 00:04:42.280 --> 00:04:45.050
  • BIGGER THAN ELVIS. HE'S A YOUTH DIRECTOR AND THEY ALREADY KNOW
  • 00:04:45.060 --> 00:04:48.030
  • HIS SONGS. SO, I GOT A RECORD DEAL THAT NIGHT THROUGH THAT
  • 00:04:48.040 --> 00:04:54.020
  • CONCERT. -MARK'S FIRST BIG SONG AFTER HIS RECORD DEAL HAD BEEN
  • 00:04:54.030 --> 00:04:57.200
  • WRITTEN LONG BEFORE FOR THE KIDS AT HIS CHURCH. -I AM THE WAY
  • 00:04:57.210 --> 00:05:02.100
  • WAS THE FIRST SONG THAT I EVER-I READ A BOOK CALLED HOW TO WRITE
  • 00:05:02.110 --> 00:05:05.250
  • A HIT SONG'. I WAS A YOUTH DIRECTOR, BUT OUR YOUTH MINISTER
  • 00:05:05.260 --> 00:05:08.240
  • SAID, HEY WRITE A SONG FOR THESE KIDS. AND, MAN, EVERY SONG THAT
  • 00:05:08.250 --> 00:05:12.080
  • I WROTE FOR THESE KIDS, AS I WAS A YOUTH DIRECTOR, ENDED UP BEING
  • 00:05:12.090 --> 00:05:15.110
  • A NUMBER ONE SONG ON THE RADIO AND I JUST DIDN'T KNOW IT YET.
  • 00:05:15.120 --> 00:05:17.160
  • IT WAS JUST, AND I ALWAYS THINK WHEN YOU WRITE A SONG THAT HAS A
  • 00:05:17.170 --> 00:05:20.200
  • PURPOSE OTHER THAN, MAN, I WANT TO WRITE A HIT, I'VE LEARNED
  • 00:05:20.210 --> 00:05:23.130
  • LATER ON IN LIFE, MAN, THE MORE AUTHENTIC YOUR WRITING ABOUT THE
  • 00:05:23.140 --> 00:05:27.190
  • THING YOU'RE WRITING ABOUT IT TENDS TO RESONATE WITH PEOPLE
  • 00:05:27.200 --> 00:05:30.160
  • MORE. WHETHER IT'S THE BEST RECORDED VERSION OF THAT SONG,
  • 00:05:30.170 --> 00:05:33.070
  • IT'S THE HEART OF THAT SONG THAT MAKES ALL THE DIFFERENCE.
  • 00:05:33.080 --> 00:05:36.140
  • [MUSIC]
  • 00:05:36.150 --> 00:05:51.130
  • [MUSIC]
  • 00:05:51.130 --> 00:05:52.210
  • YOU'VE GOT A SECRET NO ONE KNOWS
  • 00:05:52.220 --> 00:05:54.150
  • LOCKED AWAY WHERE NO ONE GOES
  • 00:05:54.160 --> 00:05:56.200
  • DEEP INSIDE YOUR HEART,
  • 00:05:56.210 --> 00:05:58.200
  • IT'S TEARIN' YOU APART
  • 00:05:58.210 --> 00:06:00.230
  • YOU HIDE THE PAIN IN ALL YOU DO,
  • 00:06:00.240 --> 00:06:02.270
  • STILL THE SHACKLES BINDING YOU
  • 00:06:02.280 --> 00:06:04.270
  • ARE HEAVIER THAN STONE,
  • 00:06:04.280 --> 00:06:07.030
  • BUT YOU ARE NOT ALONE
  • 00:06:07.040 --> 00:06:09.040
  • WHEN YOU'RE DOWN LOOK AROUND
  • 00:06:09.050 --> 00:06:10.230
  • AND YOU'LL SEE I AM WITH YOU
  • 00:06:10.240 --> 00:06:13.090
  • LOOK TO ME AND YOU'LL SEE
  • 00:06:13.100 --> 00:06:14.270
  • I WILL BE THERE TO GUIDE
  • 00:06:14.280 --> 00:06:17.120
  • TAKE MY HAND AND I CAN LEAD YOU ON,
  • 00:06:17.130 --> 00:06:19.290
  • FOR YOU KNOW
  • 00:06:20.000 --> 00:06:21.040
  • I AM THE ANSWER
  • 00:06:21.050 --> 00:06:25.080
  • I AM THE WAY
  • 00:06:25.090 --> 00:06:29.130
  • I AM THE PROMISE
  • 00:06:29.140 --> 00:06:33.210
  • I HAVE CALLED YOUR NAME
  • 00:06:33.220 --> 00:06:38.040
  • SURROUNDED BY DARKNESS YOU STUMBLED ALONG
  • 00:06:38.050 --> 00:06:41.270
  • KNOWING THE ROAD THAT YOU TRAVELED WAS LONG
  • 00:06:41.280 --> 00:06:46.030
  • BUT I'M HERE BESIDE YOU,
  • 00:06:46.040 --> 00:06:48.020
  • YES HERE ALL ALONG,
  • 00:06:48.030 --> 00:06:50.050
  • THE ONE THAT WILL CARRY YOU ON
  • 00:06:50.060 --> 00:07:00.230
  • WHEN YOU'RE DOWN LOOK AROUND
  • 00:07:00.240 --> 00:07:02.110
  • AND YOU'LL SEE I AM WITH YOU
  • 00:07:02.120 --> 00:07:04.270
  • LOOK TO ME AND YOU'LL SEE
  • 00:07:04.280 --> 00:07:06.180
  • I WILL BE THERE TO GUIDE
  • 00:07:06.190 --> 00:07:09.030
  • TAKE MY HAND AND I CAN LEAD YOU ON,
  • 00:07:09.040 --> 00:07:11.190
  • FOR YOU KNOW I AM THE ANSWER,
  • 00:07:11.200 --> 00:07:16.260
  • I AM THE WAY,
  • 00:07:16.270 --> 00:07:21.010
  • I AM THE PROMISE
  • 00:07:21.020 --> 00:07:25.040
  • I HAVE CALLED YOUR NAME
  • 00:07:25.050 --> 00:07:30.190
  • OH, WHEN YOU ARE DOWN YOU THINK NO ONE'S AROUND,
  • 00:07:30.200 --> 00:07:35.080
  • BUT I'LL BE WITH YOU BOTH NIGHT AND DAY
  • 00:07:35.090 --> 00:07:40.000
  • I KNOW THE GOOD TIMES, I'LL SEE YOU THROUGH BAD TIMES,
  • 00:07:40.010 --> 00:07:43.260
  • YOU KNOW THAT I'M HERE TO STAY
  • 00:07:43.270 --> 00:07:48.100
  • I AM THE ANSWER,
  • 00:07:48.110 --> 00:07:52.130
  • I AM THE WAY
  • 00:07:52.140 --> 00:07:56.160
  • I AM THE PROMISE,
  • 00:07:56.170 --> 00:08:01.010
  • I HAVE CALLED OUT YOUR NAME
  • 00:08:01.020 --> 00:08:09.140
  • YEAH, YEAH, YOUR NAME
  • 00:08:09.150 --> 00:08:24.030
  • WHEN YOU'RE DOWN LOOK AROUND
  • 00:08:24.040 --> 00:08:25.160
  • AND YOU'LL SEE I AM WITH YOU
  • 00:08:25.170 --> 00:08:32.010
  • [MUSIC]
  • 00:08:32.020 --> 00:08:35.100
  • [MUSIC]
  • 00:08:35.110 --> 00:08:43.150
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:08:43.160 --> 00:08:47.100
  • FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT
  • 00:08:47.110 --> 00:08:51.180
  • A DAY, CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE
  • 00:08:51.190 --> 00:08:56.130
  • ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES
  • 00:08:56.140 --> 00:09:01.000
  • KING'S THE ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE
  • 00:09:01.010 --> 00:09:05.180
  • ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD
  • 00:09:05.190 --> 00:09:10.160
  • FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON
  • 00:09:10.170 --> 00:09:14.280
  • YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS & MEMORIES THE
  • 00:09:14.290 --> 00:09:20.140
  • AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN
  • 00:09:20.150 --> 00:09:25.020
  • AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR
  • 00:09:25.030 --> 00:09:29.150
  • GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE
  • 00:09:29.160 --> 00:09:33.220
  • AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:09:33.230 --> 00:09:37.060
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:09:37.070 --> 00:09:41.030
  • [MUSIC]
  • 00:09:41.040 --> 00:09:47.180
  • -NO, I THINK WHAT'S EXCITING ABOUT
  • 00:09:47.190 --> 00:09:49.270
  • WORKING FOR MARK IS, MAN, HE'S A
  • 00:09:49.280 --> 00:09:53.060
  • GREAT MAN OF INTEGRITY AND VISION, BUT HE'S GOT SUCH A
  • 00:09:53.070 --> 00:09:56.120
  • HUMBLE HEART. AND HE'S NOT AFRAID TO TRY DIFFERENT THINGS
  • 00:09:56.130 --> 00:10:00.020
  • AND THAT'S SOMETHING THAT I LOVE. AND I'LL NEVER FORGET ONE
  • 00:10:00.030 --> 00:10:03.080
  • DAY WE WERE KIND OF DREAMING, AND I HONESTLY THINK MARK WANTED
  • 00:10:03.090 --> 00:10:06.280
  • ME TO KIND OF SHUT THE IDEA DOWN, BUT HE SAID, MAN, I GOT
  • 00:10:06.290 --> 00:10:10.010
  • THIS IDEA. MY WIFE KATE, SHE RODE A BIKE ACROSS AMERICA AND,
  • 00:10:10.020 --> 00:10:14.090
  • MAN, I THINK I WANT TO DO SOMETHING LIKE THAT. BUT LET'S
  • 00:10:14.100 --> 00:10:17.180
  • DO A LITTLE TWIST AND ADD CONCERTS ALONG THE WAY. AND MAN,
  • 00:10:17.190 --> 00:10:21.050
  • I WANT TO GIVE IT ALL AWAY. I WANT TO GIVE A HUNDRED PERCENT
  • 00:10:21.060 --> 00:10:23.130
  • TO ORPHANS AND WIDOWS. AND I'M, LIKE, I PAUSE FOR A SECOND I'M
  • 00:10:23.140 --> 00:10:26.240
  • LIKE, MAN, THAT'S THE BEST IDEA I'VE HEARD. -I WAS REALLY
  • 00:10:26.250 --> 00:10:30.230
  • HOPING HE WAS GONNA SAY, HE DID PAUSE AND I WAS THINKING HE WAS
  • 00:10:30.240 --> 00:10:33.050
  • GONNA SAY, MAN, THAT'S SO DUMB, DON'T EVER SAY THAT AGAIN. -SO,
  • 00:10:33.060 --> 00:10:37.080
  • MARK WENT OUT TO CALIFORNIA WHERE THE BIKE RIDE WAS GOING TO
  • 00:10:37.090 --> 00:10:39.200
  • START. CALIFORNIA TO MAINE-16 STATES TO RIDE ACROSS, 15 SHOWS,
  • 00:10:39.210 --> 00:10:44.100
  • AND 100 RADIO STATIONS A DAY FOLLOWING MARK ON HIS TRUCK.
  • 00:10:44.110 --> 00:10:48.160
  • MARK'S MANAGER GREG GOT BUSY WRAPPING A BUS IN RED WITH
  • 00:10:48.170 --> 00:10:51.160
  • MARK'S FACE ON THE SIDE OF THE BUS THAT READ MARK SCHULTZ
  • 00:10:51.170 --> 00:10:55.110
  • ACROSS AMERICA. AND PEOPLE WERE PASSIONATE ABOUT GIVING.
  • 00:10:55.120 --> 00:10:59.140
  • -PEOPLE WOULD GET BEHIND THIS THING AND WE RAISED A QUARTER
  • 00:10:59.150 --> 00:11:01.290
  • MILLION DOLLARS FOR ORPHANS AND WIDOWS RIDING ACROSS THE COUNTRY
  • 00:11:02.000 --> 00:11:05.050
  • DOING SHOWS. AND I STILL REMEMBER THE PEOPLE WOULD SEE
  • 00:11:05.060 --> 00:11:08.060
  • THE BUS COMING ACROSS THE HIGHWAY, I WOULD BE BEHIND IT
  • 00:11:08.070 --> 00:11:11.170
  • SOMEWHERE, BUT THEY WOULD BE LISTENING TO THE INTERVIEWS ON
  • 00:11:11.180 --> 00:11:14.120
  • THE RADIO THAT WE WERE DOING FOR EVERYTHING. AND HONESTLY, PEOPLE
  • 00:11:14.130 --> 00:11:17.130
  • ON THE HIGHWAY ON INTERSTATE 10 GOING THROUGH CALIFORNIA, PEOPLE
  • 00:11:17.140 --> 00:11:21.190
  • WOULD HANG OUT THE DOOR AND HAND ME A $20 WHILE I'M RIDING MY
  • 00:11:21.200 --> 00:11:24.120
  • BIKE ON THE INTERSTATE BECAUSE THEY'RE LIKE, MAN, WE JUST HEARD
  • 00:11:24.130 --> 00:11:26.190
  • ABOUT THIS ON THE RADIO. WE SAW YOUR BUS. AND IT WAS THOSE KINDS
  • 00:11:26.200 --> 00:11:30.060
  • OF THINGS THAT PEOPLE WOULD JUST GIVE MONEY. LIKE, THEY JUST
  • 00:11:30.070 --> 00:11:32.190
  • STOPPED ME IN THE MIDDLE OF NOWHERE. AND SO, YEAH, 200 MILES
  • 00:11:32.200 --> 00:11:35.080
  • ONE DAY. AND I ALWAYS TELL A STORY ABOUT WE'RE IN INDIANA
  • 00:11:35.090 --> 00:11:38.020
  • SOMEWHERE AND, THIS IS JUST THE KIND OF COUNTRY WE HAVE, I'M
  • 00:11:38.030 --> 00:11:41.010
  • TAKING A SHOWER IN A TENT THAT WE BOUGHT AT KMART. IT'S A
  • 00:11:41.020 --> 00:11:45.030
  • WOMAN'S PURSE THAT UNFOLDS AND I HOOK IT ON THE SIDE OF MY BUS
  • 00:11:45.040 --> 00:11:48.260
  • AND IT JUST TRICKLES WATER ON YOU. IT'S GOT SOME CUTS IN THE
  • 00:11:48.270 --> 00:11:52.140
  • TOP OF THE TENT TO LET THE STEAM OUT. THERE'S NO STEAM. ANYWAY,
  • 00:11:52.150 --> 00:11:57.070
  • I'M IN THERE, I'M JUST GETTING TRICKLED ON. I'M, LIKE, I HOPE
  • 00:11:57.080 --> 00:11:59.130
  • NOBODY KNOWS THAT I'M IN HERE BECAUSE IT'S SO EMBARRASSING.
  • 00:11:59.140 --> 00:12:01.210
  • WE'RE IN THE WALMART PARKING LOT AND THERE'S 5.000 PEOPLE JUST
  • 00:12:01.220 --> 00:12:04.240
  • DRIVING PAST AND GETTING OUT OF THEIR CAR AND IT SAYS MARK
  • 00:12:04.250 --> 00:12:07.090
  • SCHULTZ ACROSS AMERICA. AND THERE'S WATER RUNNING OUT THE
  • 00:12:07.100 --> 00:12:09.240
  • BOTTOM OF THE SHOWER AND, MAN, I LOOK UP, GET SOAP OUT OF MY EYES
  • 00:12:09.250 --> 00:12:14.040
  • AND THERE'S A $20 BILL COMING INTO THE SIDE OF THE TENT. AND
  • 00:12:14.050 --> 00:12:16.220
  • THIS GUY, GOES, I'D LIKE TO MAKE A LITTLE DONATION TO YOUR TRIP.
  • 00:12:16.230 --> 00:12:19.250
  • AND I WAS LIKE, OKAY, STRANGE MAN. AND I GRAB THE $20 AND I
  • 00:12:19.260 --> 00:12:24.170
  • PULLED IT, THERE'S A LITTLE TENSION ON THE LINE, AND I GOT
  • 00:12:24.180 --> 00:12:26.150
  • IT AND NOW I'M IN THE SHOWER WITH IT I'M, LIKE, I PUT IT MY
  • 00:12:26.160 --> 00:12:29.010
  • DRY SPOT AND JUST KEPT GOING. YOU KNOW? AND THEN TO GO TO
  • 00:12:29.020 --> 00:12:30.160
  • MEXICO AT THE END OF THAT THING. AND SAID, HEY, WITH THIS WE'RE
  • 00:12:30.170 --> 00:12:34.230
  • BUILDING THIS, YOU KNOW, THE KIDS IN MEXICO THAT WERE ORPHANS
  • 00:12:34.240 --> 00:12:37.230
  • THAT WE'RE HELPING TO RAISE MONEY FOR. THEY GET MADE FUN OF
  • 00:12:37.240 --> 00:12:40.170
  • BECAUSE THEY DIDN'T HAVE THE RIGHT CLOTHES TO GO TO SCHOOL.
  • 00:12:40.180 --> 00:12:42.260
  • ALL THE OTHER KIDS HAD THE PROPER CLOTHES TO FIT INTO THE
  • 00:12:42.270 --> 00:12:46.110
  • SCHOOL. THEY DIDN'T HAVE THE PROPER BOOKS. THEY DIDN'T HAVE
  • 00:12:46.120 --> 00:12:48.160
  • EVERYTHING. SO, THEY WERE JUST KIDS THAT WERE LOOKED DOWN UPON.
  • 00:12:48.170 --> 00:12:51.030
  • SO, THIS WILL HELPED THEM BUY THE RIGHT CLOTHES, BUY THEIR
  • 00:12:51.040 --> 00:12:54.000
  • BOOKS. AND THEY BUILT, WITH THE MONEY, KIND OF THIS CENTER FOR
  • 00:12:54.010 --> 00:12:58.270
  • THE KIDS TO GO AFTER SCHOOL TO HELP THEM STUDY, AND PLAY
  • 00:12:58.280 --> 00:13:02.060
  • BASKETBALL, AND PLAY SOCCER. AND WE GOT TO HELP BUILD IT AS WELL.
  • 00:13:02.070 --> 00:13:06.130
  • SO, IT WAS ONE OF THE COOLEST THINGS. -COOL INDEED! JAMES
  • 00:13:06.140 --> 00:13:10.080
  • RILEY, FORMER HEAD OF RADIO PROMOTIONS AT MURRAY RECORDS,
  • 00:13:10.090 --> 00:13:12.230
  • TALKS ABOUT HOW RADIO RECEIVED MARK'S MUSIC AND THE VERY
  • 00:13:12.240 --> 00:13:16.020
  • EMOTIONAL SONG HE'S MY SON. -RADIO JUST REALLY RESPONDED
  • 00:13:16.030 --> 00:13:20.040
  • IMMEDIATELY. AND THE GREAT THING ABOUT MARK IS HE HAS WHAT YOU
  • 00:13:20.050 --> 00:13:24.100
  • CAN'T TEACH. HE HAS THAT CERTAIN ELEMENT, IT DOESN'T MATTER IF
  • 00:13:24.110 --> 00:13:29.240
  • IT'S ONE PERSON IN THE ROOM OR 10.000, HE'S GONNA CONNECT EVERY
  • 00:13:29.250 --> 00:13:34.050
  • SINGLE TIME. AND ALL WE HAD TO DO IS GET HIM IN FRONT OF RADIO
  • 00:13:34.060 --> 00:13:37.220
  • STATIONS AND THEY LOVED HIM IMMEDIATELY. AND THEY LOVED HIS
  • 00:13:37.230 --> 00:13:41.120
  • MUSIC. THEY LOVED HIS STORIES. THEY LAUGHED AND THEY CRIED WITH
  • 00:13:41.130 --> 00:13:44.110
  • HIM. -YEAH, HE'S MY SON IS ANOTHER EXAMPLE. OUR YOUTH
  • 00:13:44.120 --> 00:13:47.250
  • MINISTER SAID, HEY, THERE'S A YOUNG GUY IN OUR YOUTH GROUP,
  • 00:13:47.260 --> 00:13:51.150
  • HE'S GOT CANCER. HE'S IN THE SEVENTH GRADE. HIS DAD'S A
  • 00:13:51.160 --> 00:13:54.210
  • SUNDAY SCHOOL TEACHER. HIS DAD'S BEEN REALLY STRUGGLING WITH IT.
  • 00:13:54.220 --> 00:13:58.130
  • AND, SO, I HUNG OUT WITH THAT FAMILY QUITE A BIT AND I GOT TO
  • 00:13:58.140 --> 00:14:01.150
  • KNOW THEIR STORY. AND EVERY WEDNESDAY I WOULD GO TO LUNCH
  • 00:14:01.160 --> 00:14:03.160
  • WITH HIS DAD AND HE WOULD JUST KIND OF DOWNLOAD, MAN, HERE'S
  • 00:14:03.170 --> 00:14:06.120
  • WHAT'S GOING ON IN OUR FAMILY. AND SO I TRIED TO WRITE THAT
  • 00:14:06.130 --> 00:14:10.030
  • SONG FOR, LIKE, THREE MONTHS JUST, YOU KNOW, JUST TO WRITE
  • 00:14:10.040 --> 00:14:13.230
  • THEM AN ENCOURAGEMENT SONG. AND IT JUST WASN'T HAPPENING. AND
  • 00:14:13.240 --> 00:14:17.130
  • EVERYTHING I WROTE FELT KIND OF TRITE TO THEIR SITUATION. AND
  • 00:14:17.140 --> 00:14:20.140
  • THEN ONE NIGHT I TRIED TO WRITE SOMETHING AT THE CHAPEL AT THE
  • 00:14:20.150 --> 00:14:23.090
  • CHURCH WHERE I WAS WRITING ALL MY SONGS, WHICH IS NEAT BECAUSE
  • 00:14:23.100 --> 00:14:25.220
  • ALL THE SONGS THAT I'VE EVER WRITTEN THAT HAVE COME ON A
  • 00:14:25.230 --> 00:14:28.290
  • RECORD OR BEEN ON THE RADIO HAVE BEEN WRITTEN IN THAT SMALL
  • 00:14:29.000 --> 00:14:31.020
  • CHAPEL AS A YOUTH DIRECTOR. SO, I DROVE HOME AND I SAT ON THE
  • 00:14:31.030 --> 00:14:35.010
  • COUCH FOR ABOUT TWO MINUTES AND I WAS FLIPPING THROUGH THE
  • 00:14:35.020 --> 00:14:37.160
  • CHANNELS. AND I GOT UP AND I WENT BACK TO THE CHAPEL AND I
  • 00:14:37.170 --> 00:14:40.120
  • WAS SO MAD BECAUSE I COULDN'T WRITE THIS SONG.
  • 00:14:40.130 --> 00:14:43.070
  • AND, MAN, I JUST
  • 00:14:43.080 --> 00:14:44.120
  • STARTED PLAYING A MELODY I'D NEVER PLAYED BEFORE AND I
  • 00:14:44.130 --> 00:14:46.040
  • STARTED SINGING DOWN ON MY KNEES AGAIN TONIGHT FROM THE
  • 00:14:46.050 --> 00:14:50.280
  • STANDPOINT OF THE DAD WHOSE SON HAD CANCER. AND SO THAT SONG WAS
  • 00:14:50.290 --> 00:14:54.140
  • WRITTEN IN TEN MINUTES. AND IT WAS LIKE CATCHING LIGHTNING IN A
  • 00:14:54.150 --> 00:14:57.230
  • JAR. AND I THINK, I ALWAYS SAY, MAN, I FELT LIKE GOD WAS SAYING,
  • 00:14:57.240 --> 00:15:01.030
  • HEY, COME TO THE END OF YOURSELF ON WRITING THIS THING. ARE YOU
  • 00:15:01.040 --> 00:15:04.040
  • DONE? OKAY, HERE IT IS, AND DROPPED IT IN MY LAP. AND THEN
  • 00:15:04.050 --> 00:15:07.040
  • WHEN IT TO GOT TO, LIKE, RECORDING IT, I WAS LIKE, MAN, I
  • 00:15:07.050 --> 00:15:09.190
  • DON'T HAVE A VOICE ANYMORE. AND GOD WAS LIKE COME ALL THE WAY TO
  • 00:15:09.200 --> 00:15:12.090
  • THE END OF YOURSELF AND THEN I'LL GIVE YOU THE SONG. SO, WHEN
  • 00:15:12.100 --> 00:15:16.000
  • I CAN DO A CONCERT AND PEOPLE SAY, MAN, WE DON'T KNOW YOU BUT
  • 00:15:16.010 --> 00:15:19.010
  • YOU WROTE THE SONG THAT WHEN OUR SON WAS IN THE HOSPITAL WITH
  • 00:15:19.020 --> 00:15:21.280
  • CANCER, WE DIDN'T HAVE ANY WORDS TO PRAY, THAT WAS OUR PRAYER.
  • 00:15:21.290 --> 00:15:25.010
  • AND THEY SAID WE KNOW THAT WAS, THAT SONG WAS FOR US. AND I GO,
  • 00:15:25.020 --> 00:15:29.070
  • I THINK IT WAS FOR YOU BECAUSE, TAKE ME OUT OF IT, BECAUSE I GOT
  • 00:15:29.080 --> 00:15:33.090
  • TAKEN OUT OF THAT SONG AND GOD JUST SHOWED UP IN THE PLACES
  • 00:15:33.100 --> 00:15:35.150
  • WHERE I HAD NOTHING LEFT. AND SO, I FEEL LIKE SOMETIMES GOD
  • 00:15:35.160 --> 00:15:38.100
  • DOES HIS BEST WORK WHEN WE'VE GOT NOTHING TO SHOW FOR IT.
  • 00:15:38.110 --> 00:15:42.110
  • [MUSIC]
  • 00:15:42.120 --> 00:15:56.150
  • I'M DOWN ON MY KNEES AGAIN TONIGHT
  • 00:15:56.160 --> 00:16:03.080
  • I'M HOPING THIS PRAYER WILL TURN OUT RIGHT
  • 00:16:03.090 --> 00:16:09.260
  • SEE, THERE IS A BOY THAT NEEDS YOUR HELP
  • 00:16:09.270 --> 00:16:16.140
  • I'VE DONE ALL THAT I CAN DO MYSELF
  • 00:16:16.150 --> 00:16:21.290
  • HIS MOTHER IS TIRED
  • 00:16:22.000 --> 00:16:25.140
  • WE'RE SURE YOU CAN UNDERSTAND
  • 00:16:25.150 --> 00:16:28.280
  • TONIGHT AS HE SLEEPS
  • 00:16:28.290 --> 00:16:32.160
  • SHE GOES AND HOLDS HIS HAND
  • 00:16:32.170 --> 00:16:35.270
  • AND SHE TRIES NOT TO CRY
  • 00:16:35.280 --> 00:16:41.040
  • AS THE TEARS FILL HER EYES
  • 00:16:41.050 --> 00:16:48.000
  • CAN YOU HEAR ME
  • 00:16:48.010 --> 00:16:51.230
  • AM I GETTING THROUGH TONIGHT
  • 00:16:51.240 --> 00:16:55.040
  • CAN YOU SEE HIM
  • 00:16:55.050 --> 00:16:58.140
  • CAN YOU MAKE HIM FEEL ALRIGHT
  • 00:16:58.150 --> 00:17:02.150
  • IF YOU CAN HEAR ME
  • 00:17:02.160 --> 00:17:05.260
  • LET ME TAKE HIS PLACE SOMEHOW
  • 00:17:05.270 --> 00:17:09.280
  • SEE, HE'S NOT JUST ANYONE HE'S MY SON
  • 00:17:09.290 --> 00:17:24.240
  • SOMETIMES LATE AT NIGHT I WATCH HIM SLEEP
  • 00:17:24.250 --> 00:17:30.130
  • I DREAM OF THE BOY HE'D LIKE TO BE
  • 00:17:30.140 --> 00:17:36.230
  • I TRY TO BE STRONG AND SEE HIM THROUGH
  • 00:17:36.240 --> 00:17:43.040
  • BUT GOD, WHO HE NEEDS RIGHT NOW IS YOU
  • 00:17:43.050 --> 00:17:48.100
  • LET HIM GROW OLD
  • 00:17:48.110 --> 00:17:51.180
  • LIVE LIFE WITHOUT THIS FEAR
  • 00:17:51.190 --> 00:17:54.270
  • WHAT WOULD I BE
  • 00:17:54.280 --> 00:17:58.180
  • LIVING WITHOUT HIM HERE
  • 00:17:58.190 --> 00:18:01.240
  • HE'S SO TIRED AND HE'S SCARED
  • 00:18:01.250 --> 00:18:07.180
  • LET HIM KNOW THAT YOU'RE THERE
  • 00:18:07.190 --> 00:18:14.080
  • CAN YOU HEAR ME
  • 00:18:14.090 --> 00:18:17.280
  • AM I GETTING THROUGH TONIGHT
  • 00:18:17.290 --> 00:18:21.110
  • CAN YOU SEE HIM
  • 00:18:21.120 --> 00:18:24.190
  • CAN YOU MAKE HIM FEEL ALL RIGHT
  • 00:18:24.200 --> 00:18:28.160
  • IF YOU CAN HEAR ME
  • 00:18:28.170 --> 00:18:31.190
  • LET ME TAKE HIS PLACE SOMEHOW
  • 00:18:31.200 --> 00:18:35.160
  • SEE, HE'S NOT JUST ANYONE HE'S MY SON
  • 00:18:35.170 --> 00:18:50.150
  • SEE, HE'S NOT JUST ANYONE HE'S MY SON
  • 00:18:50.150 --> 00:19:03.050
  • CAN YOU HEAR ME
  • 00:19:03.060 --> 00:19:06.070
  • AM I GETTING THROUGH TONIGHT
  • 00:19:06.080 --> 00:19:09.190
  • CAN YOU SEE HIM
  • 00:19:09.200 --> 00:19:12.220
  • CAN YOU MAKE HIM FEEL ALRIGHT
  • 00:19:12.230 --> 00:19:16.150
  • IF YOU CAN HEAR ME
  • 00:19:16.160 --> 00:19:19.250
  • LET ME TAKE HIS PLACE SOMEHOW
  • 00:19:19.260 --> 00:19:23.280
  • SEE, HE'S NOT JUST ANYONE
  • 00:19:23.290 --> 00:19:31.250
  • [MUSIC]
  • 00:19:31.260 --> 00:19:33.260
  • CAN YOU HEAR ME
  • 00:19:33.270 --> 00:19:37.110
  • CAN YOU SEE HIM
  • 00:19:37.120 --> 00:19:41.230
  • PLEASE DON'T LEAVE HIM
  • 00:19:41.240 --> 00:19:46.110
  • HE'S MY SON
  • 00:19:46.120 --> 00:20:00.150
  • [MUSIC]
  • 00:20:00.160 --> 00:20:15.140
  • [MUSIC]
  • 00:20:15.140 --> 00:20:23.190
  • THE NEW CCM UNITED
  • 00:20:23.200 --> 00:20:25.120
  • MUSIC, MOMENTS & MEMORIES FEATURING MORE CCM HITS YOU GREW
  • 00:20:25.130 --> 00:20:29.110
  • UP WITH LIKE PHIL KEAGGY'S WHAT A DAY, CLAY CROSSE'S I
  • 00:20:29.120 --> 00:20:33.160
  • SURRENDER ALL AL DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO
  • 00:20:33.170 --> 00:20:38.120
  • AND KEY'S ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE
  • 00:20:38.130 --> 00:20:43.200
  • BIGGEST CCM SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS
  • 00:20:43.210 --> 00:20:47.180
  • AVAILABLE IN A DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO
  • 00:20:47.190 --> 00:20:52.090
  • TBN. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE.
  • 00:20:52.100 --> 00:20:56.230
  • MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS
  • 00:20:56.240 --> 00:21:02.160
  • YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD
  • 00:21:02.170 --> 00:21:07.030
  • AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE
  • 00:21:07.040 --> 00:21:11.280
  • THE MESSAGE OF HOPE AND GRACE AROUND THE WORLD. CALL THE
  • 00:21:11.290 --> 00:21:15.220
  • NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST YOUR COPY
  • 00:21:15.230 --> 00:21:19.210
  • NOW.
  • 00:21:19.220 --> 00:21:21.180
  • [MUSIC]
  • 00:21:21.190 --> 00:21:27.150
  • -I THINK FOR ME, YOU KNOW, I COULD SIT HERE
  • 00:21:27.160 --> 00:21:30.190
  • FOR HOURS TALKING ABOUT ALL THE DIFFERENT THINGS THAT MARK HAS
  • 00:21:30.200 --> 00:21:34.120
  • DONE OVER THE YEARS TO GIVE HIMSELF AWAY. THE BIKE TOUR,
  • 00:21:34.130 --> 00:21:38.130
  • OBVIOUSLY. YOU KNOW, HE STARTED THE REMEMBER ME MISSION, A
  • 00:21:38.140 --> 00:21:42.110
  • FOUNDATION THAT HE AND HIS WIFE KATE STARTED TO HELP ORPHANS AND
  • 00:21:42.120 --> 00:21:47.150
  • WIDOWS. AND I'VE SEEN HIM CALL ME AT NIGHT SAYING, MAN, I HAD A
  • 00:21:47.160 --> 00:21:52.270
  • BAD SHOW AND I JUST FELT BAD SO I'M GIVING ALL THE MONEY BACK TO
  • 00:21:52.280 --> 00:21:56.010
  • THE PROMOTER. AND I'M, LIKE, THIS IS CRAZY. THIS DOESN'T
  • 00:21:56.020 --> 00:21:58.220
  • HAPPEN. I MEAN, I'VE MANAGED OTHER CLIENTS AND IT'S GENUINE.
  • 00:21:58.230 --> 00:22:03.190
  • IT'S GENUINE GENEROSITY. AND IT'S LIKE HOW MUCH CAN HE GIVE
  • 00:22:03.200 --> 00:22:07.160
  • HIMSELF AWAY? AND SO, FOR ME, AS THE MANAGER, I'LL GO THROUGH A
  • 00:22:07.170 --> 00:22:12.200
  • WALL FOR THAT, BECAUSE I KNOW THAT AT THE END OF THE DAY HE'S
  • 00:22:12.210 --> 00:22:16.010
  • ALWAYS GONNA ERR ON THE SIDE OF DOING WHAT'S RIGHT FOR SOMEBODY
  • 00:22:16.020 --> 00:22:20.020
  • ELSE. -AND SO MY WIFE GOT ON THE INTERNET AND A FEW MONTHS
  • 00:22:20.030 --> 00:22:23.100
  • LATER WE GOT A PICTURE OF A GIRL FROM CHINA. AND SHE WAS 6-7
  • 00:22:23.110 --> 00:22:26.220
  • MONTHS OLD. AND MY WIFE GOES I GOT THIS IDEA, WHAT DO YOU
  • 00:22:26.230 --> 00:22:31.030
  • THINK? AND BEFORE SHE COULD GET THE WORDS OUT I WAS JUST LIKE
  • 00:22:31.040 --> 00:22:33.100
  • I'M IN. AND, UH, MAN, THAT'S WHEN YOU THINK YOU'RE DOING
  • 00:22:33.110 --> 00:22:41.010
  • SOMETHING GOOD FOR SOMEBODY, BUT THEN YOU MEET THAT LITTLE PERSON
  • 00:22:41.020 --> 00:22:44.180
  • AND THEY'RE JUST LIKE, MAN, YOU GIVE 10 PERCENT AND THEY'RE
  • 00:22:44.190 --> 00:22:48.020
  • GIVING 150. AND YOU JUST SEE THIS LITTLE GIRL WHO'S JUST,
  • 00:22:48.030 --> 00:22:50.200
  • MAN, THIS IS ONE OF THE BIGGEST JOYS IN MY LIFE. AND SO, I
  • 00:22:50.210 --> 00:22:54.190
  • THOUGHT WE WERE DONE AND THEN MY WIFE SAID, NO, I DON'T THINK
  • 00:22:54.200 --> 00:22:56.240
  • WE'RE FINISHED YET. AND I WAS, LIKE, WHAT ELSE COULD WE DO? AND
  • 00:22:56.250 --> 00:22:59.140
  • SHE SAID WHAT A GREAT HONOR TO YOUR PARENTS AND TO GOD. WE'LL
  • 00:22:59.150 --> 00:23:11.110
  • GO BACK TO WHERE YOU WERE ADOPTED FROM AND WE'LL JUST SEE
  • 00:23:11.120 --> 00:23:15.120
  • IF THERE'S ANYBODY. AND, MAN, SURE ENOUGH THEY CALLED US BACK
  • 00:23:15.130 --> 00:23:19.020
  • AND WE GOT A BABY WHO WAS JUST BORN. MY WIFE SHOWED UP WHILE
  • 00:23:19.030 --> 00:23:23.110
  • SHE WAS BEING BORN. AND SO WE WENT BACK TO THE SAME AGENCY
  • 00:23:23.120 --> 00:23:26.170
  • THAT I CAME FROM AND ADOPTED A LITTLE GIRL FROM THERE. SO, IT'S
  • 00:23:26.180 --> 00:23:29.280
  • REALLY FULL CIRCLE. AND SO, THAT'S WHY I GO, MAN, I JUST
  • 00:23:29.290 --> 00:23:33.020
  • DON'T WORRY ABOUT WHAT'S THE NEXT SHOW AND WHAT'S THE NEXT
  • 00:23:33.030 --> 00:23:35.150
  • THING. I JUST FEEL LIKE WE'RE JUST KIND OF FOLLOWING BEHIND
  • 00:23:35.160 --> 00:23:38.260
  • GOD AND WE'RE JUST KIND OF WALKING BEHIND. AND WE GO, MAN,
  • 00:23:38.270 --> 00:23:42.270
  • I THINK WE NEED TO DO A BUNCH OF SHOWS TO HELP MORE KIDS GET
  • 00:23:42.280 --> 00:23:45.130
  • ADOPTED. AND I THINK IF YOU'RE USING YOUR GIFT IN A COMMUNITY,
  • 00:23:45.140 --> 00:23:49.010
  • AND WHEN YOU'RE GIVING YOUR GIFT BACK TO THAT COMMUNITY, I DON'T
  • 00:23:49.020 --> 00:23:51.250
  • THINK YOU EVER WANT FOR A JOB. I THINK YOU'RE ALWAYS FULFILLED
  • 00:23:51.260 --> 00:23:54.060
  • AND I THINK YOU'RE ALWAYS JUST JOYFUL. YOU KNOW? AND THAT'S
  • 00:23:54.070 --> 00:23:56.230
  • WHERE WE ARE NOW. AND I THINK MY FAMILY IS THE BIGGEST TESTAMENT
  • 00:23:56.240 --> 00:24:02.050
  • TO WHAT I GET TO DO. AND I'M SO GRATEFUL. JACKIE VELASQUEZ:
  • 00:24:02.060 --> 00:24:08.150
  • THANK YOU SO MUCH FOR JOINING US. WE HOPE YOU'VE BEEN INSPIRED
  • 00:24:08.160 --> 00:24:11.060
  • AND CHALLENGED BY HEARING ABOUT THE INCREDIBLE JOURNEY OF MARK
  • 00:24:11.070 --> 00:24:14.000
  • SCHULTZ. HE TRULY HAS A PASSION AFTER GOD'S OWN HEART, GIVING
  • 00:24:14.010 --> 00:24:17.100
  • EXTRAVAGANTLY OF HIS TIME, TREASURE, AND TALENT TO ORPHANS
  • 00:24:17.110 --> 00:24:20.100
  • AND WIDOWS WORLDWIDE. PLEASE JOIN US NEXT TIME FOR MORE
  • 00:24:20.110 --> 00:24:23.260
  • AMAZING STORIES ABOUT YOUR FAVORITE LEGENDARY CCM ARTISTS.
  • 00:24:23.270 --> 00:24:27.090
  • GOD BLESS YOU AND WE'LL SEE YOU SOON.
  • 00:24:27.100 --> 00:24:29.140
  • [MUSIC]
  • 00:24:29.150 --> 00:24:30.080
  • BE THERE TO GUIDE YOU
  • 00:24:30.090 --> 00:24:31.180
  • TAKE MY HAND AND I CAN LEAD YOU ON, FOR YOU KNOW
  • 00:24:31.190 --> 00:24:35.070
  • I AM THE ANSWER
  • 00:24:35.080 --> 00:24:39.070
  • I AM THE WAY
  • 00:24:39.080 --> 00:24:43.120
  • I AM THE PROMISE
  • 00:24:43.130 --> 00:24:47.190
  • I HAVE CALLED
  • 00:24:47.200 --> 00:24:52.030
  • OH, WHEN YOU ARE DOWN
  • 00:24:52.040 --> 00:24:55.110
  • YOU THINK NO ONE'S AROUND BUT
  • 00:24:55.120 --> 00:24:57.280
  • I'LL BE WITH YOU BOTH NIGHT AND DAY
  • 00:24:57.290 --> 00:25:02.120
  • I KNOW THE GOOD TIMES
  • 00:25:02.130 --> 00:25:05.080
  • I'LL SEE YOU THROUGH BAD TIMES
  • 00:25:05.090 --> 00:25:06.170
  • YOU KNOW THAT I'M HERE TO STAY
  • 00:25:06.180 --> 00:25:10.180
  • I AM THE ANSWER
  • 00:25:10.190 --> 00:25:14.210
  • I AM THE WAY
  • 00:25:14.220 --> 00:25:18.260
  • I AM THE PROMISE
  • 00:25:18.270 --> 00:25:23.060
  • I HAVE CALLED YOUR NAME
  • 00:25:23.070 --> 00:25:31.160
  • YEAH, YEAH YOUR NAME
  • 00:25:31.170 --> 00:25:46.050
  • WHEN YOU'RE DOWN LOOK AROUND
  • 00:25:46.060 --> 00:25:47.210
  • AND YOU'LL SEE I AM WITH YOU
  • 00:25:47.220 --> 00:25:50.060
  • [MUSIC]
  • 00:25:50.070 --> 00:26:05.070
  • [MUSIC]
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  • FOLLOWING THE SUCCESSFUL RELEASE OF CCM UNITED WE WILL STAND
  • 00:26:06.180 --> 00:26:10.080
  • COMES THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES FEATURING
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  • MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT A DAY,
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  • CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE ONE, EDDIE
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  • DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES KING'S THE
  • 00:26:24.200 --> 00:26:29.000
  • ROBE. FOR THE ROBE TWENTY OF THE BIGGEST CCM SONGS SUNG BY
  • 00:26:29.010 --> 00:26:36.210
  • THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD
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  • FOR A GIFT OF $39 OR MORE TO TBN. CALL NOW! DON'T MISS THIS
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  • COLLECTION OF CCM'S BEST LOVED SONGS THAT HONOR OUR LORD JESUS
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  • CHRIST. AVAILABLE EXCLUSIVELY TO TBN VIEWERS DURING THIS SPECIAL
  • 00:26:52.010 --> 00:26:56.060
  • PRESENTATION. SIMPLY CALL THE NUMBER ON YOUR SCREEN OR GO
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  • ONLINE. MUSIC, MOMENTS & MEMORIES THE AUDIO DOUBLE CD IS
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  • OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN AND ITS GLOBAL
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  • OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR GIFT OF $39
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  • OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE AROUND THE
  • 00:27:15.040 --> 00:27:19.060
  • WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO ONLINE AND REQUEST
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  • YOUR COPY NOW. SING HALLELUJAH TO THE KING LET THE WHOLE WORLD
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  • SING
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