Bruce Carroll | TBN

Bruce Carroll

Watch Bruce Carroll
March 18, 2020
27:30

Music; Moments; and Memories highlights the friendships legendary CCM artists have maintained over the years; their faith and journey in music.

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Bruce Carroll

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  • [MUSIC]
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  • THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
  • 00:00:02.594 --> 00:00:05.697
  • FEATURING MORE CCM HITS YOU GREWUP WITH. SIMPLY CALL THE NUMBER
  • 00:00:05.731 --> 00:00:10.769
  • ON YOUR SCREEN OR GO ONLINE. THECD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.803 --> 00:00:18.243
  • YOUR GIFT OF $39 OR MORE. HELPTAKE THE MESSAGE OF HOPE AND
  • 00:00:18.277 --> 00:00:21.713
  • GRACE AROUND THE WORLD. CALL THENUMBER ON YOUR SCREEN OR GO
  • 00:00:21.747 --> 00:00:25.851
  • ONLINE AND REQUEST YOUR COPYNOW.
  • 00:00:25.884 --> 00:00:29.521
  • [MUSIC]
  • 00:00:29.555 --> 00:00:30.856
  • -MAN, IF I GET TO
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  • THE POINT TO WHERE I'VE GOT THEREAL WIDE [SINGS WITH VIBRATO]
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  • AT THE GREAT EXCHANGE, JUST,MAN, PULL ME OFF THE STAGE. YOU
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  • KNOW? I DON'T WANT TO DO THATANYMORE. -IT'S KIND OF BEEN
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  • THERE FOR A LONG TIME.[LAUGHTER]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HELLO! MY NAMEIS JACKIE VELASQUEZ AND I'D LIKE
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  • TO WELCOME YOU TO THIS EPISODEFEATURING BRUCE CARROLL. SONG
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  • WRITING WAS ON BRUCE'S HEARTSINCE HE WAS AN ADOLESCENT, BUT
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  • IT WASN'T UNTIL HE CAME TO JESUSTHAT HE STARTED TO HONE HIS
  • 00:01:14.266 --> 00:01:18.070
  • CRAFT. MOVING FROM CONROE, TEXASTO NASHVILLE EVENTUALLY LED HIM
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  • TO GET HIS MUSIC IN FRONT OFRECORD EXECS LYNNE KEESECKER AND
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  • JOHN MAYS AT WORD RECORDS. BUBBASMITH WAS BROUGHT IN AS BRUCE'S
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  • FIRST RECORD PRODUCER. BUT LET'SSTART AT THE BEGINNING. -I WAS
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  • RAISED IN A MUSICAL FAMILY ANDLOVED MUSIC. I LOVED SONGS AND
  • 00:01:33.519 --> 00:01:39.858
  • WHAT THEY DID TO MY SOUL. IT WASREALLY THE SALVATION EXPERIENCE
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  • THAT I HAD WITH GOD THAT BEGANTO DIRECT ME INTO THE CREATIVE
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  • DESIRE, AND GAVE ME A PURPOSE TOWRITE AND A REASON TO WRITE. I
  • 00:01:53.739 --> 00:01:59.077
  • STARTED TO WRITE SONGS AND SINGIN LOCAL CHURCHES AND GOT
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  • AFFIRMED THAT I SHOULD PROBABLYCONTINUE THAT. AND SINCE IT WAS
  • 00:02:04.249 --> 00:02:08.220
  • TAPPING INTO THE DESIRE OF MYHEART, I SAID, OKAY. I'M GONNA
  • 00:02:08.253 --> 00:02:12.591
  • KEEP WRITING AND I'M GONNA KEEPGETTING IN FRONT OF PEOPLE AS
  • 00:02:12.624 --> 00:02:16.562
  • OFTEN AS I CAN AND SHARING THESESONGS. I DID A LITTLE DEMO, A
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  • LITTLE THREE SONG TAPE AND IREALLY WANTED TO GO FOR EITHER A
  • 00:02:21.833 --> 00:02:28.473
  • PUBLISHING DEAL OR A RECORDDEAL. IN 1987, I THINK, IS WHEN
  • 00:02:28.507 --> 00:02:37.950
  • WE RELOCATED TO NASHVILLE WITHMY THREE LITTLE SONG TAPE;
  • 00:02:37.983 --> 00:02:43.522
  • SHOPPED IT AROUND, GOT APUBLISHING DEAL. THROUGH THAT
  • 00:02:43.555 --> 00:02:50.329
  • DEAL I GOT TO GO INTO A STUDIO,AND BY THEN I HAD WRITTEN MORE
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  • SONGS. AND SO I MADE THIS LITTLE10 SONG TAPE CALLED “SOMETHING
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  • GOOD IS BOUND TO HAPPEN”. AND IWAS OUT WORKING IT AND I WAS A
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  • CARPENTER DURING THE DAY AND I'DTAKE ANYTHING AND EVERY CHURCH
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  • OPPORTUNITY THAT I COULD FIND.AND SO, I WAS OUT ON THE
  • 00:03:13.218 --> 00:03:17.055
  • WEEKENDS SINGING THOSE 10 SONGS.-WE WERE LOOKING FOR SONGS FOR
  • 00:03:17.089 --> 00:03:21.526
  • ANOTHER ARTIST WHO WAS ON THELABEL, TERRY GIBB. AND SOMEHOW
  • 00:03:21.560 --> 00:03:27.532
  • SOMEBODY SLIPPED ME THIS 10 SONGTAPE THAT HE HAD. -I THINK IT
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  • WAS HER. -TERRY DID. YEAH,YOU'RE RIGHT. -YEAH, BECAUSE
  • 00:03:33.105 --> 00:03:36.708
  • DRIVING NAILS WAS ON IT, AND SHEREALLY LOVED THAT SONG AND SHE
  • 00:03:36.742 --> 00:03:39.378
  • WANTED TO RECORD IT. -THAT'S ITEXACTLY. -AND I HAD ONLY BEEN
  • 00:03:39.411 --> 00:03:43.315
  • AT WORD FOR 10 MINUTES. AND YOUKNOW, IT WAS JUST LIKE I DIDN'T
  • 00:03:43.348 --> 00:03:47.653
  • KNOW WHAT I WAS SUPPOSED TO BEDOING, BUT I KNEW THAT I LOVED
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  • THIS SONG THAT I HEARD ON THISTAPE THAT TERRY GAVE ME. SO,
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  • ULTIMATELY, WHAT WE DID WAS WESIGNED HIM, AND SIGNED THAT
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  • PARTICULAR RECORD AND JUSTREALLY DID SOME SMALL
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  • REPACKAGING TO IT AND REBRANDINGREALLY. AND TOOK THAT AND I
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  • DIDN'T KNOW HOW HARD, IF I HADKNOWN HOW HARD IT WAS GONNA BE
  • 00:04:09.841 --> 00:04:13.145
  • TO BREAK SOMEONE INTO A GENRETHAT DIDN'T EXIST IN THE
  • 00:04:13.178 --> 00:04:16.148
  • CHRISTIAN SIDE, IT WOULD HAVENEVER HAPPENED BECAUSE I WAS SO
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  • NAÏVE. I JUST WAS NEW TO THETHING; ALL I KNEW WAS I LIKED
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  • IT. -SO, OUR FRIEND NEIL JOSEPHHAD HIRED LYNN AND THERE WERE
  • 00:04:22.921 --> 00:04:27.993
  • FOUR LABELS AT WORD AT THAT TIMEAND HE HAD ALL FOUR OF THEM,
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  • WHICH WAS A LOT OF ARTISTS. SO,HE OBVIOUSLY HAS TOO MUCH ON HIS
  • 00:04:31.396 --> 00:04:34.066
  • PLATE. HE NEEDS SOME HELP ANDSOMEHOW FINDS ME AND BRINGS ME
  • 00:04:34.099 --> 00:04:38.704
  • ON BOARD. SO, THAT'S MY FIRSTA&R JOB IN 1987. HE GAVE ME A
  • 00:04:38.737 --> 00:04:43.275
  • SACK WITH PROBABLY 20 CASSETTESOR SO OF ALL THE CURRENT RECORDS
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  • OF ALL THESE ARTISTS, MANY OFWHOM I DIDN'T KNOW, LIKE BRUCE.
  • 00:04:48.347 --> 00:04:53.118
  • AND REALLY LYNN JUST HAD THISVISION, AND DID A GOOD JOB OF
  • 00:04:53.151 --> 00:04:56.922
  • CASTING IT TO ME, OF ARE THEREBELIEVERS OUT THERE WHO MIGHT
  • 00:04:56.955 --> 00:05:01.026
  • LOVE A MODERN COUNTRY SORT OFSOUND FROM ANOTHER BELIEVER? YOU
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  • KNOW? THAT WAS EXCITING ANDSOMETHING NEW. -AND HIS HEART,
  • 00:05:07.399 --> 00:05:10.402
  • AS A NEW BELIEVER, REALLY, ITHINK THAT'S WHAT WE ALL WERE
  • 00:05:10.435 --> 00:05:13.505
  • TAPPING INTO. BECAUSE THIS WASKIND OF JUST POST THE WHOLE
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  • JESUS MOVEMENT, WHICH WAS REALLYBORN OUT OF PEOPLE, THEIR FIRST
  • 00:05:16.074 --> 00:05:21.546
  • EXPERIENCE WITH JESUS, AND SOTHEY WANTED TO EXPRESS THAT IN
  • 00:05:21.580 --> 00:05:25.350
  • MUSIC. AND THAT'S WHAT I FELT INHIS SONGS. -BRUCE IS A MASTER
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  • OF TELLING STORIES THROUGH HISMUSIC, AND IN THIS BROKEN WORLD
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  • THERE'S NO GREATER STORY THANTHE GOOD NEWS OF SALVATION. -
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  • “THE GREAT EXCHANGE” MIGHT BE MYFAVORITE SONG. AND I LOVE TO DO
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  • IT IN CONCERT, AS WELL, BECAUSEIT'S MY SALVATION EXPERIENCE. I
  • 00:05:42.134 --> 00:05:48.306
  • INTERNALIZE IT. AND YOU KNOW,BECOMING A BELIEVER AND MAKING
  • 00:05:48.340 --> 00:05:55.347
  • “THE GREAT EXCHANGE”, EXCHANGINGOUR FILTHY RAGS AMONG
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  • RIGHTEOUSNESS FOR THERIGHTEOUSNESS OF GOD, I MEAN,
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  • THAT'S HUGE. YOU KNOW? I DON'TREMEMBER THE DAY I WAS BORN, I
  • 00:06:01.253 --> 00:06:04.790
  • LIKE TO SAY, BUT I DO REMEMBERTHE DAY I WAS BORN AGAIN. AND
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  • THAT WAS AUGUST 15, 1979 IS WHENI MADE THE GREAT EXCHANGE. AND
  • 00:06:08.393 --> 00:06:11.897
  • THAT SONG JUST SEEMS TO STRIKE ACHORD IN SO MANY PEOPLE BECAUSE
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  • IT'S SO GREAT OF A SALVATIONTHAT WE HAVE. AND THAT SONG
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  • SINGS DIRECTLY TO THAT.
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  • [MUSIC]
  • 00:06:26.745 --> 00:06:44.396
  • ♪ ONCE UPON A TIME
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  • ♪ UPON A HILL FARWAY ♪
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  • ♪ AN UNFAIR PROPOSTION
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  • ♪ BEFOREA RIGHTEOUS MAN WAS MADE ♪
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  • ♪ HE COULD'VECHANGED THE SITUATION ♪
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  • ♪ BUT INSTEADCHOSE TO OBEY ♪
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  • ♪ THEGREAT EXCHANGE ♪
  • 00:07:00.979 --> 00:07:06.418
  • ♪ AN ETERNITIY HETRAVELED ♪
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  • ♪ TO BE THERE AT THATPLACE ♪
  • 00:07:09.387 --> 00:07:12.190
  • ♪ THE CHOSEN DESTINATION
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  • ♪ TO SHOWMANKIND GOD'S GRACE ♪
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  • ♪ HISLONGING TO REDEEM US ♪
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  • ♪ IT COULDONLY BE EXPLAINED ♪
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  • ♪ AT THE GREATEXCHANGE ♪
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  • ♪ AT THE GREATEXCHANGE ♪
  • 00:07:29.140 --> 00:07:32.611
  • ♪ EVEN THEN HE KNEW ME
  • 00:07:32.644 --> 00:07:35.380
  • ♪ AND HE BORESUCH PAIN ♪
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  • ♪ AND HE DID IT ALL FORLOVE ♪
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  • ♪ AN UNDESERVINGSERVANT ♪
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  • ♪ WHO'LL NEVERBE THE SAME ♪
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  • ♪ SINCETHE GREAT EXCHANGE ♪
  • 00:07:46.725 --> 00:07:52.998
  • ♪ I WALKED THATSAME HILLSIDE, ♪
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  • ♪ AS I KNELT DOWNTO PRAY ♪
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  • ♪ HE SHOWED ME ALL THEWRONG I'D DONE ♪
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  • ♪ AND THE PRICE HEPAID THAT DAY ♪
  • 00:08:00.805 --> 00:08:03.608
  • ♪ AND THEN I AROSEFORGIVEN ♪
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  • ♪ HIS LOSS BECAMEMY GAIN ♪
  • 00:08:06.478 --> 00:08:09.147
  • ♪ AT THE GREATEXCHANGE ♪
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  • ♪ OH, EVERYTHINGTHAT MANKIND LOST, ♪
  • 00:08:14.986 --> 00:08:18.023
  • ♪ JESUS HAS RECLAIMED
  • 00:08:18.056 --> 00:08:20.792
  • ♪ THE PATHWAYTO ETERNITY ♪
  • 00:08:20.825 --> 00:08:23.695
  • ♪ BY HIS DEATHARRANGED ♪
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  • ♪ AND ALL OF THIS HEOFFERS, ♪
  • 00:08:26.431 --> 00:08:29.200
  • ♪ IF YOU'LL MEETHIM TODAY ♪
  • 00:08:29.234 --> 00:08:32.404
  • ♪ AT THE GREATEXCHANGE ♪
  • 00:08:32.437 --> 00:08:37.709
  • ♪ AT THEGREAT EXCHANGE ♪
  • 00:08:37.742 --> 00:08:40.912
  • ♪ EVEN THEN HE KNEWME ♪
  • 00:08:40.946 --> 00:08:43.682
  • ♪ AND HE BORE SUCH PAIN
  • 00:08:43.715 --> 00:08:46.351
  • ♪ AND HEDID IT ALL FOR LOVE ♪
  • 00:08:46.384 --> 00:08:49.220
  • ♪ ANUNDESERVING SERVANT ♪
  • 00:08:49.254 --> 00:08:52.157
  • ♪ WHO'LL NEVERBE THE SAME ♪
  • 00:08:52.190 --> 00:08:54.759
  • ♪ SINCE THE GREATEXCHANGE ♪
  • 00:08:54.793 --> 00:09:00.999
  • ♪ YES, AT THE GREATEXCHANGE ♪
  • 00:09:01.032 --> 00:09:04.135
  • ♪ EVEN THEN HEKNEW ME ♪
  • 00:09:04.169 --> 00:09:06.471
  • ♪ AND HE BORESUCH PAIN ♪
  • 00:09:06.504 --> 00:09:09.407
  • ♪ AND HE DIDIT ALL FOR LOVE ♪
  • 00:09:09.441 --> 00:09:12.444
  • ♪ AN UNDESERVINGSERVANT ♪
  • 00:09:12.477 --> 00:09:14.980
  • ♪ WHO'LL NEVERBE THE SAME ♪
  • 00:09:15.013 --> 00:09:17.649
  • ♪ SINCE THE GREATEXCHANGE ♪
  • 00:09:17.682 --> 00:09:23.822
  • ♪ YEAH,THE GREAT EXCHANGE ♪
  • 00:09:23.855 --> 00:09:29.761
  • ♪ THE GREATEXCHANGE ♪
  • 00:09:29.794 --> 00:09:41.072
  • [MUSIC]
  • 00:09:41.106 --> 00:09:56.721
  • THE NEW CCM UNITED “MUSIC,
  • 00:09:56.755 --> 00:09:59.958
  • MOMENTS & MEMORIES” FEATURINGMORE CCM HITS YOU GREW UP WITH
  • 00:09:59.991 --> 00:10:03.061
  • LIKE PHIL KEAGGY'S “WHAT A DAY”,CLAY CROSSE'S “I SURRENDER ALL”
  • 00:10:03.094 --> 00:10:07.432
  • AL DENSON “BE THE ONE”, EDDIEDEGARMO OF DEGARMO AND KEY'S
  • 00:10:07.465 --> 00:10:11.670
  • “ROCK SOLID”, WES KING'S “THEROBE”. TWENTY OF THE BIGGEST CCM
  • 00:10:11.703 --> 00:10:16.775
  • SONGS SUNG BY THE ARTISTS WHOMADE THEM FAMOUS AVAILABLE IN A
  • 00:10:16.808 --> 00:10:20.712
  • DOUBLE CD AND DVD FOR A GIFT OF$39 OR MORE TO TBN. SIMPLY CALL
  • 00:10:20.745 --> 00:10:26.818
  • THE NUMBER ON YOUR SCREEN OR GOONLINE. “MUSIC, MOMENTS &
  • 00:10:26.851 --> 00:10:31.823
  • MEMORIES” THE AUDIO DOUBLE CD ISOUR GIFT AS YOU GIVE YOUR BEST
  • 00:10:31.856 --> 00:10:36.027
  • GIFT TO TBN AND ITS GLOBALOUTREACH. THE CD AND DVD ARE
  • 00:10:36.061 --> 00:10:40.899
  • BOTH YOURS FOR YOUR GIFT OF $39OR MORE. HELP TAKE THE MESSAGE
  • 00:10:40.932 --> 00:10:45.003
  • OF HOPE AND GRACE AROUND THEWORLD. CALL THE NUMBER ON YOUR
  • 00:10:45.036 --> 00:10:48.673
  • SCREEN OR GO ONLINE AND REQUESTYOUR COPY NOW.
  • 00:10:48.707 --> 00:10:54.646
  • [MUSIC]
  • 00:10:54.679 --> 00:10:59.084
  • JACKIE VELASQUEZ: WELCOME BACK!BRUCE CARROLL WAS ECSTATIC TO BE
  • 00:10:59.117 --> 00:11:01.486
  • LIVING HIS DREAM, BUT JUSTBECAUSE YOU HAVE A RECORD DEAL
  • 00:11:01.519 --> 00:11:03.822
  • DOESN'T MEAN YOU'RE MAKING MUCHMONEY IN THE BEGINNING OF YOUR
  • 00:11:03.855 --> 00:11:06.257
  • CAREER. WORD RECORD EXEC NEILJOSEPH KNEW THIS ALL TOO WELL
  • 00:11:06.291 --> 00:11:10.595
  • AND OFFERED BRUCE CARPENTRY ANDPLUMBING JOBS TO ENHANCE BRUCE'S
  • 00:11:10.628 --> 00:11:14.466
  • POCKETBOOK WHILE WAITING FOR HISFINANCES TO CATCH UP WITH HIS
  • 00:11:14.499 --> 00:11:18.103
  • DREAMS. -EVEN THOUGH I HAD ARECORD DEAL, WE HAD TO SCRAPE
  • 00:11:18.136 --> 00:11:22.741
  • TOGETHER MONEY TO GET GAS TO GETTO TOWN TO WRITE. AND NEIL KNEW
  • 00:11:22.774 --> 00:11:28.680
  • THAT I HAD PAINTED PAULOVERSTREET'S HOUSE, BECAUSE HE'S
  • 00:11:28.713 --> 00:11:31.983
  • ALSO BENEVOLENT, TWICE. AND SONEIL SAID, HEY, I GOT SOME WORK
  • 00:11:32.016 --> 00:11:37.021
  • FOR YOU AT MY HOUSE. AND SO, IDID A ROOM ADDITION FOR HIM, DID
  • 00:11:37.055 --> 00:11:42.861
  • ALL THE DRYWALL, AS I RECALL.AND I JUST LEARNED HOW TO DO
  • 00:11:42.894 --> 00:11:46.231
  • DRYWALL. SO, IT WASN'T ALL THATGREAT OF A JOB. BUT THEN HE HAD
  • 00:11:46.264 --> 00:11:50.235
  • ME MOVE HIS WASHER AND DRYERFROM DOWNSTAIRS TO THE UPSTAIRS
  • 00:11:50.268 --> 00:11:54.405
  • ATTIC OVER THE GARAGE. AND I GOTTHE PVC PIPE MIXED. I GOT THE
  • 00:11:54.439 --> 00:12:00.011
  • HOT AND COLD MIXED. AND HE CAMEHOME FROM VACATION, HIM AND
  • 00:12:00.044 --> 00:12:05.183
  • WENDY PULLED INTO THE GARAGE,AND THERE WAS WATER CASCADING
  • 00:12:05.216 --> 00:12:07.952
  • INTO THE GARAGE. AND HE CALLEDME. HE SAID, MAN, CAN YOU COME
  • 00:12:07.986 --> 00:12:13.525
  • OVER, WE HAVE A PROBLEM HERE.AND SO, I HAD TO COME OVER AND
  • 00:12:13.558 --> 00:12:16.761
  • FIX IT. BUT WHAT A SWEET GUY.-YOU KNOW, I REMEMBER, I DON'T
  • 00:12:16.795 --> 00:12:21.132
  • KNOW IF YOU REMEMBER THIS, BUTYOU PLAYED AT A, SOME GMA
  • 00:12:21.166 --> 00:12:24.235
  • SHOWCASE OR SOMETHING, WHICHTHOSE ROOMS CAN TEND TO BE
  • 00:12:24.269 --> 00:12:27.605
  • PRETTY NOISY BECAUSE EVERYBODY'SMILLING AROUND IN THERE. AND
  • 00:12:27.639 --> 00:12:29.941
  • BRUCE GOT UP WITH A GUITAR ANDSANG HIS SONG. AND THE ROOM JUST
  • 00:12:29.974 --> 00:12:33.311
  • GOT QUIET. AND I WAS TALKING TOYOU LATER ABOUT IT, LIKE, HOW
  • 00:12:33.344 --> 00:12:39.050
  • DOES THAT HAPPEN WITH YOU ANDJUST A GUITAR? AND YOU WERE
  • 00:12:39.083 --> 00:12:41.486
  • LIKE, JOHN, I'VE PLAYED IN SOMANY BARS, I COULD SING TO A
  • 00:12:41.519 --> 00:12:44.556
  • TREE. [LAUGHTER] HE HONED HISCRAFT PLAYING TO A LOT OF PEOPLE
  • 00:12:44.589 --> 00:12:51.162
  • WHO WEREN'T REALLY LISTENING.YOU KNOW? AND LEARNING HOW TO
  • 00:12:51.196 --> 00:12:53.097
  • COMMUNICATE -RIGHT. -TO THOSEPEOPLE. -WELL, AND I'D NEVER
  • 00:12:53.131 --> 00:12:55.633
  • HAD AN A&R GUY, AND JOHN WAS SOGOOD ABOUT PUSHING ME TO WRITE
  • 00:12:55.667 --> 00:13:00.405
  • BETTER SONGS. AND REALLY, JOHN,IF IT HADN'T BEEN FOR YOU DOING
  • 00:13:00.438 --> 00:13:05.043
  • THAT, I WOULDN'T BE THESONGWRITER I AM TODAY. THAT'S
  • 00:13:05.076 --> 00:13:08.646
  • TRUE. HE WOULDN'T LET ME SETTLEFOR ANYTHING. BETWEEN HIM AND
  • 00:13:08.680 --> 00:13:15.553
  • DEBBY ATKINS, IT WAS, YOU KNOW,LIKE I HAD TO RUN THE GAUNTLET
  • 00:13:15.587 --> 00:13:19.624
  • FIRST. YOU KNOW? LIKE IS THISSONG GOOD ENOUGH TO PUT ON A
  • 00:13:19.657 --> 00:13:23.161
  • RECORD? MOST OF THE TIME IT WASNO. YOU KNOW? YOU NEED TO WORK A
  • 00:13:23.194 --> 00:13:26.397
  • LITTLE BIT HARDER. -WORKINGHARD AT SONGWRITING PAID OFF.
  • 00:13:26.431 --> 00:13:29.334
  • AMY GRANT'S RECORD PRODUCERBROWN BANISTER AGREED TO PRODUCE
  • 00:13:29.367 --> 00:13:32.403
  • BRUCE'S “SOMETIMES MIRACLESHIDE” RECORD. THIS WAS A HUGE
  • 00:13:32.437 --> 00:13:36.374
  • FEATHER IN THE CAP FOR BRUCE ANDWORD RECORDS. BUT IT MEANT
  • 00:13:36.407 --> 00:13:40.245
  • BRUCE'S CURRENT RECORD PRODUCERBUBBA SMITH WAS OUT OF A JOB.
  • 00:13:40.278 --> 00:13:44.749
  • -WHAT CAME OUT OF THAT WAS ABEAUTIFUL SONG ABOUT MY
  • 00:13:44.782 --> 00:13:48.987
  • DAUGHTER. -RIGHT. -“SOMETIMESMIRACLES HIDE”, WHICH WE WERE
  • 00:13:49.020 --> 00:13:52.090
  • -TITLE CUT. -YEAH, TITLE CUT.AND I'LL NEVER FORGET THE FIRST
  • 00:13:52.123 --> 00:13:55.760
  • TIME I HEARD IT. MARY BETH AND IWERE, IT WAS A SALES CONFERENCE
  • 00:13:55.793 --> 00:13:59.631
  • AT THE NATIONAL CONVENTIONCENTER, IT WAS A WORD SHOWCASE
  • 00:13:59.664 --> 00:14:03.034
  • OR SOMETHING. -“SOMETIMESMIRACLES HIDE” IS A REALLY
  • 00:14:03.067 --> 00:14:05.570
  • SPECIAL SONG, AS WELL, AND IWROTE THAT WITH AARON WILBURN.
  • 00:14:05.603 --> 00:14:10.241
  • AND HE HAD A COUPLE OF HISFRIENDS IN MIND, AND I HAD BUBBA
  • 00:14:10.275 --> 00:14:15.880
  • AND MARY BETH SMITH IN MIND. CUZTHEY HAD JUST HAD A LITTLE GIRL
  • 00:14:15.914 --> 00:14:20.251
  • AND HAD FOUND OUT THAT SHE WASGONNA HAVE SOME COMPLICATIONS.
  • 00:14:20.285 --> 00:14:27.659
  • AND IT'S JUST A TRUE STORY SONG,YOU KNOW, ABOUT SO MANY PARENTS,
  • 00:14:27.692 --> 00:14:36.134
  • YOU KNOW, LIKE THAT HAVECHILDREN THAT HAVE NEEDS. -AND
  • 00:14:36.167 --> 00:14:40.071
  • HE STARTS SINGING THIS SONG, IMEAN, I'D LOST THE GIG, BUT YOU
  • 00:14:40.104 --> 00:14:43.808
  • STARTED SINGING THIS SONG, AND ISTARTED LISTENING TO THE LYRIC
  • 00:14:43.841 --> 00:14:46.945
  • AND I GO, I THINK THAT'S ABOUTOUR DAUGHTER SUZY, MARY BETH.
  • 00:14:46.978 --> 00:14:52.050
  • AND THE MORE WE LISTENED, WESTARTED SOBBING. -I REMEMBER
  • 00:14:52.083 --> 00:14:56.120
  • THAT. -AND WE HAD NO IDEA, WEFOUND OUT LATER THAT IT WAS, IN
  • 00:14:56.154 --> 00:14:58.656
  • FACT, INSPIRED, THIS STORY OFOUR DAUGHTER WAS INSPIRED. -AND
  • 00:14:58.690 --> 00:15:03.061
  • I CAN'T TELL YOU HOW MANYPARENTS HAVE TOLD ME THAT EVEN
  • 00:15:03.094 --> 00:15:07.966
  • THOUGH THEY WENT THROUGH THISDIFFICULT TIME WITH THEIR CHILD,
  • 00:15:07.999 --> 00:15:12.603
  • THEY WOULDN'T HAVE IT ANY OTHERWAY. THAT THEY FEEL MORE BLESSED
  • 00:15:12.637 --> 00:15:15.840
  • BECAUSE OF THE CHALLENGES THATTHEIR CHILD HAD. AND IT'S TRUE,
  • 00:15:15.873 --> 00:15:21.346
  • GOD DELIGHTS IN TAKINGSITUATIONS THAT LOOK REALLY DARK
  • 00:15:21.379 --> 00:15:25.450
  • AND DIM AND HOPELESS AND HETURNS THEM AROUND FOR OUR GOOD
  • 00:15:25.483 --> 00:15:28.853
  • AND FOR HIS GLORY. SO SOMETIMESMIRACLES HIDE.
  • 00:15:28.886 --> 00:15:33.925
  • [MUSIC]
  • 00:15:33.958 --> 00:15:40.732
  • ♪ THEY WERESO EXCITED ♪
  • 00:15:40.765 --> 00:15:43.968
  • ♪ IT WAS COMING TO BE
  • 00:15:44.002 --> 00:15:47.839
  • ♪ TO PEOPLE SO IN LOVE
  • 00:15:47.872 --> 00:15:51.175
  • ♪ AND NOW SOONTHERE WOULD BE THREE ♪
  • 00:15:51.209 --> 00:15:55.380
  • ♪ FOR MANY YEARSTHEY PLANNED IT ♪
  • 00:15:55.413 --> 00:15:58.850
  • ♪ NOWIT WOULD SOON BE TRUE ♪
  • 00:15:58.883 --> 00:16:02.553
  • ♪ SHE WAS PICKINGOUT THE PINK CLOTHES ♪
  • 00:16:02.587 --> 00:16:06.257
  • ♪ HE WAS LOOKINGAT THE BLUE ♪
  • 00:16:06.290 --> 00:16:12.030
  • ♪ THE CALLCAME UNEXPECTED ♪
  • 00:16:12.063 --> 00:16:15.733
  • ♪ THE DOCTOR HADBAD NEWS ♪
  • 00:16:15.767 --> 00:16:19.170
  • ♪ SOME TESTS CAME BACKAND THINGS WEREN'T RIGHT ♪
  • 00:16:19.203 --> 00:16:22.874
  • ♪ SAID YOU'REGONNA HAVE TO CHOOSE ♪
  • 00:16:22.907 --> 00:16:26.277
  • ♪ I'LL WAIT A WEEKFOR YOUR DECISION ♪
  • 00:16:26.310 --> 00:16:29.981
  • ♪ THEN THE WORDS CUTLIKE A KNIFE ♪
  • 00:16:30.014 --> 00:16:33.885
  • ♪ I'M SURE EVERYONE WILLUNDERSTAND ♪
  • 00:16:33.918 --> 00:16:37.455
  • ♪ IF YOU WANT TO ENDIT'S LIFE ♪
  • 00:16:37.488 --> 00:16:43.194
  • ♪ THOUGH THEY WERE BADLYSHAKEN ♪
  • 00:16:43.227 --> 00:16:46.531
  • ♪ THEY JUST HADNO CHOICE ♪
  • 00:16:46.564 --> 00:16:50.268
  • ♪ BECAUSE THEY KNEW GODCREATES NO ACCIDENTS ♪
  • 00:16:50.301 --> 00:16:54.072
  • ♪ THEY WERE SURE THEYHEARD HIS VOICE ♪
  • 00:16:54.105 --> 00:16:59.143
  • ♪ SAYING SOMETIMESMIRACLES HIDE ♪
  • 00:16:59.177 --> 00:17:07.151
  • ♪ AND GOD WILL WRAPSOME BLESSINGS IN DISGUISE ♪
  • 00:17:07.185 --> 00:17:14.559
  • ♪ YOU MAY HAVE TOWAIT THIS LIFETIME ♪
  • 00:17:14.592 --> 00:17:18.129
  • ♪ TO SEE THE REASONWITH YOUR EYES ♪
  • 00:17:18.162 --> 00:17:23.734
  • ♪ ‘CAUSE SOMETIMESMIRACLES HIDE ♪
  • 00:17:23.768 --> 00:17:29.574
  • [MUSICAL INTERLUDE]
  • 00:17:29.607 --> 00:17:42.520
  • ♪ YOU SEE TOTHEM IT DID NOT MATTER ♪
  • 00:17:42.553 --> 00:17:45.857
  • ♪ WHY SOMETHINGS IN LIFE TAKE PLACE ♪
  • 00:17:45.890 --> 00:17:49.760
  • ♪ NO THEY JUST KNEW THEJOY THEY'D FELT ♪
  • 00:17:49.794 --> 00:17:53.297
  • ♪ WHEN THEY'D LOOK INTOHER FACE ♪
  • 00:17:53.331 --> 00:17:58.269
  • ♪ THEY LEARNED SOMETIMESMIRACLES HIDE ♪
  • 00:17:58.302 --> 00:18:05.510
  • ♪ THEY SAID GOD HAS WRAPPEDOUR BLESSING IN DISGUISE♪
  • 00:18:05.543 --> 00:18:12.984
  • ♪ WE MAY HAVE TO WAIT THISLIFETIME ♪
  • 00:18:13.017 --> 00:18:17.054
  • ♪ TO SEE THE REASONS WITHOUR EYES ‘ ♪
  • 00:18:17.088 --> 00:18:22.793
  • ♪ CAUSE SOMETIMESMIRACLES HIDE ♪
  • 00:18:22.827 --> 00:18:29.700
  • ♪ WE'VE LEARNEDSOMETIMES MIRACLES HIDE ♪
  • 00:18:29.734 --> 00:18:36.707
  • [MUSIC]
  • 00:18:36.741 --> 00:18:57.929
  • THE NEW CCM UNITED“MUSIC, MOMENTS & MEMORIES”
  • 00:18:57.962 --> 00:19:01.432
  • FEATURING MORE CCM HITS YOU GREWUP WITH LIKE PHIL KEAGGY'S “WHAT
  • 00:19:01.465 --> 00:19:05.603
  • A DAY”, CLAY CROSSE'S “ISURRENDER ALL” AL DENSON “BE THE
  • 00:19:05.636 --> 00:19:10.608
  • ONE”, EDDIE DEGARMO OF DEGARMOAND KEY'S “ROCK SOLID”, WES
  • 00:19:10.641 --> 00:19:15.012
  • KING'S “THE ROBE”. TWENTY OF THEBIGGEST CCM SONGS SUNG BY THE
  • 00:19:15.046 --> 00:19:19.784
  • ARTISTS WHO MADE THEM FAMOUSAVAILABLE IN A DOUBLE CD AND DVD
  • 00:19:19.817 --> 00:19:24.789
  • FOR A GIFT OF $39 OR MORE TOTBN. SIMPLY CALL THE NUMBER ON
  • 00:19:24.822 --> 00:19:29.193
  • YOUR SCREEN OR GO ONLINE.“MUSIC, MOMENTS & MEMORIES” THE
  • 00:19:29.227 --> 00:19:34.498
  • AUDIO DOUBLE CD IS OUR GIFT ASYOU GIVE YOUR BEST GIFT TO TBN
  • 00:19:34.532 --> 00:19:39.270
  • AND ITS GLOBAL OUTREACH. THE CDAND DVD ARE BOTH YOURS FOR YOUR
  • 00:19:39.303 --> 00:19:43.641
  • GIFT OF $39 OR MORE. HELP TAKETHE MESSAGE OF HOPE AND GRACE
  • 00:19:43.674 --> 00:19:47.878
  • AROUND THE WORLD. CALL THENUMBER ON YOUR SCREEN OR GO
  • 00:19:47.912 --> 00:19:51.515
  • ONLINE AND REQUEST YOUR COPYNOW.
  • 00:19:51.549 --> 00:19:54.885
  • [MUSIC]
  • 00:19:54.919 --> 00:20:00.891
  • -GODHAS BEEN EXTREMELY
  • 00:20:00.925 --> 00:20:02.193
  • FAITHFUL ANDHAS BLESSED ME AND NICKY AND OUR
  • 00:20:02.226 --> 00:20:10.034
  • FAMILY SO MUCH OVER THE YEARS.YOU KNOW, I LOOK BACK AT MY
  • 00:20:10.067 --> 00:20:13.871
  • TRAJECTORY; I AM SO BLESSED TOHAVE BEEN ABLE TO DO WHAT I DID.
  • 00:20:13.904 --> 00:20:20.478
  • I MEAN, TO, YOU KNOW, BE ABLE TOWRITE SONGS AND COMMUNICATE THEM
  • 00:20:20.511 --> 00:20:23.914
  • TO FOLKS. AND TO HAVE THESE MENIN MY LIFE. YOU KNOW, I ALWAYS
  • 00:20:23.948 --> 00:20:30.888
  • WANTED A RECORD DEAL, I GOT ARECORD DEAL. I GOT TO TRAVEL THE
  • 00:20:30.921 --> 00:20:33.224
  • WORLD. I GOT TO JUST HAVE SOMEWONDERFUL EXPERIENCES. YOU KNOW,
  • 00:20:33.257 --> 00:20:37.395
  • IN THIS LIFE THERE'LL BE TRIALS.WE ALL HAVE TRIALS, YOU KNOW,
  • 00:20:37.428 --> 00:20:40.498
  • WHETHER IT'S IN OUR PERSONALLIFE OR BUSINESS LIFE OR
  • 00:20:40.531 --> 00:20:44.435
  • MINISTRY LIFE, WHATEVER, BUT THEJOURNEY THAT I HAD MOVING FROM
  • 00:20:44.468 --> 00:20:51.042
  • CONROE TO NASHVILLE AND DOINGTHIS WAS, IT WAS AMAZING. AND
  • 00:20:51.075 --> 00:20:56.981
  • EVERYTHING THAT, ANYTIME THAT ITHINK ABOUT THAT I LOOK BACK
  • 00:20:57.014 --> 00:21:00.518
  • FONDLY AND I'M BLESSED BY IT.AND I HAVE NOTHING BUT REALLY
  • 00:21:00.551 --> 00:21:03.921
  • GOOD MEMORIES ABOUT IT. BUTYEAH, GOD HAS BEEN REALLY
  • 00:21:03.954 --> 00:21:07.658
  • FAITHFUL. WHEN I HAD COME TO THEPOINT TO WHERE I KNEW THAT I WAS
  • 00:21:07.692 --> 00:21:18.169
  • NOT GOING TO BE ABLE TO BE JUSTA SOLO ARTIST FOR THE REST OF MY
  • 00:21:18.202 --> 00:21:21.372
  • LIFE, GOD REALLY GAVE ME A HEARTTO WORSHIP HIM AND TO BE A LEAD
  • 00:21:21.405 --> 00:21:26.777
  • WORSHIPER AND TO WORK, TO PLUGINTO THE LOCAL CHURCH MORE,
  • 00:21:26.811 --> 00:21:32.350
  • WHICH I DID. AND SO I TOOK AFULL-TIME JOB IN COLORADO AS A
  • 00:21:32.383 --> 00:21:34.885
  • WORSHIP LEADER. AND THAT BEGAN AJOURNEY OF BUILDING WORSHIP
  • 00:21:34.919 --> 00:21:42.059
  • TEAMS. AND SO I'VE HAD ANOPPORTUNITY TO DO THAT FOUR OR
  • 00:21:42.093 --> 00:21:44.962
  • FIVE TIMES. IN FACT, I'M DOINGTHAT RIGHT NOW IN PALM DESERT,
  • 00:21:44.995 --> 00:21:47.898
  • CALIFORNIA AT A PRESBYTERIANCHURCH. AND THEY'RE GOING
  • 00:21:47.932 --> 00:21:51.235
  • THROUGH A REALLY DIFFICULTTRANSITION, BUT I HAVE REALLY
  • 00:21:51.268 --> 00:21:57.208
  • ENJOYED MENTORING AND EQUIPPINGYOUNGER ARTISTS AND MUSICIANS
  • 00:21:57.241 --> 00:22:03.914
  • AND SINGERS. I LOVE TO INVEST. ILOVE TO POUR INTO THEIR LIFE. I
  • 00:22:03.948 --> 00:22:07.284
  • LOVE TO CHALLENGE THEM THE WAYTHAT I'VE BEEN CHALLENGED AND TO
  • 00:22:07.318 --> 00:22:10.187
  • BUILD SOMETHING EXCELLENT TOGIVE BACK TO THE KING OF KINGS.
  • 00:22:10.221 --> 00:22:15.960
  • I MEAN, I CAN'T BELIEVE HOW FASTTIME HAS FLOWN, BUT I DO KNOW
  • 00:22:15.993 --> 00:22:21.432
  • THIS, GOD'S NOT DONE WITH ANY OFUS. IF WE'RE NOT DEAD, WE'RE NOT
  • 00:22:21.465 --> 00:22:25.536
  • DONE. AND HE HAS A PLACE FOR ALLOF US. AND I JUST TRY TO ROLL
  • 00:22:25.569 --> 00:22:30.608
  • WITH THAT, YOU KNOW. -31 YEARSLATER AND WE'RE SITTING HERE AND
  • 00:22:30.641 --> 00:22:37.248
  • WE STILL HAVE A THREAD OFRELATIONSHIP BETWEEN ALL OF US.
  • 00:22:37.281 --> 00:22:40.317
  • AND THIS GUY IS AT THE MIDDLE OFTHAT. AND IT'S YOUR HEART FOR
  • 00:22:40.351 --> 00:22:47.124
  • JESUS THAT IS STILL THERE. ANDYOU KNOW, THAT'S NOT TRUE IN
  • 00:22:47.158 --> 00:22:51.695
  • EVERYTHING, IN ALL OF OURRELATIONSHIPS. BUT IT IS TRUE IN
  • 00:22:51.729 --> 00:22:55.900
  • THIS ONE. AND I THINK THE REASONWE GOT INVOLVED WITH BRUCE AT
  • 00:22:55.933 --> 00:23:00.271
  • WORD, THE REASON I WAS DRAWN TOHIM AT THE VERY, VERY BEGINNING
  • 00:23:00.304 --> 00:23:04.642
  • IS STILL THE REASON WHY WE'VEGOT THIS CONNECTION TODAY. -I
  • 00:23:04.675 --> 00:23:07.945
  • WOULD BOUNCE OFF THAT TO SAY ANYA&R PERSON KNOWS WHAT YOU WANT
  • 00:23:07.978 --> 00:23:14.018
  • TO FIND IN AN ARTIST IS BELIEF.YOU WANT TO BELIEVE IN SOMEBODY
  • 00:23:14.051 --> 00:23:17.955
  • BECAUSE THERE'S NO MORE POWERFULFUEL, YOU KNOW, THAN THAT.
  • 00:23:17.988 --> 00:23:22.426
  • YOU'LL RUN THROUGH A WALL FORSOMEBODY IF YOU BELIEVE IN THEM.
  • 00:23:22.460 --> 00:23:25.329
  • AND YOU WORK WITH PEOPLE THATYOU DON'T HAVE THAT FOR, YOU
  • 00:23:25.362 --> 00:23:28.632
  • KNOW, BUT BRUCE WAS EASY TOBELIEVE IN. AND PART OF THAT WAS
  • 00:23:28.666 --> 00:23:33.170
  • BECAUSE HE WAS A REAL PERSON ANDI ALWAYS APPRECIATED THAT WE
  • 00:23:33.204 --> 00:23:37.575
  • COULD HAVE TALKS ABOUT REAL LIFEAND STRUGGLES. HE DIDN'T FEEL
  • 00:23:37.608 --> 00:23:41.912
  • LIKE HE HAD TO HAVE THE CCMFILTER UP ALL THE TIME. AND
  • 00:23:41.946 --> 00:23:45.950
  • MAYBE THAT WAS THE FIRST ARTISTI'D EVER BEEN AROUND WHO WAS
  • 00:23:45.983 --> 00:23:48.652
  • WILLING TO SORT OF BE REAL WITHME, BECAUSE I'M SURE THERE'S
  • 00:23:48.686 --> 00:23:53.424
  • SOME PRESSURE WITH LABEL PEOPLETO BE ON YOUR BEST BEHAVIOR. I
  • 00:23:53.457 --> 00:23:56.961
  • NEVER FELT THAT OFF HIM AND ITJUST WAS ENDURING AND IT MADE ME
  • 00:23:56.994 --> 00:24:00.831
  • LOVE HIM ALL THE MORE. -THANKYOU SO MUCH FOR JOINING US. WE
  • 00:24:00.865 --> 00:24:03.701
  • HOPE YOU'VE BEEN UPLIFTED ANDENCOURAGED BY HEARING ABOUT THE
  • 00:24:03.734 --> 00:24:07.071
  • INCREDIBLE JOURNEY OF BRUCECARROLL. HIS LAID-BACK COUNTRY
  • 00:24:07.104 --> 00:24:10.341
  • STYLE PAVED THE WAY FOR A NEWCHRISTIAN GENRE FOR SONGWRITERS
  • 00:24:10.374 --> 00:24:13.878
  • AND ARTISTS. PLEASE JOIN US NEXTTIME FOR MORE AMAZING STORIES
  • 00:24:13.911 --> 00:24:17.481
  • ABOUT YOUR FAVORITE LEGENDARYCCM ARTISTS. GOD BLESS YOU AND
  • 00:24:17.515 --> 00:24:20.951
  • WE'LL SEE YOU SOON.
  • 00:24:20.985 --> 00:24:22.453
  • [MUSIC]
  • 00:24:22.486 --> 00:24:23.587
  • ♪ OH, EVERYTHINGTHAT MANKIND LOST ♪
  • 00:24:23.621 --> 00:24:26.123
  • ♪ JESUS HAS RECLAIMED
  • 00:24:26.156 --> 00:24:28.959
  • ♪ THE PATHWAYTO ETERNITY ♪
  • 00:24:28.993 --> 00:24:32.062
  • ♪ BY HIS DEATHARRANGED ♪
  • 00:24:32.096 --> 00:24:34.632
  • ♪ AND ALL OF THIS HEOFFERS ♪
  • 00:24:34.665 --> 00:24:37.568
  • ♪ IF YOU'LL MEETHIM TODAY ♪
  • 00:24:37.601 --> 00:24:40.471
  • ♪ AT THE GREATEXCHANGE ♪
  • 00:24:40.504 --> 00:24:45.543
  • ♪ AT THEGREAT EXCHANGE ♪
  • 00:24:45.576 --> 00:24:49.280
  • ♪ EVEN THEN HE KNEWME ♪
  • 00:24:49.313 --> 00:24:51.448
  • ♪ AND HE BORE SUCH PAIN
  • 00:24:51.482 --> 00:24:54.818
  • ♪ AND HEDID IT ALL FOR LOVE ♪
  • 00:24:54.852 --> 00:24:57.721
  • ♪ ANUNDESERVING SERVANT ♪
  • 00:24:57.755 --> 00:25:00.324
  • ♪ WHO'LL NEVERBE THE SAME ♪
  • 00:25:00.357 --> 00:25:02.927
  • ♪ SINCE THE GREATEXCHANGE ♪
  • 00:25:02.960 --> 00:25:08.966
  • ♪ YES, THE GREATEXCHANGE ♪
  • 00:25:08.999 --> 00:25:12.336
  • ♪ EVEN THEN HEKNEW ME ♪
  • 00:25:12.369 --> 00:25:14.405
  • ♪ AND HE BORESUCH PAIN ♪
  • 00:25:14.438 --> 00:25:17.374
  • ♪ AND HE DID IT ALL FORLOVE ♪
  • 00:25:17.408 --> 00:25:20.544
  • ♪ AN UNDESERVINGSERVANT ♪
  • 00:25:20.578 --> 00:25:23.113
  • ♪ WHO'LL NEVER BETHE SAME ♪
  • 00:25:23.147 --> 00:25:25.916
  • ♪ SINCETHE GREAT EXCHANGE ♪
  • 00:25:25.950 --> 00:25:31.722
  • ♪ YEAH, THEGREAT EXCHANGE ♪
  • 00:25:31.755 --> 00:25:37.461
  • ♪ THE GREATEXCHANGE ♪
  • 00:25:37.494 --> 00:25:50.975
  • [MUSIC]
  • 00:25:51.008 --> 00:26:03.821
  • FOLLOWING THE
  • 00:26:03.854 --> 00:26:06.290
  • SUCCESSFUL RELEASE OF CCM UNITED“WE WILL STAND” COMES THE NEW
  • 00:26:06.323 --> 00:26:11.028
  • CCM UNITED “MUSIC, MOMENTS &MEMORIES” FEATURING MORE CCM
  • 00:26:11.061 --> 00:26:16.100
  • HITS YOU GREW UP WITH LIKE PHILKEAGGY'S “WHAT A DAY”, CLAY
  • 00:26:16.133 --> 00:26:19.937
  • CROSSE'S “I SURRENDER ALL” ALDENSON “BE THE ONE”, EDDIE
  • 00:26:19.970 --> 00:26:24.675
  • DEGARMO OF DEGARMO AND KEY'S“ROCK SOLID”, WES KING'S “THE
  • 00:26:24.708 --> 00:26:28.946
  • ROBE”. FOR THE ROBE TWENTY OFTHE BIGGEST CCM SONGS SUNG BY
  • 00:26:28.979 --> 00:26:36.353
  • THE ARTISTS WHO MADE THEM FAMOUSAVAILABLE IN A DOUBLE CD AND DVD
  • 00:26:36.387 --> 00:26:40.391
  • FOR A GIFT OF $39 OR MORE TOTBN. CALL NOW! DON'T MISS THIS
  • 00:26:40.424 --> 00:26:47.531
  • COLLECTION OF CCM'S BEST LOVEDSONGS THAT HONOR OUR LORD JESUS
  • 00:26:47.564 --> 00:26:51.935
  • CHRIST. AVAILABLE EXCLUSIVELY TOTBN VIEWERS DURING THIS SPECIAL
  • 00:26:51.969 --> 00:26:56.240
  • PRESENTATION. SIMPLY CALL THENUMBER ON YOUR SCREEN OR GO
  • 00:26:56.273 --> 00:27:00.577
  • ONLINE. “MUSIC, MOMENTS &MEMORIES” THE AUDIO DOUBLE CD IS
  • 00:27:00.611 --> 00:27:06.617
  • OUR GIFT AS YOU GIVE YOUR BESTGIFT TO TBN AND ITS GLOBAL
  • 00:27:06.650 --> 00:27:10.087
  • OUTREACH. THE CD AND DVD AREBOTH YOURS FOR YOUR GIFT OF $39
  • 00:27:10.120 --> 00:27:15.426
  • OR MORE. HELP TAKE THE MESSAGEOF HOPE AND GRACE AROUND THE
  • 00:27:15.459 --> 00:27:18.896
  • WORLD. CALL THE NUMBER ON YOURSCREEN OR GO ONLINE AND REQUEST
  • 00:27:18.929 --> 00:27:23.434
  • YOUR COPY NOW. SING HALLELUJAHTO THE KING LET THE WHOLE WORLD
  • 00:27:23.467 --> 00:27:29.940
  • SING
  • 00:27:29.973 --> 00:27:31.000