Al Denson | TBN

Al Denson

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October 16, 2019
27:31

Music, Moments, & Memories

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Al Denson

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  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
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  • FEATURING MORE CCM HITS YOU GREW UP WITH. SIMPLY CALL THE NUMBER
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  • ON YOUR SCREEN OR GO ONLINE. THE CD AND DVD ARE BOTH YOURS FOR
  • 00:00:10.120 --> 00:00:17.180
  • YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND
  • 00:00:17.190 --> 00:00:21.180
  • GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:00:21.190 --> 00:00:25.120
  • ONLINE AND REQUEST YOUR COPY NOW.
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  • [MUSIC]
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  • -I MET JERRY NOW
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  • EATING OUT OF THE DUMPSTER BEHIND THE GOLDEN CORRAL. AND I
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  • SAID, MAN, YOU SHOULD GET IN CHRISTIAN MUSIC. -SAID YOU CAN
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  • GET BETTER DRUGS THAN THIS, MAN. [CHUCKLES] -SHOULD WE START
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  • OVER? IT'S GONNA BE LIKE THIS THE WHOLE WAY. [CHUCKLES]
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  • [MUSIC]
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  • [MUSIC]
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  • JACKIE VELASQUEZ: HI, MY NAME IS JACKIE VELASQUEZ AND I'D
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  • LIKE TO WELCOME YOU TO THIS EPISODE FEATURING AL DENSON. AL
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  • HAS ALWAYS LOVED KIDS AND STARTED HIS CAREER IN MUSIC
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  • SINGING AT YOUTH CAMPS. HE MET CHRISTIAN YOUTH MINISTERS DAWSON
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  • MCALLISTER AND JOSH MCDOWELL IN TEXAS BACK IN THE DAY AND
  • 00:01:14.220 --> 00:01:18.050
  • STARTED SINGING AND SPEAKING AT LARGE CONFERENCES WITH THEM. ONE
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  • THING LED TO ANOTHER AND DAN CLEARY FROM BENSON RECORDS WENT
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  • OUT TO SEE AL AT ONE OF HIS SHOWS. DAN WAS SO IMPRESSED WITH
  • 00:01:25.120 --> 00:01:28.190
  • WHAT HE SAW, HE ASKED JERRY PARKS, THE CEO OF BENSON, TO GO
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  • SEE AL IN CONCERT. AND THAT SEALED THE DEAL. AFTER ALL, AL
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  • WAS JUST A BIG HIT HIMSELF AND HE STILL IS AS YOU'LL FIND OUT
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  • LATER IN THIS EPISODE. -OKAY, YOU KNOW, WHEN I FIRST STARTED
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  • SINGING IT WAS KIND OF COOL BECAUSE KIDS WERE WHERE I WAS
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  • AT. SO, I WAS INTO KIDS AND I WAS A KID AND I WAS KIND OF
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  • HANGING OUT. YOU KNOW WHAT I'M SAYING? SO, AND I WAS LIKE CRAZY
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  • ENOUGH TO FIT IN. THAT MAKE SENSE? AND THEN ALL OF A SUDDEN
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  • I'M MAKING RECORDS, AND I'M SELLING RECORDS OUT OF THE TRUNK
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  • OF MY CAR, BUT I'M SELLING MORE THAN PEOPLE ON THE BENSON LABEL.
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  • -WAIT A MINUTE, NOW, MAYBE PEOPLE ON THE WORD LABEL.
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  • -YEAH, WORD LABEL IS WHAT I MEANT. WORD OR SPARROW.
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  • [CHUCKLES] BUT ANY, THAT'S FUNNY, BUT, NO, I WAS JUST
  • 00:02:13.220 --> 00:02:17.030
  • SELLING A LOT OF CDS, A LOT OF CASSETTES. -THEY DIDN'T HAVE
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  • CDS THEN. -SO, SELLING A LOT OF THOSE AND THEN IT KIND OF GOT
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  • THEIR ATTENTION AND THEN ALL THE SUDDEN I GET THIS CALL FROM THIS
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  • GUY AND HE SAYS HEY WE'RE GONNA COME OUT AND SEE YOU. SO, HE
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  • CAME OUT TO THE CONFERENCE. HIS NAME WAS DAN CLEARY. -ANYWAY, I
  • 00:02:28.180 --> 00:02:31.270
  • WENT THERE AND IT WAS SO OBVIOUS THAT HE WAS LIKE HE SAID, ONE OF
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  • THOSE KIDS. HE WAS A LITTLE OLDER. BUT, BOY, HE SURE
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  • IDENTIFIED WITH THEM AND KNEW WHAT TO SAY, WHAT TO SING, AND
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  • HOW TO INVOLVE THEM. THE PLACE WAS RAUCOUS. I THINK ONE OF THE
  • 00:02:45.030 --> 00:02:51.020
  • BIGGEST FEARS OF ANY PERFORMER IS IT'S A DEAD CROWD. WELL, I
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  • NEVER SAW ANYTHING, YOU KNOW, WITH HIM UP ON THE STAGE, THAT
  • 00:02:55.040 --> 00:02:59.290
  • WAS EVER LIKE THAT. SO, IT WAS GREAT AND WE KIND OF KNEW RIGHT
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  • AWAY. AND SECONDLY, HE WAS A HARD WORKER. AND WE LOOK FOR
  • 00:03:03.040 --> 00:03:07.090
  • THAT. I MEAN, YOU CAN'T DEPEND ON THE RECORD COMPANY TO DO
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  • EVERYTHING. YOU'VE GOT TO WORK AND AL WAS A WORKER. TIRELESS. A
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  • LOT OF ENERGY. SO, WE SAID LET'S DO IT. AND IT'S GREAT, -YEAH.
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  • -BUNCH OF YEARS. -NOT ONLY A BUNCH OF YEARS, GREAT
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  • RELATIONSHIPS. -YEAH. -I MEAN, I CAN GO BACK TO ALL THE PEOPLE,
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  • AND WE WOULD COME IN AND HALF THE TIME IT WAS JUST FUN.
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  • -WELL, HE'S THE ONLY ARTIST I EVER HAD THAT I WAS AFRAID OF.
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  • -AND WHY WOULD THAT BE? -WELL, IF HE WAS IN THE BUILDING, I'M
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  • LOOKING OVER MY SHOULDER AND I'M ASKING SOMEBODY TO TEST MY FOOD
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  • FOR ME. [CHUCKLES] AND WHAT'S THAT SMELL? -YEAH, EXACTLY
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  • RIGHT. -YEAH, SO, -SORRY. -I MEAN, I GOT TO TELL, OR WE OUGHT
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  • TO TELL IT TOGETHER. -FEEL FREE. FEEL FREE. YOU START. I'LL
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  • FOLLOW. -THE CONFERENCE. -I DON'T KNOW WHERE YOU'RE GOING,
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  • BUT YOU START AND I'LL FOLLOW. -WELL, THEY CAME TO ME, -OH,
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  • YES. -WANTING TO KNOW IF AL HARDIN, WHO'S AROUND HERE
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  • SOMEWHERE, WAS HEAD OF SALES, BUT THEY CAME TO ME AND SAID,
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  • EHY, WE'RE GOING TO HAVE SOME FUN AT THE SALES CONFERENCE,
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  • PULL A REAL TRICK ON THE SALES REPS. SO, HERE'S THE DEAL. WE'RE
  • 00:04:11.120 --> 00:04:14.230
  • GOING TO TAKE 2-3 SALES REPS OUT IN THE HALL SO THEY CAN'T SEE
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  • WHAT'S GOING ON, AND WE'RE GOING TO TIME THEM. THEY'RE GONNA COME
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  • IN AND GO UP TO THIS TABLE IN THE FRONT. THERE'S 3 BASKETS
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  • UPSIDE DOWN. AND THEY'VE GOT TO PULL THE BASKET OFF AND IDENTIFY
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  • THE BALL: BASKETBALL, SOCCER BALL, WHATEVER. AND YOU'RE GONNA
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  • BE THE 3RD. -WE CUT A HOLE IN THE TABLE, -YEAH, A LITTLE
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  • HOLE. -IT'S LIKE WHACKA-MOLE. AND SO, I'M UNDER THT BASKET. SO
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  • THE 1ST TWO GUYS COME THROUGH AND I SCREAM AND THEY JUMP BACK.
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  • -YOU'D UNCOVER A BALL. -YEAH. -SAY BASKETBALL, FOOTBALL. THEN
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  • THEY UNDERCOVERED HIS HEAD AND YOU GO -SCREAM. -JUST SCARE
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  • THE SNOT OUT OF THEM. MAN, IT WAS FANTASTIC. -AND THE 3RD
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  • ONE, MAN, I'M FEELING GOOD, I SAID, I'M DOING MY JOB, YOU
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  • KNOW. WHAT CEO WOULD DO THIS? THIS KIND OF FUN STUFF? I'M ONE
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  • OF THEM. SO, THE BASKET COMES OFF, I OPEN MY MOUTH TO SCREAM
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  • AND THIS PIE, THIS CREAM PIE WHACKS ME AND I KNEW, BUT I DID
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  • THIS, AND I LOOKED UP AND I THINK I CURSED AS I RECALL.
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  • -YEAH, YOU DID. -HE GOT ME. AND HE FLEW ACROSS THE COUNTRY.
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  • THE GUY'S OUT ON TOUR, FLIES ACROSS THE COUNTRY TO DO THIS,
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  • GETS BACK ON THE PLANE AND GOES BACK. -YEAH, ONCE I SAW THE PIE
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  • IN HIS FACE, I SAID DONE! GOING BACK TO MY CONCERT. WENT BACK
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  • HOME, WENT BACK TO THE CONCERT. -GREAT! IT WAS GREAT! -BUT
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  • LOOK, -HE GOT ME FAIR AND SCARE. -IT WAS SO GOOD BECAUSE
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  • I KEPT GOING, THE MARKETING GUYS ARE GOING, MAN, I DON'T KNOW IF
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  • I'D PUT JERRY UNDER THERE, MAN, HE'S THE CEO. HE DETERMINES HOW
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  • MUCH BUDGET YOU GET, AND BLAH, BLAH, BLAH. I SAID, DUDE, HE'S
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  • THE ONLY CAT I WANT UNDER THAT TABLE. SO THE 2 GUYS DIDN'T
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  • KNOW, BUT THE 3RD GUY KNEW THAT HAD THE PIE. AND IT PULLED IT
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  • OFF, HE SCREAMED, -OH IT WAS. -IT WAS A HIGHLIGHT. BUT THAT'S
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  • THE KIND OF RELATIONSHIP WE HAD, WHERE WE COULD HAVE FUN WITH
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  • EACH OTHER. -AL IS QUITE THE PRACTICAL JOKER, BUT HE ALSO
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  • WROTE MANY HEARTFELT AND POIGNANT SONGS LIKE TAKE ME TO
  • 00:06:04.110 --> 00:06:06.280
  • THE CROSS. -OH, MY GOSH. NOW THIS WAS A FUN SONG TO WRITE.
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  • TAKE ME TO THE CROSS I WAS READING THIS BILLY GRAHAM
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  • MAGAZINE DECISION' IT WAS A STORY ABOUT A LITTLE GIRL WHO'S
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  • IN A GROCERY STORE AND SHE GETS LOST FROM HER DAD. SO, THE STORY
  • 00:06:16.080 --> 00:06:19.170
  • KIND OF SAYS DAD LEFT HER AT THE GROCERY STORE. YOU KNOW, MY
  • 00:06:19.180 --> 00:06:22.110
  • PARENTS USED TO DO THAT TO ME A LOT. THEY SAID IT'S BY ACCIDENT,
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  • BUT ANYWAY, I WAS AT THE STORE ALL OF THE TIME. SO, I STARTED
  • 00:06:24.180 --> 00:06:27.200
  • READING IT CUZ IT CAUGHT MY ATTENTION. AND IT WAS THIS 3
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  • YEAR OLD LITTLE GIRL WHO GETS LOST. SHE THINKS SHE KNOWS WHERE
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  • SHE IS, LITTLE SMALL TOWN, SHE WALKS OUT OF THE STORE AND
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  • INSTEAD OF TURNING RIGHT SHE TURNED LEFT. SHE WAS WALKING
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  • HOME, SHE REALIZES SHE'S TOTALLY LOST. SOME MAN SEES HER IN THE
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  • FRONT YARD, BRINGS HER UP AND THEY START TALKING. HE'S TRYING
  • 00:06:40.010 --> 00:06:42.010
  • TO FIND OUT HER ADDRESS, HER PHONE NUMBER. SHE'S 3, SHE
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  • DOESN'T KNOW ANYTHING. SO, THEY'RE GONNA GO CALL THE COPS
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  • THE STORY SAYS. AND THE MAN, THE LITTLE GIRL SAID, MISTER, I
  • 00:06:46.180 --> 00:06:51.240
  • REMEMBER WHAT MY DAD SAID TO DO IF I EVER GOT LOST. HE SAID
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  • WHAT'S THAT? SHE SAID, MISTER, WHERE I LIVE, AT THE END OF MY
  • 00:06:54.050 --> 00:06:56.190
  • STREET THERE'S THIS BIG OLD CHURCH AND ON TOP OF THIS CHURCH
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  • THERE'S THIS REAL TALL STEEPLE. MISTER, ON TOP OF THE STEEPLE
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  • THERE'S THIS CROSS. AND THEN SHE SAID, MISTER, IF YOU CAN JUST
  • 00:07:01.160 --> 00:07:06.030
  • TAKE ME TO THAT CROSS, I CAN FIND MY WAY HOME. AND I SAID,
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  • MAN, THERE'S A SONG THERE. YOU KNOW WHAT I'M SAYING? SO, I PUT
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  • IT ALL OUT. I WROTE THE MUSIC REAL FAST AND I TOOK THE WHOLE
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  • STORY, AND WHEN I GOT DONE I HAD A VERSE AND A CHORUS AND THE
  • 00:07:16.240 --> 00:07:19.070
  • STORY WAS OVER, SO I SAID, I'VE GOT TO HAVE MORE THAN THIS IN A
  • 00:07:19.080 --> 00:07:22.090
  • SONG, SO I WROTE A SECOND VERSE AND KIND OF HAD THE GIRL GO AWAY
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  • FROM GOD. THEN I WROTE A 3RD VERSE, I GAVE HER KIDS, I MEAN,
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  • I HOOKED HER UP, I TOOK CARE OF HER. SO IT ENDED UP BEING A
  • 00:07:27.230 --> 00:07:29.250
  • REALLY, REALLY FUN SONG TO WRITE. THAT MAKE SENSE? NOW THAT
  • 00:07:29.260 --> 00:07:33.110
  • SONG, WHEN I SING THAT SONG ALL THE TIME, THAT'S A BLAST. I
  • 00:07:33.120 --> 00:07:37.000
  • ABSOLUTELY LOVE SINGING THAT SONG.
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  • [MUSIC]
  • 00:07:39.100 --> 00:07:50.040
  • SHE'S DADDY'S LITTLE GIRL
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  • ONLY THREE YEARS OLD
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  • ALL DRESSED UP IN HER SUNDAY CLOTHES
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  • DADDY HELD HER HAND ON BENDED KNEE
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  • HE SAID I NEED TO SHOW YOU HOW
  • 00:08:07.000 --> 00:08:11.060
  • TO FIND YOUR WAY HOME
  • 00:08:11.070 --> 00:08:22.270
  • AS THEY WALKED ALONG
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  • HOW SWEET THE SOUND
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  • CHURCH BELLS RINGIN' PEOPLE GATHERED 'ROUND
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  • HE SAID REMEMBER THIS CHURCH
  • 00:08:34.180 --> 00:08:36.270
  • AND THE CROSS WAY UP THERE
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  • SWEETHEART, IF YOU EVER GET LOST
  • 00:08:39.100 --> 00:08:43.290
  • SAY TAKE ME TO THE CROSS
  • 00:08:44.000 --> 00:08:46.230
  • HIGH UPON A STEEPLE
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  • ONE WHERE JESUS DIED
  • 00:08:49.180 --> 00:08:52.020
  • FOR ALL THE LOST PEOPLE
  • 00:08:52.030 --> 00:08:55.030
  • IF YOU CAN'T FIND HOME
  • 00:08:55.040 --> 00:09:00.130
  • KNOW YOU'RE NOT ALONE
  • 00:09:00.140 --> 00:09:06.000
  • TAKE ME TO THE CROSS
  • 00:09:06.010 --> 00:09:18.010
  • AS THE YEARS WENT BY
  • 00:09:18.020 --> 00:09:20.190
  • DADDY'S LITTLE GIRL
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  • LOST HERSELF OUT IN A BIG, BIG WORLD
  • 00:09:24.040 --> 00:09:29.060
  • AND ON THE DAY
  • 00:09:29.070 --> 00:09:31.260
  • THAT HER DADDY, HE DIED
  • 00:09:31.270 --> 00:09:36.120
  • SHE SAID I NEED TO KNOW WHY
  • 00:09:36.130 --> 00:09:40.280
  • SOMEONE TAKE ME TO THE CROSS
  • 00:09:40.290 --> 00:09:43.240
  • HIGH UPON A STEEPLE
  • 00:09:43.250 --> 00:09:46.230
  • THE ONE WHERE JESUS DIED
  • 00:09:46.240 --> 00:09:49.050
  • FOR ALL THE LOST PEOPLE
  • 00:09:49.060 --> 00:09:51.260
  • IF YOU CAN'T FIND HOME
  • 00:09:51.270 --> 00:09:57.050
  • KNOW YOU'RE NOT ALONE
  • 00:09:57.060 --> 00:10:02.240
  • TAKE ME TO THE CROSS
  • 00:10:02.250 --> 00:10:17.230
  • TAKE ME TO THE CROSS
  • 00:10:17.230 --> 00:10:18.150
  • NOW THAT SAME LITTLE GIRL
  • 00:10:18.160 --> 00:10:22.150
  • THIRTY YEARS GONE BY
  • 00:10:22.160 --> 00:10:26.060
  • SHE STILL KNOWS HER DADDY'S BY HER SIDE
  • 00:10:26.070 --> 00:10:32.060
  • SO SHE RAISES A LITTLE BOY
  • 00:10:32.070 --> 00:10:35.060
  • IN HER FATHER'S WAY
  • 00:10:35.070 --> 00:10:39.240
  • AND SHE SMILES
  • 00:10:39.250 --> 00:10:42.030
  • WHEN SHE HEARS HER SON SAY
  • 00:10:42.040 --> 00:10:46.210
  • HEY, MOM, COULD TAKE ME TO THAT CROSS
  • 00:10:46.220 --> 00:10:51.260
  • HIGH UPON A STEEPLE
  • 00:10:51.270 --> 00:10:55.010
  • THE ONE WHERE JESUS DIED
  • 00:10:55.020 --> 00:10:57.130
  • FOR ALL THE LOST PEOPLE
  • 00:10:57.140 --> 00:11:00.160
  • IF YOU CAN'T FIND HOME
  • 00:11:00.170 --> 00:11:05.230
  • KNOW YOU'RE NOT ALONE
  • 00:11:05.240 --> 00:11:11.020
  • REMEMBER THE CROSS
  • 00:11:11.030 --> 00:11:14.040
  • HIGH UPON A STEEPLE
  • 00:11:14.050 --> 00:11:16.210
  • THE ONE WHERE JESUS DIED
  • 00:11:16.220 --> 00:11:19.090
  • FOR ALL THE LOST PEOPLE
  • 00:11:19.100 --> 00:11:22.050
  • IF YOU CAN'T FIND HOME
  • 00:11:22.060 --> 00:11:27.250
  • KNOW YOU'RE NOT ALONE
  • 00:11:27.260 --> 00:11:33.260
  • MAMA, TAKE ME TO THE CROSS
  • 00:11:33.270 --> 00:11:41.060
  • MAMA, TAKE ME TO THE CROSS
  • 00:11:41.070 --> 00:11:46.060
  • MY GRANDMA SAID ONE DAY
  • 00:11:46.070 --> 00:11:49.060
  • I COULD MEET THEM THERE
  • 00:11:49.070 --> 00:11:56.250
  • [MUSIC]
  • 00:11:56.260 --> 00:12:07.190
  • THE NEW CCM UNITED MUSIC, MOMENTS &
  • 00:12:07.200 --> 00:12:11.190
  • MEMORIES FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL
  • 00:12:11.200 --> 00:12:14.240
  • KEAGGY'S WHAT A DAY, CLAY CROSSE'S I SURRENDER ALL AL
  • 00:12:14.250 --> 00:12:18.250
  • DENSON BE THE ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S
  • 00:12:18.260 --> 00:12:23.070
  • ROCK SOLID, WES KING'S THE ROBE. TWENTY OF THE BIGGEST CCM
  • 00:12:23.080 --> 00:12:28.190
  • SONGS SUNG BY THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A
  • 00:12:28.200 --> 00:12:32.020
  • DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL
  • 00:12:32.030 --> 00:12:38.060
  • THE NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:12:38.070 --> 00:12:43.090
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:12:43.100 --> 00:12:47.110
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:12:47.120 --> 00:12:52.010
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:12:52.020 --> 00:12:56.150
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:12:56.160 --> 00:13:00.240
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW.
  • 00:13:00.250 --> 00:13:05.190
  • [MUSIC]
  • 00:13:05.200 --> 00:13:11.190
  • JACKIE VELASQUEZ: WELCOME BACK! AL'S RECORD LABEL CHOSE HIM TO
  • 00:13:11.200 --> 00:13:14.070
  • BE THE SPOKESPERSON FOR THE WORLD FOOD BANK VIDEO. LABEL
  • 00:13:14.080 --> 00:13:18.020
  • MATE EDDIE DEGARMO TOLD AL WHAT AN HONOR THIS WAS. SO, THE IDEA
  • 00:13:18.030 --> 00:13:23.190
  • IS YOU TAKE YOUR SCRAPS OF LEFTOVER FOOD OFF YOUR PLATE AND
  • 00:13:23.200 --> 00:13:28.030
  • WRAP THEM IN ALUMINUM FOIL TO BE LATER FREEZE-DRIED AND SHIPPED
  • 00:13:28.040 --> 00:13:31.260
  • ALL OVER THE WORLD TO THE POOR VIA A DROP BOX. AS AL WAS
  • 00:13:31.270 --> 00:13:36.290
  • READING THE CUE CARD LINES, ONE MAN'S LEFTOVERS IS ANOTHER MAN'S
  • 00:13:37.000 --> 00:13:41.090
  • ENTRÉE, HE STARTED TO THINK MAYBE THE TABLES OF PRACTICAL
  • 00:13:41.100 --> 00:13:46.120
  • JOKING HAD BEEN TURNED ON HIM. -I JUST LOOKED AT THE CAMERA
  • 00:13:46.130 --> 00:13:49.180
  • PEOPLE AND THE PRODUCER GUY, BECAUSE I HAVEN'T SEEN ANYBODY I
  • 00:13:49.190 --> 00:13:52.100
  • KNOW. THESE ARE ALL JUST PEOPLE, LIKE, PEOPLE I DON'T KNOW. I
  • 00:13:52.110 --> 00:13:54.170
  • SAID, MAN, THIS REALLY JUST FEELS LIKE A JOKE. YOU KNOW? I'M
  • 00:13:54.180 --> 00:13:59.090
  • TALKING TO YOU, RIGHT. THIS FEELS LIKE A JOKE. AND THEN THE
  • 00:13:59.100 --> 00:14:02.190
  • CAMERA GUY DROPS HIS CAMERA AND GOES, DUDE, YOUR LABEL SAID YOU
  • 00:14:02.200 --> 00:14:05.290
  • WERE A SERIOUS ARTIST. THEY SAID YOU CARE ABOUT PEOPLE. YOU THINK
  • 00:14:06.000 --> 00:14:08.190
  • THIS IS FUNNY? STARVING PEOPLE? AND I DIDN'T CARE WHAT THAT SIGN
  • 00:14:08.200 --> 00:14:12.070
  • SAID, I SAID PUT IT BACK UP, MAN. AND THEN I'M GOING, SO CALL
  • 00:14:12.080 --> 00:14:15.170
  • US AT 1-800-MEATLOAF. [LAUGHTER] -THAT'S WHAT IT WAS,
  • 00:14:15.180 --> 00:14:19.230
  • 1-800-MEATLOAF. -SO, I JUST GOT HAMMERED. SO, THEN IT ALL GETS
  • 00:14:19.240 --> 00:14:23.140
  • DONE. THEY COME OUT, THEY SAY, BLAH BLAH. AND I SAID WHAT'S
  • 00:14:23.150 --> 00:14:26.040
  • THIS UP? AND I SAID, MAN, Y'ALL SPENT ALL THIS MONEY, AND HERE'S
  • 00:14:26.050 --> 00:14:29.170
  • THE KICKER, SAID, YEAH, AND JERRY TOOK IT OUT OF YOUR
  • 00:14:29.180 --> 00:14:32.220
  • MARKETING BUDGET. [LAUGHTER] SO, I ENDED UP PAYING FOR IT OUT OF
  • 00:14:32.230 --> 00:14:35.160
  • MY RECORD MARKETING BUDGET. SO, THEN I GET AN AWARD FOR BE THE
  • 00:14:35.170 --> 00:14:38.170
  • ONE. REMEMBER THAT? AND I'M GOING UP TO GET THE AWARD, AND
  • 00:14:38.180 --> 00:14:41.230
  • INSTEAD OF THE AWARD, WHAT DO YOU THINK HAPPENS? THE LIGHTS GO
  • 00:14:41.240 --> 00:14:44.270
  • OUT, BOOM, THERE COMES THAT VIDEO. AND I WENT, WELL, THAT'S
  • 00:14:44.280 --> 00:14:49.060
  • NOT A GOOD DAY FOR ME. I KNEW WHAT I WAS GONNA SAY IF I WON, I
  • 00:14:49.070 --> 00:14:52.030
  • WAS ALL PREPARED, AND THEN IT'S LIKE, HEY, SO I WENT TO GET UP,
  • 00:14:52.040 --> 00:14:55.160
  • THEY'RE CLAPPING AND I GET UP AND ALL THE SUDDEN, THEN THE
  • 00:14:55.170 --> 00:14:57.150
  • SCREEN COMES UP, AND SAYS, HI, 1-800-MEATLOAF. [LAUGHTER] I
  • 00:14:57.160 --> 00:15:02.270
  • MEAN, AND I PAID FOR ALL THAT. -WELL, YOU DON'T APPRECIATE
  • 00:15:02.280 --> 00:15:05.170
  • THINGS IF IT DON'T COST YOU SOMETHING. -EXACTLY RIGHT.
  • 00:15:05.180 --> 00:15:09.070
  • -YOU KNEW I APPRECIATED IT BECAUSE IT COST ME A DAY FLYNG
  • 00:15:09.080 --> 00:15:11.210
  • THERE. IT WAS HILARIOUS, MAN. BUT -SOMEWHERE IN THERE WE
  • 00:15:11.220 --> 00:15:14.220
  • MINISTERED A LITTLE AND SOLD A RECORD. -YEAH, WE SOLD A BUNCH
  • 00:15:14.230 --> 00:15:18.160
  • OF RECORDS. -IT WAS A LOT OF MUSIC. -IT WAS, OUR MISSION,
  • 00:15:18.170 --> 00:15:22.120
  • TOGETHER, BECAUSE YOU KNOW IT'S, BENSON CARED, AND I DON'T KNOW
  • 00:15:22.130 --> 00:15:27.110
  • THE OTHER LABEL, SO BENSON CARED AS MUCH ABOUT THE MINISTRY OF
  • 00:15:27.120 --> 00:15:31.170
  • WHAT YOU DID. -PRACTICAL JOKING ASIDE, AL HAS HAD THE
  • 00:15:31.180 --> 00:15:35.040
  • OPPORTUNITY TO LIVE HIS DREAMS, SING HIS SONGS, AND WRITE
  • 00:15:35.050 --> 00:15:38.210
  • ANTHEMS LIKE BE THE ONE. -YOU KNOW, IT'S CRAZY WHEN YOU SING A
  • 00:15:38.220 --> 00:15:42.120
  • SONG OVER AND OVER AND OVER, IN FACT, I HAD A LITTLE GIRL ASKED
  • 00:15:42.130 --> 00:15:46.170
  • ME ON THE WAY OVER HERE, DO YOU EVER GET TIRED OF SINGING THOSE
  • 00:15:46.180 --> 00:15:48.280
  • SONGS? AND I SAID, WELL, YEAH AND, NO, BECAUSE IT TAKES YOU
  • 00:15:48.290 --> 00:15:54.200
  • BACK TO WHERE YOU WERE. AND IF YOU'RE SINGING, AND YOU SING THE
  • 00:15:54.210 --> 00:15:58.220
  • SONGS THAT YOU LOVE AND THAT YOU WROTE AND THAT ARE A PART OF
  • 00:15:58.230 --> 00:16:01.130
  • YOU, YEAH, AT TIMES IT MAY FEEL LIKE IT'S A LITTLE MORE JUST
  • 00:16:01.140 --> 00:16:06.130
  • SINGING A SONG, BUT AS YOU GET IN THAT SONG, FOR ME, EVERY TIME
  • 00:16:06.140 --> 00:16:10.220
  • IT TAKES ME BACK TO DIFFERENT PLACES. AND THOSE DIFFERENT
  • 00:16:10.230 --> 00:16:14.070
  • PLACES ARE ALL REALLY GOOD PLACES. SO, YEAH, I LOVE SINGING
  • 00:16:14.080 --> 00:16:18.030
  • THE SONGS. IT'S CRAZY, I WAS AN ARTIST OF RESIDENCE FOR YOUTH
  • 00:16:18.040 --> 00:16:22.260
  • FOR CHRIST. AND THERE WAS A GUY NAMED MARK GEVARD. AND HE WAS
  • 00:16:22.270 --> 00:16:25.290
  • LIKE ON THE YOUTH FOR CHRIST HEAD COMMITTEE. AND THEY WERE
  • 00:16:26.000 --> 00:16:28.150
  • GOING TO DO THIS BIG EVENT IN WASHINGTON D.C. AND IN THEIR
  • 00:16:28.160 --> 00:16:31.080
  • MINDS THEY WANTED 50.000 STUDENTS FROM ALL OVER AMERICA
  • 00:16:31.090 --> 00:16:34.180
  • TO COME. AND HE SAID I NEED A THEME SONG. AND I SAID, ALL
  • 00:16:34.190 --> 00:16:38.210
  • RIGHT. SO, I TALKED TO DON COOK AND DAVE CLARK , WE SAT DOWN IN
  • 00:16:38.220 --> 00:16:41.230
  • THE ROOM IN MY HOUSE AND SAID WE GOT WRITE SOMETHING. SO, SURE
  • 00:16:41.240 --> 00:16:43.290
  • ENOUGH, OUT OF THAT SONG CAME BE THE ONE. AND IT WAS AMAZING
  • 00:16:44.000 --> 00:16:48.020
  • AND 1991 TO STAND THERE AND THEY HAD ABOUT 35.000 KIDS. AND WE
  • 00:16:48.030 --> 00:16:52.190
  • WERE OUT AT THE CAPITOL, THAT MONUMENT, AND THEY WERE ALL OUT
  • 00:16:52.200 --> 00:16:55.090
  • THERE. TO SEE THEM SINGING THAT SONG AND IT WAS COOL CUZ THE
  • 00:16:55.100 --> 00:16:58.130
  • RADIO STATIONS AND, YOU KNOW, EVERYBODY KIND OF GOT BEHIND IT
  • 00:16:58.140 --> 00:17:01.110
  • BECAUSE IT WAS A MANTRA FOR A MOVEMENT FOR THOSE STUDENTS. AND
  • 00:17:01.120 --> 00:17:06.060
  • I DON'T KNOW IF IT WAS THAT GOOD A SONG, BUT I KNOW FOR THAT
  • 00:17:06.070 --> 00:17:09.130
  • MOMENT, FOR THAT TIME, GOD USED THAT SONG. AND I THINK AS
  • 00:17:09.140 --> 00:17:13.120
  • SONGWRITERS THAT'S WHAT YOU WANT. AT THE END OF THE DAY YOU
  • 00:17:13.130 --> 00:17:15.230
  • DON'T KNOW IF IT'S GONNA GO UP OR DOWN OR WHATEVER, BUT YOU
  • 00:17:15.240 --> 00:17:18.110
  • WRITE IT SO GOD CAN USE IT. AND IT WAS NEAT TO SEE HIM USE THAT
  • 00:17:18.120 --> 00:17:21.070
  • SONG IN ALL THOSE STUDENTS FOR THAT ONE BIG EVENT. I MEAN, I
  • 00:17:21.080 --> 00:17:25.210
  • SAT AT A TABLE LAST NIGHT WITH A BUNCH OF ARTISTS THAT WERE
  • 00:17:25.220 --> 00:17:29.140
  • ARTISTS WHEN I WAS AN ARTIST. THEY'RE STILL ARTISTS, BUT, AND
  • 00:17:29.150 --> 00:17:33.160
  • I WAS ON THE END AND I COULD SEE THEM ALL TALKING, AND I PULLED
  • 00:17:33.170 --> 00:17:37.040
  • BACK FROM THE CONVERSATION ON PURPOSE JUST TO LOOK. AND I WAS
  • 00:17:37.050 --> 00:17:44.120
  • JUST BLESSED AT HOW MANY PEOPLE HAD TO HAVE COME TO CHRIST
  • 00:17:44.130 --> 00:17:51.060
  • BECAUSE OF ALL THOSE PEOPLE. AND THEN I THOUGHT AND I'M SITTING
  • 00:17:51.070 --> 00:17:54.200
  • THERE WITH THEM. AND IT JUST TOTALLY BLESSED ME THAT SITTING
  • 00:17:54.210 --> 00:17:59.110
  • HERE WITH THEM, THEIR ARE PARTNERSHIPS THAT WE HAD
  • 00:17:59.120 --> 00:18:03.210
  • TOGETHER, LIKE THIS, THAT ARE FRIENDSHIPS FOR LIFE, THAT LAST
  • 00:18:03.220 --> 00:18:07.160
  • YOU, BUT THEY HAD A PART OF ALL OF IT, NOT JUST SOME OF IT. MAKE
  • 00:18:07.170 --> 00:18:11.230
  • SENSE? AND I WATCHED IT GOING, HEY, I REMEMBER SITTING IN THE
  • 00:18:11.240 --> 00:18:15.090
  • CROWD AFTER I SANG WATCHING THAT GUY SING AND SEEING KIDS COME TO
  • 00:18:15.100 --> 00:18:21.230
  • CHRIST. AND I WANTED TO BE THERE WITH HIM.
  • 00:18:21.240 --> 00:18:27.070
  • [MUSIC]
  • 00:18:27.080 --> 00:18:30.000
  • YOU KNOW, DON
  • 00:18:30.010 --> 00:18:31.080
  • COOK, DAVE CLARK, AND MYSELF, WE WROTE THIS SONG FOR TEENAGERS.
  • 00:18:31.090 --> 00:18:34.200
  • AMD THE SONG WAS TO CHALLENGE TEENAGERS TO TAKE A STAND FOR
  • 00:18:34.210 --> 00:18:37.050
  • CHRIST WHERE THEY WERE. TO TAKE A STAND AND TO BE THE ONE TO
  • 00:18:37.060 --> 00:18:42.080
  • SHOW THEIR FRIENDS JESUS.
  • 00:18:42.090 --> 00:18:44.210
  • [MUSIC]
  • 00:18:44.220 --> 00:18:48.080
  • IN A WORLD FULL OF BROKEN DREAMS
  • 00:18:48.090 --> 00:18:55.080
  • WHERE THE TRUTH IS HARD TO FIND
  • 00:18:55.090 --> 00:19:02.150
  • FOR EVERY PROMISE THAT IS KEPT
  • 00:19:02.160 --> 00:19:06.180
  • THERE ARE MANY LEFT BEHIND
  • 00:19:06.190 --> 00:19:13.090
  • AND THOUGH IT SEEMS THAT NOBODY CARES
  • 00:19:13.100 --> 00:19:20.060
  • IT STILL MATTERS WHAT YOU WILL DO
  • 00:19:20.070 --> 00:19:27.170
  • CAUSE THERE'S A DIFFERENCE YOU CAN MAKE
  • 00:19:27.180 --> 00:19:31.180
  • BUT THE CHOICE IS TO YOU AND YOU AND YOU
  • 00:19:31.190 --> 00:19:40.260
  • WILL YOU BE THE ONE
  • 00:19:40.270 --> 00:19:42.210
  • TO ANSWER TO HIS CALL
  • 00:19:42.220 --> 00:19:47.090
  • WILL YOU STAND WHEN THOSE AROUND YOU FALL
  • 00:19:47.100 --> 00:19:53.280
  • WILL YOU BE THE ONE
  • 00:19:53.290 --> 00:19:56.280
  • TO TAKE HIS LIGHT INTO A DARKENED WORLD
  • 00:19:56.290 --> 00:20:03.290
  • OH, TELL ME WILL YOU BE THE ONE
  • 00:20:04.000 --> 00:20:18.280
  • OH, TELL ME WILL YOU BE THE ONE
  • 00:20:18.280 --> 00:20:20.020
  • OH, SOMETIMES IT'S SO HARD TO KNOW
  • 00:20:20.030 --> 00:20:26.110
  • WHO IS RIGHT AND WHAT IS WRONG
  • 00:20:26.120 --> 00:20:33.130
  • AND WHERE ARE YOU SUPPOSED STAND
  • 00:20:33.140 --> 00:20:37.150
  • WHEN THE BATTLE LINES ARE DRAWN
  • 00:20:37.160 --> 00:20:44.060
  • THERE'S A VOICE THAT KEEPS CALLING OUT
  • 00:20:44.070 --> 00:20:49.090
  • HE'S CALLING RIGHT HERE
  • 00:20:49.100 --> 00:20:51.170
  • FOR SOMEONE WHO'S NOT AFRAID
  • 00:20:51.180 --> 00:20:58.120
  • TO BE THE BEACON IN THE NIGHT
  • 00:20:58.130 --> 00:21:02.150
  • TO A WORLD THAT'S LOST ITS WAY
  • 00:21:02.160 --> 00:21:10.250
  • WILL YOU BE THE ONE
  • 00:21:10.260 --> 00:21:13.250
  • TO ANSWER TO HIS CALL
  • 00:21:13.260 --> 00:21:18.040
  • AND WILL YOU STAND
  • 00:21:18.050 --> 00:21:20.230
  • WHEN THOSE AROUND YOU FALL
  • 00:21:20.240 --> 00:21:24.210
  • WILL YOU BE THE ONE
  • 00:21:24.220 --> 00:21:27.280
  • TO TAKE HIS LIGHT INTO A DARKENED WORLD
  • 00:21:27.290 --> 00:21:35.070
  • TELL ME WILL YOU BE THE ONE
  • 00:21:35.080 --> 00:21:43.130
  • YEAH, THE LORD PROVIDES THE POWER
  • 00:21:43.140 --> 00:21:47.080
  • FOR ME TO STAND AND SAY
  • 00:21:47.090 --> 00:21:53.200
  • YES, I'LL BE THE ONE
  • 00:21:53.210 --> 00:21:56.200
  • TO ANSWER TO HIS CALL
  • 00:21:56.210 --> 00:22:00.220
  • AND I WILL STAND WHEN THOSE AROUND ME FALL
  • 00:22:00.230 --> 00:22:07.190
  • I WILL BE THE ONE
  • 00:22:07.200 --> 00:22:10.260
  • THAT WILL TAKE HIS LIGHT INTO A DARKENED WORLD
  • 00:22:10.270 --> 00:22:22.060
  • WILL YOU BE THE ONE
  • 00:22:22.070 --> 00:22:25.130
  • WILL YOU BE THE ONE
  • 00:22:25.140 --> 00:22:30.010
  • WILL YOU BE THE ONE TO SAY
  • 00:22:30.020 --> 00:22:33.110
  • I WILL BE THAT ONE
  • 00:22:33.120 --> 00:22:48.100
  • I WILL BE THAT ONE
  • 00:22:48.100 --> 00:22:49.010
  • [MUSIC]
  • 00:22:49.020 --> 00:23:04.020
  • [MUSIC]
  • 00:23:04.020 --> 00:23:10.160
  • THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:23:10.170 --> 00:23:14.160
  • FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT
  • 00:23:14.170 --> 00:23:18.050
  • A DAY, CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE
  • 00:23:18.060 --> 00:23:23.070
  • ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES
  • 00:23:23.080 --> 00:23:27.230
  • KING'S THE ROBE. TWENTY OF THE BIGGEST CCM SONGS SUNG BY THE
  • 00:23:27.240 --> 00:23:32.180
  • ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A DOUBLE CD AND DVD
  • 00:23:32.190 --> 00:23:36.120
  • FOR A GIFT OF $39 OR MORE TO TBN. SIMPLY CALL THE NUMBER ON
  • 00:23:36.130 --> 00:23:41.290
  • YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS & MEMORIES THE
  • 00:23:42.000 --> 00:23:47.000
  • AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST GIFT TO TBN
  • 00:23:47.010 --> 00:23:51.150
  • AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE BOTH YOURS FOR YOUR
  • 00:23:51.160 --> 00:23:56.090
  • GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE OF HOPE AND GRACE
  • 00:23:56.100 --> 00:24:00.170
  • AROUND THE WORLD. CALL THE NUMBER ON YOUR SCREEN OR GO
  • 00:24:00.180 --> 00:24:04.080
  • ONLINE AND REQUEST YOUR COPY NOW.
  • 00:24:04.090 --> 00:24:08.130
  • [MUSIC]
  • 00:24:08.140 --> 00:24:14.190
  • JACKIE VELASQUEZ: THANK YOU SO MUCH FOR
  • 00:24:14.200 --> 00:24:15.180
  • JOINING US. WE HOPE YOU'VE BEEN
  • 00:24:15.190 --> 00:24:16.280
  • ENTERTAINED AND UPLIFTED BY HEARING ABOUT THE AMAZING
  • 00:24:16.290 --> 00:24:19.210
  • JOURNEY OF AL DENSON. AL'S TENDER HEART AND BEING A MUCHO
  • 00:24:19.220 --> 00:24:23.120
  • SEASONED PRACTICAL JOKER IS QUITE THE COMBO. PLEASE JOIN US
  • 00:24:23.130 --> 00:24:27.100
  • NEXT TIME FOR MORE AMAZING STORIES ABOUT YOUR FAVORITE
  • 00:24:27.110 --> 00:24:29.240
  • LEGENDARY CCM ARTISTS. GOD BLESS YOU AND WE'LL SEE YOU SOON.
  • 00:24:29.250 --> 00:24:34.100
  • -NOW THANKS TO THE LATEST MICROWAVE FREEZER TECHNOLOGY,
  • 00:24:34.110 --> 00:24:36.250
  • THE WORLD FOOD BANK CAN QUICKLY FREEZE AND DRY SHIP TO ALL THE
  • 00:24:36.260 --> 00:24:40.180
  • COUNTRIES ALL OVER THE GLOBE. THAT'S RIGHT! THIS CAN'T BE
  • 00:24:40.190 --> 00:24:44.100
  • RIGHT. WE WANT YOUR LEFTOVERS. OKAY, THAT'S RIGHT, WE WANT YOUR
  • 00:24:44.110 --> 00:24:47.110
  • LEFTOVERS. ONE MAN'S LEFTOVERS ARE ANOTHER MAN'S ENTRÉE.
  • 00:24:47.120 --> 00:24:51.280
  • [CHUCKLES] I'LL TELL YOU THIS, RICK, I KNOW YOU'RE SLICK, BUT
  • 00:24:51.290 --> 00:24:54.270
  • THIS JUST FEELS LIKE IT'S A JOKE. THAT'S 1-800-MEATLOAF.
  • 00:24:54.280 --> 00:25:04.210
  • REMEMBER. -WE GOT HIM! [LAUGHTER] -I KNEW IT! I KNEW
  • 00:25:04.220 --> 00:25:10.150
  • IT, MAN! [LAUGHTER]
  • 00:25:10.160 --> 00:25:14.040
  • REMEMBER THE CROSS
  • 00:25:14.050 --> 00:25:17.020
  • HIGH UPON A STEEPLE
  • 00:25:17.030 --> 00:25:19.230
  • THE ONE WHERE JESUS DIED
  • 00:25:19.240 --> 00:25:22.080
  • FOR ALL THE LOST PEOPLE
  • 00:25:22.090 --> 00:25:25.110
  • IF YOU CAN'T FIND HOME
  • 00:25:25.120 --> 00:25:31.090
  • KNOW YOU'RE NOT ALONE
  • 00:25:31.100 --> 00:25:36.270
  • MAMA, TAKE ME TO THE CROSS
  • 00:25:36.280 --> 00:25:43.290
  • MAMA, TAKE ME TO THE CROSS
  • 00:25:44.000 --> 00:25:49.020
  • MY GRANDMA SAID ONE DAY I COULD MEET THEM THERE
  • 00:25:49.030 --> 00:25:55.150
  • [MUSIC]
  • 00:25:55.160 --> 00:26:05.140
  • FOLLOWING THE SUCCESSFUL RELEASE OF CCM UNITED WE WILL
  • 00:26:05.150 --> 00:26:09.030
  • STAND COMES THE NEW CCM UNITED MUSIC, MOMENTS & MEMORIES
  • 00:26:09.040 --> 00:26:13.140
  • FEATURING MORE CCM HITS YOU GREW UP WITH LIKE PHIL KEAGGY'S WHAT
  • 00:26:13.150 --> 00:26:18.230
  • A DAY, CLAY CROSSE'S I SURRENDER ALL AL DENSON BE THE
  • 00:26:18.240 --> 00:26:23.110
  • ONE, EDDIE DEGARMO OF DEGARMO AND KEY'S ROCK SOLID, WES
  • 00:26:23.120 --> 00:26:27.260
  • KING'S THE ROBE. FOR THE ROBE TWENTY OF THE BIGGEST CCM SONGS
  • 00:26:27.270 --> 00:26:36.000
  • SUNG BY THE ARTISTS WHO MADE THEM FAMOUS AVAILABLE IN A
  • 00:26:36.010 --> 00:26:39.020
  • DOUBLE CD AND DVD FOR A GIFT OF $39 OR MORE TO TBN. CALL NOW!
  • 00:26:39.030 --> 00:26:45.150
  • DON'T MISS THIS COLLECTION OF CCM'S BEST LOVED SONGS THAT
  • 00:26:45.160 --> 00:26:50.140
  • HONOR OUR LORD JESUS CHRIST. AVAILABLE EXCLUSIVELY TO TBN
  • 00:26:50.150 --> 00:26:54.110
  • VIEWERS DURING THIS SPECIAL PRESENTATION. SIMPLY CALL THE
  • 00:26:54.120 --> 00:26:58.270
  • NUMBER ON YOUR SCREEN OR GO ONLINE. MUSIC, MOMENTS &
  • 00:26:58.280 --> 00:27:03.180
  • MEMORIES THE AUDIO DOUBLE CD IS OUR GIFT AS YOU GIVE YOUR BEST
  • 00:27:03.190 --> 00:27:07.290
  • GIFT TO TBN AND ITS GLOBAL OUTREACH. THE CD AND DVD ARE
  • 00:27:08.000 --> 00:27:12.110
  • BOTH YOURS FOR YOUR GIFT OF $39 OR MORE. HELP TAKE THE MESSAGE
  • 00:27:12.120 --> 00:27:16.250
  • OF HOPE AND GRACE AROUND THE WORLD. CALL THE NUMBER ON YOUR
  • 00:27:16.260 --> 00:27:20.100
  • SCREEN OR GO ONLINE AND REQUEST YOUR COPY NOW. SING HALLELUJAH
  • 00:27:20.110 --> 00:27:24.270
  • TO THE KING LET THE WHOLE WORLD SING
  • 00:27:24.280 --> 00:27:27.290