Inside the Shack | TBN

Inside the Shack

Watch Inside the Shack
March 1, 2017
26:21

Join author Paul Young on an adventure into the world of the best-selling phenomenon, "The Shack.” This inside look at how Paul's own life journey shaped his writing explores questions about faith, grief, wonder and relationship with the Father, Son and

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Inside the Shack

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  • - YOU READ THE BOOKS.
  • 00:00:04.140 --> 00:00:07.140
  • YOU'VE SEEN THE REVIEWS.
  • 00:00:07.140 --> 00:00:10.000
  • YOU'VE HEARD ABOUT THE MOVIE
  • 00:00:12.110 --> 00:00:15.110
  • NOW, JOIN US AS WE TAKE AN
  • 00:00:16.060 --> 00:00:19.060
  • EXCLUSIVE LOOK INSIDE THE SHACK.
  • 00:00:20.020 --> 00:00:23.020
  • - HI MAIM IS -- AUTHOR OF THE
  • 00:00:24.180 --> 00:00:27.180
  • SHACK.
  • 00:00:27.180 --> 00:00:28.030
  • MAYBE YOU'VE READ THIS BOOK AND
  • 00:00:28.030 --> 00:00:30.010
  • HAVE SOME QUESTIONS AND WOULD
  • 00:00:30.010 --> 00:00:31.140
  • LIKE TO KNOW SOME OF THE
  • 00:00:31.140 --> 00:00:32.290
  • BACKGROUND.
  • 00:00:32.290 --> 00:00:33.110
  • MAYBE YOU ONLY HEARD ABOUT IT
  • 00:00:33.110 --> 00:00:34.270
  • AND HAVE SOME QUESTIONS.
  • 00:00:34.270 --> 00:00:36.090
  • EITHER WAY, I WOULD LIKE TO
  • 00:00:36.090 --> 00:00:38.090
  • INVITE YOU TO COME ON THE
  • 00:00:39.090 --> 00:00:42.090
  • ADVENTURE OF SHACK.
  • 00:00:42.090 --> 00:00:42.260
  • - THE AUTHOR OF THE SHACK.
  • 00:00:43.180 --> 00:00:46.180
  • THE BRAND KNEW TELEVISION SERIES
  • 00:00:46.180 --> 00:00:48.260
  • IS UNDERWAY AND THIS IS IN
  • 00:00:48.260 --> 00:00:51.210
  • ASSOCIATION WITH LIONS GATE
  • 00:00:51.210 --> 00:00:53.030
  • BECAUSE A BRAND NEW FEATURE
  • 00:00:53.030 --> 00:00:55.280
  • MOTION PICTURE ENTITLED THE
  • 00:00:55.280 --> 00:00:58.170
  • SHACK IS COMING.
  • 00:00:58.170 --> 00:00:59.170
  • THIS IS A MAJOR MOTION PICTURE
  • 00:00:59.170 --> 00:01:02.080
  • PRODUCED BY A MAJOR VETERAN, GIL
  • 00:01:05.200 --> 00:01:08.200
  • VETTER.
  • 00:01:08.200 --> 00:01:09.220
  • WORTHINGTON.
  • 00:01:09.220 --> 00:01:10.050
  • AND THAT LITTLE MOVIE CALL
  • 00:01:10.230 --> 00:01:13.230
  • AVATAR AND OCTAVIA WAS IN THE
  • 00:01:15.250 --> 00:01:18.250
  • "THE HELP" THIS IS A MAJOR
  • 00:01:18.270 --> 00:01:21.270
  • MOTION PICTURE WRIT BEEN A BOOK
  • 00:01:21.270 --> 00:01:24.160
  • THAT SOLD 20 MILLION COPIES AND
  • 00:01:24.160 --> 00:01:27.000
  • PUBLISHED IN 50 LANGUAGES.
  • 00:01:27.000 --> 00:01:29.030
  • SITTING WITH US TODAY, PAUL
  • 00:01:29.030 --> 00:01:31.140
  • YOUNG.
  • 00:01:31.140 --> 00:01:31.240
  • - I HAVE A QUESTION.
  • 00:01:31.240 --> 00:01:33.020
  • WHEN YOU KNEW THAT THE BOOK WAS
  • 00:01:33.020 --> 00:01:34.170
  • GOING TO BE PUBLISHED, DID YOU
  • 00:01:35.100 --> 00:01:38.100
  • KIND OF FREAK OUT AND GO, HOLD
  • 00:01:38.100 --> 00:01:40.240
  • UP I'VE GOT TO CHANGE SOME
  • 00:01:40.240 --> 00:01:42.140
  • THINGS?
  • 00:01:42.140 --> 00:01:42.240
  • - THAT'S NOT HOW IT HAPPENED.
  • 00:01:42.240 --> 00:01:45.030
  • WHAT HAPPENED IT ENDED UP IN THE
  • 00:01:45.030 --> 00:01:47.220
  • HANDS OF SOME GUYS IN CALIFORNIA
  • 00:01:47.220 --> 00:01:49.270
  • WHO THOUGHT THIS COULD BE A
  • 00:01:49.270 --> 00:01:52.200
  • MOVIE.
  • 00:01:52.200 --> 00:01:53.130
  • - (SCREUM.
  • 00:02:27.090 --> 00:02:30.090
  • 00:02:30.090 --> 00:02:30.210
  • [ SCREAMING ]
  • 00:02:43.030 --> 00:02:43.270
  • - I DON'T WANT TO --
  • 00:02:45.100 --> 00:02:48.100
  • - SHOWED UP IN MY MAILBOX.
  • 00:02:48.100 --> 00:02:51.080
  • - YOU'RE NOT THINKING ABOUT
  • 00:02:51.080 --> 00:02:53.100
  • GOING BACK THERE, ARE YOU?
  • 00:02:53.100 --> 00:02:54.150
  • - I HAVE TO DO SOMETHING.
  • 00:02:54.150 --> 00:02:56.170
  • - I'M LOOKING FORWARD TO THIS.
  • 00:03:12.060 --> 00:03:14.120
  • - DO I KNOW YOU?
  • 00:03:14.120 --> 00:03:17.100
  • - VERY WELL.
  • 00:03:17.100 --> 00:03:18.000
  • - INCREDIBLE.
  • 00:03:18.000 --> 00:03:18.200
  • - YOU STILL HAVING A HARD TIME
  • 00:03:18.200 --> 00:03:21.010
  • BELIEVE THG IS REAL?
  • 00:03:21.010 --> 00:03:22.030
  • - WHY DID YOU BRING ME HERE?
  • 00:03:22.140 --> 00:03:25.140
  • - WHO ARE YOU?
  • 00:03:32.110 --> 00:03:35.110
  • [ SINGING ]
  • 00:03:58.070 --> 00:04:00.020
  • - KEEP YOUR EYES ON ME.
  • 00:04:02.040 --> 00:04:05.040
  • - SITTING WITH US IS THE AUTHOR
  • 00:04:15.030 --> 00:04:17.110
  • OF "THE SHACK."
  • 00:04:17.110 --> 00:04:20.090
  • PAUL, THE SHACK IS A PHENOMENON.
  • 00:04:20.090 --> 00:04:22.230
  • - AN UNEXPECTED PHENOMENON.
  • 00:04:22.230 --> 00:04:24.290
  • - LET'S JUST START WITH A
  • 00:04:25.030 --> 00:04:28.030
  • PHENOMENON.
  • 00:04:28.030 --> 00:04:28.150
  • A LOT OF PEOPLE KNOW THE STORY
  • 00:04:29.220 --> 00:04:32.220
  • OF "THE SHACK."
  • 00:04:32.220 --> 00:04:35.090
  • WE'RE GOING TO GET TO KNOW A
  • 00:04:35.090 --> 00:04:37.200
  • LITTLE BIT MORE ABOUT THE STORY
  • 00:04:37.200 --> 00:04:39.050
  • TODAY.
  • 00:04:39.050 --> 00:04:39.180
  • THE BIGGEST THING WE HAVE, THE
  • 00:04:39.180 --> 00:04:41.170
  • BIGGEST ANNOUNCEMENT WE HAVE IS
  • 00:04:41.170 --> 00:04:42.180
  • THAT WE HAVE THE BRAND NEW
  • 00:04:42.180 --> 00:04:45.090
  • SERIES AND WE ARE ALL ABOUT THE
  • 00:04:45.090 --> 00:04:48.020
  • NEW EPISODES THAT ARE COMING
  • 00:04:48.020 --> 00:04:49.250
  • RIGHT HERE TO INITY
  • 00:04:49.250 --> 00:04:52.160
  • BROADCASTING.
  • 00:04:52.160 --> 00:04:52.290
  • BEHIND US THIS WAY IS OF COURSE
  • 00:04:53.120 --> 00:04:56.120
  • "THE SHACK."
  • 00:04:56.120 --> 00:04:57.030
  • - THIS IS A BOOK THAT ALLOWS US
  • 00:04:59.110 --> 00:05:02.130
  • TO EXPLORE THE RELATIONSHIP WITH
  • 00:05:02.130 --> 00:05:03.170
  • THE FATHER, SON AND HOLY SPIRIT.
  • 00:05:03.170 --> 00:05:05.280
  • ALLOWS US TO EXPLORE WHAT IT
  • 00:05:05.280 --> 00:05:07.160
  • MEANS TO BE HUMAN, THE QUESTIONS
  • 00:05:07.160 --> 00:05:09.290
  • WE HAVE ABOUT HURT AND LOSS AND
  • 00:05:09.290 --> 00:05:12.090
  • GRIEF, QUESTIONS ABOUT WONDER
  • 00:05:12.250 --> 00:05:15.250
  • AND BEAUTY AND JOY AND WHO AM I
  • 00:05:15.250 --> 00:05:18.220
  • IN RELATIONSHIP TO THIS GOD?
  • 00:05:18.220 --> 00:05:20.160
  • IS THIS GOD A RELATIONAL BEING?
  • 00:05:20.160 --> 00:05:23.030
  • OR JUST AN IDEA?
  • 00:05:23.030 --> 00:05:25.170
  • WHAT DIFFERENCE DOES IT MAKE?
  • 00:05:25.170 --> 00:05:27.060
  • THE STORY IS POWERFUL.
  • 00:05:27.060 --> 00:05:29.010
  • WE KNOW THAT.
  • 00:05:29.010 --> 00:05:30.250
  • WE CAN FEEL IT.
  • 00:05:30.250 --> 00:05:32.030
  • I THINK WE HAVE AN AFFINITY FOR
  • 00:05:32.030 --> 00:05:34.090
  • STORY BECAUSE EVERY SINGLE HUMAN
  • 00:05:34.090 --> 00:05:36.130
  • BEING IS A STORY.
  • 00:05:36.130 --> 00:05:38.080
  • WE DON'T JUST HAVE ONE.
  • 00:05:38.080 --> 00:05:40.080
  • YOU ARE ONE.
  • 00:05:40.080 --> 00:05:41.220
  • SO IN THE SERIES, YOU'RE GOING
  • 00:05:41.220 --> 00:05:43.140
  • TO LEARN A LOT ABOUT ME.
  • 00:05:43.140 --> 00:05:45.230
  • YOU'RE GOING TO LEARN A LOT
  • 00:05:45.230 --> 00:05:48.160
  • ABOUT "THE SHACK" AND I PROMISE
  • 00:05:48.160 --> 00:05:50.250
  • I WILL BE HONEST WITH YOU.
  • 00:05:51.120 --> 00:05:54.120
  • IT TURNS OUT THAT MY JOURNEY HAS
  • 00:05:54.120 --> 00:05:57.120
  • BEEN ABOUT LEARNING HOW TO TRUST
  • 00:06:00.250 --> 00:06:03.250
  • WE ALL AS HUMAN BEINGS HAVE LOTS
  • 00:06:03.250 --> 00:06:04.260
  • OF QUESTIONS.
  • 00:06:04.260 --> 00:06:05.190
  • WHAT'S OUR ORIGIN?
  • 00:06:05.190 --> 00:06:06.290
  • WHAT'S OUR DESTINY?
  • 00:06:06.290 --> 00:06:08.260
  • WHAT MATTERS.
  • 00:06:08.260 --> 00:06:10.150
  • QUESTIONS ABOUT GOD, QUESTIONS
  • 00:06:10.150 --> 00:06:12.140
  • ABOUT FAITH, THESE ARE THE
  • 00:06:12.140 --> 00:06:14.170
  • QUESTIONS THAT WE WANT TO
  • 00:06:14.170 --> 00:06:16.250
  • EXPLORE.
  • 00:06:16.250 --> 00:06:17.060
  • I WOULD LOVE YOU TO COME WITH
  • 00:06:17.060 --> 00:06:19.090
  • ME.
  • 00:06:19.090 --> 00:06:19.220
  • THIS IS AN INVITATION RIGHT HERE
  • 00:06:19.220 --> 00:06:22.090
  • ON IT. BN.
  • 00:06:22.220 --> 00:06:25.220
  • --
  • 00:06:25.220 --> 00:06:25.290
  • - THIS IS A PHENOMENON AND
  • 00:06:25.290 --> 00:06:28.260
  • NOBODY ANTICIPATED IT WOULD.
  • 00:06:28.260 --> 00:06:30.290
  • I SURELY DIDN'T.
  • 00:06:30.290 --> 00:06:32.150
  • MY FAMILY DIDN'T, MY FRIENDS
  • 00:06:32.230 --> 00:06:35.230
  • DIDN'T.
  • 00:06:35.230 --> 00:06:36.090
  • PUBLISHERS DIDN'T.
  • 00:06:36.090 --> 00:06:36.280
  • IT JUST SHOWED UP AND BECAME
  • 00:06:36.280 --> 00:06:38.260
  • THIS WILDFIRE.
  • 00:06:38.260 --> 00:06:40.180
  • BUT IT CAME FROM SOMEWHERE.
  • 00:06:40.180 --> 00:06:43.000
  • AND SO THE QUESTIONS ARE, WHERE?
  • 00:06:43.000 --> 00:06:45.080
  • AND THEN IF YOU READ "THE SHACK"
  • 00:06:46.140 --> 00:06:49.140
  • YOU KNOW THERE ARE LOTS OF
  • 00:06:49.140 --> 00:06:51.030
  • CONVERSATIONS ABOUT THINGS THAT
  • 00:06:51.030 --> 00:06:52.030
  • MATTER TO US AS HUMAN BEINGS,
  • 00:06:52.030 --> 00:06:54.210
  • WHETHER IT'S GRIEF, LOSSES OF
  • 00:06:54.210 --> 00:06:56.200
  • ANY KIND, ABUSE IN OUR HISTORY,
  • 00:06:56.200 --> 00:06:59.130
  • OUR FAMILY DYSFUNCTION.
  • 00:06:59.170 --> 00:07:02.190
  • SOCIAL ISSUES, QUESTIONS ABOUT
  • 00:07:02.200 --> 00:07:05.200
  • GOD.
  • 00:07:05.200 --> 00:07:06.080
  • IS GOD SOMEONE THAT WE CAN
  • 00:07:06.080 --> 00:07:08.010
  • ACTUALLY TRUST?
  • 00:07:08.010 --> 00:07:10.200
  • BECAUSE A LOT OF TIMES RELIGION
  • 00:07:10.200 --> 00:07:12.160
  • DOES NOT PORTRAY GOD IN A WAY WE
  • 00:07:12.160 --> 00:07:14.230
  • CAN ACTUALLY TRUST.
  • 00:07:14.230 --> 00:07:15.220
  • IS GOD A RELATIONAL BEING?
  • 00:07:15.220 --> 00:07:17.150
  • WHAT DO WE DO ABOUT THE
  • 00:07:17.150 --> 00:07:19.190
  • TRAGEDIES THAT ARE IN OUR
  • 00:07:19.190 --> 00:07:21.210
  • HUMANITY?
  • 00:07:21.210 --> 00:07:22.040
  • NOT JUST THAT WE PERPETRATE ONE
  • 00:07:22.040 --> 00:07:24.040
  • ON ANOTHER BUT ALSO THAT SEEM TO
  • 00:07:24.050 --> 00:07:27.050
  • VISIT US REGULARLY.
  • 00:07:27.050 --> 00:07:28.270
  • WE ALL DEAL WITH LOSS.
  • 00:07:28.270 --> 00:07:29.160
  • - THE STORY IS ESSENTIALLY
  • 00:07:29.160 --> 00:07:31.260
  • ABOUT A MAN WHOSE DAUGHTER IS
  • 00:07:31.260 --> 00:07:33.280
  • TAKEN FROM HIM, HIS DAUGHTER IS
  • 00:07:34.030 --> 00:07:37.030
  • MURDERED.
  • 00:07:37.030 --> 00:07:37.140
  • THAT PROPELS HIM INTO A DEEP
  • 00:07:37.170 --> 00:07:40.170
  • DEPRESSION.
  • 00:07:40.170 --> 00:07:41.000
  • AND A DEEP RESENTMENT TOWARDS
  • 00:07:44.050 --> 00:07:47.050
  • FIGHT IN LIFE, FIGHT IN HIMSELF,
  • 00:07:47.170 --> 00:07:50.170
  • FIGHT IN HIS FAMILY AND THEN
  • 00:07:50.170 --> 00:07:52.010
  • GETS THE OPPORTUNITY TO MEET
  • 00:07:53.030 --> 00:07:56.030
  • GOD, JESUS AND THE HOLY SPIRIT,
  • 00:07:56.030 --> 00:07:58.110
  • THE HOLY GHOST.
  • 00:07:58.110 --> 00:08:00.170
  • AND QUESTIONS WHY THIS HAPPENED
  • 00:08:01.000 --> 00:08:04.000
  • AND GOES THROUGH THE KIND OF
  • 00:08:04.000 --> 00:08:06.260
  • PENANCE IF YOU WANT A BETTER
  • 00:08:06.260 --> 00:08:08.020
  • WORD TO FIND A RELIEF, TO FIND A
  • 00:08:08.020 --> 00:08:10.120
  • WAY THROUGH.
  • 00:08:10.120 --> 00:08:11.070
  • IT'S A STORY ABOUT FORGIVENESS.
  • 00:08:11.070 --> 00:08:13.240
  • KNOWING THIS MAN HAS TO FORGIVE
  • 00:08:13.240 --> 00:08:15.110
  • GOD FOR TAKING AWAY WHO HE
  • 00:08:15.190 --> 00:08:18.190
  • BLAMES TO ALLOW THIS TO HAPPEN,
  • 00:08:18.190 --> 00:08:20.120
  • THIS TRAGEDY TO HAPPEN.
  • 00:08:20.120 --> 00:08:22.050
  • HE HAS TO FORGIVE THE PERSON
  • 00:08:22.050 --> 00:08:23.180
  • THAT DID THIS.
  • 00:08:23.180 --> 00:08:26.110
  • SOMETHING THAT'S UNIMAGE I
  • 00:08:27.120 --> 00:08:30.120
  • BELIEVE.
  • 00:08:30.120 --> 00:08:31.110
  • FACE THE DEMONS OF HIS OWN PAST.
  • 00:08:31.160 --> 00:08:34.160
  • A VERY ABUSIVE VIOLENT
  • 00:08:34.160 --> 00:08:37.080
  • UPBRINGING.
  • 00:08:37.080 --> 00:08:37.200
  • HEA TO SAY FORGIVE THE PRESENT
  • 00:08:37.200 --> 00:08:39.180
  • AND HOW HE'S FEELING.
  • 00:08:39.180 --> 00:08:42.080
  • FORGIVE HIMSELF.
  • 00:08:42.080 --> 00:08:43.160
  • THAT TESTS THAT ARE EXTREMELY
  • 00:08:43.160 --> 00:08:45.200
  • DIFFICULT FOR ANYBODY TO FACE UP
  • 00:08:45.200 --> 00:08:47.150
  • TO BUT IN ORDER TO KIND OF BE
  • 00:08:47.150 --> 00:08:50.080
  • RELEASED TO JOURNEY ON TO LIFE.
  • 00:08:50.080 --> 00:08:52.250
  • THAT'S WHAT HE HAS TO GO
  • 00:08:52.250 --> 00:08:54.180
  • THROUGH.
  • 00:08:54.180 --> 00:08:54.290
  • - THE THING ABOUT HEALING IS
  • 00:08:54.290 --> 00:08:57.120
  • YOU HAVE TO GO BACK TO THE
  • 00:08:57.120 --> 00:08:59.120
  • SHACK.
  • 00:08:59.120 --> 00:08:59.220
  • YOU HAVE TO FIND OUT THAT GOD IS
  • 00:08:59.220 --> 00:09:01.270
  • IN THAT PLACE AND NOT IN THE THE
  • 00:09:02.220 --> 00:09:05.220
  • FACADE.
  • 00:09:05.220 --> 00:09:06.020
  • WE ARE AS THICK AS THE SECRETS
  • 00:09:06.230 --> 00:09:09.230
  • WE KEEP.
  • 00:09:09.230 --> 00:09:10.240
  • WE HAVE TO DEAL WITH OUR BROKEN
  • 00:09:10.240 --> 00:09:13.230
  • HEARTS.
  • 00:09:13.230 --> 00:09:14.070
  • IF WE WANT TO BECOME REAL HUMAN
  • 00:09:14.080 --> 00:09:17.080
  • BEINGS, YOU CAN'T GO AROUND "THE
  • 00:09:18.200 --> 00:09:21.200
  • SHACK."
  • 00:09:21.200 --> 00:09:22.000
  • YOU HAVE TO GO INTO IT.
  • 00:09:22.000 --> 00:09:23.240
  • - I LOVE THE WAY THE HOLY
  • 00:09:24.060 --> 00:09:27.060
  • TRINITY IS PRESENTED IN "THE
  • 00:09:27.140 --> 00:09:30.140
  • SHACK."
  • 00:09:30.140 --> 00:09:30.280
  • IT REPRESENTS A VERY DIVERSE
  • 00:09:30.280 --> 00:09:33.090
  • GROUP OF PEOPLE, WHICH IS WHAT
  • 00:09:33.090 --> 00:09:35.100
  • THE WORLD IS MADE OF SO IT'S
  • 00:09:35.100 --> 00:09:38.000
  • QUITE REFRESHING THAT THE HOLY
  • 00:09:38.000 --> 00:09:40.080
  • SPIRIT IS THIS BEAUTIFUL ASIAN
  • 00:09:40.080 --> 00:09:43.040
  • WOMAN WHO FEELS LIKE A BREATH OF
  • 00:09:43.040 --> 00:09:45.110
  • FRESH AIR IN REAL LIFE AND JESUS
  • 00:09:46.200 --> 00:09:49.200
  • IS AMAZING, ISRAELI ACTOR.
  • 00:09:50.060 --> 00:09:53.060
  • THEN YOU HAVE MYSELF AS GOD.
  • 00:09:53.180 --> 00:09:56.180
  • WHAT I LIKE ABOUT THAT
  • 00:09:56.180 --> 00:09:59.150
  • PRESENTATION IS JUST SORT OF THE
  • 00:10:00.250 --> 00:10:03.250
  • CONVENTIONAL IMAGES OF GOD AND
  • 00:10:03.250 --> 00:10:04.250
  • WHAT WE HAVE IN OUR MINDS AS
  • 00:10:04.250 --> 00:10:07.000
  • GOD.
  • 00:10:07.000 --> 00:10:07.120
  • BUT IT ALSO REPRESENTS THIS TIME
  • 00:10:07.130 --> 00:10:10.130
  • IN MAC'S LIFE WHERE THE ONLY
  • 00:10:10.130 --> 00:10:12.080
  • PERSON THAT SHOWED HIM KINDNESS
  • 00:10:12.080 --> 00:10:13.250
  • WAS A WOMAN LIKE MYSELF.
  • 00:10:13.250 --> 00:10:16.220
  • SO THE ONLY WAY THAT HIS BRAIN,
  • 00:10:16.220 --> 00:10:19.170
  • I THINK, COULD FIND IT PALATABLE
  • 00:10:20.180 --> 00:10:23.180
  • WAS TO PRESENT GOD IN A WAY THAT
  • 00:10:23.180 --> 00:10:25.080
  • HE COULD ACCEPT IT.
  • 00:10:25.080 --> 00:10:27.090
  • AND I LOVE THE WAY THAT THAT'S
  • 00:10:27.090 --> 00:10:29.280
  • EXPLAINED.
  • 00:10:29.280 --> 00:10:30.110
  • I LOVE THE WAY THAT THOSE
  • 00:10:32.210 --> 00:10:35.210
  • CONVENTIONS ARE DEALT WITH.
  • 00:10:35.210 --> 00:10:36.290
  • I LOVE THAT.
  • 00:10:36.290 --> 00:10:39.160
  • - LOOK AT YOU.
  • 00:11:01.220 --> 00:11:02.070
  • - DO I KNOW YOU?
  • 00:11:02.070 --> 00:11:03.160
  • - THERE ARE TWO SCENES IN THE
  • 00:11:03.160 --> 00:11:06.030
  • FILM THAT RESONATE WITH ME ON A
  • 00:11:06.140 --> 00:11:09.140
  • VERY DEEP LEVEL AND I ACTUALLY
  • 00:11:09.140 --> 00:11:11.100
  • FIND MYSELF GOING BACK TO AND
  • 00:11:12.060 --> 00:11:15.060
  • WITH APPLICATION IN MY OWN LIFE.
  • 00:11:15.060 --> 00:11:17.080
  • AND IT'S THE SCENE WHERE MAC AND
  • 00:11:21.260 --> 00:11:24.260
  • PAPA ARE ON THE PORCH AND
  • 00:11:24.260 --> 00:11:26.280
  • THEY'RE WATCH AGO BIRD IN A TREE
  • 00:11:26.280 --> 00:11:29.130
  • AND PAPA BASICALLY COMPARES HER
  • 00:11:30.000 --> 00:11:33.000
  • LOVE FOR MAC TO THE BIRD BEING
  • 00:11:34.280 --> 00:11:37.280
  • ABLE TO FLY AND BASICALLY GIVING
  • 00:11:39.090 --> 00:11:42.090
  • HIM RELEASE BECAUSE HE NEEDS TO
  • 00:11:42.090 --> 00:11:43.270
  • FLY AGAIN.
  • 00:11:43.270 --> 00:11:44.190
  • SHE SAYS, LIVING UNLOVED IS LIKE
  • 00:11:44.190 --> 00:11:47.070
  • CLIPPING A BIRD'S WINGS.
  • 00:11:47.070 --> 00:11:49.150
  • - WILL THIS MOVIE HELP PEOPLE
  • 00:11:49.150 --> 00:11:51.180
  • GO THROUGH THIS JOURNEY?
  • 00:11:51.180 --> 00:11:54.140
  • IS THAT WHY YOU DID THIS.
  • 00:11:54.140 --> 00:11:55.190
  • - I DID IT BECAUSE I'M TRYING
  • 00:11:55.190 --> 00:11:57.160
  • TO COMMUNICATE TO MY KIDS.
  • 00:11:57.160 --> 00:11:59.020
  • I WANT YOU TO KNOW THE GOD THAT
  • 00:11:59.020 --> 00:12:01.210
  • SHOWED UP ON MY HEART, NOT THE
  • 00:12:01.210 --> 00:12:04.030
  • GOD I GREW UP WITH.
  • 00:12:05.040 --> 00:12:08.040
  • THAT'S HAD MACKENSIE GETS THERE
  • 00:12:08.040 --> 00:12:10.140
  • HE LOSES IT.
  • 00:12:10.140 --> 00:12:11.140
  • HE SAYS I'M DONE AND I HATE YOU.
  • 00:12:11.140 --> 00:12:13.260
  • BECAUSE THE GOD HE THOUGHT
  • 00:12:13.260 --> 00:12:15.260
  • EXISTED DIDN'T SHOW UP.
  • 00:12:15.260 --> 00:12:17.090
  • I NOW BELIEVE IT'S BECAUSE THAT
  • 00:12:17.090 --> 00:12:19.160
  • GOD DOESN'T EXIST.
  • 00:12:19.160 --> 00:12:21.000
  • AND THAT'S THE GOD THE ATHEISTS
  • 00:12:21.150 --> 00:12:24.150
  • DON'T BELIEVE IN AND I AGREE.
  • 00:12:24.150 --> 00:12:27.070
  • SO NOW I'M IN A PLACE WHERE THE
  • 00:12:27.070 --> 00:12:29.220
  • GOD THAT DID SHOW UP IS MUCH
  • 00:12:29.220 --> 00:12:31.110
  • MORE REPRESENTED BY OCTAVIA
  • 00:12:32.090 --> 00:12:35.090
  • SPENCER AND WRAPS YOU AROUND IN
  • 00:12:35.090 --> 00:12:37.280
  • AN EMBRACE.
  • 00:12:37.280 --> 00:12:38.250
  • TO ANKER THE QUESTION THE MOVIE
  • 00:12:38.250 --> 00:12:40.190
  • IS GOING TO IMPACT IN A LOT OF
  • 00:12:40.190 --> 00:12:43.140
  • DIFFERENT PLACES, DEPENDING
  • 00:12:43.140 --> 00:12:44.230
  • WHERE THEY'RE AT.
  • 00:12:44.230 --> 00:12:45.180
  • THAT'S WHAT I TRUST.
  • 00:12:45.180 --> 00:12:46.270
  • I TRUST THE HOLY SPIRIT.
  • 00:12:46.270 --> 00:12:48.080
  • I DON'T WANT TO PLAY THE HOLY
  • 00:12:48.080 --> 00:12:49.160
  • SPIRIT.
  • 00:12:49.160 --> 00:12:50.000
  • AND I KNOW THAT FOR SOME IT'S
  • 00:12:50.000 --> 00:12:51.160
  • GOING TO BE ABSOLUTELY AFFIRMTH.
  • 00:12:51.160 --> 00:12:53.290
  • IT'S GOING TO COME AND COLLECT
  • 00:12:53.290 --> 00:12:55.260
  • THEIR TEARS AND THEY'RE GOING TO
  • 00:12:55.260 --> 00:12:57.290
  • SAY, YOUR TEARS, THEY MATTER.
  • 00:12:57.290 --> 00:12:59.050
  • - I OFTEN GET ASKED, HOW
  • 00:13:01.030 --> 00:13:04.030
  • AUTOBIOGRAPHICAL IS THE SHACK?
  • 00:13:04.030 --> 00:13:05.130
  • I DON'T THINK A WRITER CAN WRITE
  • 00:13:05.130 --> 00:13:08.020
  • MUCH FICTION WITHOUT PUTTING
  • 00:13:08.020 --> 00:13:10.090
  • THEMSELVES IN IT.
  • 00:13:10.090 --> 00:13:11.220
  • I'M WRITING A STORY FOR MY KIDS
  • 00:13:11.220 --> 00:13:13.100
  • AND I'M WRAPPING UP MY HISTORY
  • 00:13:13.100 --> 00:13:15.060
  • IN IT.
  • 00:13:15.060 --> 00:13:15.150
  • I HAD A WRITER FROM NASHVILLE
  • 00:13:16.000 --> 00:13:19.000
  • SENT ME AN EMAIL SHORTLY HALF IT
  • 00:13:19.000 --> 00:13:20.290
  • CAME OUT AND SAID, I DON'T KNOW
  • 00:13:20.290 --> 00:13:22.150
  • ANYTHING ABOUT YOU OR WHAT YOU
  • 00:13:22.150 --> 00:13:24.140
  • DID, I HAVE NO CLUE WHO YOU ARE
  • 00:13:24.140 --> 00:13:26.190
  • BUT MY SENSE IS THAT THIS
  • 00:13:26.190 --> 00:13:29.170
  • REPRESENTS SOMETHING MURDERED IN
  • 00:13:29.170 --> 00:13:31.030
  • YOU AS A CHILD.
  • 00:13:31.240 --> 00:13:34.240
  • MACKENSIE SEES IS YOU AS AN
  • 00:13:36.060 --> 00:13:39.060
  • ADULT TRYING TO FIGURE OUT TO
  • 00:13:39.060 --> 00:13:41.050
  • WRAP AROUND --
  • 00:13:41.050 --> 00:13:42.070
  • - TIME TO START PACKING UP.
  • 00:13:42.070 --> 00:13:44.110
  • - DO YOU THINK THE PRINCESS
  • 00:13:44.110 --> 00:13:46.270
  • SHOULD HAVE RED BOOTS OR BLUE?
  • 00:13:48.080 --> 00:13:51.080
  • - DADDY, RED OR BLUE?
  • 00:13:52.190 --> 00:13:55.190
  • - WHAT ELSE IS SHE WEARING.
  • 00:13:55.190 --> 00:13:57.090
  • - RED DRESS LIKE MINE.
  • 00:13:57.090 --> 00:13:59.130
  • - RED IT IS.
  • 00:13:59.130 --> 00:14:02.000
  • - IT'S BEAUTIFUL, HONEY.
  • 00:14:02.000 --> 00:14:04.090
  • - DADDY?
  • 00:14:04.090 --> 00:14:05.170
  • LOOK AT ME.
  • 00:14:07.130 --> 00:14:10.130
  • DADDY!
  • 00:14:10.130 --> 00:14:10.220
  • - THIS IS A VERY FRIENDLY
  • 00:14:10.220 --> 00:14:12.280
  • AUDIENCE.
  • 00:14:12.280 --> 00:14:13.110
  • THEY'RE FOR YOU, THEY'RE FOR
  • 00:14:13.110 --> 00:14:15.060
  • THIS FILM.
  • 00:14:15.060 --> 00:14:16.140
  • PEOPLE ARE GOING TO FLOCK TO THE
  • 00:14:16.140 --> 00:14:18.280
  • THEATERS THAT ARE WATCHING THIS
  • 00:14:18.280 --> 00:14:20.170
  • PARTICULAR INTERVIEW.
  • 00:14:20.170 --> 00:14:21.190
  • YOUR THOUGHTS THIS REGARD TO
  • 00:14:21.190 --> 00:14:22.270
  • THIS FILM TO THEM, TO THE
  • 00:14:22.270 --> 00:14:24.220
  • FRIENDLIES.
  • 00:14:24.220 --> 00:14:25.040
  • - IT'S A VERY HOPEFUL FILL.
  • 00:14:26.090 --> 00:14:29.090
  • WE'VE ALL EXPERIENCED SOME SENSE
  • 00:14:29.090 --> 00:14:31.070
  • OF LOSS OR GRIEF OR ANGER IN THE
  • 00:14:31.130 --> 00:14:34.130
  • WORLD AND IN OUR LIVES.
  • 00:14:34.130 --> 00:14:37.050
  • "THE SHACK" THAT'S WHAT IT IS.
  • 00:14:38.080 --> 00:14:41.080
  • IT'S A PARABLE.
  • 00:14:41.080 --> 00:14:43.020
  • FOR ALL THE GRIEF AND BITTERNESS
  • 00:14:43.020 --> 00:14:45.070
  • AND RESENTMENT WE BUILT UP IN
  • 00:14:45.070 --> 00:14:46.250
  • OUR LIVES WE CARRY AROUND WITH
  • 00:14:46.250 --> 00:14:49.110
  • US, WE BUILD A PLACE FOR IT TO
  • 00:14:49.110 --> 00:14:51.100
  • LIVE.
  • 00:14:51.100 --> 00:14:51.210
  • THIS FILM SHOWS HOW TO LET THAT
  • 00:14:51.210 --> 00:14:53.050
  • GO AND MOVE FORWARD.
  • 00:14:53.050 --> 00:14:54.100
  • YOU WON'T GET ALL THE ANSWERS
  • 00:14:54.100 --> 00:14:56.050
  • RIGHT AWAY.
  • 00:14:56.050 --> 00:14:56.250
  • JUST LIKE WE CAN'T GET ALL THE
  • 00:14:56.250 --> 00:14:58.270
  • ANSWERS FROM GOD STRAIGHT
  • 00:14:58.270 --> 00:15:00.240
  • AWAIVE.
  • 00:15:00.240 --> 00:15:01.050
  • IT TEACHES YOU HOW TO DO IT STEP
  • 00:15:01.050 --> 00:15:03.130
  • BY STEP, MOMENT BY MOMENT.
  • 00:15:03.130 --> 00:15:05.090
  • THAT'S ALL WE NEED.
  • 00:15:05.090 --> 00:15:05.250
  • - WE'RE HERE TO DO SOMETHING
  • 00:15:05.270 --> 00:15:08.270
  • THAT'S GOING TO BE VERY PAINFUL
  • 00:15:08.270 --> 00:15:10.140
  • - PLEASE DON'T.
  • 00:15:33.060 --> 00:15:33.200
  • - WE'RE ON HEALING PORTION OF
  • 00:15:33.200 --> 00:15:36.030
  • YOUR JOURNEY.
  • 00:15:36.030 --> 00:15:38.230
  • - YOU WANT ME TO FORGIVE YOU?
  • 00:15:43.000 --> 00:15:46.000
  • HE KILLED MY DAUGHTER.
  • 00:15:47.110 --> 00:15:50.110
  • I WANT TO HURT HIM.
  • 00:15:50.110 --> 00:15:52.110
  • I WANT HIM TO HURT LIKE HE HURT
  • 00:15:53.110 --> 00:15:56.110
  • ME.
  • 00:15:56.110 --> 00:15:56.190
  • I WANT YOU TO HURT HIM.
  • 00:15:56.190 --> 00:15:57.250
  • - YOU KNOW, I THINK IN OUR DAY
  • 00:15:58.290 --> 00:16:02.010
  • AND AGE, THAT PEOPLE CAN SAY,
  • 00:16:03.280 --> 00:16:06.280
  • I'M FINE, A LOT BUT I DON'T KNOW
  • 00:16:06.280 --> 00:16:09.110
  • THAT PEOPLE REALLY UNDERSTAND
  • 00:16:09.110 --> 00:16:12.110
  • WHAT THAT REALLY MEANS TO
  • 00:16:12.110 --> 00:16:14.030
  • SOMEONE AND WHAT THE TRUTH
  • 00:16:14.030 --> 00:16:16.240
  • BEHIND SAYING I'M SORRY.
  • 00:16:16.240 --> 00:16:19.160
  • OR SAYING I ACCEPT YOUR
  • 00:16:19.160 --> 00:16:22.070
  • FORGIVENESS.
  • 00:16:22.070 --> 00:16:22.200
  • THAT'S ALMOST MORE IMPORTANT
  • 00:16:22.200 --> 00:16:24.100
  • THAN FORGIVING SOMEONE THAN
  • 00:16:25.130 --> 00:16:28.130
  • ACCEPTING THEIR FORGIVENESS.
  • 00:16:28.130 --> 00:16:30.050
  • WE WANT TO STOMP OUR FEET AND
  • 00:16:30.050 --> 00:16:32.020
  • POINT FINGERS SO MUCH TODAY THAT
  • 00:16:32.020 --> 00:16:34.020
  • WE FORGET WHAT WE'RE HERE, WHAT
  • 00:16:34.020 --> 00:16:37.010
  • OUR PURPOSE IS TO LOVE ONE
  • 00:16:37.010 --> 00:16:38.280
  • ANOTHER AND BE SUPPORTIVE OF ONE
  • 00:16:38.280 --> 00:16:41.220
  • ANOTHER.
  • 00:16:41.220 --> 00:16:42.060
  • AND FIND WAY TO SAY LIFT EACH
  • 00:16:42.060 --> 00:16:43.240
  • OTHER UP.
  • 00:16:43.240 --> 00:16:45.040
  • I THINK THAT THAT'S WHY THIS
  • 00:16:45.040 --> 00:16:46.150
  • MOVIE IS GOING TO REALLY
  • 00:16:46.150 --> 00:16:48.170
  • RESONATE.
  • 00:16:48.170 --> 00:16:48.280
  • - I HAD A BIG MAN COME AND SLIP
  • 00:16:48.280 --> 00:16:51.110
  • ME A NOTE AT ONE OF THE PLACES I
  • 00:16:51.110 --> 00:16:52.290
  • WAS SPEAKING.
  • 00:16:52.290 --> 00:16:55.110
  • HE'S A BIG GUY GIVES ME A HUG,
  • 00:16:55.110 --> 00:16:58.080
  • SLIPS ME THIS NOTE AND HE
  • 00:16:58.080 --> 00:17:00.080
  • LEAVES.
  • 00:17:00.080 --> 00:17:00.180
  • I DON'T REMEMBER IT UNTIL THE
  • 00:17:00.180 --> 00:17:02.080
  • NEXT DAY.
  • 00:17:02.080 --> 00:17:04.130
  • OJ ONE SIDE ARE TWO PAGES ALL
  • 00:17:05.140 --> 00:17:08.140
  • REECE THE SHACK IS HERACY.
  • 00:17:08.150 --> 00:17:11.150
  • OTHER SIDES IS HAND I DIDN'T
  • 00:17:11.150 --> 00:17:12.280
  • TELLEN NOTE, PAUL, I DIDN'T COME
  • 00:17:12.280 --> 00:17:15.220
  • HERE TONIGHT EXPECTING TO RUN
  • 00:17:15.220 --> 00:17:17.130
  • INTO THE LOVE OF GOD.
  • 00:17:17.130 --> 00:17:18.210
  • I CAME HERE TO WARN GOD'S PEOPLE
  • 00:17:18.210 --> 00:17:21.160
  • ABOUT THE WOLFE IN SHEEP'S
  • 00:17:21.160 --> 00:17:24.120
  • CLOTHING.
  • 00:17:24.120 --> 00:17:24.240
  • I NEED SOME HELP.
  • 00:17:24.240 --> 00:17:26.220
  • I DON'T KNOW WHAT THE LOVE OF
  • 00:17:26.220 --> 00:17:28.030
  • GOD IS.
  • 00:17:28.030 --> 00:17:29.060
  • I'VE BEEN IN THE MINISTRY FOR 42
  • 00:17:29.060 --> 00:17:32.010
  • YEARS AND I DON'T KNOW WHAT JOHN
  • 00:17:32.010 --> 00:17:34.220
  • 17 IS TALKING ABOUT WHEN IT
  • 00:17:34.220 --> 00:17:36.280
  • REFERS TO THE LOVE OF GOD.
  • 00:17:36.280 --> 00:17:39.020
  • THAT'S THE SITUATION A LOT OF US
  • 00:17:39.020 --> 00:17:40.180
  • ARE IN.
  • 00:17:40.180 --> 00:17:41.270
  • WHEN YOU WRITE A BOOK, YOU NEVER
  • 00:17:41.270 --> 00:17:43.130
  • KNOW HOW IT'S GOING TO IMPACT MY
  • 00:17:43.130 --> 00:17:45.170
  • KIDS AND THOAN HOW IT SPILLED
  • 00:17:45.170 --> 00:17:47.260
  • OVER.
  • 00:17:47.260 --> 00:17:48.080
  • BUT I MADE A LITTLE TURN OF
  • 00:17:48.080 --> 00:17:50.110
  • PHRASE THAT BECAME REALLY
  • 00:17:50.110 --> 00:17:53.060
  • SIGNIFICANT.
  • 00:17:53.060 --> 00:17:53.180
  • WE'VE AWLD THAT WELL, GOD LOVES
  • 00:17:53.180 --> 00:17:55.220
  • YOU.
  • 00:17:55.220 --> 00:17:56.070
  • BUT IT'S KIND OF LIKE, WELL, GOD
  • 00:17:56.070 --> 00:17:59.040
  • LOVES EVERYONE.
  • 00:17:59.040 --> 00:18:00.270
  • AND I CHANGED IT, I MOVED IT
  • 00:18:00.270 --> 00:18:02.010
  • FROM THE SUBJECT GOD WHO LOVES
  • 00:18:02.010 --> 00:18:04.210
  • TO THE OBJECT, YOU.
  • 00:18:05.060 --> 00:18:08.060
  • AND I TURNED THE PHRASE AND IT
  • 00:18:08.060 --> 00:18:09.280
  • CAME OUT, I'M ESPECIALLY FOND OF
  • 00:18:11.210 --> 00:18:14.210
  • YOU.
  • 00:18:14.210 --> 00:18:15.120
  • THAT WAS A GAME CHANGER.
  • 00:18:15.120 --> 00:18:17.260
  • WE KNOW GOD LOVES US BUT WE
  • 00:18:17.260 --> 00:18:20.010
  • THINK WE'RE ONE OF A MASS OF
  • 00:18:20.010 --> 00:18:22.080
  • BILLIONS OF PEOPLE.
  • 00:18:22.080 --> 00:18:24.080
  • THE ONE MATTER, LEAD THE 9 D --
  • 00:18:25.230 --> 00:18:28.230
  • LEAVE THE 991 FOR THE THE ONE.
  • 00:18:28.230 --> 00:18:31.050
  • I'M THE ONE.
  • 00:18:32.040 --> 00:18:35.040
  • IS ESPECIALLY FOND OF ME AND PA
  • 00:18:35.040 --> 00:18:37.050
  • ',A IS ESPECIALLY FOND OF YOU.
  • 00:18:37.050 --> 00:18:38.240
  • - I KNOW.
  • 00:18:44.180 --> 00:18:47.180
  • MAY NOT BELIEVE IT.
  • 00:18:47.180 --> 00:18:49.280
  • I AM ESPECIALLY FOND OF YOU.
  • 00:18:54.050 --> 00:18:57.050
  • I WANT TO HEAL THAT WOUND.
  • 00:18:58.260 --> 00:19:01.280
  • GROWING INSIDE YOU BETWEEN US.
  • 00:19:02.030 --> 00:19:05.030
  • THERE'S NO EASY ANSWER TO TAKE
  • 00:19:05.030 --> 00:19:07.010
  • YOUR PAIN AWAY.
  • 00:19:07.010 --> 00:19:07.150
  • - WHAT IMPACTED DID THIS MOVIE
  • 00:19:08.200 --> 00:19:11.200
  • HAVE ON YOU?
  • 00:19:11.200 --> 00:19:12.080
  • - I REALIZED I THOUGHT I WAS A
  • 00:19:12.080 --> 00:19:14.250
  • PATIENT PERSON AND I THOUGHT I
  • 00:19:14.250 --> 00:19:16.230
  • WAS A FORGIVING PERSON BUT UNTIL
  • 00:19:17.180 --> 00:19:20.180
  • YOU CAST YOURSELF IN THE ROLE OF
  • 00:19:20.180 --> 00:19:22.120
  • GOD AND HAVE THE WEIGHT OF THE
  • 00:19:22.120 --> 00:19:25.040
  • WORLD ON YOUR SHOULDERS, YOU
  • 00:19:25.040 --> 00:19:26.210
  • REALLY DON'T KNOW WHAT TRUE
  • 00:19:26.210 --> 00:19:28.220
  • FORGIVENESS IS AND WHAT TRUE
  • 00:19:28.220 --> 00:19:30.160
  • PATIENCE IS.
  • 00:19:30.160 --> 00:19:31.200
  • I UNDERSTAND THAT -- ON THE LORD
  • 00:19:31.200 --> 00:19:34.130
  • A LOT BETTER THESE DAYS.
  • 00:19:34.130 --> 00:19:35.210
  • - AID VISCERAL REACTION TO
  • 00:19:36.040 --> 00:19:39.040
  • THIS.
  • 00:19:39.040 --> 00:19:39.160
  • RATHER CAN READ THINGS
  • 00:19:39.160 --> 00:19:42.030
  • INTELLECTUALLY LIKE THE PLOT
  • 00:19:42.030 --> 00:19:44.210
  • EMOTIONALLY DETACH FROM IT.
  • 00:19:44.210 --> 00:19:46.150
  • I HAVE A YOUNG FAMILY.
  • 00:19:46.150 --> 00:19:49.030
  • I IDENTIFIED WHAT WOULD HAPPEN
  • 00:19:49.030 --> 00:19:50.150
  • IF PART OF THAT FAMILY WAS TAKEN
  • 00:19:50.150 --> 00:19:52.170
  • AWAY FROM ME.
  • 00:19:52.170 --> 00:19:54.230
  • THEN WHEN YOU THE EXPLANATION OF
  • 00:19:54.230 --> 00:19:56.130
  • WHAT HE GOES THROUGH WITH PAPA
  • 00:19:56.130 --> 00:19:59.070
  • AND JESUS AND THE HOLY SPIRIT,
  • 00:19:59.070 --> 00:20:01.050
  • IT'S KIND OF LIKE I HAD THOSE
  • 00:20:01.050 --> 00:20:03.240
  • ARGUMENTS.
  • 00:20:03.240 --> 00:20:04.060
  • I WANTED TO GO INTO THAT WORLD
  • 00:20:04.060 --> 00:20:05.020
  • AND TRY TO QUESTION IT AND USE
  • 00:20:05.020 --> 00:20:07.040
  • THE MATERIAL ALMOST IN A WAY FOR
  • 00:20:07.040 --> 00:20:10.000
  • MYSELF.
  • 00:20:10.000 --> 00:20:11.010
  • THIS IS THE IN THE MOVIE LIKE
  • 00:20:11.010 --> 00:20:12.190
  • GOING TO A THERAPY SESSION TO BE
  • 00:20:13.020 --> 00:20:16.020
  • GOD.
  • 00:20:16.020 --> 00:20:16.170
  • I KIND OF THOUGHT THESE
  • 00:20:16.170 --> 00:20:18.090
  • QUESTIONS THAT YOU NEVER ARE
  • 00:20:18.090 --> 00:20:20.070
  • GOING TO GET THE OPPORTUNITY TO
  • 00:20:20.070 --> 00:20:21.160
  • GET ANSWERED IN YOUR REAL LIFE.
  • 00:20:21.160 --> 00:20:24.050
  • THIS IS THE OPPORTUNITY TO GET
  • 00:20:24.050 --> 00:20:25.220
  • THE ANSWERS.
  • 00:20:25.220 --> 00:20:26.190
  • EVEN IF HE DOESN'T FULLY
  • 00:20:26.190 --> 00:20:29.000
  • UNDERSTAND OR LIKE THE ANSWERS.
  • 00:20:29.000 --> 00:20:30.140
  • THAT INTRIGUED ME.
  • 00:20:30.140 --> 00:20:31.040
  • - YOU'RE THE ALMIGHTY GOD,
  • 00:20:33.030 --> 00:20:36.030
  • RIGHT?
  • 00:20:36.030 --> 00:20:36.170
  • YOU KNOW EVERYTHING?
  • 00:20:36.170 --> 00:20:39.030
  • YOU'RE EVERYWHERE, ALL AT ONCE.
  • 00:20:39.110 --> 00:20:42.110
  • YOU HAVE LIMITLESS POWER.
  • 00:20:44.190 --> 00:20:47.190
  • AND SOMEHOW, YOU LET MY LITTLE
  • 00:20:48.210 --> 00:20:51.210
  • GIRL DIE.
  • 00:20:52.140 --> 00:20:55.140
  • WHEN SHE NEEDED YOU MOST.
  • 00:20:55.280 --> 00:20:58.280
  • YOU ABANDONED HER.
  • 00:21:00.050 --> 00:21:03.050
  • - I KNOW HOW THAT FELT.
  • 00:21:03.050 --> 00:21:05.280
  • - IF YOU ARE WHO YOU SAY YOU
  • 00:21:08.020 --> 00:21:11.020
  • ARE, WHERE WERE YOU WHEN I
  • 00:21:11.020 --> 00:21:13.290
  • NEEDED YOU?
  • 00:21:16.190 --> 00:21:19.190
  • - WHEN ALL YOU SEE IS THE PAIN,
  • 00:21:21.000 --> 00:21:24.000
  • YOU LOSE SIGHT OF ME.
  • 00:21:24.000 --> 00:21:25.250
  • - I THINK IT WAS LEEANN PANS
  • 00:21:28.070 --> 00:21:31.070
  • WHO SAID THE UNCONFESSED IS THE
  • 00:21:31.150 --> 00:21:34.150
  • UNHEALED.
  • 00:21:34.150 --> 00:21:34.260
  • WE HAVE TO LEARN TO TALK ABOUT
  • 00:21:34.260 --> 00:21:37.120
  • OUR GREAT SADNESSES.
  • 00:21:37.120 --> 00:21:38.280
  • WE HAVE TO FIND A WAY TO LET
  • 00:21:39.020 --> 00:21:42.020
  • SOMEBODY INTO THAT SPACE.
  • 00:21:42.290 --> 00:21:45.290
  • WE'RE DESIGNED TO BE IN
  • 00:21:45.290 --> 00:21:47.150
  • COMMUNITY.
  • 00:21:47.150 --> 00:21:47.260
  • WE'VE NEVER BEEN DESIGNED TO BE
  • 00:21:47.260 --> 00:21:50.200
  • ALONE.
  • 00:21:50.200 --> 00:21:50.290
  • WE HAVE TO BEGIN TO TAKE THE
  • 00:21:50.290 --> 00:21:53.120
  • RISK OF TELLING THE TRUTH.
  • 00:21:54.000 --> 00:21:57.000
  • OF SPEAKING THINGS THAT ARE REAL
  • 00:21:57.270 --> 00:22:00.290
  • OF GOING BACK INTO OUR HISTORIES
  • 00:22:01.080 --> 00:22:04.080
  • AND INTO OUR SHACKS AND TALKING
  • 00:22:04.080 --> 00:22:06.290
  • ABOUT OUR GREAT SADNESS.
  • 00:22:06.290 --> 00:22:08.190
  • - SOMEONE WATCHING RIGHT NOW,
  • 00:22:08.190 --> 00:22:10.140
  • CAN YOU HELP THEM?
  • 00:22:10.140 --> 00:22:11.100
  • WOULD YOU PRAY FOR THEM, PLEASE?
  • 00:22:11.100 --> 00:22:13.000
  • - I WOULD LOVE TO. LET ME SAY
  • 00:22:13.010 --> 00:22:16.010
  • PRAYER IS NOT MAGIC.
  • 00:22:16.010 --> 00:22:18.070
  • PRAYER IS A CONVERSATION.
  • 00:22:18.070 --> 00:22:21.070
  • AND IN EVERY CONVERSATION THERE
  • 00:22:21.080 --> 00:22:24.080
  • IS SPEAKING AND PROCESSING AND
  • 00:22:24.080 --> 00:22:27.080
  • LISTENING.
  • 00:22:27.080 --> 00:22:27.200
  • A LOT OF PEOPLE FORGET THAT
  • 00:22:27.200 --> 00:22:28.270
  • LISTENING IS PART OF PRAYER.
  • 00:22:28.270 --> 00:22:30.200
  • AND I THINK PRAYER IS HAPPENING
  • 00:22:30.200 --> 00:22:32.250
  • ALL THE TIME, INTERACTIONS GOING
  • 00:22:32.250 --> 00:22:35.050
  • IN OUR HEART AND OUR HEADS.
  • 00:22:35.050 --> 00:22:37.160
  • DON'T DISCOUNT THAT YOU HAVE AN
  • 00:22:37.160 --> 00:22:39.020
  • ABILITY TO HEAR GOD SPEAK TO
  • 00:22:39.020 --> 00:22:41.190
  • YOU.
  • 00:22:41.190 --> 00:22:42.010
  • YOU DO.
  • 00:22:42.010 --> 00:22:42.270
  • GOD IS NOT A BAD COMMUNICATOR.
  • 00:22:42.270 --> 00:22:45.230
  • GOD IS A VERY GOOD COMMUNICATOR.
  • 00:22:45.230 --> 00:22:48.140
  • NOT ONLY THAT, KNOWS YOUR
  • 00:22:48.140 --> 00:22:50.250
  • LANGUAGE.
  • 00:22:50.250 --> 00:22:51.070
  • KNOWS YOUR LANGUAGE, NOT MY
  • 00:22:51.070 --> 00:22:53.020
  • LANGUAGE, NOT PAUL YOUNG'S.
  • 00:22:53.020 --> 00:22:55.190
  • GOD KNOWS PAUL YOUNG'S LANGUAGE
  • 00:22:55.190 --> 00:22:57.100
  • AND HE TALKS TO ME IN PAUL
  • 00:22:57.100 --> 00:23:00.110
  • YOUNG'S LANGUAGE.
  • 00:23:00.110 --> 00:23:00.260
  • I HAD A LONG WAY TO GO TO TRUST
  • 00:23:01.080 --> 00:23:04.080
  • MY' BUILT TO HEAR.
  • 00:23:04.080 --> 00:23:05.140
  • I'M TELLING YOU, YOU CAN HEAR
  • 00:23:05.140 --> 00:23:06.230
  • BUT IT'S SO NORMAL WHAT YOU HEAR
  • 00:23:06.230 --> 00:23:09.070
  • THAT YOU DISCOUNTED IT AND YOU
  • 00:23:09.070 --> 00:23:11.130
  • THINK YOU CAN HEAR IT LIKE
  • 00:23:11.130 --> 00:23:12.290
  • SOMEBODY ELSE SO I WOULD LOVE TO
  • 00:23:12.290 --> 00:23:14.270
  • PRAY WITH YOU.
  • 00:23:14.270 --> 00:23:16.180
  • I'M NOT -- I DON'T WANT TO PRAY
  • 00:23:16.180 --> 00:23:19.040
  • AT YOU.
  • 00:23:19.040 --> 00:23:20.240
  • AND FRANKLY, I DON'T KNOW THE
  • 00:23:20.240 --> 00:23:22.070
  • MYSTERY OF WHAT YOU'RE FACING.
  • 00:23:22.080 --> 00:23:25.080
  • I DON'T KNOW WHAT'S RIGHT IN
  • 00:23:25.080 --> 00:23:26.280
  • FRONT OF YOU.
  • 00:23:26.280 --> 00:23:28.060
  • IF IT'S ALL REALLY COMPLICATED
  • 00:23:28.060 --> 00:23:30.200
  • RIGHT FOW FOR YOU, SIMPLIFY IT.
  • 00:23:30.200 --> 00:23:33.000
  • TALK TO GOD ABOUT ONE THING.
  • 00:23:33.000 --> 00:23:34.250
  • HOLY SPIRIT, HELP US ALL, HELP
  • 00:23:34.250 --> 00:23:37.090
  • ME TO JUST STAY INSIDE THE TRUTH
  • 00:23:38.160 --> 00:23:41.160
  • WITH JESUS AND REST THERE AND
  • 00:23:41.210 --> 00:23:44.210
  • ALLOW JESUS TO BE MY PEACE, TO
  • 00:23:44.210 --> 00:23:47.170
  • BE MY WHOLENESS, TO MOVE ME FROM
  • 00:23:47.170 --> 00:23:50.010
  • THIS DAY JUST IN THE CONTEXT OF
  • 00:23:50.010 --> 00:23:52.050
  • THIS DAY ONE STEP FORWARD.
  • 00:23:52.280 --> 00:23:55.280
  • WHATEVER IT IS THAT THE HOLY
  • 00:23:55.280 --> 00:23:57.170
  • SPIRIT BRINGS TO MIND.
  • 00:23:57.170 --> 00:23:59.070
  • THE RELATIONSHIP IS ALL ABOUT --
  • 00:23:59.070 --> 00:24:01.130
  • MAYBE IT'S BITTERNESS.
  • 00:24:01.130 --> 00:24:03.260
  • MAYBE IT'S A CONVERSATION THAT
  • 00:24:03.260 --> 00:24:05.010
  • YOU JUST HAVE IMAGINED AND NOW
  • 00:24:05.250 --> 00:24:08.250
  • YOU WANT TO SEE WHETHER YOU'RE
  • 00:24:08.250 --> 00:24:10.150
  • EVEN RIGHT OR WRONG.
  • 00:24:10.150 --> 00:24:11.110
  • WE HAVE ALL OF THESE THINGS THAT
  • 00:24:11.110 --> 00:24:12.200
  • WE DO AS HUMAN BEINGS THAT
  • 00:24:12.200 --> 00:24:15.030
  • MATTER BECAUSE WE ARE SO MUCH
  • 00:24:15.050 --> 00:24:18.050
  • MORE INCREDIBLY CRAFTED THAN WE
  • 00:24:18.050 --> 00:24:20.070
  • THINK WE ARE.
  • 00:24:20.070 --> 00:24:22.200
  • WE'RE A MAGNIFICENT CREATION IN
  • 00:24:22.200 --> 00:24:25.200
  • GOD HAS A HUE VIEW OF WHO YOU
  • 00:24:25.200 --> 00:24:28.080
  • ARE.
  • 00:24:28.080 --> 00:24:29.040
  • YOUR CHOICES ABSOLUTELY MATTER.
  • 00:24:29.040 --> 00:24:31.210
  • YOU CHOICE TO HOLD THE
  • 00:24:31.210 --> 00:24:34.120
  • BITTERNESS.
  • 00:24:34.120 --> 00:24:34.250
  • YOUR CHOICE TO HOLD THE GRUDGE,
  • 00:24:34.250 --> 00:24:36.150
  • YOUR CHOICE TO NOT FORGIVE, YOUR
  • 00:24:36.150 --> 00:24:39.020
  • CHOICE TO BE KIND, GOD GRANTS
  • 00:24:39.050 --> 00:24:42.050
  • YOU THE ABILITY TO SIT DOWN
  • 00:24:42.050 --> 00:24:44.140
  • INSIDE THE GRACE OF JUSTICE JUST
  • 00:24:44.140 --> 00:24:47.030
  • FOR TODAY, NOT FOR SOME
  • 00:24:47.030 --> 00:24:48.250
  • IMAGINATION THAT DOESN'T EXIST.
  • 00:24:48.250 --> 00:24:50.210
  • SPEND TODAY'S GRACE ON JUST
  • 00:24:50.210 --> 00:24:52.170
  • TODAY AND MAY THE HOLY SPIRIT
  • 00:24:52.170 --> 00:24:54.040
  • GRANT YOU THE ABILITY TO AGREE
  • 00:24:54.090 --> 00:24:57.090
  • WITH THAT.
  • 00:24:57.090 --> 00:24:58.010
  • - OKAY.
  • 00:24:58.010 --> 00:25:00.260
  • YOU'RE EXPERIENCING "THE SHACK"
  • 00:25:00.260 --> 00:25:02.190
  • WE ARE HERE IN BIG SKY, MONTANA
  • 00:25:02.190 --> 00:25:05.070
  • AND WE ARE ALL ABOUT THE NEW
  • 00:25:05.070 --> 00:25:06.190
  • EPISODES THAT ARE COMING RIGHT
  • 00:25:06.190 --> 00:25:07.200
  • HERE TO TRINITY BROADCASTING.
  • 00:25:07.290 --> 00:25:10.290
  • TAKE A LOOK AT THIS PIECE.
  • 00:25:10.290 --> 00:25:12.020
  • - MY NAME 70 PAUL YOUNG, AND
  • 00:25:12.030 --> 00:25:15.030
  • I'M 8 AUTHOR OF "THE SHACK" I
  • 00:25:15.030 --> 00:25:17.170
  • WANT TO INVITE YOU ON AN
  • 00:25:17.170 --> 00:25:19.160
  • ADVENTURE WITH ME AND WITH THE
  • 00:25:19.160 --> 00:25:21.040
  • BOOK.
  • 00:25:21.040 --> 00:25:21.130
  • A LOT OF YOU HAVE READ IT AND
  • 00:25:21.130 --> 00:25:22.150
  • YOU HAVE QUESTIONS.
  • 00:25:22.150 --> 00:25:24.010
  • SOME OF YOU HAVE JUST HEARD
  • 00:25:24.010 --> 00:25:24.290
  • ABOUT IT AND YOU HAVE QUESTIONS.
  • 00:25:24.290 --> 00:25:27.190
  • THIS IS A BOOK THAT ALLOW US US
  • 00:25:28.120 --> 00:25:31.120
  • TO EXPLORE RELATIONSHIP WITH THE
  • 00:25:31.120 --> 00:25:32.180
  • FATHER, SON AND HOLY SPIRIT.
  • 00:25:32.180 --> 00:25:35.030
  • QUESTIONS THAT WE HAVE ABOUT
  • 00:25:35.030 --> 00:25:37.030
  • HURT AND LOSS AND GRIEF.
  • 00:25:37.030 --> 00:25:38.280
  • QUESTIONS ABOUT WONDER AND
  • 00:25:38.280 --> 00:25:41.000
  • BEAUTY AND JOY.
  • 00:25:41.000 --> 00:25:42.290
  • WHAT DOES IT MEAN TO LIVE A LIFE
  • 00:25:42.290 --> 00:25:45.200
  • OF FAITH?
  • 00:25:45.200 --> 00:25:46.180
  • WHAT DO WE DO ABOUT DEATH?
  • 00:25:46.180 --> 00:25:49.060
  • WHY DO TRAGIC THINGS HAPPEN TO
  • 00:25:50.030 --> 00:25:53.030
  • US?
  • 00:25:53.030 --> 00:25:53.170
  • THESE ARE THE QUESTIONS THAT WE
  • 00:25:53.170 --> 00:25:55.130
  • WANT TO EXPLORE AND I WOULD LOVE
  • 00:25:55.130 --> 00:25:57.140
  • YOU TO COME WITH ME.
  • 00:25:57.140 --> 00:25:59.060