Huckabee | March 14, 2020 | TBN

Huckabee | March 14, 2020

Watch Huckabee | March 14, 2020
March 14, 2020
50:29

Attorney Christiana Holcomb fights for women's rights; comedian Tom McTiernan; legendary actor John Rhys-Davies; photography with purpose from Jeremy Cowart; and Dennis Scott and The Cowsills perform.

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Huckabee | March 14, 2020

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  • .
  • 00:00:10.439 --> 00:00:12.942
  • .- TONIGHT ON HUCKABEE.
  • 00:00:12.942 --> 00:00:15.011
  • - TONIGHT ON HUCKABEE.THE BATTLE OVERWHELMS SPORTS AND
  • 00:00:15.011 --> 00:00:19.281
  • THE BATTLE OVERWHELMS SPORTS ANDTRANSGENDER.
  • 00:00:19.281 --> 00:00:26.689
  • TRANSGENDER.ACTOR JOHN REESE TKAáEFS
  • 00:00:26.689 --> 00:00:29.325
  • ACTOR JOHN REESE TKAáEFSPORTRAYS SAINT PATRICK.
  • 00:00:29.325 --> 00:00:31.727
  • PORTRAYS SAINT PATRICK.CELEBRATE MISTER ROGERS WITH THE
  • 00:00:31.727 --> 00:00:33.763
  • CELEBRATE MISTER ROGERS WITH THECOWSILLS.
  • 00:00:33.763 --> 00:00:39.268
  • COWSILLS.THAT'S THE TRE CORIE AND THE
  • 00:00:39.268 --> 00:00:42.304
  • THAT'S THE TRE CORIE AND THEMUSIC CITY CONNECTION.
  • 00:00:42.304 --> 00:00:46.208
  • MUSIC CITY CONNECTION.AND I'M YOUR ANNOUNCER KEITH
  • 00:00:46.208 --> 00:00:48.377
  • AND I'M YOUR ANNOUNCER KEITHBILBREY.
  • 00:00:48.377 --> 00:00:49.512
  • BILBREY.NOW, HERE'S MIKE HUCKABEE.
  • 00:00:49.512 --> 00:00:50.913
  • NOW, HERE'S MIKE HUCKABEE.- HELLO, EVERYBODY.
  • 00:00:50.913 --> 00:00:52.415
  • - HELLO, EVERYBODY.DELIGHTED TO HAVE YOU HERE.
  • 00:00:52.415 --> 00:00:53.816
  • DELIGHTED TO HAVE YOU HERE.WHAT IS UP WITH TRE CORLEY
  • 00:00:53.816 --> 00:00:55.551
  • WHAT IS UP WITH TRE CORLEYTONIGHT?
  • 00:00:55.551 --> 00:00:56.652
  • TONIGHT?HE'S WEARING A MASK.
  • 00:00:56.652 --> 00:01:01.824
  • HE'S WEARING A MASK.- I WAS TOLD YOU HAVE COO DES.
  • 00:01:01.824 --> 00:01:03.526
  • - I WAS TOLD YOU HAVE COO DES.- UNBELIEVABLE.
  • 00:01:03.526 --> 00:01:05.294
  • - UNBELIEVABLE.I'M GLAD HE'S WEARING IT FOR HIS
  • 00:01:05.294 --> 00:01:06.896
  • I'M GLAD HE'S WEARING IT FOR HISBENEFIT NOT MINE.
  • 00:01:06.896 --> 00:01:08.531
  • BENEFIT NOT MINE.THIS CORONA-VIRUS IS HAVING AN
  • 00:01:08.531 --> 00:01:10.933
  • THIS CORONA-VIRUS IS HAVING ANIMPACT ON ALL OUR LIVES.
  • 00:01:10.933 --> 00:01:13.769
  • IMPACT ON ALL OUR LIVES.STOCK MARKET IN FREE FALL OF
  • 00:01:13.769 --> 00:01:15.538
  • STOCK MARKET IN FREE FALL OFUNCERTAINTY HOW MANY WILL GET
  • 00:01:15.538 --> 00:01:17.440
  • UNCERTAINTY HOW MANY WILL GETSICK AND THE ECONOMY ESPECIALLY
  • 00:01:17.440 --> 00:01:23.546
  • SICK AND THE ECONOMY ESPECIALLYTHE TRAVEL INDUSTRY.
  • 00:01:23.546 --> 00:01:26.615
  • THE TRAVEL INDUSTRY.CRUISE SHIPS ARE EMPTY AND
  • 00:01:26.615 --> 00:01:28.551
  • CRUISE SHIPS ARE EMPTY ANDCOUNTRIES LIKE ITALY ARE
  • 00:01:28.551 --> 00:01:31.320
  • COUNTRIES LIKE ITALY ARESHUTTING DOWN AND MAJOR EVENTS
  • 00:01:31.320 --> 00:01:32.888
  • SHUTTING DOWN AND MAJOR EVENTSBEING CANCELED LIKE SOUTHWEST
  • 00:01:32.888 --> 00:01:39.195
  • BEING CANCELED LIKE SOUTHWESTFESTIVAL IN AUSTIN.
  • 00:01:39.195 --> 00:01:41.397
  • FESTIVAL IN AUSTIN.PUBLIC EVENTS I SEE PEOPLE
  • 00:01:41.397 --> 00:01:44.200
  • PUBLIC EVENTS I SEE PEOPLEPREFER A WAVE INSTEAD OF
  • 00:01:44.200 --> 00:01:49.105
  • PREFER A WAVE INSTEAD OFCUSTOMARY HANDSHAKE.
  • 00:01:49.105 --> 00:01:52.575
  • CUSTOMARY HANDSHAKE.I'M FINDING MORE OF THE AUDIENCE
  • 00:01:52.575 --> 00:01:54.009
  • I'M FINDING MORE OF THE AUDIENCEPREFERS A HELLO RATHER THAN
  • 00:01:54.009 --> 00:01:55.644
  • PREFERS A HELLO RATHER THANSHAKING HANDS AS WELL.
  • 00:01:55.644 --> 00:01:57.246
  • SHAKING HANDS AS WELL.I THINK IT'S BECAUSE THERE'S
  • 00:01:57.246 --> 00:01:59.281
  • I THINK IT'S BECAUSE THERE'SRUMORS ABOUT ME.
  • 00:01:59.281 --> 00:02:05.754
  • RUMORS ABOUT ME.NOT THAT I HAVE CORONA-VIRUS BUT
  • 00:02:05.754 --> 00:02:06.789
  • NOT THAT I HAVE CORONA-VIRUS BUTTHAT I HAVE COO DES.
  • 00:02:06.789 --> 00:02:09.658
  • THAT I HAVE COO DES.THAT'S PAINFUL.
  • 00:02:09.658 --> 00:02:10.593
  • THAT'S PAINFUL.MEDICAL ADVICE HASN'T BEEN
  • 00:02:10.593 --> 00:02:11.527
  • MEDICAL ADVICE HASN'T BEENCONSISTENT IN THAT.
  • 00:02:11.527 --> 00:02:19.335
  • CONSISTENT IN THAT.DON'T WORRY.
  • 00:02:19.335 --> 00:02:20.636
  • DON'T WORRY.ONE THING AGREED UPON WASH YOUR
  • 00:02:20.636 --> 00:02:22.371
  • ONE THING AGREED UPON WASH YOURHANDS A LOT.
  • 00:02:22.371 --> 00:02:25.107
  • HANDS A LOT.THE ONE SECTOR OF OUR ECONOMY
  • 00:02:25.107 --> 00:02:29.011
  • THE ONE SECTOR OF OUR ECONOMYTHAT'S BOOMING THE SALE OF HAND
  • 00:02:29.011 --> 00:02:29.778
  • THAT'S BOOMING THE SALE OF HANDSANITIZEERS AND DISINFECTANT
  • 00:02:29.778 --> 00:02:30.146
  • SANITIZEERS AND DISINFECTANTWIPES.
  • 00:02:30.146 --> 00:02:32.414
  • WIPES.SOLD OUT EVERYWHERE.
  • 00:02:32.414 --> 00:02:35.518
  • SOLD OUT EVERYWHERE.THERE'S EVAN INSTRUCTIONS HOW TO
  • 00:02:35.518 --> 00:02:43.292
  • THERE'S EVAN INSTRUCTIONS HOW TOMAKE YOUR OWN SANITIZERS BY
  • 00:02:43.292 --> 00:02:46.228
  • MAKE YOUR OWN SANITIZERS BYMIXING WITH GEL OR VODKA.
  • 00:02:46.228 --> 00:02:50.366
  • MIXING WITH GEL OR VODKA.IF YOU SEE BAPTIST FRIENDS AT
  • 00:02:50.366 --> 00:02:52.301
  • IF YOU SEE BAPTIST FRIENDS ATTHE LIQUOR STORE BUYING UP BOOZE
  • 00:02:52.301 --> 00:02:55.971
  • THE LIQUOR STORE BUYING UP BOOZEI'M SURE THERE THERE TO GET THE
  • 00:02:55.971 --> 00:03:00.409
  • I'M SURE THERE THERE TO GET THEINGREDIENTS FOR HAND SANITIZER.
  • 00:03:00.409 --> 00:03:02.244
  • INGREDIENTS FOR HAND SANITIZER.BOY ARE THEY LICKING THEIR
  • 00:03:02.244 --> 00:03:05.681
  • BOY ARE THEY LICKING THEIRFINGERS A LOT WHEN THEY DO IT.
  • 00:03:05.681 --> 00:03:06.715
  • FINGERS A LOT WHEN THEY DO IT.I DON'T MEAN TO MAKE LIGHT OF
  • 00:03:06.715 --> 00:03:07.816
  • I DON'T MEAN TO MAKE LIGHT OFIT.
  • 00:03:07.816 --> 00:03:09.318
  • IT.IT IS A SERIOUS ISSUE.
  • 00:03:09.318 --> 00:03:12.087
  • IT IS A SERIOUS ISSUE.WHILE I TAKE ALL THE PRECAUTIONS
  • 00:03:12.087 --> 00:03:13.722
  • WHILE I TAKE ALL THE PRECAUTIONSI CAN, I'M NOT GOING TO STOP
  • 00:03:13.722 --> 00:03:15.558
  • I CAN, I'M NOT GOING TO STOPLIVING MY LIFE OUT OF FEAR OF
  • 00:03:15.558 --> 00:03:16.258
  • LIVING MY LIFE OUT OF FEAR OFWHAT MIGHT HAPPEN.
  • 00:03:16.258 --> 00:03:23.966
  • WHAT MIGHT HAPPEN.I WON'T.
  • 00:03:23.966 --> 00:03:26.035
  • I WON'T.[INAUDIBLE]
  • 00:03:26.035 --> 00:03:29.205
  • [INAUDIBLE]I WON'T BE DRINKING OUT OF WATER
  • 00:03:29.205 --> 00:03:31.440
  • I WON'T BE DRINKING OUT OF WATERBOTTLES PEOPLE HAVE LEFT OPEN
  • 00:03:31.440 --> 00:03:34.310
  • BOTTLES PEOPLE HAVE LEFT OPENAND HALF USED IN THE SEAT BACK
  • 00:03:34.310 --> 00:03:38.948
  • AND HALF USED IN THE SEAT BACKPOCKETS ANYMORE.
  • 00:03:38.948 --> 00:03:44.320
  • POCKETS ANYMORE.BUT I ALWAYS WASH MY HANDS A LOT
  • 00:03:44.320 --> 00:03:49.858
  • BUT I ALWAYS WASH MY HANDS A LOTAND SCRUB LIKE A SURGEON AND I
  • 00:03:49.858 --> 00:03:51.060
  • AND SCRUB LIKE A SURGEON AND ITRY NEVER TO TOUCH THE BOTTOM OF
  • 00:03:51.060 --> 00:03:53.429
  • TRY NEVER TO TOUCH THE BOTTOM OFMY SHOES.
  • 00:03:53.429 --> 00:03:56.131
  • MY SHOES.I ONLY SNEEZE ON PLANES WHEN THE
  • 00:03:56.131 --> 00:03:57.733
  • I ONLY SNEEZE ON PLANES WHEN THEGUY PUTS HIS SEAT BACK IN MY
  • 00:03:57.733 --> 00:04:02.771
  • GUY PUTS HIS SEAT BACK IN MYFACE.
  • 00:04:02.771 --> 00:04:05.107
  • FACE.I TRY TO LIMIT MY COUGHING IN
  • 00:04:05.107 --> 00:04:07.576
  • I TRY TO LIMIT MY COUGHING INTHE DIRECTION OF PEOPLE WHO TALK
  • 00:04:07.576 --> 00:04:10.045
  • THE DIRECTION OF PEOPLE WHO TALKLOUDLY ON THEIR CELL PHONES IN
  • 00:04:10.045 --> 00:04:11.547
  • LOUDLY ON THEIR CELL PHONES INPLANES OR RESTAURANTS WHICH I
  • 00:04:11.547 --> 00:04:12.414
  • PLANES OR RESTAURANTS WHICH IFIND DISGUSTING.
  • 00:04:12.414 --> 00:04:14.383
  • FIND DISGUSTING.YOU HAVE TO TAKE THE
  • 00:04:14.383 --> 00:04:15.951
  • YOU HAVE TO TAKE THECORONA-VIRUS SERIOUSLY BUT USE
  • 00:04:15.951 --> 00:04:17.119
  • CORONA-VIRUS SERIOUSLY BUT USECOMMON SENSE AND ULTIMATELY
  • 00:04:17.119 --> 00:04:18.821
  • COMMON SENSE AND ULTIMATELYTRUST THE LORD TO PROTECT US
  • 00:04:18.821 --> 00:04:21.190
  • TRUST THE LORD TO PROTECT USWHEN ALL OF OUR OWN EFFORTS
  • 00:04:21.190 --> 00:04:25.361
  • WHEN ALL OF OUR OWN EFFORTSWON'T.
  • 00:04:25.361 --> 00:04:29.231
  • WON'T.IT'S NOT PRACTICAL FOR ME TO
  • 00:04:29.231 --> 00:04:31.900
  • IT'S NOT PRACTICAL FOR ME TOSTOP FLYING.
  • 00:04:31.900 --> 00:04:33.902
  • STOP FLYING.[INAUDIBLE] SO THERE'S ACTUALLY
  • 00:04:33.902 --> 00:04:35.938
  • [INAUDIBLE] SO THERE'S ACTUALLYA SILVER LINING IN THOSE CLOUDS.
  • 00:04:35.938 --> 00:04:40.843
  • A SILVER LINING IN THOSE CLOUDS.SO IF I SEE YOU IN THE AIRPLANE
  • 00:04:40.843 --> 00:04:45.581
  • SO IF I SEE YOU IN THE AIRPLANEAND ON THE STREETS, TYPICAL HAT
  • 00:04:45.581 --> 00:04:49.852
  • AND ON THE STREETS, TYPICAL HATWILL DO FINE.
  • 00:04:49.852 --> 00:04:52.054
  • WILL DO FINE.I'M SPEAKING OF THE CHEEK ON MY
  • 00:04:52.054 --> 00:05:02.531
  • I'M SPEAKING OF THE CHEEK ON MYFACE OF COURSE.
  • 00:05:02.531 --> 00:05:03.465
  • FACE OF COURSE.THEY WON'T MAKE UP THEIR MINDS
  • 00:05:03.465 --> 00:05:06.735
  • THEY WON'T MAKE UP THEIR MINDSWHAT THEY WANT.
  • 00:05:06.735 --> 00:05:08.470
  • WHAT THEY WANT.BUT ADD INDICATES OF TRANSGENDER
  • 00:05:08.470 --> 00:05:14.710
  • BUT ADD INDICATES OF TRANSGENDERSAY LITTLE BOY AT AGE SIX WANTS
  • 00:05:14.710 --> 00:05:19.415
  • SAY LITTLE BOY AT AGE SIX WANTSTO BE A GIRL SHOULD HAVE HORMONE
  • 00:05:19.415 --> 00:05:23.018
  • TO BE A GIRL SHOULD HAVE HORMONETHERAPY TO ALTER HIS BODY AND
  • 00:05:23.018 --> 00:05:24.353
  • THERAPY TO ALTER HIS BODY ANDSHARE SHOWERS WITH GIRLS.
  • 00:05:24.353 --> 00:05:28.257
  • SHARE SHOWERS WITH GIRLS.CHILD ABUSE.
  • 00:05:28.257 --> 00:05:29.391
  • CHILD ABUSE.BOYS PHYSICALLY DIFFERENT THAN
  • 00:05:29.391 --> 00:05:33.062
  • BOYS PHYSICALLY DIFFERENT THANGIRLS SHOULD BE ABLE TO COMPETE
  • 00:05:33.062 --> 00:05:34.196
  • GIRLS SHOULD BE ABLE TO COMPETEIN COMPETITION AND BOYS
  • 00:05:34.196 --> 00:05:36.298
  • IN COMPETITION AND BOYSPRETENDING TO BE GIRLS ARE
  • 00:05:36.298 --> 00:05:38.467
  • PRETENDING TO BE GIRLS ARESETTING NEW RECORDS AND SHUTTING
  • 00:05:38.467 --> 00:05:44.039
  • SETTING NEW RECORDS AND SHUTTINGOUT REAL GIRLS BEING COMPETITIVE
  • 00:05:44.039 --> 00:05:49.511
  • OUT REAL GIRLS BEING COMPETITIVEIN GIRL SPORTS.
  • 00:05:49.511 --> 00:05:51.246
  • IN GIRL SPORTS.OTHER STATES MIGHT BE ON A TURN
  • 00:05:51.246 --> 00:05:53.582
  • OTHER STATES MIGHT BE ON A TURNTO COMMON SENSE.
  • 00:05:53.582 --> 00:05:56.618
  • TO COMMON SENSE.MY GUEST IS ATTORNEY OF THREE
  • 00:05:56.618 --> 00:06:01.090
  • MY GUEST IS ATTORNEY OF THREEGIRLS IN CONNECTICUT WHO FILED
  • 00:06:01.090 --> 00:06:04.193
  • GIRLS IN CONNECTICUT WHO FILEDOVER THEM ALLOWING MALE ATHLETES
  • 00:06:04.193 --> 00:06:05.561
  • OVER THEM ALLOWING MALE ATHLETESTO COMPETE AGAINST THEM.
  • 00:06:05.561 --> 00:06:08.964
  • TO COMPETE AGAINST THEM.IT'S A DELIGHT TO HAVE YOU HERE.
  • 00:06:08.964 --> 00:06:11.967
  • IT'S A DELIGHT TO HAVE YOU HERE.HOW DID THIS CASE COME ABOUT?
  • 00:06:11.967 --> 00:06:14.303
  • HOW DID THIS CASE COME ABOUT?THE ORGANIZATION YOU'RE PART OF,
  • 00:06:14.303 --> 00:06:15.671
  • THE ORGANIZATION YOU'RE PART OF,HOW DID YOU GUYS GET INVOLVED
  • 00:06:15.671 --> 00:06:17.639
  • HOW DID YOU GUYS GET INVOLVEDWITH THIS?
  • 00:06:17.639 --> 00:06:20.576
  • WITH THIS?- GIRLS DESERVE TO COMPETE ON A
  • 00:06:20.576 --> 00:06:22.277
  • - GIRLS DESERVE TO COMPETE ON ALEVEL PLAYING FIELD BUT
  • 00:06:22.277 --> 00:06:23.912
  • LEVEL PLAYING FIELD BUTCONNECTICUT PASSED A POLICY THAT
  • 00:06:23.912 --> 00:06:28.650
  • CONNECTICUT PASSED A POLICY THATBOYS WHO IDENTIFY AS GIRLS TO
  • 00:06:28.650 --> 00:06:30.686
  • BOYS WHO IDENTIFY AS GIRLS TOCOMPETE IN GIRL'S CATEGORIES AND
  • 00:06:30.686 --> 00:06:33.055
  • COMPETE IN GIRL'S CATEGORIES ANDGIRLS ARE LOOSING OUT ON CAMP
  • 00:06:33.055 --> 00:06:34.923
  • GIRLS ARE LOOSING OUT ON CAMPSHIP TITLES AND OPPORTUNITIES TO
  • 00:06:34.923 --> 00:06:36.458
  • SHIP TITLES AND OPPORTUNITIES TOADVANCE TO NEXT LEVEL OF
  • 00:06:36.458 --> 00:06:40.329
  • ADVANCE TO NEXT LEVEL OFCOMPETITION AND ONE OF THE NEXT
  • 00:06:40.329 --> 00:06:42.364
  • COMPETITION AND ONE OF THE NEXTATHLETE STARTED STANDING UP AND
  • 00:06:42.364 --> 00:06:44.299
  • ATHLETE STARTED STANDING UP ANDASKING FOR HELP BECAUSE THOSE IN
  • 00:06:44.299 --> 00:06:47.169
  • ASKING FOR HELP BECAUSE THOSE INCONNECTICUT WOULD NOT STAND UP
  • 00:06:47.169 --> 00:06:48.871
  • CONNECTICUT WOULD NOT STAND UPAND SUPPORT HER AND PUSH BACK ON
  • 00:06:48.871 --> 00:06:52.941
  • AND SUPPORT HER AND PUSH BACK ONTHE POLICY.
  • 00:06:52.941 --> 00:06:55.511
  • THE POLICY.WE REPRESENT HER AND TWO OTHER
  • 00:06:55.511 --> 00:06:57.146
  • WE REPRESENT HER AND TWO OTHERYOUNG FEMALE ATHLETES.
  • 00:06:57.146 --> 00:07:00.682
  • YOUNG FEMALE ATHLETES.- LET'S MAKE CLEAR, WHEN THESE
  • 00:07:00.682 --> 00:07:05.254
  • - LET'S MAKE CLEAR, WHEN THESEBOYS WHO SAY THEY'RE
  • 00:07:05.254 --> 00:07:08.123
  • BOYS WHO SAY THEY'RETRANSGENDERS AND COMPETING AS
  • 00:07:08.123 --> 00:07:11.460
  • TRANSGENDERS AND COMPETING ASGIRLS THEY'VE NOT HAD SURGICAL
  • 00:07:11.460 --> 00:07:13.429
  • GIRLS THEY'VE NOT HAD SURGICALALTERATION OR FULLY EMBRACED A
  • 00:07:13.429 --> 00:07:17.966
  • ALTERATION OR FULLY EMBRACED AFEMALE BODY SO THEY HAVE A MALE
  • 00:07:17.966 --> 00:07:18.734
  • FEMALE BODY SO THEY HAVE A MALEBODY THEY ARE SAYING FEMALE.
  • 00:07:18.734 --> 00:07:20.702
  • BODY THEY ARE SAYING FEMALE.- THAT'S CORRECT.
  • 00:07:20.702 --> 00:07:22.571
  • - THAT'S CORRECT.THE POLICY DOESN'T REQUIRE
  • 00:07:22.571 --> 00:07:24.640
  • THE POLICY DOESN'T REQUIREANYTHING OTHER THAN MALES
  • 00:07:24.640 --> 00:07:27.176
  • ANYTHING OTHER THAN MALESIDENTIFY AS FEMALES TO COMPETE
  • 00:07:27.176 --> 00:07:28.744
  • IDENTIFY AS FEMALES TO COMPETEIN THE CATEGORY WITH ALL THEIR
  • 00:07:28.744 --> 00:07:30.212
  • IN THE CATEGORY WITH ALL THEIRADVANTAGES.
  • 00:07:30.212 --> 00:07:33.115
  • ADVANTAGES.- ONE OF THE INTERESTING
  • 00:07:33.115 --> 00:07:34.249
  • - ONE OF THE INTERESTINGTHINGS, THE ACLU YOU WOULD THINK
  • 00:07:34.249 --> 00:07:36.752
  • THINGS, THE ACLU YOU WOULD THINKWOULD BE ON THE SIDE OF YOUNG
  • 00:07:36.752 --> 00:07:38.554
  • WOULD BE ON THE SIDE OF YOUNGGIRLS TO GIVE THEM EQUAL RIGHTS.
  • 00:07:38.554 --> 00:07:39.521
  • GIRLS TO GIVE THEM EQUAL RIGHTS.THEY'RE ON THE OTHER SIDE.
  • 00:07:39.521 --> 00:07:42.191
  • THEY'RE ON THE OTHER SIDE.WHY IS THAT?
  • 00:07:42.191 --> 00:07:51.834
  • WHY IS THAT?- INCREDIBLY DISCOURAGING.
  • 00:07:51.834 --> 00:07:53.602
  • - INCREDIBLY DISCOURAGING.THEY SHOULD BE SUPPORTING YOUNG
  • 00:07:53.602 --> 00:07:59.074
  • THEY SHOULD BE SUPPORTING YOUNGWOMAN AND MAKE SURE YOUNG WOMEN
  • 00:07:59.074 --> 00:08:04.746
  • WOMAN AND MAKE SURE YOUNG WOMEN[INAUDIBLE]
  • 00:08:04.746 --> 00:08:06.915
  • [INAUDIBLE]THIS IS NOT THE CASE IN
  • 00:08:06.915 --> 00:08:08.450
  • THIS IS NOT THE CASE INCONNECTICUT AND OTHER STATES
  • 00:08:08.450 --> 00:08:16.758
  • CONNECTICUT AND OTHER STATESLIKE IT.
  • 00:08:16.758 --> 00:08:18.961
  • LIKE IT.- EQUALITY TITLE NINE ADDRESSES
  • 00:08:18.961 --> 00:08:21.530
  • - EQUALITY TITLE NINE ADDRESSESTHAT SO FEMALE ARE NOT GIVEN
  • 00:08:21.530 --> 00:08:22.764
  • THAT SO FEMALE ARE NOT GIVENINFERIOR PROGRAMS.
  • 00:08:22.764 --> 00:08:25.300
  • INFERIOR PROGRAMS.THEY HAVE TO HAVE COMPETITIVE
  • 00:08:25.300 --> 00:08:29.438
  • THEY HAVE TO HAVE COMPETITIVEPROGRAMS BUT WHAT THIS WOULD DO
  • 00:08:29.438 --> 00:08:30.873
  • PROGRAMS BUT WHAT THIS WOULD DOIS BASICALLY NULLIFY EVERYTHING
  • 00:08:30.873 --> 00:08:34.476
  • IS BASICALLY NULLIFY EVERYTHINGTITLE NINE WAS SUPPOSED TO HELP
  • 00:08:34.476 --> 00:08:36.411
  • TITLE NINE WAS SUPPOSED TO HELPCREATE FEMALE ATHLETES.
  • 00:08:36.411 --> 00:08:39.615
  • CREATE FEMALE ATHLETES.- TURNS BACK THE CLOCK 30 YEARS
  • 00:08:39.615 --> 00:08:40.983
  • - TURNS BACK THE CLOCK 30 YEARSON TITLE NINE AND PROVIDE FOR
  • 00:08:40.983 --> 00:08:49.525
  • ON TITLE NINE AND PROVIDE FORYOUNG WOMEN.
  • 00:08:49.525 --> 00:08:51.960
  • YOUNG WOMEN.- BECAUSE BIOLOGY NOT A
  • 00:08:51.960 --> 00:08:53.428
  • - BECAUSE BIOLOGY NOT APERSON'S IDENTITY IS WHAT
  • 00:08:53.428 --> 00:08:56.465
  • PERSON'S IDENTITY IS WHATMATTERS IN ATHLETICS.
  • 00:08:56.465 --> 00:08:59.001
  • MATTERS IN ATHLETICS.- YOU MENTION FEMALE ATHLETES
  • 00:08:59.001 --> 00:09:03.438
  • - YOU MENTION FEMALE ATHLETESFORCED TO COMPETE AGAINST MALE
  • 00:09:03.438 --> 00:09:13.148
  • FORCED TO COMPETE AGAINST MALEATHLETES WHOSE PHYSIOLOGICAL
  • 00:09:13.148 --> 00:09:14.650
  • ATHLETES WHOSE PHYSIOLOGICALCAPACITY IS BIOLOGICAL.
  • 00:09:14.650 --> 00:09:21.590
  • CAPACITY IS BIOLOGICAL.I THINK YOU POINTS OUT, IT
  • 00:09:21.590 --> 00:09:24.526
  • I THINK YOU POINTS OUT, ITPRECLUDES THESE YOUNG LADIES AND
  • 00:09:24.526 --> 00:09:25.427
  • PRECLUDES THESE YOUNG LADIES ANDCOULD COST THEM COLLEGE
  • 00:09:25.427 --> 00:09:26.862
  • COULD COST THEM COLLEGESCHOLARSHIPS THAT MAY HAVE BEEN
  • 00:09:26.862 --> 00:09:29.298
  • SCHOLARSHIPS THAT MAY HAVE BEENABLE TO COMPETE FOR AND WIN, SO
  • 00:09:29.298 --> 00:09:30.232
  • ABLE TO COMPETE FOR AND WIN, SOTHEREFORE IT IS AN ECONOMIC
  • 00:09:30.232 --> 00:09:30.732
  • THEREFORE IT IS AN ECONOMICISSUE FOR THEM.
  • 00:09:30.732 --> 00:09:36.305
  • ISSUE FOR THEM.- ABSOLUTELY.
  • 00:09:36.305 --> 00:09:41.009
  • - ABSOLUTELY.TWO MALE ATHLETES ALONE IN
  • 00:09:41.009 --> 00:09:43.579
  • TWO MALE ATHLETES ALONE INCONNECTICUT HOLD 15 WOMEN HELD
  • 00:09:43.579 --> 00:09:45.013
  • CONNECTICUT HOLD 15 WOMEN HELDBY NINE DIFFERENT CONNECTICUT
  • 00:09:45.013 --> 00:09:46.982
  • BY NINE DIFFERENT CONNECTICUTGIRLS AND THESE MALES TOOK AWAY
  • 00:09:46.982 --> 00:09:48.717
  • GIRLS AND THESE MALES TOOK AWAYOPPORTUNITIES FOR MY CLIENTS TO
  • 00:09:48.717 --> 00:09:51.620
  • OPPORTUNITIES FOR MY CLIENTS TOADVANCE TO THE NEXT LEVEL OF
  • 00:09:51.620 --> 00:09:52.921
  • ADVANCE TO THE NEXT LEVEL OFCOMPETITION REALLY IMPORTANT
  • 00:09:52.921 --> 00:09:55.257
  • COMPETITION REALLY IMPORTANTCOMPETITION WHERE THEY COMPETE
  • 00:09:55.257 --> 00:09:57.292
  • COMPETITION WHERE THEY COMPETEIN FRONT OF COLLEGE COACHES.
  • 00:09:57.292 --> 00:10:00.128
  • IN FRONT OF COLLEGE COACHES.HOW MUCH OF AN ECONOMIC IMPACT
  • 00:10:00.128 --> 00:10:02.431
  • HOW MUCH OF AN ECONOMIC IMPACTTHESE TWO MALES ALONE HAVE ON
  • 00:10:02.431 --> 00:10:03.398
  • THESE TWO MALES ALONE HAVE ONTHEM.
  • 00:10:03.398 --> 00:10:05.467
  • THEM.WE WANT TO INSURE THAT DOESN'T
  • 00:10:05.467 --> 00:10:08.637
  • WE WANT TO INSURE THAT DOESN'THAPPEN TO OTHER YOUNG WOMEN.
  • 00:10:08.637 --> 00:10:11.239
  • HAPPEN TO OTHER YOUNG WOMEN.WOMEN SCHOLARSHIPS SHOULD GO TO
  • 00:10:11.239 --> 00:10:13.208
  • WOMEN SCHOLARSHIPS SHOULD GO TOFEMALE ATHLETES AND THAT'S WHAT
  • 00:10:13.208 --> 00:10:15.210
  • FEMALE ATHLETES AND THAT'S WHATTHEY'RE DESIGNED FOR AND TITLE
  • 00:10:15.210 --> 00:10:16.244
  • THEY'RE DESIGNED FOR AND TITLENINE IS INTENDED TO PROVIDE THEM
  • 00:10:16.244 --> 00:10:17.245
  • NINE IS INTENDED TO PROVIDE THEMWITH.
  • 00:10:17.245 --> 00:10:21.617
  • WITH.- HOW LONG WILL THIS WIND THE
  • 00:10:21.617 --> 00:10:23.952
  • - HOW LONG WILL THIS WIND THEWAY THROUGH THE COURTS, WHEN DO
  • 00:10:23.952 --> 00:10:24.920
  • WAY THROUGH THE COURTS, WHEN DOYOU EXPECT A RESOLUTION?
  • 00:10:24.920 --> 00:10:28.156
  • YOU EXPECT A RESOLUTION?- HARD TO SAY.
  • 00:10:28.156 --> 00:10:29.758
  • - HARD TO SAY.FILED A MONTH AGO SO EARLY IN
  • 00:10:29.758 --> 00:10:31.093
  • FILED A MONTH AGO SO EARLY INTHE PROCESS.
  • 00:10:31.093 --> 00:10:32.861
  • THE PROCESS.I HOPE IT'S NOT A LONG DRAWN OUT
  • 00:10:32.861 --> 00:10:34.529
  • I HOPE IT'S NOT A LONG DRAWN OUTAFFAIR.
  • 00:10:34.529 --> 00:10:36.131
  • AFFAIR.I HOPE CONNECTICUT DOES THE
  • 00:10:36.131 --> 00:10:39.234
  • I HOPE CONNECTICUT DOES THERIGHT THING AND RESTORE THE
  • 00:10:39.234 --> 00:10:40.068
  • RIGHT THING AND RESTORE THELEVEL PLAYING FIELD IN WOMEN'S
  • 00:10:40.068 --> 00:10:41.269
  • LEVEL PLAYING FIELD IN WOMEN'SSPORTS.
  • 00:10:41.269 --> 00:10:43.105
  • SPORTS.TWO OF MY CLIENTS ARE SENIORS
  • 00:10:43.105 --> 00:10:44.840
  • TWO OF MY CLIENTS ARE SENIORSAND THIS IS THEIR FINAL
  • 00:10:44.840 --> 00:10:47.643
  • AND THIS IS THEIR FINALOPPORTUNITY O COMPETE IN THEIR
  • 00:10:47.643 --> 00:10:48.910
  • OPPORTUNITY O COMPETE IN THEIRATHLETIC CAREER THIS MATTERS
  • 00:10:48.910 --> 00:10:50.212
  • ATHLETIC CAREER THIS MATTERSDEEPLY FOR THEM AND MATTERS
  • 00:10:50.212 --> 00:10:53.548
  • DEEPLY FOR THEM AND MATTERSRIGHT NOW AND I HOPE THE COURT
  • 00:10:53.548 --> 00:10:54.650
  • RIGHT NOW AND I HOPE THE COURTWILL RELEASE TO THEM VERY
  • 00:10:54.650 --> 00:10:55.417
  • WILL RELEASE TO THEM VERYQUICKLY.
  • 00:10:55.417 --> 00:10:57.319
  • QUICKLY.- THANK YOU FOR BEING HERE.
  • 00:10:57.319 --> 00:11:00.656
  • - THANK YOU FOR BEING HERE.PLEASURE TO HAVE YOU HERE.
  • 00:11:00.656 --> 00:11:01.590
  • PLEASURE TO HAVE YOU HERE.LOOKING FORWARD TO AN UPDATE.
  • 00:11:01.590 --> 00:11:04.660
  • LOOKING FORWARD TO AN UPDATE.- THANK YOU FOR HAVING ME .
  • 00:11:04.660 --> 00:11:07.562
  • - THANK YOU FOR HAVING ME .- WHEN I WAS A CHILD I PRE
  • 00:11:07.562 --> 00:11:10.332
  • - WHEN I WAS A CHILD I PRETENDED TO BE A SOLDIER BUT MY
  • 00:11:10.332 --> 00:11:13.435
  • TENDED TO BE A SOLDIER BUT MYPARENTS DIDN'T BUY ME M. 16 AND
  • 00:11:13.435 --> 00:11:16.138
  • PARENTS DIDN'T BUY ME M. 16 ANDI PUT ON A CAPE BUT MY PARENTS
  • 00:11:16.138 --> 00:11:17.305
  • I PUT ON A CAPE BUT MY PARENTSDIDN'T PUT ME ON THE ROOF TO
  • 00:11:17.305 --> 00:11:19.007
  • DIDN'T PUT ME ON THE ROOF TOFLY.
  • 00:11:19.007 --> 00:11:22.177
  • FLY.IF THEY HAVE A GENDER CHANGE AND
  • 00:11:22.177 --> 00:11:24.546
  • IF THEY HAVE A GENDER CHANGE ANDINTENSE HORMONE THERAPY TO DO IT
  • 00:11:24.546 --> 00:11:26.081
  • INTENSE HORMONE THERAPY TO DO ITAFTER MUCH THOUGHT AND
  • 00:11:26.081 --> 00:11:27.215
  • AFTER MUCH THOUGHT ANDCOUNSELING, THAT'S ONE THING,
  • 00:11:27.215 --> 00:11:29.017
  • COUNSELING, THAT'S ONE THING,BUT FOR GOVERNMENT TO SUPPORT
  • 00:11:29.017 --> 00:11:34.122
  • BUT FOR GOVERNMENT TO SUPPORTAND ENCOURAGE THE NOTION THAT
  • 00:11:34.122 --> 00:11:36.458
  • AND ENCOURAGE THE NOTION THATMINOR CHILDREN MAKE FOREVER
  • 00:11:36.458 --> 00:11:37.559
  • MINOR CHILDREN MAKE FOREVERALTERATIONS FOR THEIR BODY...
  • 00:11:37.559 --> 00:11:42.597
  • ALTERATIONS FOR THEIR BODY...IF YOU WANT TO KEEP UP WITH
  • 00:11:42.597 --> 00:11:43.398
  • IF YOU WANT TO KEEP UP WITHALLIANCE DEFENDING FREEDOM,
  • 00:11:43.398 --> 00:11:44.199
  • ALLIANCE DEFENDING FREEDOM,TRADITIONAL VALUES, VISIT THEM
  • 00:11:44.199 --> 00:11:56.278
  • TRADITIONAL VALUES, VISIT THEMAT...
  • 00:11:56.278 --> 00:11:57.279
  • AT...IF YOU WOULD LIKE MORE FROM
  • 00:11:57.279 --> 00:12:02.751
  • IF YOU WOULD LIKE MORE FROMME...
  • 00:12:02.751 --> 00:12:05.153
  • ME...THE FLAG WAVING OVER SUPPORTING
  • 00:12:05.153 --> 00:12:05.921
  • THE FLAG WAVING OVER SUPPORTINGFEMALE CANDIDATES, BE SURE TO
  • 00:12:05.921 --> 00:12:08.123
  • FEMALE CANDIDATES, BE SURE TOWATCH...
  • 00:12:08.123 --> 00:12:12.227
  • WATCH...NOW, KEITH BILBREY WHO IS ONE
  • 00:12:12.227 --> 00:12:12.928
  • NOW, KEITH BILBREY WHO IS ONEHUNDRED PERCENT DEFINED
  • 00:12:12.928 --> 00:12:13.995
  • HUNDRED PERCENT DEFINEDINDIVIDUAL IS STANDING BY TO
  • 00:12:13.995 --> 00:12:15.230
  • INDIVIDUAL IS STANDING BY TOTELL US WHAT ELSE IS ON THE SHOW
  • 00:12:15.230 --> 00:12:18.467
  • TELL US WHAT ELSE IS ON THE SHOWTONIGHT.
  • 00:12:18.467 --> 00:12:22.204
  • TONIGHT.- TONIGHT, COMEDIAN AND
  • 00:12:22.204 --> 00:12:22.971
  • - TONIGHT, COMEDIAN ANDLEGENDARY ACTRESS JOHN REESE
  • 00:12:22.971 --> 00:12:26.475
  • LEGENDARY ACTRESS JOHN REESEDAVIES.
  • 00:12:26.475 --> 00:12:29.745
  • DAVIES.GRAMMY AWARD WINNER.
  • 00:12:29.745 --> 00:12:31.446
  • GRAMMY AWARD WINNER.PLUS THE LEGENDARY BAND...
  • 00:12:31.446 --> 00:12:32.999
  • GRAMMY AWARD WINNER.PLUS THE LEGENDARY BAND...
  • 00:12:32.999 --> 00:12:43.360
  • PLUS THE LEGENDARY BAND...ON HUCKABEE.
  • 00:12:43.360 --> 00:12:44.795
  • ON HUCKABEE.COMEDIAN.
  • 00:12:44.795 --> 00:12:58.408
  • COMEDIAN.POLITICAL IDEAS.
  • 00:12:58.408 --> 00:13:02.679
  • POLITICAL IDEAS.WELCOME BACK.
  • 00:13:02.679 --> 00:13:05.582
  • WELCOME BACK.EAST COAST BEST COMEDIANS.
  • 00:13:05.582 --> 00:13:06.784
  • EAST COAST BEST COMEDIANS.BIGGEST COMEDY CLUBS.
  • 00:13:06.784 --> 00:13:09.853
  • BIGGEST COMEDY CLUBS.I WANT YOU TO WELCOME THE VERY
  • 00:13:09.853 --> 00:13:11.488
  • I WANT YOU TO WELCOME THE VERYFUNNY TOM...
  • 00:13:11.488 --> 00:13:15.025
  • FUNNY TOM...PLEASE GIVE HIM A BIG HAND.
  • 00:13:15.025 --> 00:13:15.526
  • PLEASE GIVE HIM A BIG HAND.[APPLAUDING].
  • 00:13:15.526 --> 00:13:16.426
  • [APPLAUDING].- THANK YOU.
  • 00:13:16.426 --> 00:13:17.761
  • - THANK YOU.THANK YOU VERY MUCH.
  • 00:13:17.761 --> 00:13:20.464
  • THANK YOU VERY MUCH.WONDERFUL TO BE HERE.
  • 00:13:20.464 --> 00:13:21.331
  • WONDERFUL TO BE HERE.I HEARD PEOPLE COMPLAINING IT'S
  • 00:13:21.331 --> 00:13:22.199
  • I HEARD PEOPLE COMPLAINING IT'SCOLD.
  • 00:13:22.199 --> 00:13:23.467
  • COLD.I DON'T BELIEVE YOU THINK THAT.
  • 00:13:23.467 --> 00:13:28.705
  • I DON'T BELIEVE YOU THINK THAT.I WAS IN VERMONT 23 BELOW ZERO
  • 00:13:28.705 --> 00:13:31.041
  • I WAS IN VERMONT 23 BELOW ZEROTHE HIGH FOR THE DAY.
  • 00:13:31.041 --> 00:13:31.942
  • THE HIGH FOR THE DAY.ANYBODY HAVE ANY IDEA HOW COLD
  • 00:13:31.942 --> 00:13:33.577
  • ANYBODY HAVE ANY IDEA HOW COLDTHAT IS?
  • 00:13:33.577 --> 00:13:34.745
  • THAT IS?I CAN'T SEE MY BREATH COMING
  • 00:13:34.745 --> 00:13:35.078
  • I CAN'T SEE MY BREATH COMINGOUT?
  • 00:13:35.078 --> 00:13:36.713
  • OUT?DO YOU KNOW WHY?
  • 00:13:36.713 --> 00:13:38.348
  • DO YOU KNOW WHY?THERE'S NONE GOING IN.
  • 00:13:38.348 --> 00:13:40.350
  • THERE'S NONE GOING IN.IT WAS SO COLD.
  • 00:13:40.350 --> 00:13:42.152
  • IT WAS SO COLD.I GO TO THE HOTEL.
  • 00:13:42.152 --> 00:13:43.654
  • I GO TO THE HOTEL.I'M FINE.
  • 00:13:43.654 --> 00:13:45.389
  • I'M FINE.EVERYONE ELSE IS LEAVING.
  • 00:13:45.389 --> 00:13:46.523
  • EVERYONE ELSE IS LEAVING.THEY'RE ALL GOING SKIS.
  • 00:13:46.523 --> 00:13:56.300
  • THEY'RE ALL GOING SKIS.THEY WANT ME TO GO.
  • 00:13:56.300 --> 00:13:58.769
  • THEY WANT ME TO GO.I'VE NEVER BEEN AND THEY WANT ME
  • 00:13:58.769 --> 00:14:03.774
  • I'VE NEVER BEEN AND THEY WANT METO GO AND THE SKI LODGE IS KILL.
  • 00:14:03.774 --> 00:14:06.610
  • TO GO AND THE SKI LODGE IS KILL.WOULD YOU GO TO A RESTAURANT
  • 00:14:06.610 --> 00:14:27.030
  • WOULD YOU GO TO A RESTAURANTTHAT IS NAMED...
  • 00:14:27.030 --> 00:14:27.831
  • THAT IS NAMED...[INAUDIBLE] I DON'T MIND BEING
  • 00:14:27.831 --> 00:14:29.633
  • [INAUDIBLE] I DON'T MIND BEINGHOT.
  • 00:14:29.633 --> 00:14:32.402
  • HOT.I HATE BEING TOLD ALL DAY I'M
  • 00:14:32.402 --> 00:14:39.743
  • I HATE BEING TOLD ALL DAY I'MHOT.
  • 00:14:39.743 --> 00:14:40.944
  • HOT.KEEP PHYSICAL ACTIVITY TO A
  • 00:14:40.944 --> 00:14:42.145
  • KEEP PHYSICAL ACTIVITY TO AMINIMUM.
  • 00:14:42.145 --> 00:14:45.716
  • MINIMUM.WE'RE AMERICANS.
  • 00:14:45.716 --> 00:14:46.984
  • WE'RE AMERICANS.WE ALWAYS KEEP PHYSICAL ACTIVITY
  • 00:14:46.984 --> 00:14:49.386
  • WE ALWAYS KEEP PHYSICAL ACTIVITYTO A MINIMUM.
  • 00:14:49.386 --> 00:14:52.055
  • TO A MINIMUM.HOW DO YOU...
  • 00:14:52.055 --> 00:14:53.323
  • HOW DO YOU...I'LL ONLY GO ON FACEBOOK BECAUSE
  • 00:14:53.323 --> 00:14:54.658
  • I'LL ONLY GO ON FACEBOOK BECAUSEIT'S HOT.
  • 00:14:54.658 --> 00:14:56.994
  • IT'S HOT.I'LL ONLY POST AND SHARE A
  • 00:14:56.994 --> 00:15:01.932
  • I'LL ONLY POST AND SHARE ALITTLE BIT BECAUSE THERE'S A
  • 00:15:01.932 --> 00:15:11.341
  • LITTLE BIT BECAUSE THERE'S AHEAT ADVISORY.
  • 00:15:11.341 --> 00:15:12.809
  • HEAT ADVISORY.HOW IS THE BABY?
  • 00:15:12.809 --> 00:15:14.478
  • HOW IS THE BABY?I DON'T KNOW.
  • 00:15:14.478 --> 00:15:16.313
  • I DON'T KNOW.IT'S BEEN SO COOL I FORGOT WE
  • 00:15:16.313 --> 00:15:17.514
  • IT'S BEEN SO COOL I FORGOT WEHAD ONE.
  • 00:15:17.514 --> 00:15:20.484
  • HAD ONE.IT WAS GREAT.
  • 00:15:20.484 --> 00:15:23.654
  • IT WAS GREAT.I LANDED AND PUT MY HEAD, YOU
  • 00:15:23.654 --> 00:15:25.055
  • I LANDED AND PUT MY HEAD, YOUALWAYS DO THAT, RIGHT?
  • 00:15:25.055 --> 00:15:26.456
  • ALWAYS DO THAT, RIGHT?IT WAS THE BEST DAY OF MY WHOLE
  • 00:15:26.456 --> 00:15:30.227
  • IT WAS THE BEST DAY OF MY WHOLELIFE.
  • 00:15:30.227 --> 00:15:32.763
  • LIFE.I'VE NEVER HIT MY HEAD ON
  • 00:15:32.763 --> 00:15:34.298
  • I'VE NEVER HIT MY HEAD ONANYTHING.
  • 00:15:34.298 --> 00:15:40.337
  • ANYTHING.DID ANYBODY GET THAT?
  • 00:15:40.337 --> 00:15:41.605
  • DID ANYBODY GET THAT?[INAUDIBLE]
  • 00:15:41.605 --> 00:15:43.674
  • [INAUDIBLE]HAD A CHILD.
  • 00:15:43.674 --> 00:15:54.217
  • HAD A CHILD.WENT IN A DELIVERY ROOM.
  • 00:15:54.217 --> 00:15:57.654
  • WENT IN A DELIVERY ROOM.I SAID TO THE NURSE...
  • 00:15:57.654 --> 00:16:00.557
  • I SAID TO THE NURSE...THAT'S WHAT SHE SAID TO ME.
  • 00:16:00.557 --> 00:16:03.593
  • THAT'S WHAT SHE SAID TO ME.I SAID LOOK AT ME.
  • 00:16:03.593 --> 00:16:10.734
  • I SAID LOOK AT ME.FIVE FOOT FIVE.
  • 00:16:10.734 --> 00:16:13.670
  • FIVE FOOT FIVE.SHORT IS WHEN YOU TRY TO WALK
  • 00:16:13.670 --> 00:16:15.772
  • SHORT IS WHEN YOU TRY TO WALKINTO TARGET AND THE DOORS DON'T
  • 00:16:15.772 --> 00:16:18.408
  • INTO TARGET AND THE DOORS DON'TOPEN AND YOU SLAM INTO THE CLASS
  • 00:16:18.408 --> 00:16:21.845
  • OPEN AND YOU SLAM INTO THE CLASSAND NOW I NEED FLAT LINERS.
  • 00:16:21.845 --> 00:16:36.259
  • AND NOW I NEED FLAT LINERS.HOW DO I GET IN?
  • 00:16:36.259 --> 00:16:39.096
  • HOW DO I GET IN?I KNOW WE HAVE THIS FINANCIAL
  • 00:16:39.096 --> 00:16:43.300
  • I KNOW WE HAVE THIS FINANCIALCRISIS AGAIN.
  • 00:16:43.300 --> 00:16:46.069
  • CRISIS AGAIN.[INAUDIBLE]
  • 00:16:46.069 --> 00:16:47.604
  • [INAUDIBLE]WHY AREN'T WE ALLOWED TO DO
  • 00:16:47.604 --> 00:16:48.505
  • WHY AREN'T WE ALLOWED TO DOTHAT?
  • 00:16:48.505 --> 00:16:50.974
  • THAT?I WOULD LOVE TO DO THAT.
  • 00:16:50.974 --> 00:16:51.875
  • I WOULD LOVE TO DO THAT.SPEND AS MUCH MONEY AS POSSIBLY
  • 00:16:51.875 --> 00:16:55.579
  • SPEND AS MUCH MONEY AS POSSIBLYCAN.
  • 00:16:55.579 --> 00:16:56.513
  • CAN.WHEN THE CREDIT CARD CALLS, IT'S
  • 00:16:56.513 --> 00:17:00.217
  • WHEN THE CREDIT CARD CALLS, IT'SALL RIGHT.
  • 00:17:00.217 --> 00:17:04.788
  • ALL RIGHT.I'M RAISING MY DEBT CEILING.
  • 00:17:04.788 --> 00:17:07.391
  • I'M RAISING MY DEBT CEILING.I HAVE TO VOTE ON IT BUT I THINK
  • 00:17:07.391 --> 00:17:11.728
  • I HAVE TO VOTE ON IT BUT I THINKIT'S GOB TO PASS.
  • 00:17:11.728 --> 00:17:13.263
  • IT'S GOB TO PASS.I HAVE MY BANK ACCOUNT.
  • 00:17:13.263 --> 00:17:15.599
  • I HAVE MY BANK ACCOUNT.YOU CAN'T USE YOUR PHONE FOR
  • 00:17:15.599 --> 00:17:18.135
  • YOU CAN'T USE YOUR PHONE FORBANKING ANYMORE SO I HAD TO GO
  • 00:17:18.135 --> 00:17:20.203
  • BANKING ANYMORE SO I HAD TO GOTO THE BANK IN PERSON.
  • 00:17:20.203 --> 00:17:20.971
  • TO THE BANK IN PERSON.I GIVE LADY MY STUFF.
  • 00:17:20.971 --> 00:17:23.607
  • I GIVE LADY MY STUFF.EXCUSE ME OF THE DO YOU HAVE
  • 00:17:23.607 --> 00:17:25.008
  • EXCUSE ME OF THE DO YOU HAVEIDENTIFICATION?
  • 00:17:25.008 --> 00:17:29.546
  • IDENTIFICATION?I SAID I'M PUTTING MONEY IN.
  • 00:17:29.546 --> 00:17:31.815
  • I SAID I'M PUTTING MONEY IN.SHE TELLS ME WE'RE HAVING A LOT
  • 00:17:31.815 --> 00:17:33.650
  • SHE TELLS ME WE'RE HAVING A LOTOF PROBLEMS.
  • 00:17:33.650 --> 00:17:39.322
  • OF PROBLEMS.WITH BANK ACCOUNTS?
  • 00:17:39.322 --> 00:17:43.160
  • WITH BANK ACCOUNTS?MONEY DEPOSITING GANGS?
  • 00:17:43.160 --> 00:17:44.461
  • MONEY DEPOSITING GANGS?PUT THIS IN SOMEBODY'S ACCOUNT.
  • 00:17:44.461 --> 00:17:52.035
  • PUT THIS IN SOMEBODY'S ACCOUNT.ALL OF THIS.
  • 00:17:52.035 --> 00:17:53.937
  • ALL OF THIS.I DON'T KNOW.
  • 00:17:53.937 --> 00:18:06.416
  • I DON'T KNOW.SAVINGS.
  • 00:18:06.416 --> 00:18:10.587
  • SAVINGS.LITTLE BIT OF EVERYBODY.
  • 00:18:10.587 --> 00:18:12.689
  • LITTLE BIT OF EVERYBODY.THEY GOT THE BEER.
  • 00:18:12.689 --> 00:18:14.357
  • THEY GOT THE BEER.SIX FRIENDS.
  • 00:18:14.357 --> 00:18:16.660
  • SIX FRIENDS.LOOK CLOSELY.
  • 00:18:16.660 --> 00:18:19.463
  • LOOK CLOSELY.ALWAYS A WHITE GUY AND BLACK GUY
  • 00:18:19.463 --> 00:18:23.433
  • ALWAYS A WHITE GUY AND BLACK GUYAND ASIAN GUY AND LATINO GUY.
  • 00:18:23.433 --> 00:18:24.401
  • AND ASIAN GUY AND LATINO GUY.I DON'T HAVE THEM ALL OVER AT
  • 00:18:24.401 --> 00:18:35.412
  • I DON'T HAVE THEM ALL OVER ATTHE SAME TIME.
  • 00:18:35.412 --> 00:18:38.715
  • THE SAME TIME.TOM CAN I COME WATCH THE GAME?
  • 00:18:38.715 --> 00:18:47.157
  • TOM CAN I COME WATCH THE GAME?NO I ALREADY GOT A BLACK GUY.
  • 00:18:47.157 --> 00:18:48.191
  • NO I ALREADY GOT A BLACK GUY.THANK YOU SO MUCH.
  • 00:18:48.191 --> 00:19:02.372
  • THANK YOU SO MUCH.GOD BLESS.
  • 00:19:02.372 --> 00:19:05.475
  • GOD BLESS.- LOOK HOW SHORT I AM.
  • 00:19:05.475 --> 00:19:06.943
  • - LOOK HOW SHORT I AM.I NEED A BOOSTER.
  • 00:19:06.943 --> 00:19:09.179
  • I NEED A BOOSTER.- TRULY THAT IS AN IRISH NAME.
  • 00:19:09.179 --> 00:19:18.121
  • - TRULY THAT IS AN IRISH NAME.- YEAH.
  • 00:19:18.121 --> 00:19:26.663
  • - YEAH.- NOBODY CARES.
  • 00:19:26.663 --> 00:19:28.498
  • - NOBODY CARES.I DON'T KNOW WHAT HE DID.
  • 00:19:28.498 --> 00:19:29.132
  • I DON'T KNOW WHAT HE DID.HOW DID HE CELEBRATE?
  • 00:19:29.132 --> 00:19:30.100
  • HOW DID HE CELEBRATE?I DON'T KNOW.
  • 00:19:30.100 --> 00:19:35.639
  • I DON'T KNOW.MAKE HIM CHANGE.
  • 00:19:35.639 --> 00:19:38.675
  • MAKE HIM CHANGE.ITALIANS.
  • 00:19:38.675 --> 00:19:43.980
  • ITALIANS.[INAUDIBLE]
  • 00:19:43.980 --> 00:19:46.349
  • [INAUDIBLE]YES.
  • 00:19:46.349 --> 00:19:50.620
  • YES.DOUBLE DID YOU GROW UP
  • 00:19:50.620 --> 00:19:51.588
  • DOUBLE DID YOU GROW UPCELEBRATING ST. PATRICK'S DAY?
  • 00:19:51.588 --> 00:19:53.957
  • CELEBRATING ST. PATRICK'S DAY?- NOT REALLY.
  • 00:19:53.957 --> 00:19:54.724
  • - NOT REALLY.THEY DIDN'T REALLY CELEBRATE
  • 00:19:54.724 --> 00:19:55.825
  • THEY DIDN'T REALLY CELEBRATEANYTHING.
  • 00:19:55.825 --> 00:19:56.493
  • ANYTHING.- YOU HAVE EIGHT KIDS?
  • 00:19:56.493 --> 00:19:58.228
  • - YOU HAVE EIGHT KIDS?- YES.
  • 00:19:58.228 --> 00:20:07.404
  • - YES.TEN PEOPLE IN THE HOUSE.
  • 00:20:07.404 --> 00:20:08.405
  • TEN PEOPLE IN THE HOUSE.TRY TO DO THINGS PROPERLY, YOU
  • 00:20:08.405 --> 00:20:12.609
  • TRY TO DO THINGS PROPERLY, YOUCAN'T.
  • 00:20:12.609 --> 00:20:16.079
  • CAN'T.DID YOU DECIDE YOU WOULD GO INTO
  • 00:20:16.079 --> 00:20:21.551
  • DID YOU DECIDE YOU WOULD GO INTOCOMEDY BECAUSE YOU COULD MEET
  • 00:20:21.551 --> 00:20:22.819
  • COMEDY BECAUSE YOU COULD MEETMAKE FUN OF YOUR BROTHERS AND
  • 00:20:22.819 --> 00:20:26.957
  • MAKE FUN OF YOUR BROTHERS ANDSISTERS?
  • 00:20:26.957 --> 00:20:28.258
  • SISTERS?- WE HAD THREE BEDROOMS AND TEN
  • 00:20:28.258 --> 00:20:29.359
  • - WE HAD THREE BEDROOMS AND TENPEOPLE.
  • 00:20:29.359 --> 00:20:30.193
  • PEOPLE.THEY DIDN'T KNOW WHERE TO PUT
  • 00:20:30.193 --> 00:20:32.529
  • THEY DIDN'T KNOW WHERE TO PUTUS.
  • 00:20:32.529 --> 00:20:34.397
  • US.MY MOTHER OPENED THE CLOSET DOOR
  • 00:20:34.397 --> 00:20:37.567
  • MY MOTHER OPENED THE CLOSET DOORAND SAID, THIS IS YOUR BEDROOM.
  • 00:20:37.567 --> 00:20:40.270
  • AND SAID, THIS IS YOUR BEDROOM.I LOOKED IN AND SAID THERE'S
  • 00:20:40.270 --> 00:20:42.205
  • I LOOKED IN AND SAID THERE'SSHELVES.
  • 00:20:42.205 --> 00:20:51.648
  • SHELVES.IT'S A BUNK BET.
  • 00:20:51.648 --> 00:20:54.117
  • IT'S A BUNK BET.- YOU DO A LOT OF TRAVELING AND
  • 00:20:54.117 --> 00:20:55.885
  • - YOU DO A LOT OF TRAVELING ANDTRAVEL ALL OVER THE COUNTRY.
  • 00:20:55.885 --> 00:20:57.754
  • TRAVEL ALL OVER THE COUNTRY.WE HEARD ABOUT VERMONT.
  • 00:20:57.754 --> 00:20:59.823
  • WE HEARD ABOUT VERMONT.YOU REALLY SOLD THAT PLACE.
  • 00:20:59.823 --> 00:21:01.424
  • YOU REALLY SOLD THAT PLACE.THE CHAMBER WANTS TO GIVE YOU AN
  • 00:21:01.424 --> 00:21:02.425
  • THE CHAMBER WANTS TO GIVE YOU ANAWARD.
  • 00:21:02.425 --> 00:21:03.893
  • AWARD.- I DON'T MIND.
  • 00:21:03.893 --> 00:21:10.567
  • - I DON'T MIND.I DON'T MIND FLYING.
  • 00:21:10.567 --> 00:21:12.569
  • I DON'T MIND FLYING.I'LL TELL YOU A FUNNY STORY.
  • 00:21:12.569 --> 00:21:20.076
  • I'LL TELL YOU A FUNNY STORY.I WAS WORKING IN HOUSTON AND
  • 00:21:20.076 --> 00:21:22.512
  • I WAS WORKING IN HOUSTON ANDTHEY SENT SOMEONE TO COME PICK
  • 00:21:22.512 --> 00:21:24.481
  • THEY SENT SOMEONE TO COME PICKME UP AND THEY COULDN'T FIND ME.
  • 00:21:24.481 --> 00:21:25.815
  • ME UP AND THEY COULDN'T FIND ME.I'M TRYING TO DESCRIBE WHERE I'M
  • 00:21:25.815 --> 00:21:27.851
  • I'M TRYING TO DESCRIBE WHERE I'MAT.
  • 00:21:27.851 --> 00:21:29.319
  • AT.I'M AT THE BAGGAGE CLAIM AND I
  • 00:21:29.319 --> 00:21:39.229
  • I'M AT THE BAGGAGE CLAIM AND IDON'T KNOW WHAT TO TELL YOU.
  • 00:21:39.229 --> 00:21:41.097
  • DON'T KNOW WHAT TO TELL YOU.THE LADY NEXT TO ME, WHAT DO YOU
  • 00:21:41.097 --> 00:21:51.741
  • THE LADY NEXT TO ME, WHAT DO YOULOOK LIKE?
  • 00:21:51.741 --> 00:21:53.943
  • LOOK LIKE?O MY GOSH YOU DO.
  • 00:21:53.943 --> 00:21:55.679
  • O MY GOSH YOU DO.- HE COMES OVER.
  • 00:21:55.679 --> 00:21:57.814
  • - HE COMES OVER.- DO I LOOK LIKE 7 FOOT NIGH
  • 00:21:57.814 --> 00:22:00.250
  • - DO I LOOK LIKE 7 FOOT NIGHSKWRAOERPB?
  • 00:22:00.250 --> 00:22:04.387
  • SKWRAOERPB?NIGERIAN?
  • 00:22:04.387 --> 00:22:06.189
  • NIGERIAN?- DOING COMEDY CLUBS YOU HAVE
  • 00:22:06.189 --> 00:22:10.694
  • - DOING COMEDY CLUBS YOU HAVETO PUT UP WITH HECKLERS WHO
  • 00:22:10.694 --> 00:22:12.028
  • TO PUT UP WITH HECKLERS WHOTHINK THEY'LL TAKE IT OVER.
  • 00:22:12.028 --> 00:22:13.163
  • THINK THEY'LL TAKE IT OVER.DOES THAT HAPPEN TO YOU?
  • 00:22:13.163 --> 00:22:15.532
  • DOES THAT HAPPEN TO YOU?- IT DOES.
  • 00:22:15.532 --> 00:22:18.101
  • - IT DOES.I'M OUT THERE AND ALL OF A
  • 00:22:18.101 --> 00:22:20.437
  • I'M OUT THERE AND ALL OF ASUDDEN A GUY YELLS AND STOPS.
  • 00:22:20.437 --> 00:22:23.973
  • SUDDEN A GUY YELLS AND STOPS.THAT'S THE FIRST TIME I'VE EVER
  • 00:22:23.973 --> 00:22:28.478
  • THAT'S THE FIRST TIME I'VE EVERHEARD SOMEONE YELL AND THEN, I'M
  • 00:22:28.478 --> 00:22:29.346
  • HEARD SOMEONE YELL AND THEN, I'MSORRY, I CAN'T GO THROUGH WITH
  • 00:22:29.346 --> 00:22:30.080
  • SORRY, I CAN'T GO THROUGH WITHTHAT.
  • 00:22:30.080 --> 00:22:30.680
  • THAT.BACK TO YOU.
  • 00:22:30.680 --> 00:22:32.582
  • BACK TO YOU.OKAY.
  • 00:22:32.582 --> 00:22:34.584
  • OKAY.I'VE NEVER HAD SOMEONE WANT TO
  • 00:22:34.584 --> 00:22:36.853
  • I'VE NEVER HAD SOMEONE WANT TOHACK EL AND NEVER GO THROUGH.
  • 00:22:36.853 --> 00:22:37.520
  • HACK EL AND NEVER GO THROUGH.- YOU NEVER KNEW WHY?
  • 00:22:37.520 --> 00:22:39.956
  • - YOU NEVER KNEW WHY?- YEAH.
  • 00:22:39.956 --> 00:22:41.458
  • - YEAH.READY TO GO AND THEN.
  • 00:22:41.458 --> 00:22:44.060
  • READY TO GO AND THEN.- DID YOU FIND YOUR COMEDY HAS
  • 00:22:44.060 --> 00:22:46.096
  • - DID YOU FIND YOUR COMEDY HASTO CHANGE.
  • 00:22:46.096 --> 00:22:47.364
  • TO CHANGE.SO MANY PEOPLE GET OFFENDED BY
  • 00:22:47.364 --> 00:22:50.066
  • SO MANY PEOPLE GET OFFENDED BYEVERYTHING TODAY.
  • 00:22:50.066 --> 00:22:50.867
  • EVERYTHING TODAY.EVERYBODY GETS THEIR FEELINGS
  • 00:22:50.867 --> 00:22:54.137
  • EVERYBODY GETS THEIR FEELINGSHURT.
  • 00:22:54.137 --> 00:22:54.971
  • HURT.POLITICAL CORRECTNESS CHANGES
  • 00:22:54.971 --> 00:22:56.439
  • POLITICAL CORRECTNESS CHANGESHOW WE LAUGH I THINK.
  • 00:22:56.439 --> 00:23:02.479
  • HOW WE LAUGH I THINK.HAS THAT AFFECTED YOU?
  • 00:23:02.479 --> 00:23:04.280
  • HAS THAT AFFECTED YOU?- YOU KIND OF MAKE FUN OF WHAT
  • 00:23:04.280 --> 00:23:09.586
  • - YOU KIND OF MAKE FUN OF WHATYOU'RE SAYING.
  • 00:23:09.586 --> 00:23:13.590
  • YOU'RE SAYING.I FIND OUT THE PERSON NEXT TO ME
  • 00:23:13.590 --> 00:23:14.290
  • I FIND OUT THE PERSON NEXT TO MEIS RECOVERING FROM GENDER
  • 00:23:14.290 --> 00:23:15.558
  • IS RECOVERING FROM GENDERREASSIGNMENT.
  • 00:23:15.558 --> 00:23:27.904
  • REASSIGNMENT.IF YOU DON'T KNOW WHAT THAT IS.
  • 00:23:27.904 --> 00:23:28.838
  • IF YOU DON'T KNOW WHAT THAT IS.GENDER REASSIGNMENT LIKE YOU
  • 00:23:28.838 --> 00:23:31.007
  • GENDER REASSIGNMENT LIKE YOUWERE SUPPOSED TO HAVE IT DONE
  • 00:23:31.007 --> 00:23:32.175
  • WERE SUPPOSED TO HAVE IT DONEBUT IT WASN'T YOUR CHOICE.
  • 00:23:32.175 --> 00:23:33.810
  • BUT IT WASN'T YOUR CHOICE.[INAUDIBLE]
  • 00:23:33.810 --> 00:23:40.417
  • [INAUDIBLE]I DON'T WANT TO BE REASSIGNED.
  • 00:23:40.417 --> 00:23:42.519
  • I DON'T WANT TO BE REASSIGNED.- THE GOVERNMENT IS UP TO CRAZY
  • 00:23:42.519 --> 00:23:43.153
  • - THE GOVERNMENT IS UP TO CRAZYSTUFF.
  • 00:23:43.153 --> 00:23:44.487
  • STUFF.I DON'T KNOW IF THEY'RE DOING
  • 00:23:44.487 --> 00:23:44.921
  • I DON'T KNOW IF THEY'RE DOINGTHAT OR NOT.
  • 00:23:44.921 --> 00:23:46.489
  • THAT OR NOT.THEY MAY BE.
  • 00:23:46.489 --> 00:23:52.162
  • THEY MAY BE.THEY MAY BE.
  • 00:23:52.162 --> 00:23:54.664
  • THEY MAY BE.- WILL YOU COME BACK AND BE
  • 00:23:54.664 --> 00:23:55.665
  • - WILL YOU COME BACK AND BEWITH US SOMETIME?
  • 00:23:55.665 --> 00:23:57.267
  • WITH US SOMETIME?- I WOULD LOVE TO.
  • 00:23:57.267 --> 00:23:58.435
  • - I WOULD LOVE TO.- WE NEED MORE LAUGHTER IN THE
  • 00:23:58.435 --> 00:23:58.768
  • - WE NEED MORE LAUGHTER IN THEWORLD.
  • 00:23:58.768 --> 00:23:59.569
  • WORLD.THANK YOU.
  • 00:23:59.569 --> 00:24:06.609
  • THANK YOU.DELIGHTED.
  • 00:24:06.609 --> 00:24:10.413
  • DELIGHTED.YOU CAN VISIT HIM ON IN THE
  • 00:24:10.413 --> 00:24:12.449
  • YOU CAN VISIT HIM ON IN THESOCIAL MEDIA SITES ALL OF THEM
  • 00:24:12.449 --> 00:24:13.149
  • SOCIAL MEDIA SITES ALL OF THEMLISTED RIGHT THERE ON YOUR
  • 00:24:13.149 --> 00:24:15.185
  • LISTED RIGHT THERE ON YOURSCREENS.
  • 00:24:15.185 --> 00:24:17.420
  • SCREENS.TAKE A SCREEN SHOT IF YOU'RE NOT
  • 00:24:17.420 --> 00:24:19.389
  • TAKE A SCREEN SHOT IF YOU'RE NOTA FAST WRITER.
  • 00:24:19.389 --> 00:24:24.294
  • A FAST WRITER.BE SURE TO DROP BY FOR YOUR IN
  • 00:24:24.294 --> 00:24:26.596
  • BE SURE TO DROP BY FOR YOUR INCASE YOU MISSED IT SEGMENT.
  • 00:24:26.596 --> 00:24:30.300
  • CASE YOU MISSED IT SEGMENT.ONE HUNDRED YEAR OLD WOMAN TAKEN
  • 00:24:30.300 --> 00:24:32.368
  • ONE HUNDRED YEAR OLD WOMAN TAKENTO JAIL FOR INDECENT EXPOSURE.
  • 00:24:32.368 --> 00:24:36.439
  • TO JAIL FOR INDECENT EXPOSURE.ALL OF THAT IS AFTER THE SHOW ON
  • 00:24:36.439 --> 00:24:39.309
  • ALL OF THAT IS AFTER THE SHOW ONHUCKABEE TV.
  • 00:24:39.309 --> 00:24:42.078
  • HUCKABEE TV.KEITH BILBREY IS AT HIS OWN
  • 00:24:42.078 --> 00:24:46.382
  • KEITH BILBREY IS AT HIS OWNLITTLE PERCH AND HE WILL SEE IF
  • 00:24:46.382 --> 00:24:48.518
  • LITTLE PERCH AND HE WILL SEE IFTHE LADY BEATS THE CHARGES.
  • 00:24:48.518 --> 00:24:54.991
  • THE LADY BEATS THE CHARGES.- COMING UP...
  • 00:24:54.991 --> 00:24:57.894
  • - COMING UP...JOHN REESE DAVIES AND BRAND-NEW
  • 00:24:57.894 --> 00:25:03.993
  • - COMING UP...JOHN REESE DAVIES AND BRAND-NEW
  • 00:25:03.993 --> 00:25:04.236
  • JOHN REESE DAVIES AND BRAND-NEWMUSIC PRODUCER AND THE LEGENDARY
  • 00:25:04.236 --> 00:25:15.347
  • MUSIC PRODUCER AND THE LEGENDARYCOWSILLS ON TONIGHT'S HUCKABEE.
  • 00:25:15.347 --> 00:25:18.650
  • COWSILLS ON TONIGHT'S HUCKABEE.- GO TO MIKE HUCKABEE...
  • 00:25:18.650 --> 00:25:20.151
  • - GO TO MIKE HUCKABEE...AND FOLLOW MIKE HUCKABEE ON
  • 00:25:20.151 --> 00:25:21.653
  • AND FOLLOW MIKE HUCKABEE ONTWITTER.
  • 00:25:21.653 --> 00:25:23.121
  • TWITTER.[APPLAUDING]
  • 00:25:23.121 --> 00:25:29.060
  • [APPLAUDING]- WELCOME BACK.
  • 00:25:29.060 --> 00:25:34.866
  • - WELCOME BACK.YOU KNOW MY NEXT GUEST FROM
  • 00:25:34.866 --> 00:25:36.501
  • YOU KNOW MY NEXT GUEST FROMINDIANA JONES.
  • 00:25:36.501 --> 00:25:40.705
  • INDIANA JONES.I AM PATRICK.
  • 00:25:40.705 --> 00:25:42.240
  • I AM PATRICK.COMING TO THEATERS ST. PATRICK'S
  • 00:25:42.240 --> 00:25:44.576
  • COMING TO THEATERS ST. PATRICK'SDAY FOR TWO NIGHTS ONLY.
  • 00:25:44.576 --> 00:25:47.412
  • DAY FOR TWO NIGHTS ONLY.HERE'S A LITTLE PREVIEW TO THIS
  • 00:25:47.412 --> 00:25:52.584
  • HERE'S A LITTLE PREVIEW TO THISGREAT FILM.
  • 00:25:52.584 --> 00:25:54.286
  • GREAT FILM.- COME HERE TO BE HERE WITH THE
  • 00:25:54.286 --> 00:26:12.137
  • - ALL THE WAY FROM THE ISLAND
  • 00:26:35.927 --> 00:26:38.630
  • - ALL THE WAY FROM THE ISLANDOF MAN JOHN REESE DAVIES.
  • 00:26:38.630 --> 00:26:39.497
  • OF MAN JOHN REESE DAVIES.ABOUT ST. PATRICK.
  • 00:26:39.497 --> 00:26:41.299
  • ABOUT ST. PATRICK.HOW APPROPRIATE.
  • 00:26:41.299 --> 00:26:43.335
  • HOW APPROPRIATE.TWO DAYS HERE IN THE UNITED
  • 00:26:43.335 --> 00:26:44.069
  • TWO DAYS HERE IN THE UNITEDSTATES AND THEATERS ACROSS THE
  • 00:26:44.069 --> 00:26:46.237
  • STATES AND THEATERS ACROSS THECOUNTRY.
  • 00:26:46.237 --> 00:26:48.907
  • COUNTRY.WHAT DREW YOU TO THE PROJECT OF
  • 00:26:48.907 --> 00:26:51.343
  • WHAT DREW YOU TO THE PROJECT OFPLAYING THE ROLE OF ST. PATRICK?
  • 00:26:51.343 --> 00:26:56.081
  • PLAYING THE ROLE OF ST. PATRICK?- WELL THE MAN HIMSELF IS SUCH
  • 00:26:56.081 --> 00:27:02.921
  • - WELL THE MAN HIMSELF IS SUCHA GREAT INDIVIDUALIST.
  • 00:27:02.921 --> 00:27:07.359
  • A GREAT INDIVIDUALIST.HE EMERGES AS A STRONG HUMBLE
  • 00:27:07.359 --> 00:27:15.667
  • HE EMERGES AS A STRONG HUMBLESELF STRAIGHT OUT OF THE DARK
  • 00:27:15.667 --> 00:27:17.769
  • SELF STRAIGHT OUT OF THE DARKAGES, I AM A CINDER.
  • 00:27:17.769 --> 00:27:18.837
  • AGES, I AM A CINDER.SINNER.
  • 00:27:18.837 --> 00:27:21.573
  • SINNER.IT IS JUST WONDERFUL.
  • 00:27:21.573 --> 00:27:23.108
  • IT IS JUST WONDERFUL.WHAT A CHANCE.
  • 00:27:23.108 --> 00:27:25.243
  • WHAT A CHANCE.I HAVE TO CONFESS I'M TAKING ALL
  • 00:27:25.243 --> 00:27:28.046
  • I HAVE TO CONFESS I'M TAKING ALLTHE CREDIT FOR THIS.
  • 00:27:28.046 --> 00:27:30.248
  • THE CREDIT FOR THIS.I ONLY PLAY THE OLDER PATRICK
  • 00:27:30.248 --> 00:27:33.485
  • I ONLY PLAY THE OLDER PATRICKAND DO THE VOICE OVER BUT
  • 00:27:33.485 --> 00:27:34.753
  • AND DO THE VOICE OVER BUTTHERE'S YOUNGER PATRICKS THERE
  • 00:27:34.753 --> 00:27:37.222
  • THERE'S YOUNGER PATRICKS THEREAND CARRY THE BURDEN.
  • 00:27:37.222 --> 00:27:42.894
  • AND CARRY THE BURDEN.I TAKE ALL THE COMPLIMENTS.
  • 00:27:42.894 --> 00:27:43.561
  • I TAKE ALL THE COMPLIMENTS.- YOU SHOULD.
  • 00:27:43.561 --> 00:27:45.196
  • - YOU SHOULD.WHY NOT?
  • 00:27:45.196 --> 00:27:47.732
  • WHY NOT?THE RIGHT YOU HAVE BEING SUCH A
  • 00:27:47.732 --> 00:27:49.300
  • THE RIGHT YOU HAVE BEING SUCH ASUCCESSFUL ACTOR.
  • 00:27:49.300 --> 00:27:52.504
  • SUCCESSFUL ACTOR.PEOPLE HAVE SEEN YOU IN SO MANY
  • 00:27:52.504 --> 00:27:55.006
  • PEOPLE HAVE SEEN YOU IN SO MANYDIFFERENT ROLES AND HEARD YOUR
  • 00:27:55.006 --> 00:27:57.475
  • DIFFERENT ROLES AND HEARD YOURVOICE ON ANIMATED SERIES AND
  • 00:27:57.475 --> 00:27:59.577
  • VOICE ON ANIMATED SERIES ANDYOU'VE NARRATED SO MANY THINGS
  • 00:27:59.577 --> 00:28:01.446
  • YOU'VE NARRATED SO MANY THINGSAND VOICE AND NAME AND PLACE TO
  • 00:28:01.446 --> 00:28:06.151
  • AND VOICE AND NAME AND PLACE TOPEOPLE ACROSS THE COUNTRY.
  • 00:28:06.151 --> 00:28:08.453
  • PEOPLE ACROSS THE COUNTRY.DO YOU HAVE A FAVORITE ROLE?
  • 00:28:08.453 --> 00:28:11.556
  • DO YOU HAVE A FAVORITE ROLE?- I TEND NOT TO LOOK BACK TO BE
  • 00:28:11.556 --> 00:28:15.727
  • - I TEND NOT TO LOOK BACK TO BEHONEST WITH YOU.
  • 00:28:15.727 --> 00:28:32.977
  • - MAYBE THAT'S WHY YOU HAD SUCH
  • 00:28:42.220 --> 00:28:43.321
  • - MAYBE THAT'S WHY YOU HAD SUCHA SUSTAINED CAREER.
  • 00:28:43.321 --> 00:28:46.858
  • A SUSTAINED CAREER.I WANT TO GO BACK TO THE FILM
  • 00:28:46.858 --> 00:28:49.127
  • I WANT TO GO BACK TO THE FILMIRON PATRICK.
  • 00:28:49.127 --> 00:28:51.129
  • IRON PATRICK.MOST DON'T KNOW MUCH ABOUT ST.
  • 00:28:51.129 --> 00:28:53.598
  • MOST DON'T KNOW MUCH ABOUT ST.PATRICK AND KNOW ABOUT THE
  • 00:28:53.598 --> 00:28:55.600
  • PATRICK AND KNOW ABOUT THEMODERN CELEBRATION AND PARADES
  • 00:28:55.600 --> 00:28:57.335
  • MODERN CELEBRATION AND PARADESAND WEARING OF GREEN AND CLOVERS
  • 00:28:57.335 --> 00:29:01.272
  • AND WEARING OF GREEN AND CLOVERSAND EVERYTHING IRISH.
  • 00:29:01.272 --> 00:29:03.341
  • AND EVERYTHING IRISH.WHAT ABOUT ST. PATRICK'S WILL WE
  • 00:29:03.341 --> 00:29:04.609
  • WHAT ABOUT ST. PATRICK'S WILL WELEARN IN THIS FILM MOST HAVEN'T
  • 00:29:04.609 --> 00:29:05.744
  • LEARN IN THIS FILM MOST HAVEN'THEARD?
  • 00:29:05.744 --> 00:29:06.678
  • HEARD?- YOU'LL LEARN A GREAT DEAL
  • 00:29:06.678 --> 00:29:08.580
  • - YOU'LL LEARN A GREAT DEALABOUT IT.
  • 00:29:08.580 --> 00:29:10.014
  • ABOUT IT.I LEARNED JUST READING THE
  • 00:29:10.014 --> 00:29:12.317
  • I LEARNED JUST READING THESCRIPT ALONE.
  • 00:29:12.317 --> 00:29:14.686
  • SCRIPT ALONE.PATRICK WAS PROBABLY, WELL WE
  • 00:29:14.686 --> 00:29:19.023
  • PATRICK WAS PROBABLY, WELL WECALL HIM A WELSH MAN BUT HE WAS
  • 00:29:19.023 --> 00:29:22.594
  • CALL HIM A WELSH MAN BUT HE WASBASICALLY LATE VERY LATE...
  • 00:29:22.594 --> 00:29:25.663
  • BASICALLY LATE VERY LATE...HE WAS TAKEN.
  • 00:29:25.663 --> 00:29:27.665
  • HE WAS TAKEN.CAPTURED BY PIRATES.
  • 00:29:27.665 --> 00:29:31.069
  • CAPTURED BY PIRATES.HE WAS A SLAVE AND TAKEN TO
  • 00:29:31.069 --> 00:29:35.840
  • HE WAS A SLAVE AND TAKEN TOIRELAND AND BRUTALLY TREATED.
  • 00:29:35.840 --> 00:29:38.910
  • IRELAND AND BRUTALLY TREATED.ENDED UP BEING A SHEPHERD.
  • 00:29:38.910 --> 00:29:41.379
  • ENDED UP BEING A SHEPHERD.MASTER DECIDED HE COULD BE A
  • 00:29:41.379 --> 00:29:42.080
  • MASTER DECIDED HE COULD BE ASHEPHERD IN A VERY REMOTE
  • 00:29:42.080 --> 00:29:45.683
  • SHEPHERD IN A VERY REMOTEREASON.
  • 00:29:45.683 --> 00:29:49.020
  • REASON.AND HE SURVIVES THERE.
  • 00:29:49.020 --> 00:29:50.488
  • AND HE SURVIVES THERE.AND HE'S OBLIGED TO TALK BECAUSE
  • 00:29:50.488 --> 00:29:51.723
  • AND HE'S OBLIGED TO TALK BECAUSETHERE IS NO ONE ELSE.
  • 00:29:51.723 --> 00:29:53.224
  • THERE IS NO ONE ELSE.HE TALKS TO GOD.
  • 00:29:53.224 --> 00:29:57.662
  • HE TALKS TO GOD.AND GOD TALKS BACK.
  • 00:29:57.662 --> 00:30:02.333
  • AND GOD TALKS BACK.AND HE SUCCESSFULLY AFTER A
  • 00:30:02.333 --> 00:30:04.302
  • AND HE SUCCESSFULLY AFTER AWHILE MANAGES TO RUN AWAY AND
  • 00:30:04.302 --> 00:30:06.271
  • WHILE MANAGES TO RUN AWAY ANDFINDS A BOAT THAT WILL TAKE HIM
  • 00:30:06.271 --> 00:30:08.173
  • FINDS A BOAT THAT WILL TAKE HIMBACK TO HIS OWN COUNTRY AND
  • 00:30:08.173 --> 00:30:10.608
  • BACK TO HIS OWN COUNTRY ANDFINDS HIS WAY HOME AND HE'S
  • 00:30:10.608 --> 00:30:11.442
  • FINDS HIS WAY HOME AND HE'SWELCOMED BACK.
  • 00:30:11.442 --> 00:30:13.211
  • WELCOMED BACK.HE'S A YOUNG MAN.
  • 00:30:13.211 --> 00:30:14.479
  • HE'S A YOUNG MAN.HE'S GOT A GREAT FUTURE AHEAD OF
  • 00:30:14.479 --> 00:30:18.049
  • HE'S GOT A GREAT FUTURE AHEAD OFHIM.
  • 00:30:18.049 --> 00:30:18.683
  • HIM.SOMETHING NAGGING HIM.
  • 00:30:18.683 --> 00:30:28.159
  • SOMETHING NAGGING HIM.SOMEHOW.
  • 00:30:28.159 --> 00:30:29.594
  • SOMEHOW.ALMOST SUFFERING FROM STOCKHOLM
  • 00:30:29.594 --> 00:30:31.696
  • ALMOST SUFFERING FROM STOCKHOLMGOD IS INSTRUCTING HIM TO GO
  • 00:30:31.696 --> 00:30:34.199
  • GOD IS INSTRUCTING HIM TO GOBACK AND CONVERT THE PEOPLE WHO
  • 00:30:34.199 --> 00:30:37.168
  • BACK AND CONVERT THE PEOPLE WHOENSLAVED HIM.
  • 00:30:37.168 --> 00:30:38.703
  • ENSLAVED HIM.HE HAS JUST THE MOST REMARKABLE
  • 00:30:38.703 --> 00:30:41.673
  • HE HAS JUST THE MOST REMARKABLELIFE.
  • 00:30:41.673 --> 00:30:46.411
  • LIFE.AND HE'S SUCCESSFUL.
  • 00:30:46.411 --> 00:30:49.614
  • AND HE'S SUCCESSFUL.AND THEN OF COURSE GENERAL
  • 00:30:49.614 --> 00:30:53.585
  • AND THEN OF COURSE GENERALDETRACTORS LATER ON.
  • 00:30:53.585 --> 00:30:54.285
  • DETRACTORS LATER ON.HE'S TAKING FROM WEALTHY
  • 00:30:54.285 --> 00:30:54.752
  • HE'S TAKING FROM WEALTHYCONTRIBUTORS.
  • 00:30:54.752 --> 00:30:55.019
  • CONTRIBUTORS.YES.
  • 00:30:55.019 --> 00:30:56.287
  • YES.I AM.
  • 00:30:56.287 --> 00:30:58.323
  • I AM.HOW DO YOU THINK I'M PERSUADING
  • 00:30:58.323 --> 00:31:00.458
  • HOW DO YOU THINK I'M PERSUADINGPEOPLE TO GIVE UP THEIR LIVES?
  • 00:31:00.458 --> 00:31:02.660
  • PEOPLE TO GIVE UP THEIR LIVES?HOW DO YOU THINK I'M MANAGING TO
  • 00:31:02.660 --> 00:31:04.529
  • HOW DO YOU THINK I'M MANAGING TOMAKE OTHER PEOPLE TO BE
  • 00:31:04.529 --> 00:31:05.396
  • MAKE OTHER PEOPLE TO BEMISSIONARIES WITHOUT GIVING THEM
  • 00:31:05.396 --> 00:31:09.267
  • MISSIONARIES WITHOUT GIVING THEMSOMETHING TO LIVE ON?
  • 00:31:09.267 --> 00:31:14.939
  • SOMETHING TO LIVE ON?I LOVE THE BUBBLING SORT OF ROLE
  • 00:31:14.939 --> 00:31:20.044
  • I LOVE THE BUBBLING SORT OF ROLEOF OUTRAGE IN PATRICK FIGHTING
  • 00:31:20.044 --> 00:31:21.913
  • OF OUTRAGE IN PATRICK FIGHTINGOFF DESPERATELY WITH HIS NEED TO
  • 00:31:21.913 --> 00:31:25.016
  • OFF DESPERATELY WITH HIS NEED TOBE HUMBLE AND SUBJECT TO GOD.
  • 00:31:25.016 --> 00:31:26.651
  • BE HUMBLE AND SUBJECT TO GOD.IT'S TKPHROURS.
  • 00:31:26.651 --> 00:31:29.687
  • IT'S TKPHROURS.- YOU HAVE COMPLETELY SOLD ME
  • 00:31:29.687 --> 00:31:32.490
  • - YOU HAVE COMPLETELY SOLD MEAND I THINK OUR ENTIRE AUDIENCE
  • 00:31:32.490 --> 00:31:34.893
  • AND I THINK OUR ENTIRE AUDIENCEWANTING TO MAKE SURE WE SEE I AM
  • 00:31:34.893 --> 00:31:37.862
  • WANTING TO MAKE SURE WE SEE I AMPATRICK.
  • 00:31:37.862 --> 00:31:39.697
  • PATRICK.JOHN REESE DAVIES WHAT A DELIGHT
  • 00:31:39.697 --> 00:31:44.068
  • JOHN REESE DAVIES WHAT A DELIGHTTO HAVE YOU HERE.
  • 00:31:44.068 --> 00:31:46.771
  • TO HAVE YOU HERE.WHY YOU HAVE HAD SUCH A
  • 00:31:46.771 --> 00:31:47.572
  • WHY YOU HAVE HAD SUCH ADELIGHTFUL CAREER AS GREAT
  • 00:31:47.572 --> 00:31:48.439
  • DELIGHTFUL CAREER AS GREATACTORS OF OUR TIME.
  • 00:31:48.439 --> 00:31:52.877
  • ACTORS OF OUR TIME.WE THANK YOU FOR BEING WITH US
  • 00:31:52.877 --> 00:31:56.915
  • WE THANK YOU FOR BEING WITH USAND LOOK FORWARD TO THE FILM.
  • 00:31:56.915 --> 00:31:58.883
  • AND LOOK FORWARD TO THE FILM.GOD BLESS YA'LL.
  • 00:31:58.883 --> 00:32:05.623
  • GOD BLESS YA'LL.TWO NIGHTS ONLY.
  • 00:32:05.623 --> 00:32:09.227
  • TWO NIGHTS ONLY.MARCH 17 ST. PATRICK'S DAY AND
  • 00:32:09.227 --> 00:32:11.696
  • MARCH 17 ST. PATRICK'S DAY AND18 AND BUY TICKETS IN ADVANCE
  • 00:32:11.696 --> 00:32:16.200
  • 18 AND BUY TICKETS IN ADVANCEALL OF THAT AT I AM PATRICK.COM.
  • 00:32:16.200 --> 00:32:18.102
  • ALL OF THAT AT I AM PATRICK.COM.I'LL LET KEITH WHO IS ANNOUNCER
  • 00:32:18.102 --> 00:32:19.470
  • I'LL LET KEITH WHO IS ANNOUNCEROF THE SHOW TELL US WHAT WE HAVE
  • 00:32:19.470 --> 00:32:27.578
  • OF THE SHOW TELL US WHAT WE HAVENEXT.
  • 00:32:27.578 --> 00:32:31.049
  • NEXT.- CELEBRATE THE MUSIC OF MISTER
  • 00:32:31.049 --> 00:32:35.286
  • - CELEBRATE THE MUSIC OF MISTERROGERS.
  • 00:32:35.286 --> 00:32:36.955
  • ROGERS.WITH THE COWSILLS.
  • 00:32:36.955 --> 00:32:38.996
  • ROGERS.WITH THE COWSILLS.
  • 00:32:38.996 --> 00:32:53.707
  • - LET'S HAVE A BIG HAND FOR TRE
  • 00:33:01.147 --> 00:33:02.949
  • - LET'S HAVE A BIG HAND FOR TRECORIE AND THE MUSIC CITY
  • 00:33:02.949 --> 00:33:04.184
  • CORIE AND THE MUSIC CITYCONNECTION OUR WONDERFUL BAND AT
  • 00:33:04.184 --> 00:33:09.255
  • CONNECTION OUR WONDERFUL BAND ATTHE HUCKABEE SHOW.
  • 00:33:09.255 --> 00:33:12.292
  • THE HUCKABEE SHOW.- CHILDREN ARE LIKE SNO FLAKES
  • 00:33:12.292 --> 00:33:13.693
  • - CHILDREN ARE LIKE SNO FLAKESNO TWO ARE ALIKE.
  • 00:33:13.693 --> 00:33:16.596
  • NO TWO ARE ALIKE.GOD MAKES EACH OF US UNIQUE.
  • 00:33:16.596 --> 00:33:18.365
  • GOD MAKES EACH OF US UNIQUE.SOMETIMES CAN'T SEE A TALENT
  • 00:33:18.365 --> 00:33:20.133
  • SOMETIMES CAN'T SEE A TALENTINSIDE A CHILD.
  • 00:33:20.133 --> 00:33:21.334
  • INSIDE A CHILD.THAT'S WHY IT TAKES PARENTS.
  • 00:33:21.334 --> 00:33:23.403
  • THAT'S WHY IT TAKES PARENTS.ONE EXAMPLE.
  • 00:33:23.403 --> 00:33:25.405
  • ONE EXAMPLE.- MY NAME IS JEREMY AND THIS IS
  • 00:33:25.405 --> 00:33:27.240
  • - MY NAME IS JEREMY AND THIS ISMY STORY.
  • 00:33:27.240 --> 00:33:28.208
  • MY STORY.I WAS BORN IN NASHVILLE,
  • 00:33:28.208 --> 00:33:30.310
  • I WAS BORN IN NASHVILLE,TENNESSEE.
  • 00:33:30.310 --> 00:33:33.847
  • TENNESSEE.I GREW UP IN THE SUBURB
  • 00:33:33.847 --> 00:33:35.815
  • I GREW UP IN THE SUBURBHENDERSONVILLE KNOWN AS BEING
  • 00:33:35.815 --> 00:33:39.085
  • HENDERSONVILLE KNOWN AS BEINGTHE HOMETOWN OF JOHNNY CASH AND
  • 00:33:39.085 --> 00:33:39.853
  • THE HOMETOWN OF JOHNNY CASH ANDNOW THE HOMETOWN OF TAYLOR
  • 00:33:39.853 --> 00:33:40.453
  • NOW THE HOMETOWN OF TAYLORSWIFT.
  • 00:33:40.453 --> 00:33:42.155
  • SWIFT.I LOVE YOU TAYLOR.
  • 00:33:42.155 --> 00:33:44.657
  • I LOVE YOU TAYLOR.GROWING UP I WAS NEVER SMART.
  • 00:33:44.657 --> 00:33:48.161
  • GROWING UP I WAS NEVER SMART.I WOULDN'T PAY ATTENTION.
  • 00:33:48.161 --> 00:33:50.130
  • I WOULDN'T PAY ATTENTION.I'M A TERRIBLE LISTENER AND
  • 00:33:50.130 --> 00:33:53.733
  • I'M A TERRIBLE LISTENER ANDQUIET, SHY AND [MUSIC]
  • 00:33:53.733 --> 00:33:55.435
  • QUIET, SHY AND [MUSIC]I REMEMBER ALWAYS TELLING MY MOM
  • 00:33:55.435 --> 00:33:58.371
  • I REMEMBER ALWAYS TELLING MY MOMAND DAD, I CAN'T DO THIS.
  • 00:33:58.371 --> 00:33:59.372
  • AND DAD, I CAN'T DO THIS.I TOOK PIANO LESSONS.
  • 00:33:59.372 --> 00:34:01.574
  • I TOOK PIANO LESSONS.I CAN'T DO THIS.
  • 00:34:01.574 --> 00:34:02.742
  • I CAN'T DO THIS.EVERYTHING I DID ENDED WITH
  • 00:34:02.742 --> 00:34:05.812
  • EVERYTHING I DID ENDED WITHTHOSE WORDS.
  • 00:34:05.812 --> 00:34:17.791
  • THOSE WORDS.I CAN'T DO THIS.
  • 00:34:17.791 --> 00:34:20.226
  • I CAN'T DO THIS.I CAN DO ALL THINGS THROUGH
  • 00:34:20.226 --> 00:34:22.796
  • I CAN DO ALL THINGS THROUGHCHRIST WHO STRENGTHENS ME.
  • 00:34:22.796 --> 00:34:31.304
  • CHRIST WHO STRENGTHENS ME.- BEAUTIFUL TESTIMONY.
  • 00:34:31.304 --> 00:34:33.173
  • - BEAUTIFUL TESTIMONY.TELL COMPELLING NARRATIVES.
  • 00:34:33.173 --> 00:34:34.207
  • TELL COMPELLING NARRATIVES.AS WELL AS CAUSES ALL OVER THE
  • 00:34:34.207 --> 00:34:43.249
  • AS WELL AS CAUSES ALL OVER THEWORLD.
  • 00:34:43.249 --> 00:34:45.718
  • WORLD.WE SHOULD SAY WELCOME HOME TO
  • 00:34:45.718 --> 00:34:50.123
  • WE SHOULD SAY WELCOME HOME TOHENDERSONVILLE.
  • 00:34:50.123 --> 00:34:51.257
  • HENDERSONVILLE.- SO MANY MEMORIES THERE.
  • 00:34:51.257 --> 00:34:52.859
  • - SO MANY MEMORIES THERE.- YOU ARE THE KID THAT SAYS I
  • 00:34:52.859 --> 00:34:54.260
  • - YOU ARE THE KID THAT SAYS ICAN'T.
  • 00:34:54.260 --> 00:34:56.563
  • CAN'T.ALL THE THINGS I COULDN'T DO.
  • 00:34:56.563 --> 00:34:57.864
  • ALL THE THINGS I COULDN'T DO.YOU MENTIONED THE VERSE OF
  • 00:34:57.864 --> 00:34:58.631
  • YOU MENTIONED THE VERSE OFSCRIPTURE THAT CHANGED YOUR
  • 00:34:58.631 --> 00:34:59.466
  • SCRIPTURE THAT CHANGED YOURLIFE.
  • 00:34:59.466 --> 00:35:01.201
  • LIFE.PHILIPPIANS 4:13.
  • 00:35:01.201 --> 00:35:03.903
  • PHILIPPIANS 4:13.WHEN DID THAT HAPPEN TO YOU TO
  • 00:35:03.903 --> 00:35:06.806
  • WHEN DID THAT HAPPEN TO YOU TOREALLY TAKE THAT TO HEART.
  • 00:35:06.806 --> 00:35:08.942
  • REALLY TAKE THAT TO HEART.- GOING OUT LITERALLY FIVE
  • 00:35:08.942 --> 00:35:14.280
  • - GOING OUT LITERALLY FIVEMINUTES...
  • 00:35:14.280 --> 00:35:16.516
  • MINUTES...YOU CAN DO ALL THINGS THROUGH
  • 00:35:16.516 --> 00:35:19.352
  • YOU CAN DO ALL THINGS THROUGHCHRIST WHO STRENGTHENS YOU.
  • 00:35:19.352 --> 00:35:20.954
  • CHRIST WHO STRENGTHENS YOU.MY MOM DID TOO.
  • 00:35:20.954 --> 00:35:21.855
  • MY MOM DID TOO.FINALLY START TO BELIEVE IT OVER
  • 00:35:21.855 --> 00:35:39.139
  • WHEN YOU WERE RAISED BY PARENTS
  • 00:35:45.945 --> 00:35:47.847
  • WHEN YOU WERE RAISED BY PARENTSWHO KEPT TELLING YOU YOU COULD
  • 00:35:47.847 --> 00:35:50.049
  • WHO KEPT TELLING YOU YOU COULDDID YOU EVER REALIZE HOW BLESSED
  • 00:35:50.049 --> 00:35:52.552
  • DID YOU EVER REALIZE HOW BLESSEDYOU WERE TO HAVE A MOM AND DAD
  • 00:35:52.552 --> 00:35:54.320
  • YOU WERE TO HAVE A MOM AND DADWHO BELIEVED IN YOU INSTEAD OF
  • 00:35:54.320 --> 00:35:55.922
  • WHO BELIEVED IN YOU INSTEAD OFTEARING YOU DOWN?
  • 00:35:55.922 --> 00:35:58.491
  • TEARING YOU DOWN?- AS A KID I DIDN'T KNOW HOW
  • 00:35:58.491 --> 00:36:01.261
  • - AS A KID I DIDN'T KNOW HOWBLESSED I WAS, AS AN ADULT WITH
  • 00:36:01.261 --> 00:36:07.367
  • BLESSED I WAS, AS AN ADULT WITHKIDS THAT DIDN'T GROW UP IN A
  • 00:36:07.367 --> 00:36:11.237
  • KIDS THAT DIDN'T GROW UP IN ALOVING HOME.
  • 00:36:11.237 --> 00:36:12.438
  • LOVING HOME.MY PARENTS ARE STILL WITH ME
  • 00:36:12.438 --> 00:36:15.141
  • MY PARENTS ARE STILL WITH METODAY.
  • 00:36:15.141 --> 00:36:19.345
  • TODAY.- HOW DID YOU GET INTO
  • 00:36:19.345 --> 00:36:26.052
  • - HOW DID YOU GET INTOPHOTOGRAPHER.
  • 00:36:26.052 --> 00:36:32.492
  • PHOTOGRAPHER.- TELL THEM, NOW I'M THE MOST
  • 00:36:32.492 --> 00:36:33.293
  • - TELL THEM, NOW I'M THE MOSTINFLUENTIAL PHOTOGRAPHER ON THE
  • 00:36:33.293 --> 00:36:50.643
  • - MY CAREER TOOK OFF FROM
  • 00:36:52.912 --> 00:36:54.447
  • - MY CAREER TOOK OFF FROMTHERE.
  • 00:36:54.447 --> 00:36:57.550
  • THERE.- WHO HAVE YOU DONE PHOTOGRAPHY
  • 00:36:57.550 --> 00:37:00.119
  • - WHO HAVE YOU DONE PHOTOGRAPHYFOR THAT WE COULD SAY O THAT'S
  • 00:37:00.119 --> 00:37:02.589
  • FOR THAT WE COULD SAY O THAT'SPRETTY COOL?
  • 00:37:02.589 --> 00:37:03.523
  • PRETTY COOL?- EVERYTHING FROM TAYLOR SWIFT
  • 00:37:03.523 --> 00:37:04.924
  • - EVERYTHING FROM TAYLOR SWIFTAND...
  • 00:37:04.924 --> 00:37:07.927
  • AND...- NEVER HEARD OF ANY OF THEM.
  • 00:37:07.927 --> 00:37:09.462
  • - NEVER HEARD OF ANY OF THEM.- ALL KINDS.
  • 00:37:09.462 --> 00:37:10.396
  • - ALL KINDS.LONG LIST FOR SURE.
  • 00:37:10.396 --> 00:37:11.965
  • LONG LIST FOR SURE.- THAT'S AMAZING.
  • 00:37:11.965 --> 00:37:14.267
  • - THAT'S AMAZING.ALL OF THIS FROM A KID WHO
  • 00:37:14.267 --> 00:37:16.402
  • ALL OF THIS FROM A KID WHODIDN'T THINK HE COULD DO
  • 00:37:16.402 --> 00:37:18.838
  • DIDN'T THINK HE COULD DOANYTHING AND GOT A D. IN
  • 00:37:18.838 --> 00:37:20.440
  • ANYTHING AND GOT A D. INPHOTOGRAPHY.
  • 00:37:20.440 --> 00:37:22.842
  • PHOTOGRAPHY.THERE'S A GREAT REASON TO NOT
  • 00:37:22.842 --> 00:37:24.277
  • THERE'S A GREAT REASON TO NOTNECESSARILY BELIEVE EVERYTHING
  • 00:37:24.277 --> 00:37:26.045
  • NECESSARILY BELIEVE EVERYTHINGSOMEONE IN COLLEGE TELLS YOU.
  • 00:37:26.045 --> 00:37:29.082
  • SOMEONE IN COLLEGE TELLS YOU.- ABSOLUTELY YEAH.
  • 00:37:29.082 --> 00:37:33.086
  • - ABSOLUTELY YEAH.- YOU HAVE MADE A MARK BEING AN
  • 00:37:33.086 --> 00:37:50.803
  • - AT ONE POINT I REALIZED
  • 00:38:02.749 --> 00:38:08.755
  • - AT ONE POINT I REALIZEDCELEBRITIES [INAUDIBLE]
  • 00:38:08.755 --> 00:38:13.660
  • CELEBRITIES [INAUDIBLE]KIND OF.
  • 00:38:13.660 --> 00:38:16.796
  • KIND OF.ALL OVER THE WORLD.
  • 00:38:16.796 --> 00:38:21.567
  • ALL OVER THE WORLD.I TRY TO BE PURSUING IDEAS.
  • 00:38:21.567 --> 00:38:39.319
  • I TRY TO STAY HUMBLE AND DO WHAT
  • 00:38:42.455 --> 00:38:43.823
  • I TRY TO STAY HUMBLE AND DO WHATHE WANTS ME TO DO.
  • 00:38:43.823 --> 00:38:45.958
  • HE WANTS ME TO DO.- WRITTEN UNPOSSIBLE.
  • 00:38:45.958 --> 00:38:49.595
  • - WRITTEN UNPOSSIBLE.DETAILS SOME OF THE THINGS YOU
  • 00:38:49.595 --> 00:38:50.997
  • DETAILS SOME OF THE THINGS YOUHAVE DONE RECOGNIZING
  • 00:38:50.997 --> 00:38:52.098
  • HAVE DONE RECOGNIZINGPHOTOGRAPHY AS AN ART FORM HELPS
  • 00:38:52.098 --> 00:38:53.466
  • PHOTOGRAPHY AS AN ART FORM HELPSTELL STORIES.
  • 00:38:53.466 --> 00:38:55.034
  • TELL STORIES.WHEN YOU'RE TRAVELING AROUND THE
  • 00:38:55.034 --> 00:38:56.469
  • WHEN YOU'RE TRAVELING AROUND THEWORLD, YOU'RE TAKING PICTURES.
  • 00:38:56.469 --> 00:38:59.238
  • WORLD, YOU'RE TAKING PICTURES.NOT JUST TO SAY HERE'S A
  • 00:38:59.238 --> 00:39:01.874
  • NOT JUST TO SAY HERE'S APICTURE, BUT HERE'S A STORY.
  • 00:39:01.874 --> 00:39:04.477
  • PICTURE, BUT HERE'S A STORY.- I WROTE MY MISSION THAT SAYS
  • 00:39:04.477 --> 00:39:21.861
  • [INAUDIBLE]
  • 00:40:45.812 --> 00:40:47.580
  • [INAUDIBLE]WHAT AN AMAZING PROJECT.
  • 00:40:47.580 --> 00:40:50.082
  • WHAT AN AMAZING PROJECT.I'M GLAD YOU DIDN'T GIVE UP AND
  • 00:40:50.082 --> 00:40:52.952
  • I'M GLAD YOU DIDN'T GIVE UP ANDHAD PARENTS WHO ENCOURAGED YOU
  • 00:40:52.952 --> 00:40:54.587
  • HAD PARENTS WHO ENCOURAGED YOUAND HAVE PARENTS WATCHING THAT
  • 00:40:54.587 --> 00:40:56.422
  • AND HAVE PARENTS WATCHING THATTHE GIFT THEY CAN GIVE THEIR
  • 00:40:56.422 --> 00:40:58.591
  • THE GIFT THEY CAN GIVE THEIRCHILDREN IS THE GIFT OF
  • 00:40:58.591 --> 00:40:59.959
  • CHILDREN IS THE GIFT OFENCOURAGEMENT AND TELL THEM WHAT
  • 00:40:59.959 --> 00:41:01.227
  • ENCOURAGEMENT AND TELL THEM WHATTHEY CAN DO NOT WHAT THEY CAN'T
  • 00:41:01.227 --> 00:41:02.895
  • THEY CAN DO NOT WHAT THEY CAN'TDO.
  • 00:41:02.895 --> 00:41:04.230
  • DO.BECAUSE OF THAT, YOU LEARNED
  • 00:41:04.230 --> 00:41:05.565
  • BECAUSE OF THAT, YOU LEARNEDGREAT THINGS FOR PEOPLE.
  • 00:41:05.565 --> 00:41:07.166
  • GREAT THINGS FOR PEOPLE.THANK YOU FOR BEING HEAR.
  • 00:41:07.166 --> 00:41:07.733
  • THANK YOU FOR BEING HEAR.NICE TO HAVE YOU.
  • 00:41:07.733 --> 00:41:09.602
  • NICE TO HAVE YOU.- THANK YOU.
  • 00:41:09.602 --> 00:41:11.270
  • - THANK YOU.- FOR MORE INFORMATION ON
  • 00:41:11.270 --> 00:41:15.074
  • - FOR MORE INFORMATION ONJEREMY AND HIS BOOK THAT WE'VE
  • 00:41:15.074 --> 00:41:16.042
  • JEREMY AND HIS BOOK THAT WE'VEBEEN TALKING ABOUT CALLED
  • 00:41:16.042 --> 00:41:18.544
  • BEEN TALKING ABOUT CALLEDIMPOSSIBLE GO TO...
  • 00:41:18.544 --> 00:41:23.483
  • IMPOSSIBLE GO TO...FANNED AND IF YOU WANT TO STAY
  • 00:41:23.483 --> 00:41:26.652
  • FANNED AND IF YOU WANT TO STAYUPDATED...
  • 00:41:26.652 --> 00:41:28.921
  • UPDATED...IN THE MEANTIME GIVE US A
  • 00:41:28.921 --> 00:41:30.156
  • IN THE MEANTIME GIVE US ASNAPSHOT OF WHAT WE HAVE COMING
  • 00:41:30.156 --> 00:41:31.557
  • SNAPSHOT OF WHAT WE HAVE COMINGUP.
  • 00:41:31.557 --> 00:41:38.531
  • UP.- I WOULD LOVE TO...
  • 00:41:38.531 --> 00:41:41.334
  • - I WOULD LOVE TO...HONOR THE LIFE OF MISTER ROGERS
  • 00:41:41.334 --> 00:41:41.994
  • - I WOULD LOVE TO...HONOR THE LIFE OF MISTER ROGERS
  • 00:41:41.994 --> 00:41:57.783
  • - IN 2005 WON A GRAMMY AWARD
  • 00:42:09.362 --> 00:42:10.830
  • - IN 2005 WON A GRAMMY AWARDFOR CHILDREN WITH RECORDING
  • 00:42:10.830 --> 00:42:12.598
  • FOR CHILDREN WITH RECORDINGCALLED SONGS FROM THE
  • 00:42:12.598 --> 00:42:16.235
  • CALLED SONGS FROM THENEIGHBORHOOD THE MUSIC OF MR.
  • 00:42:16.235 --> 00:42:21.007
  • NEIGHBORHOOD THE MUSIC OF MR.ROGERS, 2019 FOLLOW-UP THANK YOU
  • 00:42:21.007 --> 00:42:23.476
  • ROGERS, 2019 FOLLOW-UP THANK YOUMR. ROGERS INCLUDES...
  • 00:42:23.476 --> 00:42:25.344
  • MR. ROGERS INCLUDES...THEY SING THE TIMELESS SONGS OF
  • 00:42:25.344 --> 00:42:26.579
  • THEY SING THE TIMELESS SONGS OFMR. ROGERS.
  • 00:42:26.579 --> 00:42:29.315
  • MR. ROGERS.TO TELL US MORE, WOULD YOU
  • 00:42:29.315 --> 00:42:32.318
  • TO TELL US MORE, WOULD YOUPLEASE WELCOME THAT GUY DENNIS.
  • 00:42:32.318 --> 00:42:33.986
  • PLEASE WELCOME THAT GUY DENNIS.WELCOME.
  • 00:42:33.986 --> 00:42:35.254
  • WELCOME.- THANKS FOR HAVING ME HERE.
  • 00:42:35.254 --> 00:42:44.163
  • - THANKS FOR HAVING ME HERE.- I WONDERED IF YOU WOULD COME
  • 00:42:44.163 --> 00:42:45.731
  • - I WONDERED IF YOU WOULD COMEUP WITH A SWEATER LIKE MISTER
  • 00:42:45.731 --> 00:42:47.366
  • UP WITH A SWEATER LIKE MISTERROGERS DID.
  • 00:42:47.366 --> 00:42:49.201
  • ROGERS DID.- NO, THEY WEREN'T ON SALE.
  • 00:42:49.201 --> 00:42:50.002
  • - NO, THEY WEREN'T ON SALE.- APPRECIATED BY SO MANY
  • 00:42:50.002 --> 00:42:51.304
  • - APPRECIATED BY SO MANYPEOPLE.
  • 00:42:51.304 --> 00:42:55.341
  • PEOPLE.I THINK THE FILM THAT CAME OUT
  • 00:42:55.341 --> 00:42:59.178
  • I THINK THE FILM THAT CAME OUTREMINDED PEOPLE WHAT A
  • 00:42:59.178 --> 00:43:00.012
  • REMINDED PEOPLE WHAT AREMARKABLE HUMANITARIAN AND FRED
  • 00:43:00.012 --> 00:43:00.580
  • REMARKABLE HUMANITARIAN AND FREDROGERS REALLY WAS.
  • 00:43:00.580 --> 00:43:02.381
  • ROGERS REALLY WAS.- HE WAS.
  • 00:43:02.381 --> 00:43:04.016
  • - HE WAS.HE WALKED THE WALK AND TALKED TO
  • 00:43:04.016 --> 00:43:06.452
  • HE WALKED THE WALK AND TALKED TOTALK.
  • 00:43:06.452 --> 00:43:08.955
  • TALK.I LEARNED SO MUCH ABOUT HIM FROM
  • 00:43:08.955 --> 00:43:10.590
  • I LEARNED SO MUCH ABOUT HIM FROMHIS MUSIC ALONE AND LYRICS.
  • 00:43:10.590 --> 00:43:13.192
  • HIS MUSIC ALONE AND LYRICS.IT'S A AN HONOR TO BRING THESE
  • 00:43:13.192 --> 00:43:25.471
  • IT'S A AN HONOR TO BRING THESESONGS TO LIFE AGAIN.
  • 00:43:25.471 --> 00:43:27.173
  • SONGS TO LIFE AGAIN.DID COMPOSE THE MUSIC FOR THE
  • 00:43:27.173 --> 00:43:33.379
  • DID COMPOSE THE MUSIC FOR THETHINGS WE REMEMBER HIM FOR.
  • 00:43:33.379 --> 00:43:36.282
  • THINGS WE REMEMBER HIM FOR.I GOT TO KNOW HIS WIFE AND JOANN
  • 00:43:36.282 --> 00:43:37.383
  • I GOT TO KNOW HIS WIFE AND JOANNROGERS.
  • 00:43:37.383 --> 00:43:39.485
  • ROGERS.TALKING ABOUT THE MOVIE.
  • 00:43:39.485 --> 00:43:43.289
  • TALKING ABOUT THE MOVIE.SHE SAID I JUST WISH IT HAD BEEN
  • 00:43:43.289 --> 00:43:44.657
  • SHE SAID I JUST WISH IT HAD BEENMORE FOCUSED ON HIS MUSIC THAT
  • 00:43:44.657 --> 00:43:46.659
  • MORE FOCUSED ON HIS MUSIC THATINSPIRED ME TO DO THIS.
  • 00:43:46.659 --> 00:43:47.793
  • INSPIRED ME TO DO THIS.- DID SHE LIKE THE FILM?
  • 00:43:47.793 --> 00:43:49.395
  • - DID SHE LIKE THE FILM?- SHE DID.
  • 00:43:49.395 --> 00:43:53.766
  • - SHE DID.SHE HAS A CAMEO APPEARANCE TOO.
  • 00:43:53.766 --> 00:43:57.136
  • SHE HAS A CAMEO APPEARANCE TOO.- I THINK IT ENDEARED US HIS
  • 00:43:57.136 --> 00:43:57.937
  • - I THINK IT ENDEARED US HISCOMPASSION FOR OTHER PEOPLE,
  • 00:43:57.937 --> 00:43:59.972
  • COMPASSION FOR OTHER PEOPLE,UNSELFISH ATTITUDES.
  • 00:43:59.972 --> 00:44:03.476
  • UNSELFISH ATTITUDES.IT STRUCK ME AS I THOUGHT I KNEW
  • 00:44:03.476 --> 00:44:05.111
  • IT STRUCK ME AS I THOUGHT I KNEWTHIS GUY, IT REALLY REVEALED A
  • 00:44:05.111 --> 00:44:07.079
  • THIS GUY, IT REALLY REVEALED ASIDE OF HIM THROUGH THE PERSON
  • 00:44:07.079 --> 00:44:09.815
  • SIDE OF HIM THROUGH THE PERSONDOING A STORY ON HIM THAT WAS
  • 00:44:09.815 --> 00:44:13.352
  • DOING A STORY ON HIM THAT WASVERY POWERFUL.
  • 00:44:13.352 --> 00:44:15.921
  • VERY POWERFUL.WHAT DREW YOU TO STUDYING MR.
  • 00:44:15.921 --> 00:44:18.057
  • WHAT DREW YOU TO STUDYING MR.ROGERS AND HIS MUSIC?
  • 00:44:18.057 --> 00:44:19.191
  • ROGERS AND HIS MUSIC?- IT CAME ABOUT UNEXPECTEDLY.
  • 00:44:19.191 --> 00:44:22.862
  • - IT CAME ABOUT UNEXPECTEDLY.I WAS IN THE KITCHEN AND MISTER
  • 00:44:22.862 --> 00:44:27.266
  • I WAS IN THE KITCHEN AND MISTERROGERS SHOW CAME ON THE AIR AND
  • 00:44:27.266 --> 00:44:29.201
  • ROGERS SHOW CAME ON THE AIR ANDSINGING A SONG AND I WONDER WHO
  • 00:44:29.201 --> 00:44:29.702
  • SINGING A SONG AND I WONDER WHOWROTE THAT SONG.
  • 00:44:29.702 --> 00:44:32.204
  • WROTE THAT SONG.IT WAS HIM.
  • 00:44:32.204 --> 00:44:33.005
  • IT WAS HIM.HAS ANYONE EVER RECORDED HIS
  • 00:44:33.005 --> 00:44:33.339
  • HAS ANYONE EVER RECORDED HISSONGS.
  • 00:44:33.339 --> 00:44:35.374
  • SONGS.NO ONE HAS.
  • 00:44:35.374 --> 00:44:37.176
  • NO ONE HAS.THIS IS JUST TREASURE.
  • 00:44:37.176 --> 00:44:39.145
  • THIS IS JUST TREASURE.I FELT COMPELLED TO DO IT.
  • 00:44:39.145 --> 00:44:40.413
  • I FELT COMPELLED TO DO IT.GLAD WE DID.
  • 00:44:40.413 --> 00:44:42.148
  • GLAD WE DID.- DID YOU HAVE ANY IDEA
  • 00:44:42.148 --> 00:44:43.582
  • - DID YOU HAVE ANY IDEAWHATSOEVER IT WOULD BE SUCH A
  • 00:44:43.582 --> 00:44:45.317
  • WHATSOEVER IT WOULD BE SUCH AHIT.
  • 00:44:45.317 --> 00:44:46.986
  • HIT.WINNING A GRAMMY AND THEN
  • 00:44:46.986 --> 00:44:50.890
  • WINNING A GRAMMY AND THENFOLLOW-UP TO HAVE ALL THESE
  • 00:44:50.890 --> 00:44:51.724
  • FOLLOW-UP TO HAVE ALL THESEAMAZING INTERNATIONAL RENOWNED
  • 00:44:51.724 --> 00:44:52.758
  • AMAZING INTERNATIONAL RENOWNEDARTISTS JOINING YOU?
  • 00:44:52.758 --> 00:44:56.662
  • ARTISTS JOINING YOU?- INCLUDING ONE OF YOUR GUESTS.
  • 00:44:56.662 --> 00:44:57.997
  • - INCLUDING ONE OF YOUR GUESTS.- INCREDIBLE.
  • 00:44:57.997 --> 00:45:00.466
  • - INCREDIBLE.- IT'S JUST AN HONOR TO WORK
  • 00:45:00.466 --> 00:45:04.804
  • - IT'S JUST AN HONOR TO WORKWITH THESE PEOPLE.
  • 00:45:04.804 --> 00:45:06.839
  • WITH THESE PEOPLE.WE WERE LISTENING TO THEIR HITS.
  • 00:45:06.839 --> 00:45:11.110
  • WE WERE LISTENING TO THEIR HITS.AND TO HAVE THEM PUT THEIR STAMP
  • 00:45:11.110 --> 00:45:12.978
  • AND TO HAVE THEM PUT THEIR STAMPON MISTER ROGERS SONGS MAKE ME
  • 00:45:12.978 --> 00:45:14.780
  • ON MISTER ROGERS SONGS MAKE METHINK A GOOD SONG IS A SONG
  • 00:45:14.780 --> 00:45:16.949
  • THINK A GOOD SONG IS A SONGANYBODY CAN RECORD.
  • 00:45:16.949 --> 00:45:21.520
  • ANYBODY CAN RECORD.I'M ON A CAMPAIGN TO GET MISTER
  • 00:45:21.520 --> 00:45:25.424
  • I'M ON A CAMPAIGN TO GET MISTERROGERS INDUCTED INTO THE HALL OF
  • 00:45:25.424 --> 00:45:27.893
  • ROGERS INDUCTED INTO THE HALL OFFAME.
  • 00:45:27.893 --> 00:45:29.528
  • FAME.- ENLISTED TO BE PART OF THE
  • 00:45:29.528 --> 00:45:31.564
  • - ENLISTED TO BE PART OF THEPROJECT.
  • 00:45:31.564 --> 00:45:36.368
  • PROJECT.TOP NAMES IN THE BUSINESS.
  • 00:45:36.368 --> 00:45:39.538
  • TOP NAMES IN THE BUSINESS.I HAVE TO WONDER, HOW MANY
  • 00:45:39.538 --> 00:45:40.272
  • I HAVE TO WONDER, HOW MANYINFLUENCED BY MR. ROGERS AS
  • 00:45:40.272 --> 00:45:41.006
  • INFLUENCED BY MR. ROGERS ASCHILDREN.
  • 00:45:41.006 --> 00:45:44.009
  • CHILDREN.- I THINK JUST ABOUT EVERYBODY
  • 00:45:44.009 --> 00:45:47.213
  • - I THINK JUST ABOUT EVERYBODYHAS A STORY OF MISTER ROGERS AND
  • 00:45:47.213 --> 00:45:49.048
  • HAS A STORY OF MISTER ROGERS ANDAMAZING HE'S SO ENGAGED BY THE
  • 00:45:49.048 --> 00:45:50.583
  • AMAZING HE'S SO ENGAGED BY THEPEOPLE WHO WATCHED THE SHOW.
  • 00:45:50.583 --> 00:45:53.185
  • PEOPLE WHO WATCHED THE SHOW.IF YOU WROTE A LETTER TO MISTER
  • 00:45:53.185 --> 00:45:55.154
  • IF YOU WROTE A LETTER TO MISTERROGERS HE WROTE ONE BACK TO YOU.
  • 00:45:55.154 --> 00:45:56.655
  • ROGERS HE WROTE ONE BACK TO YOU.WHO TAKES THE TIME TO DO THAT?
  • 00:45:56.655 --> 00:45:58.657
  • WHO TAKES THE TIME TO DO THAT?- NOBODY.
  • 00:45:58.657 --> 00:45:59.759
  • - NOBODY.- SHE'LL TELL YOU HER OWN
  • 00:45:59.759 --> 00:46:03.896
  • - SHE'LL TELL YOU HER OWNSTORY.
  • 00:46:03.896 --> 00:46:05.831
  • STORY.SHE'S A FAN OF MISTER ROGERS.
  • 00:46:05.831 --> 00:46:10.035
  • SHE'S A FAN OF MISTER ROGERS.- YOU HAVE A BEETLES TRIBUTE
  • 00:46:10.035 --> 00:46:10.703
  • - YOU HAVE A BEETLES TRIBUTEBAND THE WANNA BEETLES.
  • 00:46:10.703 --> 00:46:12.738
  • BAND THE WANNA BEETLES.FANTASTIC.
  • 00:46:12.738 --> 00:46:15.908
  • FANTASTIC.I'M A BIG BEETLES FAN SO I LOVE
  • 00:46:15.908 --> 00:46:17.910
  • I'M A BIG BEETLES FAN SO I LOVEYOU GUYS AND WATCHED YOU BEFORE.
  • 00:46:17.910 --> 00:46:19.612
  • YOU GUYS AND WATCHED YOU BEFORE.WHAT ALL GOT YOU INTO MUSIC IN
  • 00:46:19.612 --> 00:46:23.616
  • WHAT ALL GOT YOU INTO MUSIC INTHE EARLY PART OF YOUR LIFE?
  • 00:46:23.616 --> 00:46:24.750
  • THE EARLY PART OF YOUR LIFE?- WELL, I WOULD SAY IT WAS THE
  • 00:46:24.750 --> 00:46:25.951
  • - WELL, I WOULD SAY IT WAS THEBEETLES.
  • 00:46:25.951 --> 00:46:28.420
  • BEETLES.LIKE A LOT OF PEOPLE.
  • 00:46:28.420 --> 00:46:32.558
  • LIKE A LOT OF PEOPLE.KEITH AND ME AND THE BEETLES DID
  • 00:46:32.558 --> 00:46:34.360
  • KEITH AND ME AND THE BEETLES DIDIT FOR MOST OF US.
  • 00:46:34.360 --> 00:46:41.801
  • IT FOR MOST OF US.WE ALL RAN OUT AND BOUGHT
  • 00:46:41.801 --> 00:46:45.137
  • WE ALL RAN OUT AND BOUGHTGUITARS AND BASSS.
  • 00:46:45.137 --> 00:46:48.674
  • GUITARS AND BASSS.NOTHING LIKE A BEETLES SONG IF
  • 00:46:48.674 --> 00:46:49.875
  • NOTHING LIKE A BEETLES SONG IFYOU'RE BLUE AND UNHAPPY.
  • 00:46:49.875 --> 00:46:52.444
  • YOU'RE BLUE AND UNHAPPY.- THANKS FOR BEING HERE.
  • 00:46:52.444 --> 00:46:55.214
  • - THANKS FOR BEING HERE.THANKS FOR REMINDING US OF
  • 00:46:55.214 --> 00:46:59.185
  • THANKS FOR REMINDING US OFGENTLE KIND NATURE OF MISTER
  • 00:46:59.185 --> 00:46:59.919
  • GENTLE KIND NATURE OF MISTERROGERS AND YOU EVEN BROUGHT A
  • 00:46:59.919 --> 00:47:00.686
  • ROGERS AND YOU EVEN BROUGHT AFAN.
  • 00:47:00.686 --> 00:47:02.655
  • FAN.THANK YOU FOR BEING A FAN.
  • 00:47:02.655 --> 00:47:06.592
  • THANK YOU FOR BEING A FAN.YOU CAN FIND.
  • 00:47:06.592 --> 00:47:07.893
  • YOU CAN FIND.THANK YOU MISTER ROGERS
  • 00:47:07.893 --> 00:47:08.928
  • THANK YOU MISTER ROGERSEVERYWHERE MUSIC IS SOLD AND YOU
  • 00:47:08.928 --> 00:47:17.203
  • EVERYWHERE MUSIC IS SOLD AND YOUCAN GET...
  • 00:47:17.203 --> 00:47:22.842
  • CAN GET...AFTER THE BREAK, JOINED BY THE
  • 00:47:22.842 --> 00:47:24.710
  • AFTER THE BREAK, JOINED BY THECOWSILLS AND PERFORM WON'T YOU
  • 00:47:24.710 --> 00:47:28.013
  • COWSILLS AND PERFORM WON'T YOUBE MY NEIGHBOR?
  • 00:47:28.013 --> 00:47:28.881
  • BE MY NEIGHBOR?MORE HUCKABEE IN 60 SECONDS.
  • 00:47:28.881 --> 00:47:29.648
  • MORE HUCKABEE IN 60 SECONDS.STAY TUNED.
  • 00:47:29.648 --> 00:47:33.994
  • MORE HUCKABEE IN 60 SECONDS.STAY TUNED.
  • 00:47:33.994 --> 00:47:43.798
  • STAY TUNED.[MUSIC]
  • 00:47:43.798 --> 00:47:50.872
  • [MUSIC]- FROM THE ALBUM THANK YOU
  • 00:47:50.872 --> 00:48:02.216
  • - FROM THE ALBUM THANK YOUMISTER ROGERS PLEASE WELCOME...
  • 00:48:02.216 --> 00:48:19.567
  • IT'S A BEAUTIFUL DAY IN THE
  • 00:48:25.606 --> 00:48:26.440
  • IT'S A BEAUTIFUL DAY IN THENEIGHBORHOOD, A BEAUTIFUL DAY
  • 00:48:26.440 --> 00:48:28.075
  • NEIGHBORHOOD, A BEAUTIFUL DAYFOR A NEIGHBOR.
  • 00:48:28.075 --> 00:48:45.626
  • ♪ COULD YOU BE MINE.
  • 00:49:24.665 --> 00:49:28.803
  • ♪ COULD YOU BE MINE.WOULD YOU BE MINE?
  • 00:49:28.803 --> 00:49:40.314
  • WOULD YOU BE MINE?♪ WON'T YOU BE MY NEIGHBOR?
  • 00:49:40.314 --> 00:49:53.461
  • ♪ WON'T YOU BE MY NEIGHBOR?♪ BE MY NEIGHBOR.
  • 00:49:53.461 --> 00:49:54.562
  • ♪ BE MY NEIGHBOR.LET'S MAKE THE MOST OF A
  • 00:49:54.562 --> 00:50:07.775
  • LET'S MAKE THE MOST OF ABEAUTIFUL DAY.
  • 00:50:07.775 --> 00:50:13.247
  • BEAUTIFUL DAY.♪ WON'T YOU BE MY NEIGHBOR.
  • 00:50:13.247 --> 00:50:29.964
  • ♪ WON'T YOU BE MY NEIGHBOR.MY NEIGHBOR.
  • 00:50:29.964 --> 00:50:29.998