Huckabee | February 13, 2021 | TBN

Huckabee | February 13, 2021

Watch Huckabee | February 13, 2021
February 13, 2021
50:29

Congressman Mark Walker and civil rights activist Clarence Henderson; Jason Brown's journey from NFL pro to farmer; "The Man from Nowhere" Nick Searcy; mind-bending tricks from mentalist Max Major; and Rockland Road performs.

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Huckabee | February 13, 2021

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  • - TONIGHT ON HUCKABEE...
  • 00:00:02.326 --> 00:00:03.327
  • - TONIGHT ON HUCKABEE...SENATORIAL CANDIDATE MARK
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  • SENATORIAL CANDIDATE MARKWALKER, WITH CIVIL RIGHTS LEADER
  • 00:00:06.030 --> 00:00:06.597
  • WALKER, WITH CIVIL RIGHTS LEADERCLARENCE HENDERSON
  • 00:00:06.663 --> 00:00:07.031
  • CLARENCE HENDERSONFORMER NFL STANDOUT JASON BROWN
  • 00:00:07.097 --> 00:00:09.700
  • FORMER NFL STANDOUT JASON BROWNFILM
  • 00:00:09.767 --> 00:00:10.734
  • FILMAND TELEVISION ACTOR NICK SEARCY
  • 00:00:10.801 --> 00:00:11.368
  • AND TELEVISION ACTOR NICK SEARCYAND COUNTRY-POP BAND ROCKLAND
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  • AND COUNTRY-POP BAND ROCKLANDROAD
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  • ROAD♪
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  • THAT'S TRE' CORLEY AND THE MUSIC
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  • THAT'S TRE' CORLEY AND THE MUSICCITY CONNECTION.
  • 00:00:23.447 --> 00:00:25.516
  • CITY CONNECTION.AND I'M YOUR ANNOUNCER, KEITH
  • 00:00:25.582 --> 00:00:26.550
  • AND I'M YOUR ANNOUNCER, KEITHBILBREY
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  • BILBREYNOW, HERE'S MIKE HUCKABEE!
  • 00:00:27.718 --> 00:00:33.023
  • NOW, HERE'S MIKE HUCKABEE![APPLAUSE]
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  • 00:00:38.662 --> 00:00:47.304
  • [APPLAUSE]
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  • [APPLAUSE]- WELCOME.
  • 00:00:54.745 --> 00:00:55.879
  • - WELCOME.WHAT A GREAT AUDIENCE WE'VE GOT
  • 00:00:55.946 --> 00:01:00.417
  • WHAT A GREAT AUDIENCE WE'VE GOTHERE TONIGHT.
  • 00:01:00.484 --> 00:01:01.218
  • HERE TONIGHT.AND THERE IS A GOOD REASON TO
  • 00:01:01.285 --> 00:01:03.554
  • AND THERE IS A GOOD REASON TOBE, WE HAVE A TERRIFIC SHOW, YOU
  • 00:01:03.620 --> 00:01:06.156
  • BE, WE HAVE A TERRIFIC SHOW, YOUWILL LOVE IT AND THEY'RE GOING
  • 00:01:06.223 --> 00:01:08.759
  • WILL LOVE IT AND THEY'RE GOINGTO LOVE IT, BUCKLE AND GET
  • 00:01:08.826 --> 00:01:13.697
  • TO LOVE IT, BUCKLE AND GETREADY.
  • 00:01:13.764 --> 00:01:14.064
  • READY.WE GET VIEWER QUESTIONS AND
  • 00:01:14.131 --> 00:01:14.631
  • WE GET VIEWER QUESTIONS ANDCOMMENTS EACH WEEK IN OUR
  • 00:01:14.698 --> 00:01:15.332
  • COMMENTS EACH WEEK IN OURMY2CENTS@TBN.TV MAILBOX AND
  • 00:01:15.399 --> 00:01:16.700
  • MY2CENTS@TBN.TV MAILBOX ANDTHERE'S ONE POPPING UP A LOT
  • 00:01:16.767 --> 00:01:17.301
  • THERE'S ONE POPPING UP A LOTLATELY: SHOULD CONSERVATIVES AND
  • 00:01:17.367 --> 00:01:18.836
  • LATELY: SHOULD CONSERVATIVES ANDTRUMP VOTERS PULL OUT OF THE
  • 00:01:18.902 --> 00:01:20.938
  • TRUMP VOTERS PULL OUT OF THEREPUBLICAN PARTY AND FORM A 3RD
  • 00:01:21.004 --> 00:01:22.005
  • REPUBLICAN PARTY AND FORM A 3RDPARTY?
  • 00:01:22.072 --> 00:01:25.175
  • PARTY?I SAY ABSOLUTELY NOT!
  • 00:01:25.242 --> 00:01:31.181
  • I SAY ABSOLUTELY NOT![APPLAUSE]
  • 00:01:31.248 --> 00:01:33.717
  • [APPLAUSE]NO AND I'LL TELL YOU WHY.
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  • NO AND I'LL TELL YOU WHY.WHY WOULD THOSE IN THE
  • 00:01:34.918 --> 00:01:35.586
  • WHY WOULD THOSE IN THEOVERWHELMING MAJORITY BE THE
  • 00:01:35.652 --> 00:01:36.653
  • OVERWHELMING MAJORITY BE THEONES TO LEAVE?
  • 00:01:36.720 --> 00:01:37.688
  • ONES TO LEAVE?THE NEVER-TRUMPERS IN THE GOP
  • 00:01:37.754 --> 00:01:39.289
  • THE NEVER-TRUMPERS IN THE GOPARE A VERY SMALL MINORITY MOSTLY
  • 00:01:39.356 --> 00:01:41.425
  • ARE A VERY SMALL MINORITY MOSTLYD.C. SWAMP RATS WHO HATE TRUMP
  • 00:01:41.492 --> 00:01:44.061
  • D.C. SWAMP RATS WHO HATE TRUMPBECAUSE PRESIDENT TRUMP
  • 00:01:44.128 --> 00:01:45.662
  • BECAUSE PRESIDENT TRUMPDISRUPTED THE BUSINESS-AS-USUAL
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  • DISRUPTED THE BUSINESS-AS-USUALFLOW OF THE BELTWAY.
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  • FLOW OF THE BELTWAY.THE LOSS OF PRESTIGE, POWER, AND
  • 00:01:49.967 --> 00:01:52.836
  • THE LOSS OF PRESTIGE, POWER, ANDPROSPERITY TO THOSE WHO HAVE
  • 00:01:52.903 --> 00:01:55.339
  • PROSPERITY TO THOSE WHO HAVEGOTTEN RICH AND POWERFUL BY
  • 00:01:55.405 --> 00:01:57.841
  • GOTTEN RICH AND POWERFUL BYSNUBBING MIDDLE CLASS WORKING
  • 00:01:57.908 --> 00:01:58.442
  • SNUBBING MIDDLE CLASS WORKINGFAMILIES IN FAVOR OF GLOBALIST
  • 00:01:58.509 --> 00:02:02.079
  • FAMILIES IN FAVOR OF GLOBALISTMULTI-NATIONAL CORPORATE TITANS
  • 00:02:02.146 --> 00:02:03.347
  • MULTI-NATIONAL CORPORATE TITANSIS THE BASIS OF THE INTENSE
  • 00:02:03.413 --> 00:02:03.914
  • IS THE BASIS OF THE INTENSEHATRED OF ALL THINGS AFFILIATED
  • 00:02:03.981 --> 00:02:06.884
  • HATRED OF ALL THINGS AFFILIATEDWITH PRESIDENT TRUMP.
  • 00:02:06.950 --> 00:02:10.053
  • WITH PRESIDENT TRUMP.BUT WHY WOULD THOSE IN THE
  • 00:02:10.120 --> 00:02:12.189
  • BUT WHY WOULD THOSE IN THEMAJORITY WALK AWAY FROM THE
  • 00:02:12.256 --> 00:02:13.223
  • MAJORITY WALK AWAY FROM THEPARTY AND ITS INFRASTRUCTURE TO
  • 00:02:13.290 --> 00:02:14.291
  • PARTY AND ITS INFRASTRUCTURE TOLEAVE IT IN THE HANDS OF A
  • 00:02:14.358 --> 00:02:15.893
  • LEAVE IT IN THE HANDS OF ASELFISH AND SELF-RIGHTEOUS SUPER
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  • SELFISH AND SELF-RIGHTEOUS SUPERMINORITY WHO MISS THE DAYS WHEN
  • 00:02:18.061 --> 00:02:20.130
  • MINORITY WHO MISS THE DAYS WHENTHEY MADE BIG MONEY BY
  • 00:02:20.197 --> 00:02:22.266
  • THEY MADE BIG MONEY BYPRETENDING TO BE CONSERVATIVE
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  • PRETENDING TO BE CONSERVATIVEWHEN IN FACT THEY WERE AND ARE
  • 00:02:23.901 --> 00:02:29.139
  • WHEN IN FACT THEY WERE AND ARENOTHING MORE THAN POLITICAL
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  • NOTHING MORE THAN POLITICALPARASITES?
  • 00:02:30.274 --> 00:02:33.810
  • PARASITES?THERE YOU GO.
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  • THERE YOU GO.SO.
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  • SO.[APPLAUSE]
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  • [APPLAUSE]THE NOTION OF CREATING A 3RD
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  • THE NOTION OF CREATING A 3RDPARTY IS NONSENSE.
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  • PARTY IS NONSENSE.IT'S A RECIPE FOR DISASTER. THE
  • 00:02:40.484 --> 00:02:42.519
  • IT'S A RECIPE FOR DISASTER. THEPARTIES ARE, LIKE IT OR NOT, THE
  • 00:02:42.586 --> 00:02:44.121
  • PARTIES ARE, LIKE IT OR NOT, THETRACK UPON WHICH THE POLITICAL
  • 00:02:44.188 --> 00:02:45.189
  • TRACK UPON WHICH THE POLITICALTRAIN RUNS.
  • 00:02:45.255 --> 00:02:46.790
  • TRAIN RUNS.TAKE AWAY THE TRACK, AND THERE
  • 00:02:46.857 --> 00:02:48.926
  • TAKE AWAY THE TRACK, AND THEREIS A GUARANTEED DERAILMENT.
  • 00:02:48.992 --> 00:02:52.095
  • IS A GUARANTEED DERAILMENT.SO, IF THE LIZ CHENEYS, MITT
  • 00:02:52.162 --> 00:02:53.163
  • SO, IF THE LIZ CHENEYS, MITTROMNEYS, AND LISA MURKOWSKI'S
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  • ROMNEYS, AND LISA MURKOWSKI'SAND THE SO-CALLED LINCOLN
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  • AND THE SO-CALLED LINCOLNPROJECT LEADERS WANT A SPLIT IN
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  • PROJECT LEADERS WANT A SPLIT INTHE PARTY, I WOULD TELL THEM
  • 00:02:58.001 --> 00:03:00.604
  • THE PARTY, I WOULD TELL THEMWHAT MY PASTOR HAS SAID ABOUT
  • 00:03:00.671 --> 00:03:02.706
  • WHAT MY PASTOR HAS SAID ABOUTPEOPLE GETTING MAD AND LEAVING
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  • PEOPLE GETTING MAD AND LEAVINGTHE CHURCH, "DON'T LET THE DOOR
  • 00:03:04.374 --> 00:03:05.909
  • THE CHURCH, "DON'T LET THE DOORHIT YOU WHERE THE GOOD LORD
  • 00:03:05.976 --> 00:03:07.477
  • HIT YOU WHERE THE GOOD LORDSPLIT YOU!"
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  • SPLIT YOU!"THAT'S WHAT HE SAYS.
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  • THAT'S WHAT HE SAYS.YEP.
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  • YEP.[APPLAUSE]
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  • [APPLAUSE]THE PRINCIPLES OF THE CURRENT
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  • THE PRINCIPLES OF THE CURRENTREPUBLICAN PARTY ARE PUTTING
  • 00:03:16.253 --> 00:03:18.822
  • REPUBLICAN PARTY ARE PUTTINGAMERICA FIRST, BUILDING BACK OUR
  • 00:03:18.889 --> 00:03:19.456
  • AMERICA FIRST, BUILDING BACK OURECONOMY BY ENERGY INDEPENDENCE,
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  • ECONOMY BY ENERGY INDEPENDENCE,STANDING UP TO CHINA'S BULLYING,
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  • STANDING UP TO CHINA'S BULLYING,RE-ALIGNING RELATIONSHIPS IN THE
  • 00:03:23.660 --> 00:03:24.661
  • RE-ALIGNING RELATIONSHIPS IN THEMIDDLE EAST, GETTING OUT OF
  • 00:03:24.728 --> 00:03:26.797
  • MIDDLE EAST, GETTING OUT OFENDLESS WARS, STANDING STRONG
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  • ENDLESS WARS, STANDING STRONGFOR THE SANCTITY OF HUMAN LIFE,
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  • FOR THE SANCTITY OF HUMAN LIFE,RELIGIOUS LIBERTY, CUTTING HIGH
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  • RELIGIOUS LIBERTY, CUTTING HIGHTAXES SO WORKING PEOPLE KEEP
  • 00:03:32.169 --> 00:03:33.704
  • TAXES SO WORKING PEOPLE KEEPMORE OF WHAT THEY WORKED FOR,
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  • MORE OF WHAT THEY WORKED FOR,ENDING BIG-GOVERNMENT REGULATION
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  • ENDING BIG-GOVERNMENT REGULATIONTHAT STRANGLES SMALL BUSINESSES,
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  • THAT STRANGLES SMALL BUSINESSES,AND SECURING OUR BORDERS AND
  • 00:03:41.211 --> 00:03:42.713
  • AND SECURING OUR BORDERS ANDINSISTING ON IMMIGRATION BEING
  • 00:03:42.779 --> 00:03:44.348
  • INSISTING ON IMMIGRATION BEINGLEGAL.
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  • LEGAL.THOSE ARE PRINCIPLES THAT ARE
  • 00:03:47.050 --> 00:03:48.018
  • THOSE ARE PRINCIPLES THAT AREEMBRACED BY REPUBLICANS AND
  • 00:03:48.085 --> 00:03:49.620
  • EMBRACED BY REPUBLICANS ANDINDEPENDENTS AND SOME DEMOCRATS
  • 00:03:49.686 --> 00:03:51.188
  • INDEPENDENTS AND SOME DEMOCRATSWHO ARE SICK OF BEING LOOKED
  • 00:03:51.255 --> 00:03:52.789
  • WHO ARE SICK OF BEING LOOKEDDOWN ON BY ELITIST SNOBS.
  • 00:03:52.856 --> 00:03:58.629
  • DOWN ON BY ELITIST SNOBS.WE DON'T EMBRACE SOCIALISM NOR A
  • 00:03:58.695 --> 00:03:59.263
  • WE DON'T EMBRACE SOCIALISM NOR ANANNY-STATE.
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  • NANNY-STATE.IF A SMALL, BUT LOUD GROUP OF
  • 00:04:00.330 --> 00:04:01.832
  • IF A SMALL, BUT LOUD GROUP OFSELF-SERVING REPUBLICANS DON'T
  • 00:04:01.898 --> 00:04:03.400
  • SELF-SERVING REPUBLICANS DON'TWANT TO BE PART OF THAT PARTY,
  • 00:04:03.467 --> 00:04:05.002
  • WANT TO BE PART OF THAT PARTY,LET THEM LEAVE AND FORM THEIR
  • 00:04:05.068 --> 00:04:07.337
  • LET THEM LEAVE AND FORM THEIROWN PARTY.
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  • OWN PARTY.[APPLAUSE]
  • 00:04:09.039 --> 00:04:15.045
  • [APPLAUSE]AND BY THE WAY,
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  • AND BY THE WAY,SOME ARE TALKING ABOUT IT, BUT
  • 00:04:15.479 --> 00:04:16.046
  • SOME ARE TALKING ABOUT IT, BUTTHEY ALREADY HAVE A PARTY THEY
  • 00:04:16.113 --> 00:04:16.680
  • THEY ALREADY HAVE A PARTY THEYSUPPORT: THE DEMOCRATS.
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  • SUPPORT: THE DEMOCRATS.WE SHOULD STAY, BUILD UPON THE
  • 00:04:19.383 --> 00:04:19.950
  • WE SHOULD STAY, BUILD UPON THEMOVEMENT, AND KEEP ELECTING
  • 00:04:20.017 --> 00:04:21.385
  • MOVEMENT, AND KEEP ELECTINGLIKE-MINDED CONSERVATIVES BY
  • 00:04:21.451 --> 00:04:22.986
  • LIKE-MINDED CONSERVATIVES BYINVITING THE DIS-AFFECTED AND
  • 00:04:23.053 --> 00:04:26.657
  • INVITING THE DIS-AFFECTED ANDPOLITICAL UNDERCLASS TO JOIN
  • 00:04:26.723 --> 00:04:27.257
  • POLITICAL UNDERCLASS TO JOINWITH US.
  • 00:04:27.324 --> 00:04:28.825
  • WITH US.THE LAUNCH OF A NEW OR 3RD PARTY
  • 00:04:28.892 --> 00:04:29.860
  • THE LAUNCH OF A NEW OR 3RD PARTYMAKES NO SENSE FOR THOSE OF US
  • 00:04:29.926 --> 00:04:33.063
  • MAKES NO SENSE FOR THOSE OF USIN THE MAJORITY OF AN EXISTING
  • 00:04:33.130 --> 00:04:33.697
  • IN THE MAJORITY OF AN EXISTINGPARTY.
  • 00:04:33.764 --> 00:04:35.332
  • PARTY.IF THERE ARE 100 PEOPLE IN A
  • 00:04:35.399 --> 00:04:36.800
  • IF THERE ARE 100 PEOPLE IN ARESTAURANT AND 99 ARE NOT
  • 00:04:36.867 --> 00:04:38.368
  • RESTAURANT AND 99 ARE NOTSMOKING IN A NO-SMOKING SPACE,
  • 00:04:38.435 --> 00:04:41.571
  • SMOKING IN A NO-SMOKING SPACE,IT'S EASIER TO SIMPLY TELL THE
  • 00:04:41.638 --> 00:04:43.674
  • IT'S EASIER TO SIMPLY TELL THEONE SMOKER TO STEP OUTSIDE THAN
  • 00:04:43.740 --> 00:04:45.809
  • ONE SMOKER TO STEP OUTSIDE THANTO DISRUPT THE DINING EXPERIENCE
  • 00:04:45.876 --> 00:04:47.411
  • TO DISRUPT THE DINING EXPERIENCEOF THE 99.
  • 00:04:47.477 --> 00:04:50.047
  • OF THE 99.THIS IS NO TIME FOR PRO-LIFE,
  • 00:04:50.113 --> 00:04:52.849
  • THIS IS NO TIME FOR PRO-LIFE,PRO-FREE ENTERPRISE, PRO-LIBERTY
  • 00:04:52.916 --> 00:04:53.483
  • PRO-FREE ENTERPRISE, PRO-LIBERTYPEOPLE TO LEAVE THE PARTY.
  • 00:04:53.550 --> 00:04:55.385
  • PEOPLE TO LEAVE THE PARTY.IT'S TIME TO RECRUIT MORE
  • 00:04:55.452 --> 00:04:56.953
  • IT'S TIME TO RECRUIT MOREPEOPLE, ORGANIZE BETTER AND WIN
  • 00:04:57.020 --> 00:04:58.555
  • PEOPLE, ORGANIZE BETTER AND WINFUTURE ELECTIONS AND TAKE
  • 00:04:58.622 --> 00:05:04.394
  • FUTURE ELECTIONS AND TAKEFUTURE ELECTIONS AND TAKE
  • 00:05:04.461 --> 00:05:04.928
  • FUTURE ELECTIONS AND TAKECONTROL OF THE POLITICAL
  • 00:05:04.995 --> 00:05:05.462
  • CONTROL OF THE POLITICALPROCESS.
  • 00:05:05.529 --> 00:05:05.996
  • PROCESS.AND TO THOSE WHO WANT TO RETURN
  • 00:05:06.063 --> 00:05:07.030
  • AND TO THOSE WHO WANT TO RETURNUS TO BEING THE SILENT MAJORITY
  • 00:05:07.097 --> 00:05:08.632
  • US TO BEING THE SILENT MAJORITYWHO SHUTS UP AND FOLLOWS BLINDLY
  • 00:05:08.699 --> 00:05:10.767
  • WHO SHUTS UP AND FOLLOWS BLINDLYOFF THE CLIFF, WE LET THEM KNOW
  • 00:05:10.834 --> 00:05:15.339
  • OFF THE CLIFF, WE LET THEM KNOWWE ARE STAYING PUT AND IN THE
  • 00:05:15.405 --> 00:05:16.073
  • WE ARE STAYING PUT AND IN THEWORDS OF MY PASTOR, "DON'T LET
  • 00:05:16.139 --> 00:05:18.208
  • WORDS OF MY PASTOR, "DON'T LETTHE DOOR HIT YOU WHERE THE GOOD
  • 00:05:18.275 --> 00:05:19.810
  • THE DOOR HIT YOU WHERE THE GOODLORD SPLIT YOU!
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  • LORD SPLIT YOU![APPLAUSE]
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  • MY GUESTS TONIGHT ARE A CIVIL
  • 00:05:29.619 --> 00:05:30.153
  • MY GUESTS TONIGHT ARE A CIVILRIGHTS PIONEER, WHO STOOD UP TO
  • 00:05:30.220 --> 00:05:31.655
  • RIGHTS PIONEER, WHO STOOD UP TOSEGREGATIONISTS IN 1960 AT THE
  • 00:05:31.722 --> 00:05:33.256
  • SEGREGATIONISTS IN 1960 AT THEHISTORIC WOOLWORTH LUNCH COUNTER
  • 00:05:33.323 --> 00:05:34.858
  • HISTORIC WOOLWORTH LUNCH COUNTERSIT-INS, HE SAYS POLITICIANS ARE
  • 00:05:34.925 --> 00:05:36.960
  • SIT-INS, HE SAYS POLITICIANS AREA DIME A DOZEN LEADERS, HOWEVER,
  • 00:05:37.027 --> 00:05:38.028
  • A DIME A DOZEN LEADERS, HOWEVER,ARE PRICELESS.
  • 00:05:38.095 --> 00:05:42.299
  • ARE PRICELESS.ALSO, A FORMER CONGRESSMAN, A
  • 00:05:42.366 --> 00:05:44.401
  • ALSO, A FORMER CONGRESSMAN, ACHAMPION OF THE AMERICAN PEOPLE,
  • 00:05:44.468 --> 00:05:46.837
  • CHAMPION OF THE AMERICAN PEOPLE,AND CURRENT CANDIDATE FOR U.S.
  • 00:05:46.903 --> 00:05:47.571
  • AND CURRENT CANDIDATE FOR U.S.SENATE.
  • 00:05:47.637 --> 00:05:49.139
  • SENATE.BOTH JOIN US NOW IN STUDIO,
  • 00:05:49.206 --> 00:05:51.274
  • BOTH JOIN US NOW IN STUDIO,PLEASE WELCOME CLARENCE
  • 00:05:51.341 --> 00:05:52.843
  • PLEASE WELCOME CLARENCEHENDERSON AND MARK WALKER.
  • 00:05:52.909 --> 00:05:55.579
  • HENDERSON AND MARK WALKER.[APPLAUSE]
  • 00:05:55.645 --> 00:06:02.219
  • HOW GLAD I AM TO HAVE YOU BOTH
  • 00:06:09.059 --> 00:06:10.861
  • HOW GLAD I AM TO HAVE YOU BOTHHERE.
  • 00:06:10.927 --> 00:06:11.428
  • HERE.CLARENCE, I GOT TO TELL YOU, YOU
  • 00:06:11.495 --> 00:06:13.697
  • CLARENCE, I GOT TO TELL YOU, YOUARE TO ME ONE OF THE GREAT
  • 00:06:13.764 --> 00:06:15.766
  • ARE TO ME ONE OF THE GREATHEROES OF OUR COUNTRY.
  • 00:06:15.832 --> 00:06:18.268
  • HEROES OF OUR COUNTRY.YOU WERE JUST A TEENAGER, WALKED
  • 00:06:18.335 --> 00:06:21.338
  • YOU WERE JUST A TEENAGER, WALKEDINTO THAT WOOL WORTH, AND SAT AT
  • 00:06:21.405 --> 00:06:25.308
  • INTO THAT WOOL WORTH, AND SAT ATTHE LUNCH COUNTER, DID YOU THINK
  • 00:06:25.375 --> 00:06:27.411
  • THE LUNCH COUNTER, DID YOU THINKTHAT THEY WOULD BEAT THE
  • 00:06:27.477 --> 00:06:28.845
  • THAT THEY WOULD BEAT THEDAYLIGHTS OUT OF YOU?
  • 00:06:28.912 --> 00:06:30.781
  • DAYLIGHTS OUT OF YOU?- NOT REALLY GOVERNOR, GOD
  • 00:06:30.847 --> 00:06:33.383
  • - NOT REALLY GOVERNOR, GODPREPARED ME AS I GREW UP IN ONE
  • 00:06:33.450 --> 00:06:37.287
  • PREPARED ME AS I GREW UP IN ONEOF THE WORSE NEIGHBORHOODS IN
  • 00:06:37.354 --> 00:06:42.659
  • OF THE WORSE NEIGHBORHOODS INGREENSBORO AND SICK AND TIRED OF
  • 00:06:42.726 --> 00:06:43.960
  • GREENSBORO AND SICK AND TIRED OFHOW THEY WERE TREATING PEOPLE.
  • 00:06:44.027 --> 00:06:46.062
  • HOW THEY WERE TREATING PEOPLE.- WERE YOUR PARENTS NERVOUS?
  • 00:06:46.129 --> 00:06:47.364
  • - WERE YOUR PARENTS NERVOUS?DID THEY KNOW?
  • 00:06:47.431 --> 00:06:48.231
  • DID THEY KNOW?- THEY DID NOT.
  • 00:06:48.298 --> 00:06:49.299
  • - THEY DID NOT.- THEY WATCHED YOU ON TV.
  • 00:06:49.366 --> 00:06:52.569
  • - THEY WATCHED YOU ON TV.- THEY FOUND OUT WHEN SHOW THEY
  • 00:06:52.636 --> 00:06:55.238
  • - THEY FOUND OUT WHEN SHOW THEYSAID THE PICTURE IN NEWSPAPER.
  • 00:06:55.305 --> 00:06:56.473
  • SAID THE PICTURE IN NEWSPAPER.- WHAT DID THEY SAY?
  • 00:06:56.540 --> 00:06:57.841
  • - WHAT DID THEY SAY?- BOTH IN FAVOR OF IT AND MY
  • 00:06:57.908 --> 00:07:01.445
  • - BOTH IN FAVOR OF IT AND MYFATHER WAS A CONSERVATIVE AND
  • 00:07:01.511 --> 00:07:03.113
  • FATHER WAS A CONSERVATIVE ANDBELIEVE IT OR NOT, A MAN WITH
  • 00:07:03.180 --> 00:07:05.715
  • BELIEVE IT OR NOT, A MAN WITHTHIRD GRADE EDUCATION WAS
  • 00:07:05.782 --> 00:07:06.883
  • THIRD GRADE EDUCATION WASREPUBLICAN ALL OF HIS LOVE.
  • 00:07:06.950 --> 00:07:08.585
  • REPUBLICAN ALL OF HIS LOVE.- THAT'S AWESOME.
  • 00:07:08.652 --> 00:07:10.387
  • - THAT'S AWESOME.PEOPLE ASSUME THAT IF
  • 00:07:10.454 --> 00:07:12.856
  • PEOPLE ASSUME THAT IFAFRICAN-AMERICAN, THAT YOU ARE
  • 00:07:12.923 --> 00:07:16.426
  • AFRICAN-AMERICAN, THAT YOU ARELIBERAL DEMOCRAT, WHY NOT?
  • 00:07:16.493 --> 00:07:19.996
  • LIBERAL DEMOCRAT, WHY NOT?- I STARTED AND DID MY RESEARCH
  • 00:07:20.063 --> 00:07:22.132
  • - I STARTED AND DID MY RESEARCHAND SAW WHAT THE REPUBLICAN
  • 00:07:22.199 --> 00:07:23.600
  • AND SAW WHAT THE REPUBLICANPARTY STOOD FOR, 13, 14 AND 15th
  • 00:07:23.667 --> 00:07:29.105
  • PARTY STOOD FOR, 13, 14 AND 15thAMENDMENT AND MY DAD, SAID SON
  • 00:07:29.172 --> 00:07:31.041
  • AMENDMENT AND MY DAD, SAID SONYOU DON'T KNOW YOUR HISTORY.
  • 00:07:31.107 --> 00:07:32.843
  • YOU DON'T KNOW YOUR HISTORY.AND I DIDN'T LISTEN TO HIM, I
  • 00:07:32.909 --> 00:07:34.778
  • AND I DIDN'T LISTEN TO HIM, IGRADUATED FROM COLLEGE AND
  • 00:07:34.845 --> 00:07:36.413
  • GRADUATED FROM COLLEGE ANDTHOUGHT I KNEW MORE THAN HE DID.
  • 00:07:36.480 --> 00:07:38.281
  • THOUGHT I KNEW MORE THAN HE DID.- ONE OF THE THINGS FASCINATING
  • 00:07:38.348 --> 00:07:39.683
  • - ONE OF THE THINGS FASCINATINGABOUT YOU, YOU WENT THROUGH THAT
  • 00:07:39.749 --> 00:07:42.185
  • ABOUT YOU, YOU WENT THROUGH THATEXPERIENCE, YOU EXPERIENCED TRUE
  • 00:07:42.252 --> 00:07:43.086
  • EXPERIENCE, YOU EXPERIENCED TRUERACISM IN A WAY THAT A LOT OF
  • 00:07:43.153 --> 00:07:45.689
  • RACISM IN A WAY THAT A LOT OFPEOPLE, THEY HEAR THE WORD, HAVE
  • 00:07:45.755 --> 00:07:47.357
  • PEOPLE, THEY HEAR THE WORD, HAVENO IDEA WHAT THAT MEANS.
  • 00:07:47.424 --> 00:07:49.559
  • NO IDEA WHAT THAT MEANS.COMPARE WHAT YOU EXPERIENCED AT
  • 00:07:49.626 --> 00:07:52.629
  • COMPARE WHAT YOU EXPERIENCED ATTHAT LUNCH COUNTERED IN 1960 AND
  • 00:07:52.696 --> 00:07:57.501
  • THAT LUNCH COUNTERED IN 1960 ANDPEOPLE SAY EVERYBODY IS A
  • 00:07:57.567 --> 00:08:00.270
  • PEOPLE SAY EVERYBODY IS ARACIST.
  • 00:08:00.337 --> 00:08:00.504
  • RACIST.- MOST PEOPLE DON'T KNOW WHAT
  • 00:08:00.570 --> 00:08:03.340
  • - MOST PEOPLE DON'T KNOW WHATRACISM IS, RACISM IS MAN MADE
  • 00:08:03.406 --> 00:08:06.142
  • RACISM IS, RACISM IS MAN MADEAND NOT GOD CREATED AND I GREW
  • 00:08:06.209 --> 00:08:12.949
  • AND NOT GOD CREATED AND I GREWUP IN MY HOUSE AND GOT ALONG
  • 00:08:13.016 --> 00:08:15.252
  • UP IN MY HOUSE AND GOT ALONGWITH THE WHITES AND I GREW UP
  • 00:08:15.318 --> 00:08:18.321
  • WITH THE WHITES AND I GREW UPWITH JIM CROW AND SAT ON THE
  • 00:08:18.388 --> 00:08:20.590
  • WITH JIM CROW AND SAT ON THEBACK OF THE BUS.
  • 00:08:20.657 --> 00:08:21.892
  • BACK OF THE BUS.WHAT I REALIZED AND WHAT I SAW
  • 00:08:21.958 --> 00:08:25.729
  • WHAT I REALIZED AND WHAT I SAWAT WOOLWORTH, FOR EXAMPLE, TWO
  • 00:08:25.795 --> 00:08:28.231
  • AT WOOLWORTH, FOR EXAMPLE, TWOWATER FOUNTAINS AND ONE SAYING
  • 00:08:28.298 --> 00:08:31.268
  • WATER FOUNTAINS AND ONE SAYINGWHITE AND ONE BLACK AND HAD A
  • 00:08:31.334 --> 00:08:33.670
  • WHITE AND ONE BLACK AND HAD ALUNCH COUNTER AND HAD TO TAKE IT
  • 00:08:33.737 --> 00:08:35.171
  • LUNCH COUNTER AND HAD TO TAKE ITTO GO, AND I HAD THIS GREAT
  • 00:08:35.238 --> 00:08:37.474
  • TO GO, AND I HAD THIS GREATOPPORTUNITY AND CHANGED MY LIFE
  • 00:08:37.541 --> 00:08:40.243
  • OPPORTUNITY AND CHANGED MY LIFEFOREVER.
  • 00:08:40.310 --> 00:08:40.477
  • FOREVER.- IT DIDN'T JUST CHANGE YOUR
  • 00:08:40.544 --> 00:08:42.112
  • - IT DIDN'T JUST CHANGE YOURLIFE BUT CHANGED THIS COUNTRY.
  • 00:08:42.178 --> 00:08:43.580
  • LIFE BUT CHANGED THIS COUNTRY.IN A WAY THAT NEEDED TO BE
  • 00:08:43.647 --> 00:08:46.883
  • IN A WAY THAT NEEDED TO BECHANGED.
  • 00:08:46.950 --> 00:08:47.350
  • CHANGED.WHAT HAPPENED TO YOU AND OTHER
  • 00:08:47.417 --> 00:08:51.321
  • WHAT HAPPENED TO YOU AND OTHERAFRICAN-AMERICAN CHILDREN IS
  • 00:08:51.388 --> 00:08:53.557
  • AFRICAN-AMERICAN CHILDREN ISSHAMEFUL AND ONLY TO SAY GOD
  • 00:08:53.623 --> 00:08:55.091
  • SHAMEFUL AND ONLY TO SAY GODFORGIVE US TO BE A PART.
  • 00:08:55.158 --> 00:08:57.827
  • FORGIVE US TO BE A PART.- GOVERNOR, I AM STILL FIGHTING
  • 00:08:57.894 --> 00:08:59.863
  • - GOVERNOR, I AM STILL FIGHTINGTODAY.
  • 00:08:59.930 --> 00:09:00.063
  • TODAY.- I'M GLAD THAT YOU ARE
  • 00:09:00.130 --> 00:09:02.065
  • - I'M GLAD THAT YOU AREFIGHTING, NOW YOU ARE FIGHTING
  • 00:09:02.132 --> 00:09:03.166
  • FIGHTING, NOW YOU ARE FIGHTINGAGAINST THIS GUY -- NOT WITH,
  • 00:09:03.233 --> 00:09:05.201
  • AGAINST THIS GUY -- NOT WITH,BUT FOR, LET ME BE CAREFUL.
  • 00:09:05.268 --> 00:09:07.938
  • BUT FOR, LET ME BE CAREFUL.CONGRESSMAN WALKER, GLAD TO HAVE
  • 00:09:08.004 --> 00:09:11.608
  • CONGRESSMAN WALKER, GLAD TO HAVEYOU HERE, AND HOW ARE YOU
  • 00:09:11.675 --> 00:09:15.478
  • YOU HERE, AND HOW ARE YOUBUDDIES?
  • 00:09:15.545 --> 00:09:15.779
  • BUDDIES?- AND WHEN WAS RUNNING IN NORTH
  • 00:09:15.845 --> 00:09:19.749
  • - AND WHEN WAS RUNNING IN NORTHCAROLINA AND SOUGHT HIM OUT AND
  • 00:09:19.816 --> 00:09:22.185
  • CAROLINA AND SOUGHT HIM OUT ANDHIS COUNSEL, A GREAT MAN OF
  • 00:09:22.252 --> 00:09:25.889
  • HIS COUNSEL, A GREAT MAN OFCHAMPIONS AND A CONSERVATIVE
  • 00:09:25.956 --> 00:09:29.125
  • CHAMPIONS AND A CONSERVATIVECHRISTIAN CHAMPION AND NOT
  • 00:09:29.192 --> 00:09:31.428
  • CHRISTIAN CHAMPION AND NOTAFRAID AND THE MASS MEDIA LEFT
  • 00:09:31.494 --> 00:09:33.463
  • AFRAID AND THE MASS MEDIA LEFTHIM ON THE SIDE LINES AND THE
  • 00:09:33.530 --> 00:09:35.465
  • HIM ON THE SIDE LINES AND THEPICTURE IN THE OFFICE HIM
  • 00:09:35.532 --> 00:09:37.667
  • PICTURE IN THE OFFICE HIMSITTING THERE.
  • 00:09:37.734 --> 00:09:38.101
  • SITTING THERE.AND IF YOU GO TO THE
  • 00:09:38.168 --> 00:09:44.274
  • AND IF YOU GO TO THEAFRICAN-AMERICAN MUSEUM HIS
  • 00:09:44.341 --> 00:09:44.874
  • AFRICAN-AMERICAN MUSEUM HISPICTURE IS THERE.
  • 00:09:44.941 --> 00:09:45.742
  • PICTURE IS THERE.- AND SHOULD BE.
  • 00:09:45.809 --> 00:09:46.810
  • - AND SHOULD BE.AND YOU ARE ARE RUNNING FOR U.S.
  • 00:09:46.876 --> 00:09:49.112
  • AND YOU ARE ARE RUNNING FOR U.S.SENATE IN NORTH CAROLINA.
  • 00:09:49.179 --> 00:09:49.946
  • SENATE IN NORTH CAROLINA.- THAT IS CORRECT, IT'S AN OPEN
  • 00:09:50.013 --> 00:09:52.916
  • - THAT IS CORRECT, IT'S AN OPENSEAT.
  • 00:09:52.983 --> 00:09:53.383
  • SEAT.OUR CURRENT SENATOR IS RETIRING,
  • 00:09:53.450 --> 00:09:56.252
  • OUR CURRENT SENATOR IS RETIRING,I AM HOLD THAT IT'S THE HIGHEST
  • 00:09:56.319 --> 00:09:58.722
  • I AM HOLD THAT IT'S THE HIGHESTPROFILE SEAT IN THE COUNTRY,
  • 00:09:58.788 --> 00:10:00.290
  • PROFILE SEAT IN THE COUNTRY,THAT'S OKAY, PRAYING THAT GOD GO
  • 00:10:00.357 --> 00:10:02.592
  • THAT'S OKAY, PRAYING THAT GOD GOBEFORE US AND WANT TO CONTINUE
  • 00:10:02.659 --> 00:10:06.563
  • BEFORE US AND WANT TO CONTINUEIN CAROLINA AND THAT'S TO BE A
  • 00:10:06.630 --> 00:10:10.433
  • IN CAROLINA AND THAT'S TO BE ACONSERVATIVE CHAMPION AND A
  • 00:10:10.500 --> 00:10:11.334
  • CONSERVATIVE CHAMPION AND ABRIDGE BUILDER.
  • 00:10:11.401 --> 00:10:12.669
  • BRIDGE BUILDER.I DON'T THINK YOU THAT HAVE TO
  • 00:10:12.736 --> 00:10:16.673
  • I DON'T THINK YOU THAT HAVE TOCHOOSE ONE OR THE OTHER.
  • 00:10:16.740 --> 00:10:18.341
  • CHOOSE ONE OR THE OTHER.- CLARENCE, AS A DIFFICULT TIME
  • 00:10:18.408 --> 00:10:22.145
  • - CLARENCE, AS A DIFFICULT TIMEAS A TEENAGER AND YOU SERVED
  • 00:10:22.212 --> 00:10:24.447
  • AS A TEENAGER AND YOU SERVEDYOUR COUNTRY IN THE U.S.
  • 00:10:24.514 --> 00:10:26.716
  • YOUR COUNTRY IN THE U.S.MILITARY.
  • 00:10:26.783 --> 00:10:26.983
  • MILITARY.I THINK THAT SPEAKS VOLUME, YOU
  • 00:10:27.050 --> 00:10:28.852
  • I THINK THAT SPEAKS VOLUME, YOUHAD HOPE IN A COUNTRY NOT ALWAYS
  • 00:10:28.918 --> 00:10:31.021
  • HAD HOPE IN A COUNTRY NOT ALWAYSON YOUR SIDE.
  • 00:10:31.087 --> 00:10:32.022
  • ON YOUR SIDE.WHERE DID THAT COME FROM, I FIND
  • 00:10:32.088 --> 00:10:33.490
  • WHERE DID THAT COME FROM, I FINDTHAT ADMIRABLE?
  • 00:10:33.556 --> 00:10:34.457
  • THAT ADMIRABLE?- IT CAME FROM MY DAD, I NEVER
  • 00:10:34.524 --> 00:10:37.093
  • - IT CAME FROM MY DAD, I NEVERHEARD HIM SAY ANYTHING BAD ABOUT
  • 00:10:37.160 --> 00:10:40.330
  • HEARD HIM SAY ANYTHING BAD ABOUTTHE WHITE RACE WHATSOEVER.
  • 00:10:40.397 --> 00:10:43.566
  • THE WHITE RACE WHATSOEVER.AND AS A MATTER OF FACT RIGHT
  • 00:10:43.633 --> 00:10:44.334
  • AND AS A MATTER OF FACT RIGHTNOW THIS CANCEL CULTURE IS EXACT
  • 00:10:44.401 --> 00:10:49.072
  • NOW THIS CANCEL CULTURE IS EXACTREVERSE OF JIM CROW.
  • 00:10:49.139 --> 00:10:50.006
  • REVERSE OF JIM CROW.NOW THEY ARE TEACHING PEOPLE
  • 00:10:50.073 --> 00:10:51.007
  • NOW THEY ARE TEACHING PEOPLETHAT LOOK LIKE ME, TO JUDGE YOU
  • 00:10:51.074 --> 00:10:53.043
  • THAT LOOK LIKE ME, TO JUDGE YOUBY THE COLOR OF YOUR SKIN AND
  • 00:10:53.109 --> 00:10:55.345
  • BY THE COLOR OF YOUR SKIN ANDNOT THE CONTENT OF YOUR
  • 00:10:55.412 --> 00:10:57.247
  • NOT THE CONTENT OF YOURCHARACTER WHICH IS TOTALLY
  • 00:10:57.313 --> 00:10:58.848
  • CHARACTER WHICH IS TOTALLYWRONG.
  • 00:10:58.915 --> 00:10:59.049
  • WRONG.- YOU KNOW YOU CAN SAY THAT BUT
  • 00:10:59.115 --> 00:11:01.184
  • - YOU KNOW YOU CAN SAY THAT BUTIF I SAY IT, I AM CALLED A
  • 00:11:01.251 --> 00:11:04.254
  • IF I SAY IT, I AM CALLED ARACIST.
  • 00:11:04.320 --> 00:11:04.487
  • RACIST.- IT'S THE TRUTH.
  • 00:11:04.554 --> 00:11:05.889
  • - IT'S THE TRUTH.- IT IS THE TRUTH AND I SO GLAD
  • 00:11:05.955 --> 00:11:07.424
  • - IT IS THE TRUTH AND I SO GLADTHAT YOU HAVE THE COURAGE TO SAY
  • 00:11:07.490 --> 00:11:10.560
  • THAT YOU HAVE THE COURAGE TO SAYTHAT.
  • 00:11:10.627 --> 00:11:10.760
  • THAT.AND PEOPLE LOOK AT OUR CULTURE
  • 00:11:10.827 --> 00:11:12.195
  • AND PEOPLE LOOK AT OUR CULTUREAND A FEW RACISTS.
  • 00:11:12.262 --> 00:11:14.364
  • AND A FEW RACISTS.I HONESTLY DON'T KNOW PEOPLE
  • 00:11:14.431 --> 00:11:15.965
  • I HONESTLY DON'T KNOW PEOPLETHAT ARE CURRENTLY A RACIST.
  • 00:11:16.032 --> 00:11:18.201
  • THAT ARE CURRENTLY A RACIST.I GREW UP WITH PEOPLE THAT
  • 00:11:18.268 --> 00:11:19.369
  • I GREW UP WITH PEOPLE THATPROBABLY WITH THAT BUT WE HAVE
  • 00:11:19.436 --> 00:11:20.537
  • PROBABLY WITH THAT BUT WE HAVECOME A LONG WAY IN THIS COUNTRY.
  • 00:11:20.603 --> 00:11:22.138
  • COME A LONG WAY IN THIS COUNTRY.- WE HAVE AND WHEN I SUPPORTED
  • 00:11:22.205 --> 00:11:26.342
  • - WE HAVE AND WHEN I SUPPORTEDDONALD TRUMP, PEOPLE ASKED ME
  • 00:11:26.409 --> 00:11:28.244
  • DONALD TRUMP, PEOPLE ASKED MEWHY BECAUSE HE CALLED HIM A
  • 00:11:28.311 --> 00:11:29.946
  • WHY BECAUSE HE CALLED HIM ARACIST.
  • 00:11:30.013 --> 00:11:30.180
  • RACIST.AND I ASKED THEM TO CLEARLY
  • 00:11:30.246 --> 00:11:32.582
  • AND I ASKED THEM TO CLEARLYDEFINE THE DEFINITION OF A
  • 00:11:32.649 --> 00:11:34.417
  • DEFINE THE DEFINITION OF ARACIST.
  • 00:11:34.484 --> 00:11:34.651
  • RACIST.AND THEN I ASKED TELL ME ONE
  • 00:11:34.718 --> 00:11:36.519
  • AND THEN I ASKED TELL ME ONEPOLICY HE PUT IN PLACE AS A
  • 00:11:36.586 --> 00:11:39.055
  • POLICY HE PUT IN PLACE AS ARISIST.
  • 00:11:39.122 --> 00:11:39.289
  • RISIST.BECAUSE IF HE HAD, I WOULD HAVE
  • 00:11:39.355 --> 00:11:42.058
  • BECAUSE IF HE HAD, I WOULD HAVECALLED HIM OUT.
  • 00:11:42.125 --> 00:11:43.326
  • CALLED HIM OUT.AND HE HAD THIS GREAT MAN THAT
  • 00:11:43.393 --> 00:11:45.628
  • AND HE HAD THIS GREAT MAN THATDID GREAT THINGS FOR THIS
  • 00:11:45.695 --> 00:11:46.996
  • DID GREAT THINGS FOR THISCOUNTRY AND NOW NOT SITTING IN
  • 00:11:47.063 --> 00:11:48.498
  • COUNTRY AND NOW NOT SITTING INOFFICE AND IT'S A SHAME.
  • 00:11:48.565 --> 00:11:50.100
  • OFFICE AND IT'S A SHAME.- IT IS AND WE HAVE 30 SECONDS
  • 00:11:50.166 --> 00:11:51.601
  • - IT IS AND WE HAVE 30 SECONDSLEFT AND MARK, TELL US HOW A
  • 00:11:51.668 --> 00:11:53.570
  • LEFT AND MARK, TELL US HOW APERSON LIKE YOU, A CONSERVE
  • 00:11:53.636 --> 00:11:57.507
  • LEFT AND MARK, TELL US HOW APERSON LIKE YOU, A CONSERVATIVE
  • 00:11:57.607 --> 00:11:58.808
  • PERSON LIKE YOU, A CONSERVATIVECHRISTIAN REPUBLICAN GO TO
  • 00:11:58.875 --> 00:11:59.743
  • CHRISTIAN REPUBLICAN GO TOWASHINGTON AND WORK WITH PEOPLE
  • 00:11:59.809 --> 00:12:01.511
  • WASHINGTON AND WORK WITH PEOPLETO GET THINGS DONE?
  • 00:12:01.578 --> 00:12:02.779
  • TO GET THINGS DONE?- I THINK IT COMES WITH THE TWO
  • 00:12:02.846 --> 00:12:06.750
  • - I THINK IT COMES WITH THE TWOCOMMANDMENTS THAT GOD GAVE US
  • 00:12:06.816 --> 00:12:08.251
  • COMMANDMENTS THAT GOD GAVE USAND ONE TO LOVE THE LORD YOUR
  • 00:12:08.318 --> 00:12:10.754
  • AND ONE TO LOVE THE LORD YOURGOD AND YOUR NEIGHBOR.
  • 00:12:10.820 --> 00:12:13.289
  • GOD AND YOUR NEIGHBOR.AND DOESN'T MEAN THAT WE DON'T
  • 00:12:13.356 --> 00:12:15.492
  • AND DOESN'T MEAN THAT WE DON'TPUSH BACK AND ALL ABOUT CONTROL.
  • 00:12:15.558 --> 00:12:17.861
  • PUSH BACK AND ALL ABOUT CONTROL.LAST YEAR WE WERE THE ONLY
  • 00:12:17.927 --> 00:12:20.230
  • LAST YEAR WE WERE THE ONLYREPUBLICAN IN THE HOUSE TO WIN
  • 00:12:20.296 --> 00:12:24.634
  • REPUBLICAN IN THE HOUSE TO WINTHE UNITED NEGRO REPUBLICAN
  • 00:12:24.701 --> 00:12:28.138
  • THE UNITED NEGRO REPUBLICANAWARD AND SOMETIMES NOT THE
  • 00:12:28.204 --> 00:12:30.473
  • AWARD AND SOMETIMES NOT THEKEYNOTE SPEAKER BUT SHOW UP.
  • 00:12:30.540 --> 00:12:32.976
  • KEYNOTE SPEAKER BUT SHOW UP.- I COULDN'T AGREE MORE, THANK
  • 00:12:33.042 --> 00:12:36.913
  • - I COULDN'T AGREE MORE, THANKYOU FOR JOINING US.
  • 00:12:36.980 --> 00:12:38.515
  • YOU FOR JOINING US.YOU CAN FOLLOW MARK WALKER ON
  • 00:12:38.581 --> 00:12:39.115
  • YOU CAN FOLLOW MARK WALKER ONTWITTER @REP MARK WALKER,
  • 00:12:39.182 --> 00:12:39.649
  • TWITTER @REP MARK WALKER,HOPEFULLY SOON TO BE SENATOR
  • 00:12:39.716 --> 00:12:40.250
  • HOPEFULLY SOON TO BE SENATORMARK WALKER, AND CLARENCE
  • 00:12:40.316 --> 00:12:41.084
  • MARK WALKER, AND CLARENCEHENDERSON @G CLARENCE 1 KEITH,
  • 00:12:41.151 --> 00:12:43.787
  • HENDERSON @G CLARENCE 1 KEITH,PLEASE TELL US WHAT OTHER GREAT
  • 00:12:43.853 --> 00:12:46.422
  • PLEASE TELL US WHAT OTHER GREATTHINGS WE HAVE TO LOOK FORWARD
  • 00:12:46.489 --> 00:12:49.058
  • THINGS WE HAVE TO LOOK FORWARDTO TONIGHT.
  • 00:12:49.125 --> 00:12:52.228
  • TO TONIGHT.I'D BE GLAD TO.
  • 00:12:52.295 --> 00:12:53.296
  • I'D BE GLAD TO.COMING UP, FORMER NFL PLAYER
  • 00:12:53.363 --> 00:12:54.364
  • COMING UP, FORMER NFL PLAYERJASON BROWN.
  • 00:12:54.430 --> 00:12:55.932
  • JASON BROWN.PLUS, FILM STAR NICK SEARCY AND
  • 00:12:55.999 --> 00:12:58.835
  • PLUS, FILM STAR NICK SEARCY ANDMENTALIST MAX MAJOR.
  • 00:12:58.902 --> 00:12:59.669
  • MENTALIST MAX MAJOR.LOTS MORE HUCKABEE IS ON THE
  • 00:12:59.736 --> 00:13:00.737
  • LOTS MORE HUCKABEE IS ON THEWAY.
  • 00:13:00.804 --> 00:13:03.339
  • WAY.[APPLAUSE]
  • 00:13:03.406 --> 00:13:08.003
  • WAY.[APPLAUSE]
  • 00:13:08.003 --> 00:13:08.612
  • 00:13:14.385 --> 00:13:17.154
  • - WELCOME BACK.
  • 00:13:25.062 --> 00:13:26.797
  • - WELCOME BACK.NOW THAT IS TRE' KOL -- CORLEY
  • 00:13:26.864 --> 00:13:32.736
  • NOW THAT IS TRE' KOL -- CORLEYAND THE MUSIC CITY CONNECTION,
  • 00:13:32.803 --> 00:13:36.240
  • AND THE MUSIC CITY CONNECTION,PERFORMING CHICK CAREA.
  • 00:13:36.307 --> 00:13:38.776
  • PERFORMING CHICK CAREA.THAT PASSED AWAY AT 79 AND WON
  • 00:13:38.843 --> 00:13:45.449
  • THAT PASSED AWAY AT 79 AND WON23 GRAMMY AWARDS AND INFLUENCED
  • 00:13:45.516 --> 00:13:47.384
  • 23 GRAMMY AWARDS AND INFLUENCEDEACH OF ONE OF OUR BAND MEMBERS.
  • 00:13:47.451 --> 00:13:50.187
  • EACH OF ONE OF OUR BAND MEMBERS.I WANT TO SAY TO TRE' AND BAND,
  • 00:13:50.254 --> 00:13:53.991
  • I WANT TO SAY TO TRE' AND BAND,THANK YOU FOR HONORING THE MUSIC
  • 00:13:54.058 --> 00:13:56.927
  • THANK YOU FOR HONORING THE MUSICOF CHICK KOREA.
  • 00:13:56.994 --> 00:13:59.964
  • OF CHICK KOREA.WHAT A GREAT HONOR.
  • 00:14:00.030 --> 00:14:00.497
  • WHAT A GREAT HONOR.WHEN JASON BROWN WAS CALLED BY
  • 00:14:00.564 --> 00:14:01.131
  • WHEN JASON BROWN WAS CALLED BYGOD TO FEED THE POOR, HE QUIT
  • 00:14:01.198 --> 00:14:02.333
  • GOD TO FEED THE POOR, HE QUITHIS JOB AS ONE OF THE
  • 00:14:02.399 --> 00:14:03.834
  • HIS JOB AS ONE OF THEHIGHEST-PAID PLAYERS IN THE NFL
  • 00:14:03.901 --> 00:14:05.269
  • HIGHEST-PAID PLAYERS IN THE NFLTO BECOME A FARMER.
  • 00:14:05.336 --> 00:14:08.439
  • TO BECOME A FARMER.THE FACT THAT HE KNEW NOTHING
  • 00:14:08.505 --> 00:14:10.074
  • THE FACT THAT HE KNEW NOTHINGABOUT FARMING WAS ONLY HIS FIRST
  • 00:14:10.140 --> 00:14:12.176
  • ABOUT FARMING WAS ONLY HIS FIRSTOBSTACLE!
  • 00:14:12.243 --> 00:14:14.311
  • OBSTACLE!HIS AMAZING STORY IS IN THIS
  • 00:14:14.378 --> 00:14:15.913
  • HIS AMAZING STORY IS IN THISBOOK, "CENTERED: TRADING YOUR
  • 00:14:15.980 --> 00:14:18.549
  • BOOK, "CENTERED: TRADING YOURPLANS FOR A LIFE THAT MATTERS."
  • 00:14:18.616 --> 00:14:21.218
  • PLANS FOR A LIFE THAT MATTERS."PLEASE WELCOME JASON BROWN.
  • 00:14:21.285 --> 00:14:23.988
  • PLEASE WELCOME JASON BROWN.[APPLAUSE]
  • 00:14:24.054 --> 00:14:43.374
  • [APPLAUSE]- YOU KNOW YOU ARE A BIG FELLA,
  • 00:14:43.440 --> 00:14:46.243
  • - YOU KNOW YOU ARE A BIG FELLA,JASON.
  • 00:14:46.310 --> 00:14:46.443
  • JASON.I SEE THE NFL IN YOU.
  • 00:14:46.510 --> 00:14:49.380
  • I SEE THE NFL IN YOU.- JUST A LITTLE BIT.
  • 00:14:49.446 --> 00:14:51.015
  • - JUST A LITTLE BIT.- IN FACT THIS AFTERNOON WE
  • 00:14:51.081 --> 00:14:52.416
  • - IN FACT THIS AFTERNOON WEWERE GOING THROUGH THE SCRIPTS
  • 00:14:52.483 --> 00:14:55.119
  • WERE GOING THROUGH THE SCRIPTSAND HE WALKS OUT, I'M GOING TO
  • 00:14:55.185 --> 00:14:58.188
  • AND HE WALKS OUT, I'M GOING TOTACKLE HIM.
  • 00:14:58.255 --> 00:14:59.156
  • TACKLE HIM.- THAT'S WHAT THEY TOLD ME,
  • 00:14:59.223 --> 00:15:03.427
  • - THAT'S WHAT THEY TOLD ME,LOOK, HUCKABEE PREFER A FIST
  • 00:15:03.494 --> 00:15:04.929
  • LOOK, HUCKABEE PREFER A FISTBUMP OR ELBOW AND THEY SAID BE
  • 00:15:04.995 --> 00:15:07.197
  • BUMP OR ELBOW AND THEY SAID BEPREPARED FOR A TACKLE.
  • 00:15:07.264 --> 00:15:08.432
  • PREPARED FOR A TACKLE.- I LOOKED AT YOU AND SAID, I
  • 00:15:08.499 --> 00:15:10.834
  • - I LOOKED AT YOU AND SAID, ITHINK I WILL SAY HELLO, COME
  • 00:15:10.901 --> 00:15:13.037
  • THINK I WILL SAY HELLO, COMEHAVE A SEAT, MAKE YOURSELF AT
  • 00:15:13.103 --> 00:15:14.438
  • HAVE A SEAT, MAKE YOURSELF ATHOME.
  • 00:15:14.505 --> 00:15:15.839
  • HOME.JASON, I AM SO THRILLED TO HAVE
  • 00:15:15.906 --> 00:15:17.041
  • JASON, I AM SO THRILLED TO HAVEYOU HERE.
  • 00:15:17.107 --> 00:15:19.543
  • YOU HERE.I FIND YOUR STORY TO BE
  • 00:15:19.610 --> 00:15:20.144
  • I FIND YOUR STORY TO BEINCREDIBLE OF ALL.
  • 00:15:20.210 --> 00:15:21.845
  • INCREDIBLE OF ALL.YOU ARE LIVING THE DREAM AS AN
  • 00:15:21.912 --> 00:15:25.916
  • YOU ARE LIVING THE DREAM AS ANNFL PLAYER AND ONE OF THE
  • 00:15:25.983 --> 00:15:27.284
  • NFL PLAYER AND ONE OF THEHIGHEST PAID.
  • 00:15:27.351 --> 00:15:27.851
  • HIGHEST PAID.AND ONE DAY YOU SAY, I WANT TO
  • 00:15:27.918 --> 00:15:29.687
  • AND ONE DAY YOU SAY, I WANT TOSPEND MORE TIME WITH MY FAMILY.
  • 00:15:29.753 --> 00:15:32.256
  • SPEND MORE TIME WITH MY FAMILY.YOU REALLY MEAN IT, POLITICIANS
  • 00:15:32.323 --> 00:15:34.992
  • YOU REALLY MEAN IT, POLITICIANSSAY THAT ALL THE TIME, I GOT
  • 00:15:35.059 --> 00:15:38.128
  • SAY THAT ALL THE TIME, I GOTCAUGHT DOING SOMETHING AND SPEND
  • 00:15:38.195 --> 00:15:39.496
  • CAUGHT DOING SOMETHING AND SPENDTIME WITH THE FAMILY I DIDN'T
  • 00:15:39.563 --> 00:15:41.899
  • TIME WITH THE FAMILY I DIDN'TKNOW THAT I HAD, BUT YOU
  • 00:15:41.966 --> 00:15:44.401
  • KNOW THAT I HAD, BUT YOUDIFFERENT.
  • 00:15:44.468 --> 00:15:44.668
  • DIFFERENT.- AND AT HEIGHT OF MY CAREER, I
  • 00:15:44.735 --> 00:15:50.341
  • - AND AT HEIGHT OF MY CAREER, IWAS INSPIRED BY MY BROTHER THAT
  • 00:15:50.407 --> 00:15:53.677
  • WAS INSPIRED BY MY BROTHER THATSERVED IN AFGHANISTAN AND PAID
  • 00:15:53.744 --> 00:15:56.714
  • SERVED IN AFGHANISTAN AND PAIDTHE ULTIMATE SACRIFICE.
  • 00:15:56.780 --> 00:16:00.651
  • THE ULTIMATE SACRIFICE.I WASSIN -- WAS SO INSPIRED BY
  • 00:16:00.718 --> 00:16:06.724
  • I WASSIN -- WAS SO INSPIRED BYHIS SACRIFICE AND WHAT COULD I
  • 00:16:06.790 --> 00:16:09.994
  • HIS SACRIFICE AND WHAT COULD IDO AND MY COMING TO JESUS MOMENT
  • 00:16:10.060 --> 00:16:12.229
  • DO AND MY COMING TO JESUS MOMENTAND JESUS, WITH ALL THE GIFTS
  • 00:16:12.296 --> 00:16:13.397
  • AND JESUS, WITH ALL THE GIFTSAND TALENTS THAT YOU HAVE GIVEN
  • 00:16:13.464 --> 00:16:16.000
  • AND TALENTS THAT YOU HAVE GIVENME WHAT WOULD YOU HAVE ME DO
  • 00:16:16.066 --> 00:16:18.035
  • ME WHAT WOULD YOU HAVE ME DOMORE THAN ANYTHING ELSE TO HONOR
  • 00:16:18.102 --> 00:16:19.770
  • MORE THAN ANYTHING ELSE TO HONORYOU AND SERVE OUR NEIGHBORS,
  • 00:16:19.837 --> 00:16:21.138
  • YOU AND SERVE OUR NEIGHBORS,THAT YOU CALLED US TO LOVE.
  • 00:16:21.205 --> 00:16:22.806
  • THAT YOU CALLED US TO LOVE.AND HE SAID, JACE
  • 00:16:22.873 --> 00:16:24.708
  • THAT YOU CALLED US TO LOVE.AND HE SAID, JASON
  • 00:16:24.775 --> 00:16:24.875
  • THAT YOU CALLED US TO LOVE.AND HE SAID, JAJASON, I WANT YO
  • 00:16:26.443 --> 00:16:28.846
  • AND HE SAID, JAJASON, I WANT YOTO FEED MY PEOPLE.
  • 00:16:28.912 --> 00:16:30.714
  • TO FEED MY PEOPLE.- LIKE WHAT HE GAVE TO PETER,
  • 00:16:30.781 --> 00:16:32.983
  • - LIKE WHAT HE GAVE TO PETER,FEED MY SHEEP.
  • 00:16:33.050 --> 00:16:34.084
  • FEED MY SHEEP.BUT YOU TOOK IT LITERALLY AND
  • 00:16:34.151 --> 00:16:36.120
  • BUT YOU TOOK IT LITERALLY ANDWENT OUT AND BOUGHT A FARM.
  • 00:16:36.186 --> 00:16:37.654
  • WENT OUT AND BOUGHT A FARM.- YES.
  • 00:16:37.721 --> 00:16:38.088
  • - YES.- YOU GREW UP ON A FARM, KNOW
  • 00:16:38.155 --> 00:16:41.759
  • - YOU GREW UP ON A FARM, KNOWFARMING?
  • 00:16:41.825 --> 00:16:42.126
  • FARMING?- KNEW NOTHING ABOUT FARMING
  • 00:16:42.192 --> 00:16:44.228
  • - KNEW NOTHING ABOUT FARMINGAND WHY THE LEAP OF TRUST, IT'S
  • 00:16:44.294 --> 00:16:46.397
  • AND WHY THE LEAP OF TRUST, IT'SDRASTIC AND THE MOST EPIC TRUST
  • 00:16:46.463 --> 00:16:48.298
  • DRASTIC AND THE MOST EPIC TRUSTFALL IN THE WORLD.
  • 00:16:48.365 --> 00:16:49.266
  • FALL IN THE WORLD.I SAID, COME ON NOW JESUS, I
  • 00:16:49.333 --> 00:16:52.102
  • I SAID, COME ON NOW JESUS, IDON'T KNOW NOTHING ABOUT FARMING
  • 00:16:52.169 --> 00:16:53.570
  • DON'T KNOW NOTHING ABOUT FARMINGAND HOW DO I DO THIS.
  • 00:16:53.637 --> 00:16:55.939
  • AND HOW DO I DO THIS.AND HE SAID, TRUST IN ME JASON,
  • 00:16:56.006 --> 00:16:58.242
  • AND HE SAID, TRUST IN ME JASON,WALK IN FAITH AND I WILL SUPPLY
  • 00:16:58.308 --> 00:17:02.312
  • WALK IN FAITH AND I WILL SUPPLYYOUR EVERY NEED.
  • 00:17:02.379 --> 00:17:03.380
  • YOUR EVERY NEED.- I THINK IT'S ONE OF THE
  • 00:17:03.447 --> 00:17:04.715
  • - I THINK IT'S ONE OF THEINCREDIBLE STORIES AND I AM SURE
  • 00:17:04.782 --> 00:17:07.051
  • INCREDIBLE STORIES AND I AM SURETHAT PEOPLE SAID, JASON YOU LOST
  • 00:17:07.117 --> 00:17:11.221
  • THAT PEOPLE SAID, JASON YOU LOSTYOUR MIND.
  • 00:17:11.288 --> 00:17:11.989
  • YOUR MIND.- YES, AND SOME SAID I AM DOWN
  • 00:17:12.056 --> 00:17:15.692
  • - YES, AND SOME SAID I AM DOWNRIGHT STUPID.
  • 00:17:15.759 --> 00:17:19.530
  • RIGHT STUPID.GUESS WHAT IT'S AN ACT OF FAITH
  • 00:17:19.596 --> 00:17:21.965
  • GUESS WHAT IT'S AN ACT OF FAITHTHAT DOESN'T MAKE SENSE.
  • 00:17:22.032 --> 00:17:22.766
  • THAT DOESN'T MAKE SENSE.AND NOW WALKING IN THAT CALLING
  • 00:17:22.833 --> 00:17:25.903
  • AND NOW WALKING IN THAT CALLINGAND OF COURSE HINDSIGHT 20/20,
  • 00:17:25.969 --> 00:17:27.571
  • AND OF COURSE HINDSIGHT 20/20,AND NOW THAT WE HAVE GROWN AND
  • 00:17:27.638 --> 00:17:29.773
  • AND NOW THAT WE HAVE GROWN ANDHARVESTED AND DONATED MORE THAN
  • 00:17:29.840 --> 00:17:32.209
  • HARVESTED AND DONATED MORE THAN1 MILLION POUNDS OF FOOD.
  • 00:17:32.276 --> 00:17:33.310
  • 1 MILLION POUNDS OF FOOD.AND NOW THAT YOU SEE MY AWESOME
  • 00:17:33.377 --> 00:17:35.879
  • AND NOW THAT YOU SEE MY AWESOMEFAMILY GROWING UP ON A FARM,
  • 00:17:35.946 --> 00:17:37.314
  • FAMILY GROWING UP ON A FARM,MAKES SENSE NOW.
  • 00:17:37.381 --> 00:17:38.549
  • MAKES SENSE NOW.- YOU HAVE EIGHT CHILDREN AND A
  • 00:17:38.615 --> 00:17:41.919
  • - YOU HAVE EIGHT CHILDREN AND ABEAUTIFUL WIFE NAMED TAY, AND I
  • 00:17:41.985 --> 00:17:44.388
  • BEAUTIFUL WIFE NAMED TAY, AND IGUESS YOU NEED THAT MANY
  • 00:17:44.455 --> 00:17:45.722
  • GUESS YOU NEED THAT MANYCHILDREN TO RUN A FARM.
  • 00:17:45.789 --> 00:17:46.457
  • CHILDREN TO RUN A FARM.- IN NORTH CAROLINA THERE IS NO
  • 00:17:46.523 --> 00:17:48.025
  • - IN NORTH CAROLINA THERE IS NOLABOR LAWS FOR YOUR OWN
  • 00:17:48.092 --> 00:17:49.860
  • LABOR LAWS FOR YOUR OWNCHILDREN.
  • 00:17:49.927 --> 00:17:50.194
  • CHILDREN.- WELL YOU GO.
  • 00:17:50.260 --> 00:17:51.728
  • - WELL YOU GO.- OKAY.
  • 00:17:51.795 --> 00:17:52.529
  • - OKAY.- I GET THAT.
  • 00:17:52.596 --> 00:17:53.630
  • - I GET THAT.- THERE'S A LOOPHOLE.
  • 00:17:53.697 --> 00:17:55.232
  • - THERE'S A LOOPHOLE.- UH-HUH, YEAH.
  • 00:17:55.299 --> 00:17:56.533
  • - UH-HUH, YEAH.YOU SEE YOU'RE NOT CRAZY, YOU'RE
  • 00:17:56.600 --> 00:17:58.635
  • YOU SEE YOU'RE NOT CRAZY, YOU'REA SMART GUY TO KNOW THAT.
  • 00:17:58.702 --> 00:18:00.537
  • A SMART GUY TO KNOW THAT.- THAT'S RIGHT.
  • 00:18:00.604 --> 00:18:01.905
  • - THAT'S RIGHT.- IN YOUR BOOK YOU TALK JUST
  • 00:18:01.972 --> 00:18:04.441
  • - IN YOUR BOOK YOU TALK JUSTNOT FARMING BUT THE LEAP OF
  • 00:18:04.508 --> 00:18:05.676
  • NOT FARMING BUT THE LEAP OFFAITH THAT TOOK YOU THERE.
  • 00:18:05.742 --> 00:18:07.678
  • FAITH THAT TOOK YOU THERE.BUT THERE WERE SOME REAL
  • 00:18:07.744 --> 00:18:08.912
  • BUT THERE WERE SOME REALLEARNING CURVES TO SAY.
  • 00:18:08.979 --> 00:18:10.314
  • LEARNING CURVES TO SAY.I KIND OF THINK OF YOU AS OLIVER
  • 00:18:10.380 --> 00:18:14.384
  • I KIND OF THINK OF YOU AS OLIVERDOUGLAS ON GREEN ACRES.
  • 00:18:14.451 --> 00:18:15.786
  • DOUGLAS ON GREEN ACRES.YOU SHOW UP AT THE FARM AND IT'S
  • 00:18:15.853 --> 00:18:18.922
  • YOU SHOW UP AT THE FARM AND IT'STOUGHER THAN YOU THOUGHT, WASN'T
  • 00:18:18.989 --> 00:18:21.859
  • TOUGHER THAN YOU THOUGHT, WASN'TIT.
  • 00:18:21.925 --> 00:18:22.025
  • IT.- OH, YEAH, THIS WAS MY FIRST
  • 00:18:22.092 --> 00:18:24.761
  • - OH, YEAH, THIS WAS MY FIRSTRODEO, OKAY GUYS.
  • 00:18:24.828 --> 00:18:26.597
  • RODEO, OKAY GUYS.I WAS WET BEHIND THE EARS AND
  • 00:18:26.663 --> 00:18:29.466
  • I WAS WET BEHIND THE EARS ANDSTILL KNOWING NOTHING ABOUT
  • 00:18:29.533 --> 00:18:32.069
  • STILL KNOWING NOTHING ABOUTFARMING I WENT TO THE UNIVERSITY
  • 00:18:32.136 --> 00:18:34.671
  • FARMING I WENT TO THE UNIVERSITYOF YouTUBE, AND EVERYONE LAUGHS
  • 00:18:34.738 --> 00:18:36.473
  • OF YouTUBE, AND EVERYONE LAUGHSWHEN I SAY THAT, BUT YOU
  • 00:18:36.540 --> 00:18:38.142
  • WHEN I SAY THAT, BUT YOUACTUALLY LEARNED HOW TO FARM
  • 00:18:38.208 --> 00:18:39.910
  • ACTUALLY LEARNED HOW TO FARMWATCHING VIDEOS ON ONLINE.
  • 00:18:39.977 --> 00:18:43.080
  • WATCHING VIDEOS ON ONLINE.AND IT BECAME NATURAL FOR ME
  • 00:18:43.147 --> 00:18:45.149
  • AND IT BECAME NATURAL FOR MEBECAUSE WHEN I PLAYED FOOTBALL,
  • 00:18:45.215 --> 00:18:46.583
  • BECAUSE WHEN I PLAYED FOOTBALL,I WATCHED HOURS AND HOURS OF
  • 00:18:46.650 --> 00:18:49.253
  • I WATCHED HOURS AND HOURS OFFILM EVERY DAY.
  • 00:18:49.319 --> 00:18:50.254
  • FILM EVERY DAY.- HOW COOL IS THAT, YOU SOLD
  • 00:18:50.320 --> 00:18:53.290
  • - HOW COOL IS THAT, YOU SOLDYouTUBE TO PEOPLE THAT THOUGHT I
  • 00:18:53.357 --> 00:18:56.393
  • YouTUBE TO PEOPLE THAT THOUGHT ITHINK I WILL BECOME A NUCLEAR
  • 00:18:56.460 --> 00:19:02.299
  • THINK I WILL BECOME A NUCLEARPHYSICIST AND YOU GOING FROM NOT
  • 00:19:02.366 --> 00:19:04.001
  • PHYSICIST AND YOU GOING FROM NOTKNOWING ABOUT FARMING AND
  • 00:19:04.067 --> 00:19:06.036
  • KNOWING ABOUT FARMING ANDDONATING MILLIONS OF POUNDS OF
  • 00:19:06.103 --> 00:19:08.005
  • DONATING MILLIONS OF POUNDS OFFOOD.
  • 00:19:08.071 --> 00:19:08.205
  • FOOD.TALK ABOUT THAT TRAJECTORY.
  • 00:19:08.272 --> 00:19:10.073
  • TALK ABOUT THAT TRAJECTORY.- THE MIRACLE OF THE STORY OF
  • 00:19:10.140 --> 00:19:12.743
  • - THE MIRACLE OF THE STORY OFFIRSTFRUITS FARM.
  • 00:19:12.809 --> 00:19:13.277
  • FIRSTFRUITS FARM.MANY PEOPLE THINK THAT ALL OF
  • 00:19:13.343 --> 00:19:14.845
  • MANY PEOPLE THINK THAT ALL OFOUR SUCCESS WAS IN A WEALTHY
  • 00:19:14.912 --> 00:19:17.047
  • OUR SUCCESS WAS IN A WEALTHYRETIRED NFL PLAYER.
  • 00:19:17.114 --> 00:19:18.515
  • RETIRED NFL PLAYER.LET ME TELL YOU WHAT.
  • 00:19:18.582 --> 00:19:20.050
  • LET ME TELL YOU WHAT.GOD DID IT IN A WAY WHERE HE
  • 00:19:20.117 --> 00:19:22.886
  • GOD DID IT IN A WAY WHERE HESTRIPPED ME OF MY WEALTH.
  • 00:19:22.953 --> 00:19:25.155
  • STRIPPED ME OF MY WEALTH.HE STRIPPED ME OF ALL OF MY
  • 00:19:25.222 --> 00:19:27.658
  • HE STRIPPED ME OF ALL OF MYWORLDLY RESOURCES WHERE I HAD TO
  • 00:19:27.724 --> 00:19:29.860
  • WORLDLY RESOURCES WHERE I HAD TODEPEND ON HIM AND CALL OUT ON
  • 00:19:29.927 --> 00:19:32.362
  • DEPEND ON HIM AND CALL OUT ONHIM.
  • 00:19:32.429 --> 00:19:32.529
  • HIM.AND LET ME TELL YOU WHAT.
  • 00:19:32.596 --> 00:19:34.264
  • AND LET ME TELL YOU WHAT.I GOT DOWN ON MY KNEES AND
  • 00:19:34.331 --> 00:19:36.166
  • I GOT DOWN ON MY KNEES ANDPRAYED TO HIM.
  • 00:19:36.233 --> 00:19:37.301
  • PRAYED TO HIM.FERVENT PRAYERS FOR RESOURCES.
  • 00:19:37.367 --> 00:19:39.570
  • FERVENT PRAYERS FOR RESOURCES.FOR MY EVERY NEED.
  • 00:19:39.636 --> 00:19:41.972
  • FOR MY EVERY NEED.AND LET ME TELL YOU WHAT,
  • 00:19:42.039 --> 00:19:44.341
  • AND LET ME TELL YOU WHAT,MIRACLE AFTER MIRACLE.
  • 00:19:44.408 --> 00:19:44.875
  • MIRACLE AFTER MIRACLE.HE SENT THE PEOPLE.
  • 00:19:44.942 --> 00:19:46.043
  • HE SENT THE PEOPLE.HE SENT THE RESOURCES.
  • 00:19:46.109 --> 00:19:48.478
  • HE SENT THE RESOURCES.HE ALLOWED US TO HARVEST ALL OF
  • 00:19:48.545 --> 00:19:50.147
  • HE ALLOWED US TO HARVEST ALL OFTHAT FOOD.
  • 00:19:50.214 --> 00:19:50.981
  • THAT FOOD.AND IT WASN'T IN MY OWN MIGHT.
  • 00:19:51.048 --> 00:19:52.983
  • AND IT WASN'T IN MY OWN MIGHT.HE ALLOWED US TO HAVE THE
  • 00:19:53.050 --> 00:19:55.385
  • HE ALLOWED US TO HAVE THEVICTORY BUT GOD RECEIVES ALL THE
  • 00:19:55.452 --> 00:19:57.254
  • VICTORY BUT GOD RECEIVES ALL THEGLORY.
  • 00:19:57.321 --> 00:19:57.454
  • GLORY.- IT'S A PHENOMENAL STORY.
  • 00:19:57.521 --> 00:20:02.326
  • - IT'S A PHENOMENAL STORY.THE BOOK IS CALLED,
  • 00:20:02.392 --> 00:20:08.832
  • THE BOOK IS CALLED,JASON BROWN'S BOOK "CENTERED" IS
  • 00:20:08.899 --> 00:20:09.466
  • JASON BROWN'S BOOK "CENTERED" ISAVAILABLE NOW, AND TO BOOK HIM
  • 00:20:09.533 --> 00:20:10.100
  • AVAILABLE NOW, AND TO BOOK HIMAS A SPEAKER AND TO VOLUNTEER,
  • 00:20:10.167 --> 00:20:10.734
  • AS A SPEAKER AND TO VOLUNTEER,DONATE OR LEARN MORE ABOUT FIRST
  • 00:20:10.801 --> 00:20:11.368
  • DONATE OR LEARN MORE ABOUT FIRSTFRUITS FARM, VISIT
  • 00:20:11.435 --> 00:20:11.802
  • FRUITS FARM, VISITWISDOMFORLIFE.ORG AND BE SURE TO
  • 00:20:11.868 --> 00:20:14.338
  • WISDOMFORLIFE.ORG AND BE SURE TOCHECK HIM OUT ON SOCIAL MEDIA.
  • 00:20:14.404 --> 00:20:16.740
  • CHECK HIM OUT ON SOCIAL MEDIA.IT'S ALL RIGHT THERE ON YOUR
  • 00:20:16.807 --> 00:20:18.775
  • IT'S ALL RIGHT THERE ON YOURSCREEN.
  • 00:20:18.842 --> 00:20:19.009
  • SCREEN.I LOVE THIS GUY.
  • 00:20:19.076 --> 00:20:21.712
  • I LOVE THIS GUY.I AM SO EXCITED THAT WE HAD HIM
  • 00:20:21.778 --> 00:20:26.883
  • I AM SO EXCITED THAT WE HAD HIMHERE.
  • 00:20:26.950 --> 00:20:27.084
  • HERE.WE'VE GOT A LOT MORE SHOW STILL
  • 00:20:27.150 --> 00:20:27.718
  • WE'VE GOT A LOT MORE SHOW STILLTO COME, DON'T YOU GO AWAY!
  • 00:20:27.784 --> 00:20:28.285
  • TO COME, DON'T YOU GO AWAY!NEWS WITH A SMILE ON "IN CASE
  • 00:20:28.352 --> 00:20:28.885
  • NEWS WITH A SMILE ON "IN CASEYOU MISSED IT" IS UP NEXT.
  • 00:20:28.952 --> 00:20:29.486
  • YOU MISSED IT" IS UP NEXT.AND LATER, COUNTRY MUSIC'S
  • 00:20:29.553 --> 00:20:31.088
  • AND LATER, COUNTRY MUSIC'SFAMILY BAND, ROCKLAND ROAD.
  • 00:20:31.154 --> 00:20:32.155
  • FAMILY BAND, ROCKLAND ROAD.YOU ARE WATCHING HUCKABEE...
  • 00:20:32.222 --> 00:20:34.825
  • YOU ARE WATCHING HUCKABEE...[APPLAUSE]
  • 00:20:34.891 --> 00:20:37.008
  • YOU ARE WATCHING HUCKABEE...[APPLAUSE]
  • 00:20:37.008 --> 00:20:37.128
  • GO TO MIKEHUCKABEE.COM AND SIGN
  • 00:20:41.399 --> 00:20:41.966
  • GO TO MIKEHUCKABEE.COM AND SIGNUP FOR HIS FREE NEWSLETTER.
  • 00:20:42.033 --> 00:20:44.135
  • UP FOR HIS FREE NEWSLETTER.AND FOLLOW @GOV MIKE HUCKABEE ON
  • 00:20:44.202 --> 00:20:45.703
  • AND FOLLOW @GOV MIKE HUCKABEE ONTWITTER.
  • 00:20:45.770 --> 00:20:49.140
  • 00:20:50.141 --> 00:20:57.315
  • ♪[APPLAUSE]
  • 00:20:57.382 --> 00:20:58.283
  • [APPLAUSE]- WELCOME BACK.
  • 00:20:58.349 --> 00:20:58.650
  • - WELCOME BACK.HEARD THE PHRASE, "MY SHIP HAS
  • 00:20:58.716 --> 00:21:00.385
  • HEARD THE PHRASE, "MY SHIP HASSAILED!"
  • 00:21:00.451 --> 00:21:00.652
  • SAILED!"WELL YOUR SHIP HASN'T SAILED
  • 00:21:00.718 --> 00:21:02.520
  • WELL YOUR SHIP HASN'T SAILEDYET, BUT IT WILL ON OCTOBER 24
  • 00:21:02.587 --> 00:21:04.088
  • YET, BUT IT WILL ON OCTOBER 24BECAUSE YOU STILL HAVE TIME TO
  • 00:21:04.155 --> 00:21:06.224
  • BECAUSE YOU STILL HAVE TIME TOJOIN ME ON A WONDERFUL
  • 00:21:06.291 --> 00:21:07.825
  • JOIN ME ON A WONDERFULEXPERIENCE TRACING THE STEPS OF
  • 00:21:07.892 --> 00:21:09.427
  • EXPERIENCE TRACING THE STEPS OFPAUL IN THE BEAUTIFUL
  • 00:21:09.494 --> 00:21:11.029
  • PAUL IN THE BEAUTIFULMEDITERRANEAN.
  • 00:21:11.095 --> 00:21:13.331
  • MEDITERRANEAN.IF YOU'VE DREAMED OF SEEING THIS
  • 00:21:13.398 --> 00:21:14.198
  • IF YOU'VE DREAMED OF SEEING THISSTUNNING PART OF THE WORLD, BUT
  • 00:21:14.265 --> 00:21:15.767
  • STUNNING PART OF THE WORLD, BUTWOULD LIKE TO DO IT WHILE SEEING
  • 00:21:15.833 --> 00:21:17.368
  • WOULD LIKE TO DO IT WHILE SEEINGTHE PLACES WHERE CHRISTIANITY
  • 00:21:17.435 --> 00:21:19.470
  • THE PLACES WHERE CHRISTIANITYSPREAD TO THE WORLD, COME WITH
  • 00:21:19.537 --> 00:21:20.538
  • SPREAD TO THE WORLD, COME WITHME.
  • 00:21:20.605 --> 00:21:22.173
  • ME.A LUXURIOUS SHIP, WORLD CLASS
  • 00:21:22.240 --> 00:21:23.207
  • A LUXURIOUS SHIP, WORLD CLASSBIBLE TEACHING AND
  • 00:21:23.274 --> 00:21:24.809
  • BIBLE TEACHING ANDENTERTAINMENT, AND WE HAVE THE
  • 00:21:24.876 --> 00:21:26.377
  • ENTERTAINMENT, AND WE HAVE THEENTIRE SHIP JUST FOR US.
  • 00:21:26.444 --> 00:21:29.347
  • ENTIRE SHIP JUST FOR US.TO SIGN UP OR GET MORE
  • 00:21:29.414 --> 00:21:29.847
  • TO SIGN UP OR GET MOREINFORMATION, GO TO
  • 00:21:29.914 --> 00:21:31.149
  • INFORMATION, GO TOTHEGREATESTTRIP.COM.
  • 00:21:31.215 --> 00:21:35.386
  • THEGREATESTTRIP.COM.FROM TERRIBLE USE OF HEAD SPACE
  • 00:21:35.453 --> 00:21:37.555
  • FROM TERRIBLE USE OF HEAD SPACETO DENTAL ADVICE I'D ADVISE YOU
  • 00:21:37.622 --> 00:21:39.123
  • TO DENTAL ADVICE I'D ADVISE YOUNOT TO TAKE, WE'VE GOT THE NEWS
  • 00:21:39.190 --> 00:21:41.259
  • NOT TO TAKE, WE'VE GOT THE NEWSTHAT YOU PROBABLY MISSED ON
  • 00:21:41.326 --> 00:21:42.860
  • THAT YOU PROBABLY MISSED ONPURPOSE ON "IN CASE YOU MISSED
  • 00:21:42.927 --> 00:21:45.496
  • PURPOSE ON "IN CASE YOU MISSEDIT."
  • 00:21:45.563 --> 00:21:49.334
  • IT."♪
  • 00:21:49.400 --> 00:21:49.934
  • LET'S START OFF THIS WEEK WITH
  • 00:21:54.839 --> 00:21:55.840
  • LET'S START OFF THIS WEEK WITHOUR FAMOUS FLORIDA FILE.
  • 00:21:55.907 --> 00:21:57.975
  • OUR FAMOUS FLORIDA FILE.A FLORIDA MAN IN PORT RICHEY
  • 00:21:58.042 --> 00:22:01.346
  • A FLORIDA MAN IN PORT RICHEYNAMED MATTHEW LEATHAM CALLED 911
  • 00:22:01.412 --> 00:22:01.979
  • NAMED MATTHEW LEATHAM CALLED 911TO SAY HE NEEDED A RIDE.
  • 00:22:02.046 --> 00:22:04.882
  • TO SAY HE NEEDED A RIDE.SO A DEPUTY DROVE OVER AND
  • 00:22:04.949 --> 00:22:06.484
  • SO A DEPUTY DROVE OVER ANDOFFERED TO CALL HIM A CAB.
  • 00:22:06.551 --> 00:22:08.619
  • OFFERED TO CALL HIM A CAB.THE MAN SAID HE DIDN'T HAVE ANY
  • 00:22:08.686 --> 00:22:10.188
  • THE MAN SAID HE DIDN'T HAVE ANYMONEY AND STARTED WALKING.
  • 00:22:10.254 --> 00:22:12.323
  • MONEY AND STARTED WALKING.MOMENTS LATER, MATTHEW TOOK OUT
  • 00:22:12.390 --> 00:22:14.459
  • MOMENTS LATER, MATTHEW TOOK OUTHIS PHONE AND CALLED 911 FOR A
  • 00:22:14.525 --> 00:22:18.696
  • HIS PHONE AND CALLED 911 FOR ARIDE, AGAIN.
  • 00:22:18.763 --> 00:22:21.332
  • RIDE, AGAIN.THE DEPUTY ARRESTED HIM FOR
  • 00:22:21.399 --> 00:22:24.001
  • THE DEPUTY ARRESTED HIM FORMISUSING THE 911 LINE.
  • 00:22:24.068 --> 00:22:26.637
  • MISUSING THE 911 LINE.A BODY SEARCH REVEALED -
  • 00:22:26.704 --> 00:22:28.239
  • A BODY SEARCH REVEALED -SURPRISE! HE WAS CARRYING
  • 00:22:28.306 --> 00:22:31.442
  • SURPRISE! HE WAS CARRYINGMARIJUANA... THAT'S RIGHT, HE
  • 00:22:31.509 --> 00:22:34.078
  • MARIJUANA... THAT'S RIGHT, HEWAS CARRYING ILLEGAL DRUGS WHEN
  • 00:22:34.145 --> 00:22:37.315
  • WAS CARRYING ILLEGAL DRUGS WHENHE CALLED THE POLICE FOR A
  • 00:22:37.382 --> 00:22:37.882
  • HE CALLED THE POLICE FOR ARIDE...
  • 00:22:37.949 --> 00:22:42.353
  • RIDE...- WAS HE A MUSICIAN?
  • 00:22:42.420 --> 00:22:49.327
  • - WAS HE A MUSICIAN?- I DON'T KNOW.
  • 00:22:49.394 --> 00:22:50.828
  • - I DON'T KNOW.THE STORY DOESN'T END THERE.
  • 00:22:50.895 --> 00:22:51.662
  • THE STORY DOESN'T END THERE.HIS MUGSHOT WENT VIRAL BECAUSE
  • 00:22:51.729 --> 00:22:52.296
  • HIS MUGSHOT WENT VIRAL BECAUSEHE HAD THE STATE OF FLORIDA
  • 00:22:52.363 --> 00:22:53.297
  • HE HAD THE STATE OF FLORIDATATTOOED ON HIS FOREHEAD!
  • 00:22:53.364 --> 00:22:58.569
  • TATTOOED ON HIS FOREHEAD!- WAIT -- REALLY?
  • 00:22:58.636 --> 00:23:00.171
  • - WAIT -- REALLY?- NO, HE DID.
  • 00:23:00.238 --> 00:23:02.507
  • - NO, HE DID.TATTOOED ON HIS FOREHEAD.
  • 00:23:02.573 --> 00:23:03.674
  • TATTOOED ON HIS FOREHEAD.IF IT'S ANY CONSOLATION, NO ONE
  • 00:23:03.741 --> 00:23:04.409
  • IF IT'S ANY CONSOLATION, NO ONEWOULD MAKE THE MISTAKE OF
  • 00:23:04.475 --> 00:23:07.612
  • WOULD MAKE THE MISTAKE OFASSUMING YOU'RE SMART, NO MATTER
  • 00:23:07.678 --> 00:23:08.679
  • ASSUMING YOU'RE SMART, NO MATTERWHICH STATE YOU HAD TATTOOED ON
  • 00:23:08.746 --> 00:23:09.313
  • WHICH STATE YOU HAD TATTOOED ONYOUR FOREHEAD.
  • 00:23:09.380 --> 00:23:11.849
  • YOUR FOREHEAD.OBVIOUSLY, THIS IS A MAN WHO
  • 00:23:11.916 --> 00:23:12.450
  • OBVIOUSLY, THIS IS A MAN WHOLIVES IN A STATE OF CONFUSION,
  • 00:23:12.517 --> 00:23:16.621
  • LIVES IN A STATE OF CONFUSION,ANY FOREHEAD TATTOO MAKES THAT
  • 00:23:16.687 --> 00:23:18.222
  • ANY FOREHEAD TATTOO MAKES THATCLEAR.
  • 00:23:18.289 --> 00:23:27.498
  • CLEAR.DON'T YOU THINK.
  • 00:23:27.565 --> 00:23:29.333
  • DON'T YOU THINK.- THAT SORRY REMINDED
  • 00:23:29.400 --> 00:23:32.770
  • - THAT SORRY REMINDEDME OF THIS REALLY INTERESTING
  • 00:23:32.837 --> 00:23:33.371
  • ME OF THIS REALLY INTERESTINGMARRIAGE ADVICE I GOT ONCE FROM
  • 00:23:33.438 --> 00:23:34.005
  • MARRIAGE ADVICE I GOT ONCE FROMMY UNCLE CLINT.
  • 00:23:34.071 --> 00:23:34.872
  • MY UNCLE CLINT.HE SAID TO ME, "KEITH, ALWAYS
  • 00:23:34.939 --> 00:23:41.345
  • HE SAID TO ME, "KEITH, ALWAYS-- SOMETIMES I GET LOST, A
  • 00:23:41.412 --> 00:23:46.284
  • -- SOMETIMES I GET LOST, ACOVID.
  • 00:23:46.350 --> 00:23:46.617
  • COVID.HE SAID, ALWAYS
  • 00:23:46.684 --> 00:23:49.787
  • HE SAID, ALWAYSLOOK FOR A WOMAN WHO HAS A
  • 00:23:49.854 --> 00:23:50.354
  • LOOK FOR A WOMAN WHO HAS ATATTOO.
  • 00:23:50.421 --> 00:23:51.189
  • TATTOO.THAT WAY YOU'LL KNOW SHE IS
  • 00:23:51.255 --> 00:23:51.756
  • THAT WAY YOU'LL KNOW SHE ISCAPABLE OF MAKING DECISIONS SHE
  • 00:23:51.823 --> 00:23:53.291
  • CAPABLE OF MAKING DECISIONS SHEWILL REGRET IN THE FUTURE."
  • 00:23:53.357 --> 00:23:53.858
  • WILL REGRET IN THE FUTURE."IT KINDA HURT MY FEELINGS, BUT
  • 00:23:53.925 --> 00:23:56.994
  • IT KINDA HURT MY FEELINGS, BUT1IT WAS GOOD ADVICE.
  • 00:23:57.061 --> 00:23:58.062
  • 1IT WAS GOOD ADVICE.WELL, SOMETIMES THE TRUTH
  • 00:23:58.129 --> 00:23:59.130
  • WELL, SOMETIMES THE TRUTHHURTS...
  • 00:23:59.197 --> 00:24:01.766
  • HURTS...MOVING ON TO OUR NEXT STORY, WE
  • 00:24:01.833 --> 00:24:24.088
  • MOVING ON TO OUR NEXT STORY, WESO SHE WENT TO THE EMERGENCY
  • 00:24:24.155 --> 00:24:24.689
  • SO SHE WENT TO THE EMERGENCYROOM AND HAD HER HEAD EXAMINED.
  • 00:24:24.755 --> 00:24:25.323
  • ROOM AND HAD HER HEAD EXAMINED.PROBABLY SHOULD HAVE DONE THAT
  • 00:24:25.389 --> 00:24:25.957
  • PROBABLY SHOULD HAVE DONE THATBEFORE USING GORILLA GLUE FOR
  • 00:24:26.023 --> 00:24:26.757
  • BEFORE USING GORILLA GLUE FORHAIR SPRAY.
  • 00:24:26.824 --> 00:24:31.496
  • HAIR SPRAY.BAD HAIR DAY.
  • 00:24:31.562 --> 00:24:32.163
  • BAD HAIR DAY.- THAT WAS COLD.
  • 00:24:32.230 --> 00:24:33.464
  • - THAT WAS COLD.NEEDLESS TO SAY THAT SHE HAD A
  • 00:24:33.531 --> 00:24:36.701
  • NEEDLESS TO SAY THAT SHE HAD ABAD HAIR DAY, A BAD HAIR MONTH.
  • 00:24:36.767 --> 00:24:39.504
  • BAD HAIR DAY, A BAD HAIR MONTH.A VIDEO OVER 24 MILLION VIEWS,
  • 00:24:39.570 --> 00:24:41.739
  • A VIDEO OVER 24 MILLION VIEWS,SHE SAID THAT SHE TRIED
  • 00:24:41.806 --> 00:24:45.009
  • SHE SAID THAT SHE TRIEDEVERYTHING FROM COCONUT OIL TO
  • 00:24:45.076 --> 00:24:48.813
  • EVERYTHING FROM COCONUT OIL TONAIL POLISH REMOVER.
  • 00:24:48.880 --> 00:24:50.915
  • NAIL POLISH REMOVER.AND HER HAIR HAD NOT MOVED IN A
  • 00:24:50.982 --> 00:24:53.451
  • AND HER HAIR HAD NOT MOVED IN AMONTH.
  • 00:24:53.518 --> 00:24:53.651
  • MONTH.MAYBE THAT'S HOW DONALD TRUMP
  • 00:24:53.718 --> 00:24:56.053
  • MAYBE THAT'S HOW DONALD TRUMPKEEPS HIS HAIR FROM MOVING UNDER
  • 00:24:56.120 --> 00:24:58.523
  • KEEPS HIS HAIR FROM MOVING UNDERHELICOPTER BLADES.
  • 00:24:58.589 --> 00:25:00.925
  • HELICOPTER BLADES.AND FINALLY THE AWFUL TOOTH.
  • 00:25:00.992 --> 00:25:07.598
  • AND FINALLY THE AWFUL TOOTH.PATIENTS IN GREAT BRITAIN
  • 00:25:07.665 --> 00:25:11.569
  • PATIENTS IN GREAT BRITAINNATIONAL HEALTH SERVICE WAITS UP
  • 00:25:11.636 --> 00:25:14.872
  • NATIONAL HEALTH SERVICE WAITS UPTO TWO YEARS TO SEE A DENTIST.
  • 00:25:14.939 --> 00:25:17.341
  • TO TWO YEARS TO SEE A DENTIST.THAT'S NOT SO GREAT, NO WONDER
  • 00:25:17.408 --> 00:25:22.380
  • THAT'S NOT SO GREAT, NO WONDERTHAT THE BRITISH HAVE STIFF
  • 00:25:22.446 --> 00:25:24.715
  • THAT THE BRITISH HAVE STIFFUPPER LIPS AND WE ONLY HAVE TO
  • 00:25:24.782 --> 00:25:29.754
  • UPPER LIPS AND WE ONLY HAVE TOWAIT TWO-HURTY AND WHEN
  • 00:25:29.820 --> 00:25:33.124
  • WAIT TWO-HURTY AND WHENCOMPLAINTS THE NHS SUGGESTED
  • 00:25:33.190 --> 00:25:36.794
  • COMPLAINTS THE NHS SUGGESTEDTHAT THEY BUY DENTAL REPAIR KITS
  • 00:25:36.861 --> 00:25:38.796
  • THAT THEY BUY DENTAL REPAIR KITSAND TREAT THEMSELVES.
  • 00:25:38.863 --> 00:25:41.232
  • AND TREAT THEMSELVES.ONE PATIENT TOLD TO SMOOTH IT
  • 00:25:41.299 --> 00:25:42.833
  • ONE PATIENT TOLD TO SMOOTH ITDOWN WITH A NAIL FILE.
  • 00:25:42.900 --> 00:25:44.902
  • DOWN WITH A NAIL FILE.NOW A TWO-YEAR WAIT FOR NAIL
  • 00:25:44.969 --> 00:25:49.340
  • NOW A TWO-YEAR WAIT FOR NAILFILES IN GREAT BRITAIN.
  • 00:25:49.407 --> 00:25:51.742
  • FILES IN GREAT BRITAIN.AND WITH PUBS SHUTDOWN THEY
  • 00:25:51.809 --> 00:25:56.614
  • AND WITH PUBS SHUTDOWN THEYCAN'T GETTAN
  • 00:25:56.681 --> 00:26:01.852
  • AND WITH PUBS SHUTDOWN THEYCAN'T GETT ANESTHETIC.
  • 00:26:01.953 --> 00:26:03.321
  • CAN'T GETT ANESTHETIC.AND YOU HAVE TO BE A PART OF THE
  • 00:26:03.387 --> 00:26:08.759
  • AND YOU HAVE TO BE A PART OF THEROYAL TO GET A CROWN.
  • 00:26:08.826 --> 00:26:10.328
  • ROYAL TO GET A CROWN.- I HATE A DENTIST AND THE
  • 00:26:10.394 --> 00:26:12.363
  • - I HATE A DENTIST AND THEREASON IS THE SOUND OF THAT
  • 00:26:12.430 --> 00:26:14.565
  • REASON IS THE SOUND OF THATDRILL.
  • 00:26:14.632 --> 00:26:14.765
  • DRILL.NOW I HAVE BEEN TALKING WITH
  • 00:26:14.832 --> 00:26:17.134
  • NOW I HAVE BEEN TALKING WITHSOME SOUND TECHNICIANS HERE AND
  • 00:26:17.201 --> 00:26:18.970
  • SOME SOUND TECHNICIANS HERE ANDI THINK TRE' WILL GET IN ON IT
  • 00:26:19.036 --> 00:26:20.404
  • I THINK TRE' WILL GET IN ON ITAND I WILL OFFER IT NOW ON TV.
  • 00:26:20.471 --> 00:26:22.106
  • AND I WILL OFFER IT NOW ON TV.- LET'S HEAR IT.
  • 00:26:22.173 --> 00:26:23.240
  • - LET'S HEAR IT.- WE'RE GOING TO DEVELOP A
  • 00:26:23.307 --> 00:26:25.343
  • - WE'RE GOING TO DEVELOP ASOUNDLESS DRILL.
  • 00:26:25.409 --> 00:26:26.444
  • SOUNDLESS DRILL.- A SOUNDLESS DRILL.
  • 00:26:26.510 --> 00:26:27.778
  • - A SOUNDLESS DRILL.- WE'RE GOING TO BE
  • 00:26:27.845 --> 00:26:29.981
  • - WE'RE GOING TO BEMULTI-BILLIONAIRES.
  • 00:26:30.047 --> 00:26:30.414
  • MULTI-BILLIONAIRES.- PROBABLY SO.
  • 00:26:30.481 --> 00:26:30.815
  • - PROBABLY SO.- YOU WANT IN ON IT?
  • 00:26:30.881 --> 00:26:33.250
  • - YOU WANT IN ON IT?- OKAY, WE'LL TALK AFTER THE
  • 00:26:33.317 --> 00:26:35.453
  • - OKAY, WE'LL TALK AFTER THESHOW.
  • 00:26:35.519 --> 00:26:35.653
  • SHOW.- I WILL PUT 50 CENTS OR 75.
  • 00:26:35.720 --> 00:26:40.992
  • - I WILL PUT 50 CENTS OR 75.- WENT THAT BE GREAT.
  • 00:26:41.058 --> 00:26:42.860
  • - WENT THAT BE GREAT.- I CAN'T INVEST A LOT BUT
  • 00:26:42.927 --> 00:26:45.696
  • - I CAN'T INVEST A LOT BUTPOST-DATED CHECK.
  • 00:26:45.763 --> 00:26:46.097
  • POST-DATED CHECK.- THAT WILL WORK, YOU ARE A
  • 00:26:46.163 --> 00:26:50.935
  • - THAT WILL WORK, YOU ARE APOLITICIAN.
  • 00:26:51.002 --> 00:26:51.235
  • POLITICIAN.- ABSOLUTELY.
  • 00:26:51.302 --> 00:26:53.437
  • - ABSOLUTELY.- WE YANKS DON'T HAVE
  • 00:26:53.504 --> 00:26:55.806
  • - WE YANKS DON'T HAVEGOVERNMENT HEALTH CARE AND WE
  • 00:26:55.873 --> 00:26:58.042
  • GOVERNMENT HEALTH CARE AND WEDON'T HAVE TO YANK OUR OWN
  • 00:26:58.109 --> 00:26:59.477
  • DON'T HAVE TO YANK OUR OWNTEETH.
  • 00:26:59.543 --> 00:26:59.844
  • TEETH.LET THIS BE A LESSON TO YOU,
  • 00:26:59.910 --> 00:27:03.114
  • LET THIS BE A LESSON TO YOU,GOVERNMENT-RUN HEALTH CARE IS SO
  • 00:27:03.180 --> 00:27:07.184
  • GOVERNMENT-RUN HEALTH CARE IS SOBAD.
  • 00:27:07.251 --> 00:27:07.351
  • BAD.- HOW BAD IS IT?
  • 00:27:07.418 --> 00:27:11.422
  • - HOW BAD IS IT?- IT FOUND A WAY TO MAKE
  • 00:27:11.489 --> 00:27:16.394
  • - IT FOUND A WAY TO MAKEPULLING TEETH WORSE.
  • 00:27:16.460 --> 00:27:18.262
  • PULLING TEETH WORSE.WELL, JUST LIKE A DENTIST IN A
  • 00:27:18.329 --> 00:27:19.330
  • WELL, JUST LIKE A DENTIST IN ACANDY STORE, WE'VE GOTTA GET OUT
  • 00:27:19.397 --> 00:27:19.964
  • CANDY STORE, WE'VE GOTTA GET OUTOF HERE.
  • 00:27:20.031 --> 00:27:20.898
  • OF HERE.BUT ALWAYS REMEMBER, WE READ THE
  • 00:27:20.965 --> 00:27:21.532
  • BUT ALWAYS REMEMBER, WE READ THENEWS...
  • 00:27:21.599 --> 00:27:23.234
  • NEWS...SO YOU DON'T HAVE TO.
  • 00:27:23.300 --> 00:27:24.368
  • SO YOU DON'T HAVE TO.- TONIGHT, HOLLYWOOD STAR NICK
  • 00:27:24.435 --> 00:27:25.002
  • - TONIGHT, HOLLYWOOD STAR NICKSEARCY.
  • 00:27:25.069 --> 00:27:25.236
  • SEARCY.THEN, COUNTRY POP BAND ROCKLAND
  • 00:27:25.302 --> 00:27:25.870
  • THEN, COUNTRY POP BAND ROCKLANDROAD IS ON HUCKABEE...
  • 00:27:25.936 --> 00:27:29.373
  • ROAD IS ON HUCKABEE...[APPLAUSE]
  • 00:27:29.440 --> 00:27:31.375
  • 00:27:36.518 --> 00:27:45.126
  • - AND WELCOME BACK.
  • 00:27:51.466 --> 00:27:52.500
  • - AND WELCOME BACK.NICK SEARCY IS ONE OF THE
  • 00:27:52.567 --> 00:27:53.034
  • NICK SEARCY IS ONE OF THEBUSIEST ACTORS, PRODUCERS, AND
  • 00:27:53.101 --> 00:27:53.668
  • BUSIEST ACTORS, PRODUCERS, ANDDIRECTORS IN MOVIES AND
  • 00:27:53.735 --> 00:27:54.335
  • DIRECTORS IN MOVIES ANDTELEVISION, YOU KNOW HIM FROM
  • 00:27:54.402 --> 00:27:56.471
  • TELEVISION, YOU KNOW HIM FROM"FRIED GREEN TOMATOES,
  • 00:27:56.538 --> 00:27:58.573
  • "FRIED GREEN TOMATOES,JUSTIFIED," "CSI," "GOSNELL" AND
  • 00:27:58.640 --> 00:28:00.141
  • JUSTIFIED," "CSI," "GOSNELL" ANDMANY MORE HITS. HIS LATEST FILM
  • 00:28:00.208 --> 00:28:03.344
  • MANY MORE HITS. HIS LATEST FILMIS A MOVING, FAITH-BASED STORY
  • 00:28:03.411 --> 00:28:06.514
  • IS A MOVING, FAITH-BASED STORYOF REDEMPTION AND FORGIVENESS
  • 00:28:06.581 --> 00:28:07.615
  • OF REDEMPTION AND FORGIVENESSCALLED "THE MAN FROM NOWHERE."
  • 00:28:07.682 --> 00:28:10.752
  • CALLED "THE MAN FROM NOWHERE."PLEASE WELCOME NICK SEARCY.
  • 00:28:10.819 --> 00:28:15.690
  • PLEASE WELCOME NICK SEARCY.[APPLAUSE]
  • 00:28:15.757 --> 00:28:20.628
  • - I THOUGHT YOU WERE COMING OUT
  • 00:28:31.606 --> 00:28:34.442
  • - I THOUGHT YOU WERE COMING OUTTO ROB ME WITH THE MASK ON AND
  • 00:28:34.509 --> 00:28:38.046
  • TO ROB ME WITH THE MASK ON ANDEVERYTHING.
  • 00:28:38.113 --> 00:28:38.346
  • EVERYTHING.- YOU CAN'T BE TOO CAREFUL.
  • 00:28:38.413 --> 00:28:39.647
  • - YOU CAN'T BE TOO CAREFUL.- THAT'S RIGHT YOU HAVE TO BE
  • 00:28:39.714 --> 00:28:41.583
  • - THAT'S RIGHT YOU HAVE TO BECAREFUL.
  • 00:28:41.649 --> 00:28:41.816
  • CAREFUL.YOU ARE A GUY NOT THAT CAREFUL,
  • 00:28:41.883 --> 00:28:44.752
  • YOU ARE A GUY NOT THAT CAREFUL,I CAN'T BELIEVE HOW MANY
  • 00:28:44.819 --> 00:28:46.221
  • I CAN'T BELIEVE HOW MANYPROJECTS: A NEW ONE GOING ON.
  • 00:28:46.287 --> 00:28:48.356
  • PROJECTS: A NEW ONE GOING ON.- THEY CAN'T QUIT ME, MIKE.
  • 00:28:48.423 --> 00:28:49.757
  • - THEY CAN'T QUIT ME, MIKE.- I AM GLAD THEY DON'T.
  • 00:28:49.824 --> 00:28:51.392
  • - I AM GLAD THEY DON'T.- THEY WANT TO AND CAN'T.
  • 00:28:51.459 --> 00:28:52.927
  • - THEY WANT TO AND CAN'T.- FROM ALL THE ROLES FROM
  • 00:28:52.994 --> 00:28:55.930
  • - FROM ALL THE ROLES FROMCOMEDY AND DRAMA AND VILLAINS TO
  • 00:28:55.997 --> 00:28:58.766
  • COMEDY AND DRAMA AND VILLAINS TONICE PEOPLE.
  • 00:28:58.833 --> 00:28:59.801
  • NICE PEOPLE.YOU HAVE A FAVORITE ROLE IN ALL
  • 00:28:59.868 --> 00:29:01.236
  • YOU HAVE A FAVORITE ROLE IN ALLOF THESE DOZENS AND DOZENS OF
  • 00:29:01.302 --> 00:29:03.138
  • OF THESE DOZENS AND DOZENS OFTHINGS YOU HAVE DONE?
  • 00:29:03.204 --> 00:29:04.139
  • THINGS YOU HAVE DONE?- YOU KNOW THEY ARE ALL MY
  • 00:29:04.205 --> 00:29:06.441
  • - YOU KNOW THEY ARE ALL MYFAVORITE WHEN I'M DOING THEM,
  • 00:29:06.508 --> 00:29:07.442
  • FAVORITE WHEN I'M DOING THEM,YOU KNOW.
  • 00:29:07.509 --> 00:29:07.942
  • YOU KNOW.RIGHT AT THE TIME.
  • 00:29:08.009 --> 00:29:09.310
  • RIGHT AT THE TIME.JUSTIFIED WAS GREAT.
  • 00:29:09.377 --> 00:29:11.246
  • JUSTIFIED WAS GREAT.AND A WONDERFUL CHARACTER.
  • 00:29:11.312 --> 00:29:12.413
  • AND A WONDERFUL CHARACTER.BASED ON MY FATHER.
  • 00:29:12.480 --> 00:29:13.314
  • BASED ON MY FATHER.SO THAT'S A FAVORITE.
  • 00:29:13.381 --> 00:29:15.049
  • SO THAT'S A FAVORITE.BUT THERE WILL NEVER BE ONE THAT
  • 00:29:15.116 --> 00:29:19.053
  • BUT THERE WILL NEVER BE ONE THATREPLACES FRIED GREEN TOMATOES
  • 00:29:19.120 --> 00:29:20.421
  • REPLACES FRIED GREEN TOMATOESBECAUSE THE FIRST TIME I HAD A
  • 00:29:20.488 --> 00:29:23.324
  • BECAUSE THE FIRST TIME I HAD AGOOD PART.
  • 00:29:23.391 --> 00:29:23.625
  • GOOD PART.- WHAT A GREAT MOVIE, STILL A
  • 00:29:23.691 --> 00:29:25.927
  • - WHAT A GREAT MOVIE, STILL ACLASSIC.
  • 00:29:25.994 --> 00:29:26.161
  • CLASSIC.I WANT TALK ABOUT THIS NEW FILM
  • 00:29:26.227 --> 00:29:28.396
  • I WANT TALK ABOUT THIS NEW FILMYOU GOT RELEASED, OUT ON DIGITAL
  • 00:29:28.463 --> 00:29:31.399
  • YOU GOT RELEASED, OUT ON DIGITALDVD, YOU CAN GET IT ON BLUE RAY.
  • 00:29:31.466 --> 00:29:36.538
  • DVD, YOU CAN GET IT ON BLUE RAY.THIS FILM IS ABOUT A PRODIGAL
  • 00:29:36.604 --> 00:29:40.909
  • THIS FILM IS ABOUT A PRODIGALFARTHER THAN A PRODIGAL SON.
  • 00:29:40.975 --> 00:29:42.143
  • FARTHER THAN A PRODIGAL SON.- YEAH, AND WHAT ATTRACTED ME
  • 00:29:42.210 --> 00:29:44.279
  • - YEAH, AND WHAT ATTRACTED MEABOUT THE SCRIPT AS A FATHER ALL
  • 00:29:44.345 --> 00:29:47.415
  • ABOUT THE SCRIPT AS A FATHER ALLOF US AT A CERTAIN AGE WHAT DID
  • 00:29:47.482 --> 00:29:49.651
  • OF US AT A CERTAIN AGE WHAT DIDI DO WRONG, WHAT COULD I HAVE
  • 00:29:49.717 --> 00:29:51.886
  • I DO WRONG, WHAT COULD I HAVEDONE BETTER.
  • 00:29:51.953 --> 00:29:52.353
  • DONE BETTER.AND THE POWERFUL THING IN THIS
  • 00:29:52.420 --> 00:29:53.821
  • AND THE POWERFUL THING IN THISPARTICULAR MOVIE THIS IS A
  • 00:29:53.888 --> 00:29:56.191
  • PARTICULAR MOVIE THIS IS AFATHER WHO IS WILDLY SUCCESSFUL
  • 00:29:56.257 --> 00:29:57.492
  • FATHER WHO IS WILDLY SUCCESSFULIN HIS LIFE.
  • 00:29:57.559 --> 00:30:00.695
  • IN HIS LIFE.A VERY SUCCESSFUL NOVELIST AND
  • 00:30:00.762 --> 00:30:03.398
  • A VERY SUCCESSFUL NOVELIST ANDREALIZES AT THE END OF HIS LIFE
  • 00:30:03.464 --> 00:30:04.933
  • REALIZES AT THE END OF HIS LIFETHAT HE PUT A LOT OF HIS ENERGY
  • 00:30:04.999 --> 00:30:08.436
  • THAT HE PUT A LOT OF HIS ENERGYINTO THAT, THAN HE SHOULD HAVE.
  • 00:30:08.503 --> 00:30:17.312
  • INTO THAT, THAN HE SHOULD HAVE.NEGLECTED HIS FAMILY.
  • 00:30:17.378 --> 00:30:19.948
  • NEGLECTED HIS FAMILY.- WE HAVE A CLIP, TO WHET YOUR
  • 00:30:20.014 --> 00:30:25.086
  • - WE HAVE A CLIP, TO WHET YOURAPPETITE.
  • 00:30:25.153 --> 00:30:25.353
  • APPETITE.- WHAT DO THINK?
  • 00:30:25.420 --> 00:30:27.822
  • - WHAT DO THINK?- IT'S FRANK ROGERS.
  • 00:30:27.889 --> 00:30:29.924
  • - IT'S FRANK ROGERS.- ROGERS INTRODUCED ME TO
  • 00:30:29.991 --> 00:30:32.560
  • - ROGERS INTRODUCED ME TOJESUS.
  • 00:30:32.627 --> 00:30:32.760
  • JESUS.- WHERE WAS ROGERS WHEN I GREW
  • 00:30:32.827 --> 00:30:35.163
  • - WHERE WAS ROGERS WHEN I GREWUP?
  • 00:30:35.230 --> 00:30:36.698
  • UP?- ROGERS INTRODUCED THE SEED
  • 00:30:36.764 --> 00:30:37.732
  • - ROGERS INTRODUCED THE SEEDAND I AM NOT PROUD THAT IT TOOK
  • 00:30:37.799 --> 00:30:43.137
  • AND I AM NOT PROUD THAT IT TOOK40 YEARS TO TAKE ROOT.
  • 00:30:43.204 --> 00:30:44.806
  • 40 YEARS TO TAKE ROOT.- AT LEAST YOU HAVE COULD
  • 00:30:44.872 --> 00:30:48.810
  • - AT LEAST YOU HAVE COULDDEDICATED THE BOOK.
  • 00:30:48.876 --> 00:30:50.878
  • DEDICATED THE BOOK.- IT'S NOT DEDICATED BUT
  • 00:30:50.945 --> 00:30:52.547
  • - IT'S NOT DEDICATED BUTWRITTEN FOR YOU.
  • 00:30:52.614 --> 00:30:54.082
  • WRITTEN FOR YOU.- WHAT?
  • 00:30:54.148 --> 00:30:54.849
  • - WHAT?- I WROTE A STORY TO SHOW YOU
  • 00:30:54.916 --> 00:30:56.651
  • - I WROTE A STORY TO SHOW YOUTHE LENGTHS THAT A MAN WOULD GO
  • 00:30:56.718 --> 00:30:58.886
  • THE LENGTHS THAT A MAN WOULD GOTO, TO FIND A SON THAT HE LOST.
  • 00:30:58.953 --> 00:31:02.690
  • TO, TO FIND A SON THAT HE LOST.- HUM.
  • 00:31:02.757 --> 00:31:04.325
  • - HUM.JUST SEEING THE CLIP MAKES ME
  • 00:31:04.392 --> 00:31:07.061
  • JUST SEEING THE CLIP MAKES MEWANT TO SEE THAT FILM.
  • 00:31:07.128 --> 00:31:08.129
  • WANT TO SEE THAT FILM.- I WANT TO GIVE A SHOUT-OUT TO
  • 00:31:08.196 --> 00:31:11.099
  • - I WANT TO GIVE A SHOUT-OUT TOTHAT MAKE-UP ARTIST, I DON'T
  • 00:31:11.165 --> 00:31:16.671
  • THAT MAKE-UP ARTIST, I DON'TKNOW HOW THEY MADE ME LOOK SO
  • 00:31:16.738 --> 00:31:19.507
  • KNOW HOW THEY MADE ME LOOK SOOLD.
  • 00:31:19.574 --> 00:31:19.674
  • OLD.- IT'S AMAZING.
  • 00:31:19.741 --> 00:31:21.009
  • - IT'S AMAZING.EVERYONE KNOWS YOU ARE 34 YEARS
  • 00:31:21.075 --> 00:31:22.777
  • EVERYONE KNOWS YOU ARE 34 YEARSOLD.
  • 00:31:22.844 --> 00:31:23.111
  • OLD.- I KNOW I HAD TO WEAR A LOT OF
  • 00:31:23.177 --> 00:31:26.381
  • - I KNOW I HAD TO WEAR A LOT OFMAKE-UP.
  • 00:31:26.447 --> 00:31:26.914
  • MAKE-UP.- BUT THE FILM HAS A MESSAGE TO
  • 00:31:26.981 --> 00:31:28.116
  • - BUT THE FILM HAS A MESSAGE TOFATHERS AND SONS THAT WE DON'T
  • 00:31:28.182 --> 00:31:30.151
  • FATHERS AND SONS THAT WE DON'THEAR A LOT IN THE MOVIE BUSINESS
  • 00:31:30.218 --> 00:31:31.819
  • HEAR A LOT IN THE MOVIE BUSINESSA LOT.
  • 00:31:31.886 --> 00:31:32.887
  • A LOT.IT'S A VERY EMOTIONAL FILM,
  • 00:31:32.954 --> 00:31:34.455
  • IT'S A VERY EMOTIONAL FILM,ISN'T IT.
  • 00:31:34.522 --> 00:31:34.856
  • ISN'T IT.- IT IS, AND I THINK IT'S QUITE
  • 00:31:34.922 --> 00:31:37.625
  • - IT IS, AND I THINK IT'S QUITEUNIVERSAL.
  • 00:31:37.692 --> 00:31:37.892
  • UNIVERSAL.SORT OF THAT IDEA LIKE WHEN YOU
  • 00:31:37.959 --> 00:31:39.327
  • SORT OF THAT IDEA LIKE WHEN YOUCOME TO THE END AND WE ALL GET
  • 00:31:39.394 --> 00:31:40.962
  • COME TO THE END AND WE ALL GETTHERE SOONER OR LATER.
  • 00:31:41.029 --> 00:31:42.597
  • THERE SOONER OR LATER.WHEN YOU COME TO THE END, ARE
  • 00:31:42.664 --> 00:31:43.998
  • WHEN YOU COME TO THE END, AREYOU GOING TO COME TO THE END
  • 00:31:44.065 --> 00:31:45.333
  • YOU GOING TO COME TO THE ENDWITH A LOT OF REGRET.
  • 00:31:45.400 --> 00:31:47.235
  • WITH A LOT OF REGRET.AND I THINK HE'S TRYING TO
  • 00:31:47.302 --> 00:31:49.470
  • AND I THINK HE'S TRYING TOPROTECT HIS SON FROM FEELING THE
  • 00:31:49.537 --> 00:31:51.105
  • PROTECT HIS SON FROM FEELING THETHINGS THAT HE'S FEELING NOW.
  • 00:31:51.172 --> 00:31:52.674
  • THINGS THAT HE'S FEELING NOW.THAT HE SHOULD HAVE DONE THINGS
  • 00:31:52.740 --> 00:31:54.309
  • THAT HE SHOULD HAVE DONE THINGSMUCH DIFFERENTLY AND HE WANTS TO
  • 00:31:54.375 --> 00:31:56.077
  • MUCH DIFFERENTLY AND HE WANTS TOGIVE HIS SON THAT GIFT.
  • 00:31:56.144 --> 00:31:58.579
  • GIVE HIS SON THAT GIFT.BEFORE HE GETS AS OLD AS ME --
  • 00:31:58.646 --> 00:32:01.983
  • BEFORE HE GETS AS OLD AS ME --OR AS OLD AS THEY MADE ME LOOK.
  • 00:32:02.050 --> 00:32:05.453
  • OR AS OLD AS THEY MADE ME LOOK.- AND THE CONCERNS IN THE FILM
  • 00:32:05.520 --> 00:32:07.488
  • - AND THE CONCERNS IN THE FILMINDUSTRY, YOU HAVE CONTINUED TO
  • 00:32:07.555 --> 00:32:10.258
  • INDUSTRY, YOU HAVE CONTINUED TOBE ACTIVE AND BUSY AND
  • 00:32:10.325 --> 00:32:15.229
  • BE ACTIVE AND BUSY ANDUNAPOLOGETICALLY A CHRISTIAN AND
  • 00:32:15.296 --> 00:32:18.132
  • UNAPOLOGETICALLY A CHRISTIAN ANDYOU ARE NOT CANCELED.
  • 00:32:18.199 --> 00:32:20.535
  • YOU ARE NOT CANCELED.THIS WEEK ONE OF DISNEY'S STARS
  • 00:32:20.601 --> 00:32:24.739
  • THIS WEEK ONE OF DISNEY'S STARSGOT THROWN OUT BECAUSE SHE SAID
  • 00:32:24.806 --> 00:32:27.942
  • GOT THROWN OUT BECAUSE SHE SAIDSOMETHING CONSERVATIVE.
  • 00:32:28.009 --> 00:32:29.811
  • SOMETHING CONSERVATIVE.ANYTHING IN THIS BUSINESS?
  • 00:32:29.877 --> 00:32:31.713
  • ANYTHING IN THIS BUSINESS?- I THINK THERE, WHAT HAPPENED
  • 00:32:31.779 --> 00:32:34.082
  • - I THINK THERE, WHAT HAPPENEDAT JENNA CORANA AND THE PEOPLE
  • 00:32:34.148 --> 00:32:41.155
  • AT JENNA CORANA AND THE PEOPLEOF DAILY NEXT DAY HIRED HIM.
  • 00:32:41.222 --> 00:32:43.157
  • OF DAILY NEXT DAY HIRED HIM.I THINK THAT WILL HAPPEN IN
  • 00:32:43.224 --> 00:32:46.060
  • I THINK THAT WILL HAPPEN INHOLLYWOOD, PEOPLE LIKE ME IN THE
  • 00:32:46.127 --> 00:32:47.862
  • HOLLYWOOD, PEOPLE LIKE ME IN THEHOLLYWOOD INDUSTRY HAVE TO STOP
  • 00:32:47.929 --> 00:32:49.097
  • HOLLYWOOD INDUSTRY HAVE TO STOPBEING AFRAID OF WHO WE'RE.
  • 00:32:49.163 --> 00:32:50.398
  • BEING AFRAID OF WHO WE'RE.I THINK WHAT IS GOING TO HAPPEN,
  • 00:32:50.465 --> 00:32:55.770
  • I THINK WHAT IS GOING TO HAPPEN,HOLLYWOOD IS GOING TO SPLIT AND
  • 00:32:55.837 --> 00:32:59.474
  • HOLLYWOOD IS GOING TO SPLIT ANDALTERNATIVE WAYS TO DISTRIBUTE
  • 00:32:59.540 --> 00:33:01.676
  • ALTERNATIVE WAYS TO DISTRIBUTEMOVIES AND FILMS.
  • 00:33:01.743 --> 00:33:03.911
  • MOVIES AND FILMS.AND THAT'S THE WAY TO GO, DON'T
  • 00:33:03.978 --> 00:33:05.680
  • AND THAT'S THE WAY TO GO, DON'TWORRY ABOUT IMPRESSING THE
  • 00:33:05.747 --> 00:33:08.516
  • WORRY ABOUT IMPRESSING THEHOLLYWOOD LEFT AND DO WHAT WE
  • 00:33:08.583 --> 00:33:10.651
  • HOLLYWOOD LEFT AND DO WHAT WEDO.
  • 00:33:10.718 --> 00:33:10.818
  • DO.- AND MOST, PEOPLE WHO ARE
  • 00:33:10.885 --> 00:33:13.855
  • - AND MOST, PEOPLE WHO ARETIRED OF WATCHING HOLLYWOOD'S
  • 00:33:13.921 --> 00:33:15.623
  • TIRED OF WATCHING HOLLYWOOD'SLEFT FRONT MAKE MOVIES THAT
  • 00:33:15.690 --> 00:33:17.358
  • LEFT FRONT MAKE MOVIES THATINSULT US AND THROW EVERYBODY
  • 00:33:17.425 --> 00:33:19.460
  • INSULT US AND THROW EVERYBODYOUT OF THE INDUSTRY.
  • 00:33:19.527 --> 00:33:20.661
  • OUT OF THE INDUSTRY.IS MAKE SURE THAT YOU SUPPORT
  • 00:33:20.728 --> 00:33:22.630
  • IS MAKE SURE THAT YOU SUPPORTMOVIES LIKE THE MAN FROM
  • 00:33:22.697 --> 00:33:24.499
  • MOVIES LIKE THE MAN FROMNOWHERE.
  • 00:33:24.565 --> 00:33:25.900
  • NOWHERE.I HOPE THAT YOU KNOW
  • 00:33:25.967 --> 00:33:26.334
  • I HOPE THAT YOU KNOW"THE MAN FROM NOWHERE" IS
  • 00:33:26.401 --> 00:33:28.035
  • "THE MAN FROM NOWHERE" ISAVAILABLE NOW, JUST VISIT
  • 00:33:28.102 --> 00:33:28.569
  • AVAILABLE NOW, JUST VISITMANFROMNOWHEREMOVIE.COM TO SEE
  • 00:33:28.636 --> 00:33:29.203
  • MANFROMNOWHEREMOVIE.COM TO SEETHE FILM AND TO LEARN MORE.
  • 00:33:29.270 --> 00:33:34.475
  • THE FILM AND TO LEARN MORE.AND I THINK AFTER THAT CLIP YOU
  • 00:33:34.542 --> 00:33:37.078
  • AND I THINK AFTER THAT CLIP YOUWANT TO.
  • 00:33:37.145 --> 00:33:37.311
  • WANT TO.AND YOU CAN KEEP UP WITH NICK
  • 00:33:37.378 --> 00:33:37.912
  • AND YOU CAN KEEP UP WITH NICKONLINE AT NICKSEARCY.COM AND ON
  • 00:33:37.979 --> 00:33:38.546
  • ONLINE AT NICKSEARCY.COM AND ONSOCIAL MEDIA.
  • 00:33:38.613 --> 00:33:40.114
  • SOCIAL MEDIA.ALRIGHT KEITH, WHAT OTHER
  • 00:33:40.181 --> 00:33:42.750
  • ALRIGHT KEITH, WHAT OTHERMIND-BOGGLING THINGS DO WE HAVE
  • 00:33:42.817 --> 00:33:44.685
  • MIND-BOGGLING THINGS DO WE HAVECOMING UP?
  • 00:33:44.752 --> 00:33:46.788
  • COMING UP?AND SERIOUS ABOUT THE
  • 00:33:46.854 --> 00:33:48.890
  • AND SERIOUS ABOUT THEMIND-BOGGLING.
  • 00:33:48.956 --> 00:33:49.223
  • MIND-BOGGLING.COMING UP, LAS VEGAS MENTALIST
  • 00:33:49.290 --> 00:33:49.857
  • COMING UP, LAS VEGAS MENTALISTMAX MAJOR AND COUNTRY MUSIC'S
  • 00:33:49.924 --> 00:33:50.458
  • MAX MAJOR AND COUNTRY MUSIC'SROCKLAND ROAD.
  • 00:33:50.525 --> 00:33:51.426
  • ROCKLAND ROAD.YOU ARE WATCHING HUCKABEE...
  • 00:33:51.492 --> 00:33:54.128
  • YOU ARE WATCHING HUCKABEE...♪
  • 00:33:54.195 --> 00:33:55.430
  • [APPLAUSE]
  • 00:33:56.731 --> 00:33:59.371
  • - NEXT WEEK ON HUCKABEE, VIRAL
  • 00:34:03.172 --> 00:34:04.173
  • - NEXT WEEK ON HUCKABEE, VIRALCOOKING STAR BRENDA GANTT AND
  • 00:34:04.239 --> 00:34:05.774
  • COOKING STAR BRENDA GANTT ANDCOUNTRY MUSIC'S WYNONNA JUDD.
  • 00:34:05.841 --> 00:34:10.212
  • [APPLAUSE]
  • 00:34:11.480 --> 00:34:12.915
  • YOU KNOW HOW HARD SIMON COWELL
  • 00:34:19.788 --> 00:34:20.355
  • YOU KNOW HOW HARD SIMON COWELLIS TO IMPRESS?
  • 00:34:20.422 --> 00:34:21.490
  • IS TO IMPRESS?WELL, HE CALLED MY NEXT GUEST
  • 00:34:21.557 --> 00:34:23.025
  • WELL, HE CALLED MY NEXT GUEST"THE MOST ASTONISHING THING I'VE
  • 00:34:23.091 --> 00:34:26.228
  • "THE MOST ASTONISHING THING I'VESEEN IN MY ENTIRE LIFE."
  • 00:34:26.295 --> 00:34:29.398
  • SEEN IN MY ENTIRE LIFE."HE'S A WORLD-RENOWNED MENTALIST
  • 00:34:29.465 --> 00:34:30.966
  • HE'S A WORLD-RENOWNED MENTALISTWHOSE SHOW "THINK" EARNED HIM
  • 00:34:31.033 --> 00:34:34.169
  • WHOSE SHOW "THINK" EARNED HIMHONORS AS D.C.'S BEST
  • 00:34:34.236 --> 00:34:38.707
  • HONORS AS D.C.'S BEST-- REMOTE CONTROL SOLD OUT FOR
  • 00:34:38.774 --> 00:34:43.111
  • -- REMOTE CONTROL SOLD OUT FOR12 STRAIGHT WEEKS.
  • 00:34:43.178 --> 00:34:48.217
  • 12 STRAIGHT WEEKS.PLEASE WELCOME THE CERTIFIABLY
  • 00:34:48.283 --> 00:34:48.851
  • PLEASE WELCOME THE CERTIFIABLYASTONISHINQ MAX MAJOR.
  • 00:34:48.917 --> 00:34:52.120
  • ASTONISHINQ MAX MAJOR.- THANK YOU.
  • 00:34:52.187 --> 00:34:52.921
  • - THANK YOU.- I HAVE BEEN PUMPED TO HAVE
  • 00:34:52.988 --> 00:34:56.458
  • - I HAVE BEEN PUMPED TO HAVEYOU HERE AND WATCHING THAT VIDEO
  • 00:34:56.525 --> 00:34:58.227
  • YOU HERE AND WATCHING THAT VIDEOWITH SIMON COWELL.
  • 00:34:58.293 --> 00:34:59.628
  • WITH SIMON COWELL.YOU BLEW HIM AWAY.
  • 00:34:59.695 --> 00:35:01.096
  • YOU BLEW HIM AWAY.- AND THAT WAS THE LAST
  • 00:35:01.163 --> 00:35:02.397
  • - AND THAT WAS THE LASTEPISODE.
  • 00:35:02.464 --> 00:35:02.631
  • EPISODE.- THAT'S WHAT YOU DID.
  • 00:35:02.698 --> 00:35:03.966
  • - THAT'S WHAT YOU DID.THE WORSE THING YOU PREDICTED IT
  • 00:35:04.032 --> 00:35:05.467
  • THE WORSE THING YOU PREDICTED ITWOULD HAPPEN.
  • 00:35:05.534 --> 00:35:06.435
  • WOULD HAPPEN.- I WOULD LOVE A CHANCE TO
  • 00:35:06.502 --> 00:35:08.170
  • - I WOULD LOVE A CHANCE TOCONNECT WITH YOU AND GET INSIDE
  • 00:35:08.237 --> 00:35:09.838
  • CONNECT WITH YOU AND GET INSIDEOF WHY YOU MIND A LITTLE BIT.
  • 00:35:09.905 --> 00:35:11.573
  • OF WHY YOU MIND A LITTLE BIT.- THERE IS NOT MUCH UP THERE
  • 00:35:11.640 --> 00:35:13.375
  • - THERE IS NOT MUCH UP THEREAND FEEL FREE TO TAKE A TOUR.
  • 00:35:13.442 --> 00:35:15.577
  • AND FEEL FREE TO TAKE A TOUR.- ALL RIGHT, I BROUGHT ESP
  • 00:35:15.644 --> 00:35:19.715
  • - ALL RIGHT, I BROUGHT ESPCARDS WITH ME, CLASSIC SYMBOLS.
  • 00:35:19.781 --> 00:35:22.618
  • CARDS WITH ME, CLASSIC SYMBOLS.- I WATCH ESP --
  • 00:35:22.684 --> 00:35:26.255
  • - I WATCH ESP --- THAT'S ESPN, DIFFERENT.
  • 00:35:26.321 --> 00:35:28.690
  • - THAT'S ESPN, DIFFERENT.THESE WERE CREATED IN 1930 TO
  • 00:35:28.757 --> 00:35:32.361
  • THESE WERE CREATED IN 1930 TOTEST PSYCHIC ABILITIES AND THEY
  • 00:35:32.427 --> 00:35:35.397
  • TEST PSYCHIC ABILITIES AND THEYARE THE CIRCLE AND SQUARE AND
  • 00:35:35.464 --> 00:35:38.100
  • ARE THE CIRCLE AND SQUARE ANDWAVY LINE AND STAR.
  • 00:35:38.166 --> 00:35:41.103
  • WAVY LINE AND STAR.AND WHICH ONE YOU WOULD LIKE TO
  • 00:35:41.169 --> 00:35:43.705
  • AND WHICH ONE YOU WOULD LIKE TOUSE?
  • 00:35:43.772 --> 00:35:43.906
  • USE?- THE RED.
  • 00:35:43.972 --> 00:35:45.340
  • - THE RED.- TAKE THE RED AND MIX IT UP SO
  • 00:35:45.407 --> 00:35:47.276
  • - TAKE THE RED AND MIX IT UP SOTHAT NO ONE BUT YOU KNOWS THE
  • 00:35:47.342 --> 00:35:49.244
  • THAT NO ONE BUT YOU KNOWS THEORDER OF YOUR CARDS.
  • 00:35:49.311 --> 00:35:50.178
  • ORDER OF YOUR CARDS.- OKAY.
  • 00:35:50.245 --> 00:35:50.846
  • - OKAY.- AND THEN HOLD THEM TOWARDS
  • 00:35:50.913 --> 00:35:52.614
  • - AND THEN HOLD THEM TOWARDSYOU.
  • 00:35:52.681 --> 00:35:52.814
  • YOU.LIKE THIS.
  • 00:35:52.881 --> 00:35:53.315
  • LIKE THIS.- WHAT I WANT YOU TO DO IS
  • 00:35:53.382 --> 00:35:55.350
  • - WHAT I WANT YOU TO DO ISFOCUS ON ONE OF THOSE SHAPES.
  • 00:35:55.417 --> 00:35:57.853
  • FOCUS ON ONE OF THOSE SHAPES.FOCUS ON ONE IN YOUR MIND AND
  • 00:35:57.920 --> 00:35:59.888
  • FOCUS ON ONE IN YOUR MIND ANDLOOK AT ME AND IMAGINE SENDING
  • 00:35:59.955 --> 00:36:01.223
  • LOOK AT ME AND IMAGINE SENDINGIT RIGHT HERE TO ME.
  • 00:36:01.290 --> 00:36:05.294
  • IT RIGHT HERE TO ME.- OKAY.
  • 00:36:05.360 --> 00:36:06.061
  • - OKAY.- I WILL GO WITH THIS ONE HERE.
  • 00:36:06.128 --> 00:36:07.563
  • - I WILL GO WITH THIS ONE HERE.AND TAKE THE CARD YOU ARE
  • 00:36:07.629 --> 00:36:09.264
  • AND TAKE THE CARD YOU ARETHINKING OF AND FACE IT DOWN.
  • 00:36:09.331 --> 00:36:11.033
  • THINKING OF AND FACE IT DOWN.- FACE DOWN OR UP?
  • 00:36:11.099 --> 00:36:14.336
  • - FACE DOWN OR UP?- FACE DOWN.
  • 00:36:14.403 --> 00:36:16.305
  • - FACE DOWN.WE'RE GOING TO DO THIS A COUPLE
  • 00:36:16.371 --> 00:36:19.575
  • WE'RE GOING TO DO THIS A COUPLEOF TIMES.
  • 00:36:19.641 --> 00:36:20.075
  • OF TIMES.AND EACH TIME CONNECT WITH A NEW
  • 00:36:20.142 --> 00:36:21.910
  • AND EACH TIME CONNECT WITH A NEWSHAPE.
  • 00:36:21.977 --> 00:36:22.110
  • SHAPE.DO ONE NOW.
  • 00:36:22.177 --> 00:36:22.778
  • DO ONE NOW.LOOK AT ME.
  • 00:36:22.844 --> 00:36:23.679
  • LOOK AT ME.GO WITH THIS ONE RIGHT HERE.
  • 00:36:23.745 --> 00:36:26.248
  • GO WITH THIS ONE RIGHT HERE.GOOD, PLACE IT DOWN AGAIN.
  • 00:36:26.315 --> 00:36:30.786
  • GOOD, PLACE IT DOWN AGAIN.- OKAY.
  • 00:36:30.852 --> 00:36:31.520
  • - OKAY.I'M GOING TO GO -- GO WITH THIS
  • 00:36:31.587 --> 00:36:33.555
  • I'M GOING TO GO -- GO WITH THISONE RIGHT HERE.
  • 00:36:33.622 --> 00:36:36.391
  • ONE RIGHT HERE.PLACE DOWN THE ONE YOU ARE
  • 00:36:36.458 --> 00:36:37.125
  • PLACE DOWN THE ONE YOU ARETHINKING OF.
  • 00:36:37.192 --> 00:36:39.261
  • THINKING OF.- OKAY.
  • 00:36:39.328 --> 00:36:40.362
  • - OKAY.- VERY GOOD.
  • 00:36:40.429 --> 00:36:41.930
  • - VERY GOOD.AND WE'LL TRY THIS A LITTLE
  • 00:36:41.997 --> 00:36:43.365
  • AND WE'LL TRY THIS A LITTLEDIFFERENTLY.
  • 00:36:43.432 --> 00:36:43.665
  • DIFFERENTLY.YOU HAVE TWO CARDS LEFT?
  • 00:36:43.732 --> 00:36:44.499
  • YOU HAVE TWO CARDS LEFT?- I DO.
  • 00:36:44.566 --> 00:36:46.568
  • - I DO.- I WANT YOU TO HOLD THEM IN
  • 00:36:46.635 --> 00:36:49.671
  • - I WANT YOU TO HOLD THEM INEITHER HAND.
  • 00:36:49.738 --> 00:36:51.006
  • EITHER HAND.ON THE COUNT OF THREE TURN THEM
  • 00:36:51.073 --> 00:36:54.109
  • ON THE COUNT OF THREE TURN THEMTO ME.
  • 00:36:54.176 --> 00:36:54.509
  • TO ME.- ONE.
  • 00:36:54.576 --> 00:36:57.279
  • - ONE.TWO.
  • 00:36:57.346 --> 00:36:58.614
  • TWO.THREE.
  • 00:36:58.680 --> 00:36:58.814
  • THREE.- UH-UH.
  • 00:36:58.880 --> 00:37:01.283
  • - UH-UH.- NO WAY.
  • 00:37:01.350 --> 00:37:02.784
  • - NO WAY.- PRETTY COOL.
  • 00:37:02.851 --> 00:37:05.320
  • - PRETTY COOL.- PRETTY WEIRD.
  • 00:37:05.387 --> 00:37:06.254
  • - PRETTY WEIRD.- KEEP IN MIND EACH STEP OF THE
  • 00:37:06.321 --> 00:37:08.957
  • - KEEP IN MIND EACH STEP OF THEWAY I PUT MY CARD DOWN FIRST.
  • 00:37:09.024 --> 00:37:11.693
  • WAY I PUT MY CARD DOWN FIRST.PICK UP YOUR STACK.
  • 00:37:11.760 --> 00:37:13.495
  • PICK UP YOUR STACK.GRAB THE TOP CARD AND LAY IT
  • 00:37:13.562 --> 00:37:16.198
  • GRAB THE TOP CARD AND LAY ITFACE DOWN.
  • 00:37:16.264 --> 00:37:18.033
  • FACE DOWN.AND TAKE THE NEXT CARD.
  • 00:37:18.100 --> 00:37:19.267
  • AND TAKE THE NEXT CARD.- I KNOW WHAT WILL HAPPEN --
  • 00:37:19.334 --> 00:37:21.903
  • - I KNOW WHAT WILL HAPPEN --IT'S GOING TO BE THE STAR -- OF
  • 00:37:21.970 --> 00:37:25.273
  • IT'S GOING TO BE THE STAR -- OFCOURSE IT IS.
  • 00:37:25.340 --> 00:37:25.807
  • COURSE IT IS.THAT'S WEIRD.
  • 00:37:25.874 --> 00:37:26.274
  • THAT'S WEIRD.- GO AHEAD.
  • 00:37:26.341 --> 00:37:26.642
  • - GO AHEAD.- THE CROSS.
  • 00:37:26.708 --> 00:37:27.342
  • - THE CROSS.- THAT'S ALL FIVE.
  • 00:37:27.409 --> 00:37:28.710
  • - THAT'S ALL FIVE.- THAT'S ALL FIVE.
  • 00:37:28.777 --> 00:37:29.811
  • - THAT'S ALL FIVE.FIVE OUT OF FIVE.
  • 00:37:29.878 --> 00:37:31.046
  • FIVE OUT OF FIVE.[APPLAUSE]
  • 00:37:31.113 --> 00:37:31.346
  • [APPLAUSE]- OH, MAN.
  • 00:37:31.413 --> 00:37:35.717
  • - OH, MAN.- OBVIOUSLY SOME KIND OF
  • 00:37:35.784 --> 00:37:38.520
  • - OBVIOUSLY SOME KIND OFCONNECTION FORM BUT I WANT TO
  • 00:37:38.587 --> 00:37:39.988
  • CONNECTION FORM BUT I WANT TOSWITCH ROLES AND SEE IF YOU CAN
  • 00:37:40.055 --> 00:37:42.157
  • SWITCH ROLES AND SEE IF YOU CANPICK UP ON A THOUGHT INSIDE
  • 00:37:42.224 --> 00:37:44.292
  • PICK UP ON A THOUGHT INSIDESOMEONE ELSE'S MIND.
  • 00:37:44.359 --> 00:37:45.293
  • SOMEONE ELSE'S MIND.- OH, LIKE KEITH?
  • 00:37:45.360 --> 00:37:47.529
  • - OH, LIKE KEITH?- OH, BOY.
  • 00:37:47.596 --> 00:37:48.296
  • - OH, BOY.THAT SHOULDN'T BE A PROBLEM.
  • 00:37:48.363 --> 00:37:49.898
  • THAT SHOULDN'T BE A PROBLEM.- TEST YOUR CONNECTION, FIND
  • 00:37:49.965 --> 00:37:50.966
  • - TEST YOUR CONNECTION, FINDOUT.
  • 00:37:51.033 --> 00:37:52.034
  • OUT.I HAVE A SET OF ESP SYMBOLS FOR
  • 00:37:52.100 --> 00:37:56.038
  • I HAVE A SET OF ESP SYMBOLS FORYOU AND DROP THEM ON THE TABLE
  • 00:37:56.104 --> 00:37:58.106
  • YOU AND DROP THEM ON THE TABLETO FAMILIARIZE WITH THE SHAPES.
  • 00:37:58.173 --> 00:38:00.909
  • TO FAMILIARIZE WITH THE SHAPES.SCOOP UP IN A PILE.
  • 00:38:00.976 --> 00:38:02.678
  • SCOOP UP IN A PILE.TURN EVERYTHING FACE DOWN AND
  • 00:38:02.744 --> 00:38:04.179
  • TURN EVERYTHING FACE DOWN ANDMIX THEM AROUND.
  • 00:38:04.246 --> 00:38:05.681
  • MIX THEM AROUND.THAT'S UP TO YOU SO YOU KNOW THE
  • 00:38:05.747 --> 00:38:07.683
  • THAT'S UP TO YOU SO YOU KNOW THEORDER OR YOU DON'T KNOW THE
  • 00:38:07.749 --> 00:38:09.017
  • ORDER OR YOU DON'T KNOW THEORDER.
  • 00:38:09.084 --> 00:38:09.217
  • ORDER.- I HAVE NO IDEA.
  • 00:38:09.284 --> 00:38:11.820
  • - I HAVE NO IDEA.- HOLD THEM FACE DOWN AND THE
  • 00:38:11.887 --> 00:38:15.357
  • - HOLD THEM FACE DOWN AND THEOTHER HAND UP.
  • 00:38:15.424 --> 00:38:16.725
  • OTHER HAND UP.AND PICK UP A CHUNK OF CARDS.
  • 00:38:16.792 --> 00:38:19.227
  • AND PICK UP A CHUNK OF CARDS.DON'T LET ANYONE SEE AND HOLD
  • 00:38:19.294 --> 00:38:20.529
  • DON'T LET ANYONE SEE AND HOLDTHAT CHUNK TO YOUR HEART AND SET
  • 00:38:20.595 --> 00:38:22.097
  • THAT CHUNK TO YOUR HEART AND SETTHE REST OF THE CARDS DOWN.
  • 00:38:22.164 --> 00:38:23.131
  • THE REST OF THE CARDS DOWN.I WANT YOU TO TAKE A PEEK AT
  • 00:38:23.198 --> 00:38:25.701
  • I WANT YOU TO TAKE A PEEK ATTHAT CARD, KNOW WHAT IT IS IN
  • 00:38:25.767 --> 00:38:27.135
  • THAT CARD, KNOW WHAT IT IS INYOUR MIND AND HOLD BACK TO YOUR
  • 00:38:27.202 --> 00:38:29.037
  • YOUR MIND AND HOLD BACK TO YOURHEART.
  • 00:38:29.104 --> 00:38:29.304
  • HEART.- OKAY.
  • 00:38:29.371 --> 00:38:29.571
  • - OKAY.- BE HONEST YOU HAVE ANY IDEA
  • 00:38:29.638 --> 00:38:33.008
  • - BE HONEST YOU HAVE ANY IDEAWHICH CARD?
  • 00:38:33.075 --> 00:38:33.942
  • WHICH CARD?- NO IDEA.
  • 00:38:34.009 --> 00:38:34.943
  • - NO IDEA.- IN A MOMENT YOU TRY TO TUNE
  • 00:38:35.010 --> 00:38:37.746
  • - IN A MOMENT YOU TRY TO TUNEINTO HIS THOUGHTS.
  • 00:38:37.813 --> 00:38:39.014
  • INTO HIS THOUGHTS.SOMETIMES PEOPLE SEE AN IMAGE IN
  • 00:38:39.081 --> 00:38:40.515
  • SOMETIMES PEOPLE SEE AN IMAGE INTHEIR MIND OR HEAR A VOICE IN
  • 00:38:40.582 --> 00:38:42.484
  • THEIR MIND OR HEAR A VOICE INTHEIR HEAD.
  • 00:38:42.551 --> 00:38:42.851
  • THEIR HEAD.HOWEVER IT COMES TO YOU, GO WITH
  • 00:38:42.918 --> 00:38:45.454
  • HOWEVER IT COMES TO YOU, GO WITHIT.
  • 00:38:45.520 --> 00:38:45.821
  • IT.YOU HAVE DONE GREAT SO FAR.
  • 00:38:45.887 --> 00:38:51.693
  • YOU HAVE DONE GREAT SO FAR.TRY IT THIS WAY AND HOLD OUT
  • 00:38:51.760 --> 00:38:54.930
  • TRY IT THIS WAY AND HOLD OUTYOUR HAND AND LOOK AT YOUR PALM
  • 00:38:54.996 --> 00:38:59.401
  • YOUR HAND AND LOOK AT YOUR PALMAND WHERE TWO LINES CONNECT AND
  • 00:38:59.468 --> 00:39:01.970
  • AND WHERE TWO LINES CONNECT ANDWITH YOUR EYES CLOSED AND HEAD
  • 00:39:02.037 --> 00:39:05.173
  • WITH YOUR EYES CLOSED AND HEADDOWN AND TAKE A DEEP BREATH AND
  • 00:39:05.240 --> 00:39:06.875
  • DOWN AND TAKE A DEEP BREATH ANDLISTEN TO ME.
  • 00:39:06.942 --> 00:39:09.111
  • LISTEN TO ME.EYES CLOSED.
  • 00:39:09.177 --> 00:39:09.678
  • EYES CLOSED.KEITH SHOW THAT SHAPE TO
  • 00:39:09.745 --> 00:39:10.879
  • KEITH SHOW THAT SHAPE TOEVERYONE HERE.
  • 00:39:10.946 --> 00:39:11.646
  • EVERYONE HERE.LET EVERYONE SEE WHAT THE SHAPE
  • 00:39:11.713 --> 00:39:14.116
  • LET EVERYONE SEE WHAT THE SHAPEIS.
  • 00:39:14.182 --> 00:39:14.282
  • IS.NOBODY SAY ANYTHING OUT LOUD.
  • 00:39:14.349 --> 00:39:16.685
  • NOBODY SAY ANYTHING OUT LOUD.NOBODY SAY ANYTHING OUT LOUD.
  • 00:39:16.752 --> 00:39:18.653
  • NOBODY SAY ANYTHING OUT LOUD.GOOD, HOLD IT BACK TO YOUR
  • 00:39:18.720 --> 00:39:21.289
  • GOOD, HOLD IT BACK TO YOURHEART.
  • 00:39:21.356 --> 00:39:21.490
  • HEART.GOVERNOR, SIT UP STRAIGHT WITH
  • 00:39:21.556 --> 00:39:23.992
  • GOVERNOR, SIT UP STRAIGHT WITHYOUR EYES CLOSED.
  • 00:39:24.059 --> 00:39:26.394
  • YOUR EYES CLOSED.PLACE YOUR FINGERS IN YOUR EARS
  • 00:39:26.461 --> 00:39:29.831
  • PLACE YOUR FINGERS IN YOUR EARSAND EYES CLOSED.
  • 00:39:29.898 --> 00:39:30.899
  • AND EYES CLOSED.IMAGINE RIGHT NOW THAT ALL OF
  • 00:39:30.966 --> 00:39:31.967
  • IMAGINE RIGHT NOW THAT ALL OFYOU SENDING THIS THOUGHT TO HIM.
  • 00:39:32.033 --> 00:39:38.140
  • YOU SENDING THIS THOUGHT TO HIM.PROJECT INTO HIS MIND.
  • 00:39:38.206 --> 00:39:39.574
  • PROJECT INTO HIS MIND.NOD YOUR HEAD IF YOU THINK YOU
  • 00:39:39.641 --> 00:39:40.375
  • NOD YOUR HEAD IF YOU THINK YOUHAVE SOMETHING.
  • 00:39:40.442 --> 00:39:42.444
  • HAVE SOMETHING.YOU HAVE SOMETHING?
  • 00:39:42.511 --> 00:39:45.280
  • YOU HAVE SOMETHING?YOU DO?
  • 00:39:45.347 --> 00:39:47.215
  • YOU DO?TAKE YOUR FINGERS OUT OF YOUR
  • 00:39:47.282 --> 00:39:49.351
  • TAKE YOUR FINGERS OUT OF YOUREARS.
  • 00:39:49.417 --> 00:39:49.551
  • EARS.- I WAS TRYING TO FIGURE OUT
  • 00:39:49.618 --> 00:39:51.820
  • - I WAS TRYING TO FIGURE OUTWHEN I WAS SUPPOSED TO OPEN MY
  • 00:39:51.887 --> 00:39:55.023
  • WHEN I WAS SUPPOSED TO OPEN MYEYES.
  • 00:39:55.090 --> 00:39:55.223
  • EYES.- YOU COULDN'T HEAR ME?
  • 00:39:55.290 --> 00:39:56.391
  • - YOU COULDN'T HEAR ME?- LOOK, I AM ALMOST DEAF AS IT
  • 00:39:56.458 --> 00:39:59.561
  • - LOOK, I AM ALMOST DEAF AS ITIS AND YOU PUT MY FINGERS IN MY
  • 00:39:59.628 --> 00:40:01.797
  • IS AND YOU PUT MY FINGERS IN MYEARS THIS IS BAD.
  • 00:40:01.863 --> 00:40:02.297
  • EARS THIS IS BAD.- IF THIS WORKS IT WOULD BE
  • 00:40:02.364 --> 00:40:05.600
  • - IF THIS WORKS IT WOULD BEINSANE.
  • 00:40:05.667 --> 00:40:05.834
  • INSANE.- IT WOULD.
  • 00:40:05.901 --> 00:40:06.334
  • - IT WOULD.DID YOU HAVE AN IDEA IN YOUR
  • 00:40:06.401 --> 00:40:08.537
  • DID YOU HAVE AN IDEA IN YOURMIND?
  • 00:40:08.603 --> 00:40:08.837
  • MIND?- THE STAR.
  • 00:40:08.904 --> 00:40:10.338
  • - THE STAR.- OH, MY GOODNESS.
  • 00:40:10.405 --> 00:40:10.839
  • - OH, MY GOODNESS.- LET HIM SEE -- THE STAR!
  • 00:40:10.906 --> 00:40:13.942
  • - LET HIM SEE -- THE STAR!- THAT'S -- THAT'S CRAZY.
  • 00:40:14.009 --> 00:40:16.444
  • - THAT'S -- THAT'S CRAZY.THAT'S CRAZY.
  • 00:40:16.511 --> 00:40:18.280
  • THAT'S CRAZY.- THAT IS WILD.
  • 00:40:18.346 --> 00:40:19.247
  • - THAT IS WILD.- THAT WAS GREAT.
  • 00:40:19.314 --> 00:40:19.948
  • - THAT WAS GREAT.- I AM TRYING TO FIGURE THIS
  • 00:40:20.015 --> 00:40:22.551
  • - I AM TRYING TO FIGURE THISOUT.
  • 00:40:22.617 --> 00:40:22.717
  • OUT.- YOU ARE THINKING ABOUT IT.
  • 00:40:22.784 --> 00:40:25.253
  • - YOU ARE THINKING ABOUT IT.- ABSOLUTELY.
  • 00:40:25.320 --> 00:40:26.354
  • - ABSOLUTELY.SO YOU GOT SOMETHING ELSE YOU
  • 00:40:26.421 --> 00:40:27.823
  • SO YOU GOT SOMETHING ELSE YOUWANT TO TELL US ABOUT?
  • 00:40:27.889 --> 00:40:29.291
  • WANT TO TELL US ABOUT?- YEAH, I HAVE A VIRTUAL SHOW
  • 00:40:29.357 --> 00:40:32.227
  • - YEAH, I HAVE A VIRTUAL SHOWTHAT I AM DOING BECAUSE THE
  • 00:40:32.294 --> 00:40:35.463
  • THAT I AM DOING BECAUSE THETHEATERS CLOSED IN LAS VEGAS.
  • 00:40:35.530 --> 00:40:36.865
  • THEATERS CLOSED IN LAS VEGAS.- HOW DOES A VIRTUAL SHOW?
  • 00:40:36.932 --> 00:40:42.737
  • - HOW DOES A VIRTUAL SHOW?- IT'S IN YOUR HOME AND WE
  • 00:40:42.804 --> 00:40:47.709
  • - IT'S IN YOUR HOME AND WEINTERACT AND I READ PEOPLE'S
  • 00:40:47.776 --> 00:40:50.478
  • INTERACT AND I READ PEOPLE'SMINDS FROM THE SCREEN AND YOU
  • 00:40:50.545 --> 00:40:52.113
  • MINDS FROM THE SCREEN AND YOUGET TO EXPERIENCE THIS FROM
  • 00:40:52.180 --> 00:40:54.449
  • GET TO EXPERIENCE THIS FROMANYWHERE IN THE WORLD.
  • 00:40:54.516 --> 00:40:55.584
  • ANYWHERE IN THE WORLD.YOU DON'T HAVE TO COME TO LAS
  • 00:40:55.650 --> 00:40:57.986
  • YOU DON'T HAVE TO COME TO LASVEGAS.
  • 00:40:58.053 --> 00:40:58.186
  • VEGAS.- THAT IS COOL, AND YOU CAN DO
  • 00:40:58.253 --> 00:41:00.589
  • - THAT IS COOL, AND YOU CAN DOTHIS BY WAY BY THE INTERNET.
  • 00:41:00.655 --> 00:41:02.691
  • THIS BY WAY BY THE INTERNET.- I WASN'T SURE THAT I COULD
  • 00:41:02.757 --> 00:41:04.626
  • - I WASN'T SURE THAT I COULDAND I HAD TO ADAPT AND FOUND IT
  • 00:41:04.693 --> 00:41:07.596
  • AND I HAD TO ADAPT AND FOUND ITWAS A COOL WAY FOR PEOPLE TO
  • 00:41:07.662 --> 00:41:10.432
  • WAS A COOL WAY FOR PEOPLE TOEXPERIENCE WITHOUT LEAVING THE
  • 00:41:10.498 --> 00:41:11.333
  • EXPERIENCE WITHOUT LEAVING THECOMFORT OF THEIR HOME.
  • 00:41:11.399 --> 00:41:13.368
  • COMFORT OF THEIR HOME.I BRING THE SHOW INTO YOUR
  • 00:41:13.435 --> 00:41:14.903
  • I BRING THE SHOW INTO YOURLIVING ROOM.
  • 00:41:14.970 --> 00:41:15.303
  • LIVING ROOM.- THAT IS AWESOME, PEOPLE WANT
  • 00:41:15.370 --> 00:41:17.939
  • - THAT IS AWESOME, PEOPLE WANTENTERTAINMENT AND LOVE TO GO TO
  • 00:41:18.006 --> 00:41:19.507
  • ENTERTAINMENT AND LOVE TO GO TOTHE SHOW IN VEGAS AND CAN'T WITH
  • 00:41:19.574 --> 00:41:22.177
  • THE SHOW IN VEGAS AND CAN'T WITHEVERYTHING CLOUDS DOWN AND LINE
  • 00:41:22.244 --> 00:41:23.712
  • EVERYTHING CLOUDS DOWN AND LINEUP AND BE A PART.
  • 00:41:23.778 --> 00:41:25.380
  • UP AND BE A PART.- FROM HOME.
  • 00:41:25.447 --> 00:41:26.214
  • - FROM HOME.- YOU HAVE ANOTHER ONE?
  • 00:41:26.281 --> 00:41:28.817
  • - YOU HAVE ANOTHER ONE?- DO WE HAVE TIME TO TRY
  • 00:41:28.884 --> 00:41:31.119
  • - DO WE HAVE TIME TO TRYANOTHER QUICK THING.
  • 00:41:31.186 --> 00:41:31.586
  • ANOTHER QUICK THING.- TRY WITH YOU.
  • 00:41:31.653 --> 00:41:32.254
  • - TRY WITH YOU.- I WANT TO READ HIS MIND.
  • 00:41:32.320 --> 00:41:35.223
  • - I WANT TO READ HIS MIND.- MAYBE WE CAN TRY MORE COMPLEX
  • 00:41:35.290 --> 00:41:37.993
  • - MAYBE WE CAN TRY MORE COMPLEXTHAN SIMPLE SHAPES.
  • 00:41:38.059 --> 00:41:38.693
  • THAN SIMPLE SHAPES.HERE'S WHAT I WANT YOU TO DO IS
  • 00:41:38.760 --> 00:41:40.829
  • HERE'S WHAT I WANT YOU TO DO ISTHINK ABOUT YOUR DEBIT CARD PIN
  • 00:41:40.896 --> 00:41:43.465
  • THINK ABOUT YOUR DEBIT CARD PINNUMBER.
  • 00:41:43.531 --> 00:41:43.698
  • NUMBER.- OKAY.
  • 00:41:43.765 --> 00:41:43.932
  • - OKAY.[LAUGHTER]
  • 00:41:43.999 --> 00:41:45.467
  • [LAUGHTER]THIS IS GOING TO BE FUN.
  • 00:41:45.533 --> 00:41:47.969
  • THIS IS GOING TO BE FUN.- YEAH.
  • 00:41:48.036 --> 00:41:49.004
  • - YEAH.LET ME HAVE YOUR CARD WHILE YOU
  • 00:41:49.070 --> 00:41:50.705
  • LET ME HAVE YOUR CARD WHILE YOUARE THINKING OF THIS.
  • 00:41:50.772 --> 00:41:52.374
  • ARE THINKING OF THIS.I WILL GIVE IT BACK NEXT WEEK.
  • 00:41:52.440 --> 00:41:53.975
  • I WILL GIVE IT BACK NEXT WEEK.- TO BE FAIR, DOES ANYONE KNOW
  • 00:41:54.042 --> 00:41:56.344
  • - TO BE FAIR, DOES ANYONE KNOWYOUR PIN NUMBER THAN YOU.
  • 00:41:56.411 --> 00:41:58.613
  • YOUR PIN NUMBER THAN YOU.- HE SURE DOESN'T KNOW IT AND I
  • 00:41:58.680 --> 00:42:01.149
  • - HE SURE DOESN'T KNOW IT AND ICOULDN'T TRUST TRE' WITH IT.
  • 00:42:01.216 --> 00:42:02.651
  • COULDN'T TRUST TRE' WITH IT.- IMAGINE YOU ARE WALKING UP TO
  • 00:42:02.717 --> 00:42:05.620
  • - IMAGINE YOU ARE WALKING UP TOTHE ATM AND PUT IN YOUR CARD AND
  • 00:42:05.687 --> 00:42:08.757
  • THE ATM AND PUT IN YOUR CARD ANDTYPE YOUR PIN NUMBER, DON'T TYPE
  • 00:42:08.823 --> 00:42:11.393
  • TYPE YOUR PIN NUMBER, DON'T TYPEIT IN AND HOLD UP YOUR HAND AS
  • 00:42:11.459 --> 00:42:14.629
  • IT IN AND HOLD UP YOUR HAND ASIF TYPING IN AND LOOK AT ME AND
  • 00:42:14.696 --> 00:42:16.364
  • IF TYPING IN AND LOOK AT ME ANDIMAGINE THE NUMBERS ONE AT A
  • 00:42:16.431 --> 00:42:18.433
  • IMAGINE THE NUMBERS ONE AT ATIME.
  • 00:42:18.500 --> 00:42:18.633
  • TIME.YOU HAVE SOMETHING TO WRITE
  • 00:42:18.700 --> 00:42:20.101
  • YOU HAVE SOMETHING TO WRITEWITH.
  • 00:42:20.168 --> 00:42:20.302
  • WITH.A MARKER.
  • 00:42:20.368 --> 00:42:21.202
  • A MARKER.- I GOT BOTH.
  • 00:42:21.269 --> 00:42:22.570
  • - I GOT BOTH.- SCRAP OF PAPER HERE.
  • 00:42:22.637 --> 00:42:25.840
  • - SCRAP OF PAPER HERE.SOMETHING LIKE -- I DON'T KNOW
  • 00:42:25.907 --> 00:42:27.142
  • SOMETHING LIKE -- I DON'T KNOWHOPEFULLY YOU CAN'T SEE THROUGH
  • 00:42:27.208 --> 00:42:27.809
  • HOPEFULLY YOU CAN'T SEE THROUGHTHIS.
  • 00:42:27.876 --> 00:42:31.346
  • THIS.I'M GOING TO SHOW THIS TO THE
  • 00:42:31.413 --> 00:42:32.981
  • I'M GOING TO SHOW THIS TO THECAMERA AND NOT TO YOU.
  • 00:42:33.048 --> 00:42:34.015
  • CAMERA AND NOT TO YOU.OKAY, DON'T LOOK AT THE
  • 00:42:34.082 --> 00:42:36.484
  • OKAY, DON'T LOOK AT THEMONITORS.
  • 00:42:36.551 --> 00:42:38.887
  • MONITORS.TELL US ALL WHAT IS YOUR
  • 00:42:38.954 --> 00:42:44.292
  • TELL US ALL WHAT IS YOURFOUR-DIGIT PIN NUMBER.
  • 00:42:44.359 --> 00:42:44.793
  • FOUR-DIGIT PIN NUMBER.- DO I WANT TO SAY THIS ON TV.
  • 00:42:44.859 --> 00:42:48.229
  • - DO I WANT TO SAY THIS ON TV.- IT'S OVER.
  • 00:42:48.296 --> 00:42:50.165
  • - IT'S OVER.- 5123.
  • 00:42:50.231 --> 00:42:51.166
  • - 5123.- WHOA.
  • 00:42:51.232 --> 00:42:51.933
  • - WHOA.- YOU TOLD HIM.
  • 00:42:52.000 --> 00:42:53.768
  • - YOU TOLD HIM.- I DID NOT.
  • 00:42:53.835 --> 00:42:54.970
  • - I DID NOT.NO.
  • 00:42:55.036 --> 00:42:55.136
  • NO.- NOW WE ALL KNOW.
  • 00:42:55.203 --> 00:42:56.805
  • - NOW WE ALL KNOW.- I HAVE GO CHANGE MY PIN.
  • 00:42:56.871 --> 00:42:58.373
  • - I HAVE GO CHANGE MY PIN.- YOU HAVE TO CALL YOUR BANK.
  • 00:42:58.440 --> 00:43:00.241
  • - YOU HAVE TO CALL YOUR BANK.- THAT IS CRAZY.
  • 00:43:00.308 --> 00:43:01.142
  • - THAT IS CRAZY.- THAT IS NUTS.
  • 00:43:01.209 --> 00:43:02.410
  • - THAT IS NUTS.- KEITH
  • 00:43:02.477 --> 00:43:06.848
  • - THAT IS NUTS.- KEIT
  • 00:43:02.477 --> 00:43:07.048
  • - KEITKEITH, READ MY MIND AND TELL THE
  • 00:43:07.115 --> 00:43:07.682
  • KEITH, READ MY MIND AND TELL THEVIEWERS WHAT I THINK THEY NEED
  • 00:43:07.749 --> 00:43:08.350
  • VIEWERS WHAT I THINK THEY NEEDTO KNOW ABOUT MAX MAJOR.
  • 00:43:08.416 --> 00:43:11.686
  • TO KNOW ABOUT MAX MAJOR.- WELL, THAT'S LIGHT READING!
  • 00:43:11.753 --> 00:43:14.122
  • - WELL, THAT'S LIGHT READING!I DO BELIEVE.
  • 00:43:14.189 --> 00:43:14.456
  • I DO BELIEVE.TO SEE MORE AMAZING VIDEOS, TO
  • 00:43:14.522 --> 00:43:15.090
  • TO SEE MORE AMAZING VIDEOS, TOBOOK MAX FOR YOUR CORPORATE OR
  • 00:43:15.156 --> 00:43:15.724
  • BOOK MAX FOR YOUR CORPORATE ORTHEATRICAL EVENTS, OR GET
  • 00:43:15.790 --> 00:43:17.325
  • THEATRICAL EVENTS, OR GETTICKETS FOR HIS INTERACTIVE ZOOM
  • 00:43:17.392 --> 00:43:17.959
  • TICKETS FOR HIS INTERACTIVE ZOOMSHOWS RIGHT IN YOUR OWN HOME,
  • 00:43:18.026 --> 00:43:19.961
  • SHOWS RIGHT IN YOUR OWN HOME,VISIT MAXMAJOR.NET.
  • 00:43:20.028 --> 00:43:21.563
  • VISIT MAXMAJOR.NET.AND BE SURE TO FOLLOW MAX MAJOR
  • 00:43:21.629 --> 00:43:22.630
  • AND BE SURE TO FOLLOW MAX MAJORON SOCIAL MEDIA.
  • 00:43:22.697 --> 00:43:30.939
  • ON SOCIAL MEDIA.NEXT, COUNTRY MUSIC'S FAVORITE
  • 00:43:31.006 --> 00:43:33.208
  • NEXT, COUNTRY MUSIC'S FAVORITEBAND ROCKLAND ROAD, YOU ARE
  • 00:43:33.274 --> 00:43:35.410
  • BAND ROCKLAND ROAD, YOU AREWATCHING HUCKABEE...
  • 00:43:35.477 --> 00:43:36.044
  • 00:43:42.129 --> 00:43:55.309
  • ♪ROCKLAND ROAD IS KNOWN FOR THEIR
  • 00:43:55.376 --> 00:43:57.445
  • ROCKLAND ROAD IS KNOWN FOR THEIRRICH, INTRICATELY LAYERED
  • 00:43:57.511 --> 00:43:57.978
  • RICH, INTRICATELY LAYEREDSIX-PART HARMONIES.
  • 00:43:58.045 --> 00:43:59.046
  • SIX-PART HARMONIES.THEY ARE A FAMILY BAND FOUNDED
  • 00:43:59.113 --> 00:44:00.614
  • THEY ARE A FAMILY BAND FOUNDEDBY MUSIC INDUSTRY VETERANS PAUL
  • 00:44:00.681 --> 00:44:02.216
  • BY MUSIC INDUSTRY VETERANS PAULAND JAMIE MARTIN AND THEIR FOUR
  • 00:44:02.283 --> 00:44:04.318
  • AND JAMIE MARTIN AND THEIR FOURCHILDREN, MARCH, KELL, TEXAS,
  • 00:44:04.385 --> 00:44:05.386
  • CHILDREN, MARCH, KELL, TEXAS,AND TALLANT.
  • 00:44:05.453 --> 00:44:07.521
  • AND TALLANT.THEY HAVE A NEW HIT SONG OUT
  • 00:44:07.588 --> 00:44:09.123
  • THEY HAVE A NEW HIT SONG OUTTITLED, 'CAROLINE'.
  • 00:44:09.190 --> 00:44:13.527
  • TITLED, 'CAROLINE'.COME BY THE WAY IS THE NAME OF
  • 00:44:13.594 --> 00:44:16.530
  • COME BY THE WAY IS THE NAME OFONE OF MY GRANDCHILDREN, I LIKE
  • 00:44:16.597 --> 00:44:18.833
  • ONE OF MY GRANDCHILDREN, I LIKETHAT.
  • 00:44:18.899 --> 00:44:19.033
  • THAT.TO TELL US MORE ABOUT IT, PLEASE
  • 00:44:19.100 --> 00:44:19.667
  • TO TELL US MORE ABOUT IT, PLEASEWELCOME ROCKLAND ROAD...
  • 00:44:19.734 --> 00:44:21.902
  • WELCOME ROCKLAND ROAD...GIVE THEM A BIG HAND, PLEASE.
  • 00:44:21.969 --> 00:44:24.472
  • GIVE THEM A BIG HAND, PLEASE.I'M TALKING TO JAMIE AND MARCH,
  • 00:44:24.538 --> 00:44:28.175
  • I'M TALKING TO JAMIE AND MARCH,BECAUSE PAUL WAS VOTED OFF THE I
  • 00:44:28.242 --> 00:44:37.651
  • BECAUSE PAUL WAS VOTED OFF THE IISLANDY EARLIER.
  • 00:44:37.818 --> 00:44:39.153
  • ISLANDY EARLIER.THAT'S RIGHT.
  • 00:44:39.220 --> 00:44:39.587
  • THAT'S RIGHT.- THE HARMONIES ARE AMAZING AND
  • 00:44:39.653 --> 00:44:42.356
  • - THE HARMONIES ARE AMAZING ANDTHE MARTINS ONCE TOLD ME THE
  • 00:44:42.423 --> 00:44:44.692
  • THE MARTINS ONCE TOLD ME THEREASON THEY THOUGHT THEIR
  • 00:44:44.759 --> 00:44:46.360
  • REASON THEY THOUGHT THEIRHARMONIES WERE SO UNIQUE BECAUSE
  • 00:44:46.427 --> 00:44:48.095
  • HARMONIES WERE SO UNIQUE BECAUSETHEY ALL LEARNED HOW TO TALK
  • 00:44:48.162 --> 00:44:50.931
  • THEY ALL LEARNED HOW TO TALKABOUT THE SAME MOTHER.
  • 00:44:50.998 --> 00:44:52.366
  • ABOUT THE SAME MOTHER.YOU THINK THAT BEING IN THE
  • 00:44:52.433 --> 00:44:55.436
  • YOU THINK THAT BEING IN THEHOUSEHOLD AND TALK AND
  • 00:44:55.503 --> 00:45:00.074
  • HOUSEHOLD AND TALK ANDINTONATIONS AND DOES THAT HAVE
  • 00:45:00.141 --> 00:45:01.842
  • INTONATIONS AND DOES THAT HAVETO DO WITH HARMONY.
  • 00:45:01.909 --> 00:45:08.716
  • TO DO WITH HARMONY.- THAT IS PROBABLY AMAZING AND
  • 00:45:08.783 --> 00:45:11.018
  • - THAT IS PROBABLY AMAZING ANDWE THOUGHT DNA BUT LISTENING TO
  • 00:45:11.085 --> 00:45:13.621
  • WE THOUGHT DNA BUT LISTENING TOHER TALK AND DAD TALK.
  • 00:45:13.687 --> 00:45:15.923
  • HER TALK AND DAD TALK.- AND JAMIE AND DAD RUN A
  • 00:45:15.990 --> 00:45:20.261
  • - AND JAMIE AND DAD RUN ARECORDING STUDIO, YOUR DAD,
  • 00:45:20.327 --> 00:45:24.165
  • RECORDING STUDIO, YOUR DAD,DWAYNE ALMOND, AND FROM THE
  • 00:45:24.231 --> 00:45:31.572
  • DWAYNE ALMOND, AND FROM THEGRAND OLE OPRY AND IF NOT
  • 00:45:31.639 --> 00:45:35.943
  • GRAND OLE OPRY AND IF NOTMUSICAL
  • 00:45:36.010 --> 00:45:36.177
  • GRAND OLE OPRY AND IF NOTMUSICA
  • 00:45:36.010 --> 00:45:36.443
  • MUSICAMUSICAL, WE WOULD HAVE WORRIED.
  • 00:45:36.510 --> 00:45:37.578
  • MUSICAL, WE WOULD HAVE WORRIED.TELL US ABOUT THIS NEW ALBUM.
  • 00:45:37.645 --> 00:45:41.549
  • TELL US ABOUT THIS NEW ALBUM.- WE ARE RECORDING ALL THE
  • 00:45:41.615 --> 00:45:43.617
  • - WE ARE RECORDING ALL THETHINGS THAT KIDS WRITE AND A
  • 00:45:43.684 --> 00:45:46.754
  • THINGS THAT KIDS WRITE AND ARECORDING STUDIO, OUR NEXT
  • 00:45:46.821 --> 00:45:49.757
  • RECORDING STUDIO, OUR NEXTSINGLE OUT IS MARCH AND TEXAS
  • 00:45:49.824 --> 00:45:53.027
  • SINGLE OUT IS MARCH AND TEXASROAD.
  • 00:45:53.093 --> 00:45:53.227
  • ROAD.AND IT'S FUN TO WATCH THEM
  • 00:45:53.294 --> 00:45:56.130
  • AND IT'S FUN TO WATCH THEMBLOSSOM AND DIG IN WHERE WE LEFT
  • 00:45:56.197 --> 00:45:59.767
  • BLOSSOM AND DIG IN WHERE WE LEFTOFF, THEY ARE CARRYING THE
  • 00:45:59.834 --> 00:46:02.369
  • OFF, THEY ARE CARRYING THETORCH.
  • 00:46:02.436 --> 00:46:02.570
  • TORCH.- WHAT IS FUN, YOU HAVE BEEN
  • 00:46:02.636 --> 00:46:04.772
  • - WHAT IS FUN, YOU HAVE BEENHERE AND ASK YOU BACK, BECAUSE
  • 00:46:04.839 --> 00:46:07.274
  • HERE AND ASK YOU BACK, BECAUSEWE LOVE YOU AND EVERYONE
  • 00:46:07.341 --> 00:46:09.810
  • WE LOVE YOU AND EVERYONEWATCHING YOU WILL DOWNLOAD,
  • 00:46:09.877 --> 00:46:11.579
  • WATCHING YOU WILL DOWNLOAD,BECAUSE THEY ARE SMART PEOPLE.
  • 00:46:11.645 --> 00:46:12.813
  • BECAUSE THEY ARE SMART PEOPLE.- THAT IS WONDERFUL, AND WE
  • 00:46:12.880 --> 00:46:14.148
  • - THAT IS WONDERFUL, AND WELOVE YOU TOO, SUCH AN HONOR.
  • 00:46:14.215 --> 00:46:15.616
  • LOVE YOU TOO, SUCH AN HONOR.- GREAT TO HAVE YOU, LET'S MAKE
  • 00:46:15.683 --> 00:46:18.352
  • - GREAT TO HAVE YOU, LET'S MAKEMUSIC TONIGHT.
  • 00:46:18.419 --> 00:46:20.888
  • MUSIC TONIGHT.- SOUNDS GOOD.
  • 00:46:20.955 --> 00:46:21.589
  • - SOUNDS GOOD.I HOPE YOU GET MORE OF ROCKLAND
  • 00:46:21.655 --> 00:46:22.356
  • I HOPE YOU GET MORE OF ROCKLANDROAD'S MUSIC.
  • 00:46:22.423 --> 00:46:22.690
  • ROAD'S MUSIC.KEITH, PLEASE TELL THE FOLKS AT
  • 00:46:22.756 --> 00:46:23.624
  • KEITH, PLEASE TELL THE FOLKS ATHOME HOW THEY CAN...
  • 00:46:23.691 --> 00:46:25.726
  • HOME HOW THEY CAN...FOR INFORMATION ON ROCKLAND
  • 00:46:25.793 --> 00:46:26.293
  • FOR INFORMATION ON ROCKLANDROAD'S SHOWS, MUSIC OR TO BOOK
  • 00:46:26.360 --> 00:46:26.927
  • ROAD'S SHOWS, MUSIC OR TO BOOKTHEM AT YOUR EVENT GO TO
  • 00:46:26.994 --> 00:46:27.862
  • THEM AT YOUR EVENT GO TOROCKLANDROAD.COM.
  • 00:46:27.928 --> 00:46:29.964
  • ROCKLANDROAD.COM.AFTER THE SHOW GO TO HUCKABEE.TV
  • 00:46:30.030 --> 00:46:31.565
  • AFTER THE SHOW GO TO HUCKABEE.TVFOR AN ONLINE EXCLUSIVE
  • 00:46:31.632 --> 00:46:33.167
  • FOR AN ONLINE EXCLUSIVEPERFORMANCE OF 'FEELS LIKE THIS'
  • 00:46:33.234 --> 00:46:36.337
  • PERFORMANCE OF 'FEELS LIKE THIS'BY ROCKLAND ROAD.
  • 00:46:36.403 --> 00:46:36.737
  • BY ROCKLAND ROAD.NOW HERE TO PERFORM CAROLINE
  • 00:46:36.804 --> 00:46:38.472
  • NOW HERE TO PERFORM CAROLINEWITH TRE' CORLEY AND THE MUSIC
  • 00:46:38.539 --> 00:46:39.540
  • WITH TRE' CORLEY AND THE MUSICCITY CONNECTION AND MIKE ON BASS
  • 00:46:39.607 --> 00:46:42.409
  • CITY CONNECTION AND MIKE ON BASSIS ROCKLAND ROAD...
  • 00:46:42.476 --> 00:46:44.578
  • IS ROCKLAND ROAD...[APPLAUSE]
  • 00:46:44.645 --> 00:46:49.483
  • 00:46:51.952 --> 00:46:59.627
  • ♪♪ YOU SAID NO ONE EVER WROTE A
  • 00:46:59.693 --> 00:47:03.998
  • ♪ YOU SAID NO ONE EVER WROTE ASONG ABOUT YA ♪
  • 00:47:04.064 --> 00:47:06.233
  • SONG ABOUT YA ♪♪ BECAUSE NOBODY WOULD KNOW HOW
  • 00:47:06.300 --> 00:47:09.036
  • ♪ BECAUSE NOBODY WOULD KNOW HOWIT WOULD GO ♪
  • 00:47:09.103 --> 00:47:10.271
  • IT WOULD GO ♪♪ I WAS OUT THERE RUNNING AROUND
  • 00:47:10.337 --> 00:47:12.306
  • ♪ I WAS OUT THERE RUNNING AROUNDAND YOU WERE SET ON SLOWING DOWN
  • 00:47:12.373 --> 00:47:14.942
  • AND YOU WERE SET ON SLOWING DOWN♪ TRUE LOVE FOR US WAS JUST TOO
  • 00:47:15.009 --> 00:47:18.379
  • ♪ TRUE LOVE FOR US WAS JUST TOOHARD TO FIND ♪
  • 00:47:18.445 --> 00:47:19.446
  • HARD TO FIND ♪♪ BUT I STILL HAVE YOU ACROSS MY
  • 00:47:19.513 --> 00:47:23.183
  • ♪ BUT I STILL HAVE YOU ACROSS MYMIND ♪
  • 00:47:23.250 --> 00:47:26.353
  • MIND ♪♪ CAROLINE ♪
  • 00:47:26.420 --> 00:47:27.588
  • ♪ CAROLINE ♪♪ AT THE TIME AND HOPE YOU ARE
  • 00:47:27.655 --> 00:47:29.957
  • ♪ AT THE TIME AND HOPE YOU ARESOMEWHERE AND YOU ARE LIKING AND
  • 00:47:30.024 --> 00:47:33.694
  • SOMEWHERE AND YOU ARE LIKING ANDDOING FINE ♪
  • 00:47:33.761 --> 00:47:34.695
  • DOING FINE ♪♪ SOME PLACE WARMER LIKE
  • 00:47:34.762 --> 00:47:36.830
  • ♪ SOME PLACE WARMER LIKECALIFORNIA ♪
  • 00:47:36.897 --> 00:47:38.933
  • CALIFORNIA ♪♪ THE SUN WAS ALWAYS YOURS TO
  • 00:47:38.999 --> 00:47:42.369
  • ♪ THE SUN WAS ALWAYS YOURS TOSHINE ♪
  • 00:47:42.436 --> 00:47:44.405
  • SHINE ♪♪ CAROLINE ♪
  • 00:47:44.471 --> 00:47:47.741
  • ♪ CAROLINE ♪♪ CAROLINE ♪
  • 00:47:47.808 --> 00:47:52.446
  • ♪ CAROLINE ♪♪ WELL, I KNOW I LEFT YOU CRYING
  • 00:47:52.513 --> 00:48:06.527
  • ♪ WELL, I KNOW I LEFT YOU CRYINGBY THAT SUBWAY TRAIN ♪
  • 00:48:06.593 --> 00:48:08.462
  • BY THAT SUBWAY TRAIN ♪♪ I'M SURE YOU KNOW NOW IT WAS
  • 00:48:08.529 --> 00:48:10.397
  • ♪ I'M SURE YOU KNOW NOW IT WASFOR THE BEST ♪
  • 00:48:10.464 --> 00:48:13.500
  • FOR THE BEST ♪♪ BUT I BET IF I SAW YOU RIGHT
  • 00:48:13.567 --> 00:48:16.103
  • ♪ BUT I BET IF I SAW YOU RIGHTNOW, AND WE WOULD HAVE A LAUGH
  • 00:48:16.170 --> 00:48:18.772
  • NOW, AND WE WOULD HAVE A LAUGHOUT LOUD ♪
  • 00:48:18.839 --> 00:48:21.976
  • OUT LOUD ♪♪ BUT IT'S SOMETHING THAT WE HAD
  • 00:48:22.042 --> 00:48:24.745
  • ♪ BUT IT'S SOMETHING THAT WE HADTO DO OUR BEST ♪
  • 00:48:24.812 --> 00:48:28.282
  • TO DO OUR BEST ♪♪ CAROLINE ♪
  • 00:48:28.349 --> 00:48:31.218
  • ♪ CAROLINE ♪♪ HAS THE TIME AND HOPE YOU ARE
  • 00:48:31.285 --> 00:48:34.855
  • ♪ HAS THE TIME AND HOPE YOU ARESOMEWHERE AND YOUR LAUGHIN AND
  • 00:48:34.922 --> 00:48:39.426
  • SOMEWHERE AND YOUR LAUGHIN ANDDOING FINE ♪
  • 00:48:39.493 --> 00:48:40.461
  • DOING FINE ♪♪ SOMEWHERE WARMER LIKE
  • 00:48:40.527 --> 00:48:42.730
  • ♪ SOMEWHERE WARMER LIKECALIFORNIA ♪
  • 00:48:42.796 --> 00:48:43.530
  • CALIFORNIA ♪♪ THE SUN WAS ALWAYS YOURS TO
  • 00:48:43.597 --> 00:48:46.967
  • ♪ THE SUN WAS ALWAYS YOURS TOSHINE ♪
  • 00:48:47.034 --> 00:48:50.371
  • SHINE ♪♪ CAROLINE ♪
  • 00:48:50.437 --> 00:48:52.039
  • ♪ CAROLINE ♪♪ CAROLINE ♪
  • 00:48:52.106 --> 00:48:55.809
  • ♪ CAROLINE ♪♪ DON'T THINK I DIDN'T TRY TO
  • 00:48:55.876 --> 00:49:09.456
  • ♪ DON'T THINK I DIDN'T TRY TOLOVE YOU, CAROLINE ♪
  • 00:49:09.523 --> 00:49:11.058
  • LOVE YOU, CAROLINE ♪♪ I DID THE BEST I COULD ♪
  • 00:49:11.125 --> 00:49:16.263
  • ♪ I DID THE BEST I COULD ♪♪ I KNOW I SAID SOME BAD THINGS
  • 00:49:16.330 --> 00:49:20.401
  • ♪ I KNOW I SAID SOME BAD THINGSBUT I WOULD TAKE THEM BACK,
  • 00:49:20.467 --> 00:49:23.971
  • BUT I WOULD TAKE THEM BACK,GIRL, IF I COULD ♪
  • 00:49:24.038 --> 00:49:26.907
  • GIRL, IF I COULD ♪♪ CAROLINE, YEAH, HAVING A GOOD
  • 00:49:26.974 --> 00:49:32.813
  • ♪ CAROLINE, YEAH, HAVING A GOODTIME AND I HOPE YOU ARE
  • 00:49:32.880 --> 00:49:35.282
  • TIME AND I HOPE YOU ARESOMEWHERE AND YOU ARE LAUGHING
  • 00:49:35.349 --> 00:49:36.350
  • SOMEWHERE AND YOU ARE LAUGHINGAND DOING FINE ♪
  • 00:49:36.417 --> 00:49:38.919
  • AND DOING FINE ♪♪ SOME PLACE WARMER LIKE
  • 00:49:38.986 --> 00:49:41.055
  • ♪ SOME PLACE WARMER LIKECALIFORNIA ♪
  • 00:49:41.121 --> 00:49:42.356
  • CALIFORNIA ♪♪ THE SUN WAS ALWAYS YOURS TO
  • 00:49:42.423 --> 00:49:45.159
  • ♪ THE SUN WAS ALWAYS YOURS TOSHINE ♪
  • 00:49:45.225 --> 00:49:46.660
  • SHINE ♪♪ CAROLINE ♪
  • 00:49:46.727 --> 00:49:49.496
  • ♪ CAROLINE ♪♪ CAROLINE ♪
  • 00:49:49.563 --> 00:49:54.535
  • ♪ CAROLINE ♪♪ CAROLINE ♪ ♪
  • 00:49:54.601 --> 00:50:13.821
  • [APPLAUSE]
  • 00:50:15.155 --> 00:50:19.460