Hot Off The Press | TBN

Hot Off The Press

Watch Hot Off The Press
November 4, 2016
26:05

Hot Off The Press with Kristen Dalton Wolfe, Guest Caroline Lusk, Johana Hernandez, and Lysa TerKeurst

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Hot Off The Press

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  • - COMING UP ON TODAY'S SHOW, PARALYSIS ISN'T
  • 00:00:01.120 --> 00:00:03.160
  • GOING TO STOP ONE WOMAN FROM OVERCOMING
  • 00:00:03.180 --> 00:00:05.110
  • GREAT OBSTACLES.
  • 00:00:05.130 --> 00:00:07.010
  • FIND OUT WHAT SHE'S DOING TO CHALLENGE HERSELF
  • 00:00:07.030 --> 00:00:08.180
  • AND OTHERS.
  • 00:00:08.200 --> 00:00:10.020
  • PLUS, JOANNA HERNANDEZ I BACK WITH US FOR ANOTHER
  • 00:00:10.040 --> 00:00:12.130
  • FASHION CORNER SEGMENT TO TALK MORE ABOUT INNER
  • 00:00:12.150 --> 00:00:15.020
  • BEAUTY, AND I LEAVE THE STUDIO TO BRING YOU AN
  • 00:00:15.040 --> 00:00:17.190
  • INTERVIEW WITH PROVERBS 31 MINISTRIES AND NEW YORK
  • 00:00:17.210 --> 00:00:20.120
  • TIMES BEST SELLING AUTHOR LYSA TERKEURST TO TALK
  • 00:00:20.140 --> 00:00:23.200
  • ABOUT HER LATEST BOOK "UNINVITED." SO DON'T GO
  • 00:00:23.220 --> 00:00:25.160
  • ANYWHERE BECAUSE HOT OFF THE PRESS
  • 00:00:25.180 --> 00:00:27.130
  • STARTS RIGHT NOW.
  • 00:00:27.150 --> 00:00:29.050
  • [INSTRUMENTAL MUSIC]
  • 00:00:29.070 --> 00:00:39.080
  • [INSTRUMENTAL MUSIC]
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  • - HI, EVERYONE, YOU'RE WATCHING HOT OFF THE
  • 00:00:46.220 --> 00:00:48.150
  • PRESS, JUCE TV'S NEWS UPDATE, AND I'M YOUR HOST
  • 00:00:48.170 --> 00:00:50.110
  • KRISTEN DALTON WOLFE.
  • 00:00:50.130 --> 00:00:52.050
  • BOKO HARAM, AN ISLAMIC EXTREMIST GROUP, HAS
  • 00:00:52.070 --> 00:00:54.000
  • RELEASED 21 MISSING CHIBOK SCHOOL GIRLS.
  • 00:00:54.020 --> 00:00:56.120
  • ON APRIL 14TH, 2014, THE ISLAMIC MILITANT GROUP
  • 00:00:56.140 --> 00:00:59.040
  • KIDNAPPED 276 GIRLS FROM A SCHOOL IN A SMALL TOWN OF
  • 00:00:59.060 --> 00:01:01.190
  • CHIBOK, BORNO.
  • 00:01:01.210 --> 00:01:04.140
  • THIS RELEASE WAS THE RESULT OF MANY PAINSTAKING
  • 00:01:04.160 --> 00:01:07.040
  • NEGOTIATIONS, THIRD PARTY, BY THE INTERNATIONAL RED
  • 00:01:07.060 --> 00:01:09.290
  • CROSS AND THE SWISS GOVERNMENT.
  • 00:01:10.010 --> 00:01:11.190
  • EVEN WITH THEIR TIRELESS EFFORT, THERE ARE STILL
  • 00:01:11.210 --> 00:01:13.260
  • SOME 200 GIRLS UNACCOUNTED FOR.
  • 00:01:13.280 --> 00:01:16.130
  • SOME GIRLS MANAGED TO ESCAPE, AND MANY FAMILIES
  • 00:01:16.150 --> 00:01:18.280
  • BELIEVE THAT THEIR DAUGHTERS WERE KILLED
  • 00:01:19.000 --> 00:01:20.260
  • THROUGHOUT THE TWO YEAR IMPRISONMENT PROCESS.
  • 00:01:20.280 --> 00:01:22.200
  • NIGERIAN PRESIDENT MUHAMMEDU BUHARI SPOKE AT
  • 00:01:22.220 --> 00:01:25.150
  • A PRESS CONFERENCE AND EXPRESSED THAT THIS
  • 00:01:25.170 --> 00:01:27.290
  • RELEASE IS A MAJOR STEP IN CONFIDENCE BUILDING
  • 00:01:28.010 --> 00:01:30.090
  • BETWEEN THE GOVERNMENT AND THE BOKO HARAM LEADERSHIP.
  • 00:01:30.110 --> 00:01:32.090
  • THEY'RE CONFIDENT THAT MORE GIRLS WILL BE
  • 00:01:32.110 --> 00:01:34.220
  • RELEASED IN THE NEAR FUTURE.
  • 00:01:34.240 --> 00:01:36.260
  • AS IF HIKING A 2190 MILES ISN'T CHALLENGING ENOUGH,
  • 00:01:36.280 --> 00:01:42.040
  • STACEY KOZEL, AKA IRON WILL, HAS GOT US BEAT.
  • 00:01:42.060 --> 00:01:45.100
  • AT THE TRANSFORMATIVE AGE OF 19, STACEY HAS BEEN
  • 00:01:45.120 --> 00:01:48.110
  • DIAGNOSED WITH LUPUS, AN AUTOIMMUNE DISEASE IN
  • 00:01:48.130 --> 00:01:51.130
  • WHICH INTERNAL ORGANS ARE ATTACKED BY THE PERSON'S
  • 00:01:51.150 --> 00:01:53.260
  • OWN IMMUNE SYSTEM.
  • 00:01:53.280 --> 00:01:55.240
  • SHE HAS FACED CHALLENGES TRYING TO FIT IN, BATTLE
  • 00:01:55.260 --> 00:01:58.030
  • HER GRADUAL MUSCLE WEAKNESS, AND EVEN WITH
  • 00:01:58.050 --> 00:02:00.120
  • INSURANCE COMPANIES TRYING TO RECEIVE A
  • 00:02:00.140 --> 00:02:02.140
  • $75.000 LEG BRACE.
  • 00:02:02.160 --> 00:02:04.190
  • STACEY WANTED TO PROVE NOT ONLY TO INSURANCE
  • 00:02:04.210 --> 00:02:07.290
  • COMPANIES BUT TO THE WHOLE WORLD THAT ALTHOUGH THIS
  • 00:02:08.010 --> 00:02:10.190
  • DISEASE MAY PARTIALLY DISABLE HER PHYSICALLY, IT
  • 00:02:10.210 --> 00:02:13.090
  • WON'T DISABLE HER SPIRIT.
  • 00:02:13.110 --> 00:02:15.080
  • STACEY IS MORE THAN HALFWAY THROUGH HER JOURNEY ON THE
  • 00:02:15.100 --> 00:02:17.280
  • APPALACHIAN TRAIL.
  • 00:02:18.000 --> 00:02:19.100
  • THAT'S RIGHT, SHE'S HIKE HIKING THE APPALACHIAN
  • 00:02:19.120 --> 00:02:21.070
  • TRAIL WITH BRACES AND A LOT HEART RIGHTFULLY
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  • EARNING THE NICKNAME "IRON WILL".
  • 00:02:24.060 --> 00:02:27.100
  • THE RELATIONSHIPS BETWEEN LAW ENFORCEMENT AND INNER
  • 00:02:27.120 --> 00:02:29.260
  • CITY YOUTH ARE DEFINITELY SOMETHING TO ADDRESS NOW
  • 00:02:29.280 --> 00:02:31.250
  • MORE THAN EVER.
  • 00:02:31.270 --> 00:02:33.240
  • A CHURCH IN OKLAHOMA CITY MADE THIS THEIR MANDATE AS
  • 00:02:33.260 --> 00:02:36.100
  • THEY APPROACHED THEIR ANNUAL FALL BREAK EVENT.
  • 00:02:36.120 --> 00:02:39.000
  • THE ANNUAL EVENT FOR SAINT JOHN'S CHURCH WILL CONSIST
  • 00:02:39.020 --> 00:02:41.260
  • OF A DAY-LONG EVENT FREE TO THE PUBLIC AND WILL
  • 00:02:41.280 --> 00:02:44.120
  • INCLUDE MOCK TRAFFIC STOPS WITH THE OKLAHOMA CITY
  • 00:02:44.140 --> 00:02:46.270
  • POLICE CHIEF AS THE LUNCHEON SPEAKER.
  • 00:02:46.290 --> 00:02:49.020
  • DEBRA JOHNSON, SAINT JOHN'S CHURCH YOUTH
  • 00:02:49.040 --> 00:02:51.150
  • MINISTER, SAID THE MAIN IDEA IS TO ADDRESS THE
  • 00:02:51.170 --> 00:02:54.080
  • IMPORTANCE OF HAVING RESPECT FOR THE AUTHORITY
  • 00:02:54.100 --> 00:02:56.140
  • KNOWING ONE'S INDIVIDUAL RIGHTS AND WHAT THE PROPER
  • 00:02:56.160 --> 00:02:58.260
  • PROTOCOL IS TO FOLLOW WHEN ONE FEELS
  • 00:02:58.280 --> 00:03:00.230
  • THEY'RE BEING WRONGED.
  • 00:03:00.250 --> 00:03:02.160
  • SAINT JOHN'S CHURCH IS EXPECTING AT LEAST 200
  • 00:03:02.180 --> 00:03:04.290
  • YOUTH AND THEIR PARENTS TO ATTEND.
  • 00:03:05.010 --> 00:03:07.010
  • MILLIONS OF AMERICANS ARE PRESCRIBED
  • 00:03:07.030 --> 00:03:10.030
  • ADDERALL EVERY DAY.
  • 00:03:10.050 --> 00:03:11.250
  • ADDERALL IS PRESCRIBED TO TREAT ATTENTION DEFICIT
  • 00:03:11.270 --> 00:03:14.240
  • HYPERACTIVITY DISORDER ALSO KNOWN AS ADHD AND WAS
  • 00:03:14.260 --> 00:03:17.120
  • FIRST SEEN IN THE MARKET IN 1989.
  • 00:03:17.140 --> 00:03:19.250
  • IN 2013, MORE THAN 3.5 MILLION CHILDREN WERE ON
  • 00:03:19.270 --> 00:03:23.120
  • STIMULANTS SUCH AS ADDERALL, AND RITALIN AND
  • 00:03:23.140 --> 00:03:26.160
  • ROUGHLY 16 MILLION PRESCRIPTIONS WERE WRITTEN
  • 00:03:26.180 --> 00:03:29.070
  • FOR ADULTS AGES 20 TO 39.
  • 00:03:29.090 --> 00:03:31.160
  • HOW FAR, THESE PRESCRIPTION DRUGS ARE
  • 00:03:31.180 --> 00:03:33.190
  • BECOMING INCREASINGLY POPULAR FOR OVERWORKED AND
  • 00:03:33.210 --> 00:03:35.290
  • OVERSCHEDULED COLLEGE STUDENTS WHO HAVEN'T BEEN
  • 00:03:36.010 --> 00:03:38.150
  • DIAGNOSED WITH ADHD.
  • 00:03:38.170 --> 00:03:40.230
  • BY 2004, OFF LABEL USE OF PRESCRIPTION STIMULANTS
  • 00:03:40.250 --> 00:03:43.080
  • REPRESENTED THE SECOND MOST-COMMON ILLEGAL DRUG
  • 00:03:43.100 --> 00:03:46.040
  • USE BY COLLEGE STUDENTS ONLY BEHIND MARIJUANA.
  • 00:03:46.060 --> 00:03:49.080
  • SHORT-TERM CONSEQUENCES OF USING ADDERALL, ALSO KNOWN
  • 00:03:49.100 --> 00:03:52.070
  • AS THE STUDY DRUG AMONG COLLEGE STUDENTS, MAY
  • 00:03:52.090 --> 00:03:54.270
  • INCLUDE SLEEP DIFFICULTIES,
  • 00:03:54.290 --> 00:03:57.060
  • RESTLESSNESS, HEADACHES, IRRITABILITY AND DEPRESSED
  • 00:03:57.080 --> 00:03:59.230
  • FEELINGS, WHILE LONG-TERM RISKS MAY BE PSYCHOLOGICAL
  • 00:03:59.250 --> 00:04:02.150
  • AND PHYSICAL DEPENDENCE.
  • 00:04:02.170 --> 00:04:04.230
  • PSYCHOLOGIST AND ADDICTION SPECIALIST HAIR STRAIGHT
  • 00:04:04.250 --> 00:04:07.290
  • HAS SEEN HUNDREDS OF CASES IN WHICH PEOPLE AGES 24-40
  • 00:04:08.010 --> 00:04:11.200
  • ARE DESPERATE TO STOP UNPRESCRIBED ADDERALL USE.
  • 00:04:11.220 --> 00:04:15.050
  • HE SAYS MANY PEOPLE ARE USING ADDERALL TO MASK A
  • 00:04:15.070 --> 00:04:17.260
  • SENSE OF DISAPPOINTMENT IN THEMSELVES BECAUSE IT
  • 00:04:17.280 --> 00:04:20.270
  • NARROWS THEIR FOCUS DOWN TO SIMPLY GETTING THROUGH
  • 00:04:20.290 --> 00:04:23.040
  • EACH DAY, INSTEAD OF THE LARGER CONTEXT OF WHAT
  • 00:04:23.060 --> 00:04:25.160
  • WE'RE TRYING TO BUILD OUR LIVES ON,
  • 00:04:25.180 --> 00:04:26.270
  • WHICH IS PURPOSE.
  • 00:04:26.290 --> 00:04:29.150
  • THE NATIONAL GUARD LAUNCHES A CHALLENGE
  • 00:04:29.170 --> 00:04:31.290
  • ACADEMY FOR TROUBLED TEENS.
  • 00:04:32.010 --> 00:04:33.230
  • THIS CHALLENGE ACADEMY IS A NATIONWIDE DEPARTMENT OF
  • 00:04:33.250 --> 00:04:36.020
  • DEFENSE PROGRAM COMMITTED TO RECLAIMING THE LIVES
  • 00:04:36.040 --> 00:04:38.010
  • THE AT-RISK YOUTH.
  • 00:04:38.030 --> 00:04:40.100
  • TEENS HAVING PROBLEMS AT HOME WITH FAMILY, GANG
  • 00:04:40.120 --> 00:04:42.200
  • LIFE, PROBLEMS WITH DRUGS, ARE CHALLENGED TO APPLY.
  • 00:04:42.220 --> 00:04:44.240
  • THERE'S A TWO-LEVEL PROGRAM CONSISTING OF THE
  • 00:04:44.260 --> 00:04:47.010
  • RESIDENTIAL PROGRAM RUN FOR FIVE AND-A-HALF
  • 00:04:47.030 --> 00:04:49.190
  • MONTHS, THEN A 12 MONTH MENTORSHIP
  • 00:04:49.210 --> 00:04:51.050
  • PROGRAM TO FOLLOW.
  • 00:04:51.070 --> 00:04:53.130
  • WHAT MAKES THIS ACADEMY STAND OUT IS THAT IT IS
  • 00:04:53.150 --> 00:04:55.250
  • COMPLETELY FREE TO BOTH THE YOUNG PERSON AND THEIR
  • 00:04:55.270 --> 00:04:58.110
  • PARENTS, AND EVERY TEEN IS THIS ON A VOLUNTEER BASIS.
  • 00:04:58.130 --> 00:05:01.270
  • ONCE ACCEPTED, THEY WILL BE PLACED IN THE
  • 00:05:01.290 --> 00:05:04.170
  • RESIDENTIAL PROGRAM IN A QUASI-MILITARY ENVIRONMENT
  • 00:05:04.190 --> 00:05:06.210
  • WHERE THEY WILL BE TAUGHT DISCIPLINE,
  • 00:05:06.230 --> 00:05:08.250
  • GUIDANCE AND EDUCATION.
  • 00:05:08.270 --> 00:05:10.260
  • CHALLENGE ACADEMY PARTNERS WITH PROFESSIONAL CIVILIAN
  • 00:05:10.280 --> 00:05:13.050
  • EDUCATORS THAT CAN HELP THE TEENS EARN A DIPLOMA
  • 00:05:13.070 --> 00:05:15.150
  • OR CLASS CREDIT TO RETURN TO HIGH SCHOOL.
  • 00:05:15.170 --> 00:05:18.150
  • THERE'S ALSO A FAITH ELEMENT WITHIN THE ACADEMY
  • 00:05:18.170 --> 00:05:21.160
  • IN WHICH PASTORS AND LEADERS COME AND SPEAK
  • 00:05:21.180 --> 00:05:24.040
  • WITH SUNDAY SERVICES THAT ARE HELD EACH WEEK
  • 00:05:24.060 --> 00:05:26.210
  • ACCOMMODATING ALMOST ALL RELIGIONS.
  • 00:05:26.230 --> 00:05:29.200
  • NOW FOR A LOOK AT WHAT'S MAKING NEWS IN MUSIC AND
  • 00:05:29.220 --> 00:05:32.050
  • ENTERTAINMENT, CAROLINE LUSK JOINS US FROM
  • 00:05:32.070 --> 00:05:34.120
  • NASHVILLE. CAROLINE?
  • 00:05:34.140 --> 00:05:37.030
  • - HEY, EVERYBODY, THIS IS CAROLINE LUSK, AND I'VE
  • 00:05:37.050 --> 00:05:40.110
  • GOT SOME GREAT MUSIC NEWS AND UPDATES FOR YOU.
  • 00:05:40.130 --> 00:05:43.080
  • TENTH AVENUE NORTH, THEIR LATEST ALBUM CAME OUT
  • 00:05:43.100 --> 00:05:46.130
  • OCTOBER 14TH, IT'S CALLED "FOLLOWERS."
  • 00:05:46.150 --> 00:05:48.140
  • IT'S THEIR FIFTH STUDENT GROW ALBUM, AND IT'S KIND
  • 00:05:48.160 --> 00:05:51.130
  • OF HARD TO BELIEVE THAT THEY'VE ALREADY HAD FIVE
  • 00:05:51.150 --> 00:05:54.000
  • ALBUMS, AND WHAT IS SO AMAZING ABOUT TENTH AVENUE
  • 00:05:54.020 --> 00:05:56.280
  • NORTH, FROM THE VERY BEGINNING OF THEIR CAREER,
  • 00:05:57.000 --> 00:05:59.110
  • THEY'VE HAD SUCH CEREBRAL MUSIC, AND I MEAN THAT IN
  • 00:05:59.130 --> 00:06:02.160
  • A VERY COMPLIMENTARY WAY.
  • 00:06:02.180 --> 00:06:04.130
  • THEY PUT SO MUCH THOUGHT INTO THE LYRICS AND THE
  • 00:06:04.150 --> 00:06:06.270
  • CONCEPTS OF THEIR ALBUMS FROM "CATHEDRALS" TO "OVER
  • 00:06:06.290 --> 00:06:09.190
  • AND UNDERNEATH", WHICH IS ONE OF THEIR VERY FIRST,
  • 00:06:09.210 --> 00:06:12.290
  • TO "WHERE THE LIGHT MEETS THE DARK."
  • 00:06:13.010 --> 00:06:15.070
  • THEY WRAP THEIR HEAD AROUND AN IDEA AND THINK
  • 00:06:15.090 --> 00:06:20.050
  • THROUGH WHAT THEY REALLY WANT TO SAY, AND THAT
  • 00:06:20.070 --> 00:06:22.260
  • COMES OUT IN EVERYTHING, NOT ONLY THROUGH THEIR
  • 00:06:22.280 --> 00:06:25.110
  • LYRICS, BUT SONICALLY, THE KIND OF SOUNDS THIS THEY
  • 00:06:25.130 --> 00:06:28.020
  • PUT INTO IT AND THE PRODUCTION QUALITY THAT
  • 00:06:28.040 --> 00:06:30.060
  • THEY GO FOR WITH EACH ALBUM, AND THIS ONE IS
  • 00:06:30.080 --> 00:06:33.170
  • NO EXCEPTION.
  • 00:06:33.190 --> 00:06:35.220
  • LYRICALLY, NEW RELEASE TODAY ACTUALLY SAID THAT
  • 00:06:35.240 --> 00:06:38.240
  • THIS WAS LYRICALLY A MASTERPIECE, I THINK WAS
  • 00:06:38.260 --> 00:06:41.260
  • THEIR WORD; REALLY BEAUTIFUL, BEAUTIFUL THE
  • 00:06:41.280 --> 00:06:45.220
  • WAY THAT THEY PULLED TOGETHER THIS CONCEPT AND
  • 00:06:45.240 --> 00:06:48.190
  • THE IDEA THAT GOD AND JESUS, THEY DON'T NEED US
  • 00:06:48.210 --> 00:06:50.290
  • TO BE LEADERS.
  • 00:06:51.010 --> 00:06:53.000
  • THEY NEED US TO BE FOLLOWERS, TO FOLLOW THEM,
  • 00:06:53.020 --> 00:06:55.100
  • AND THAT'S THE ENTIRE CONCEPT OF THE ALBUM, AND
  • 00:06:55.120 --> 00:06:57.220
  • THAT'S WHAT COMES OUT IN EVERY SONG.
  • 00:06:57.240 --> 00:07:00.260
  • AND MIKE, THE LEAD SINGER, REALLY PLAYS AROUND WITH
  • 00:07:00.280 --> 00:07:03.260
  • HIS VOCALS AND ALLOWS KIND OF A PLAYFUL QUALITY TO
  • 00:07:03.280 --> 00:07:06.260
  • COME OUT IN SOME OF THE SONGS TO BRING KIND OF A
  • 00:07:06.280 --> 00:07:09.110
  • LIGHTNESS TO WHAT THEY'RE SAYING BECAUSE THE
  • 00:07:09.130 --> 00:07:12.180
  • MESSAGE IS REALLY THOUGHT-PROVOKING AND
  • 00:07:12.200 --> 00:07:15.110
  • PROFOUND, BUT THE WAY THEY DELIVER IT
  • 00:07:15.130 --> 00:07:17.120
  • IS REALLY PALATABLE.
  • 00:07:17.140 --> 00:07:19.170
  • SO VERY STRONG, STRONG ALBUM FROM THEM.
  • 00:07:19.190 --> 00:07:22.040
  • AGAIN, IT'S CALLED "FOLLOWERS",
  • 00:07:22.060 --> 00:07:23.260
  • CAME OUT OCTOBER 14TH.
  • 00:07:23.280 --> 00:07:25.160
  • DEFINITELY WANT TO CHECK THAT OUT.
  • 00:07:25.180 --> 00:07:27.110
  • ALSO A NEW ALBUM ON THE HORIZON, CHRIS TOMLIN,
  • 00:07:27.130 --> 00:07:29.070
  • "NEVER LOSE SIGHT" IS THE NAME OF HIS NEW ALBUM THAT
  • 00:07:29.090 --> 00:07:31.230
  • IS SOON TO BE RELEASED, AND, OF COURSE, IT IS ALSO
  • 00:07:31.250 --> 00:07:34.220
  • COMING ON THE HEELS OF HIS VERY
  • 00:07:34.240 --> 00:07:36.170
  • FIRST CHILDREN'S BOOK.
  • 00:07:36.190 --> 00:07:38.120
  • HE WROTE A CHILDREN'S BOOK CALLED "GOOD, GOOD FATHER"
  • 00:07:38.140 --> 00:07:40.140
  • WHICH, OF COURSE IS BASED ON THE SONG "GOOD, GOOD
  • 00:07:40.160 --> 00:07:42.160
  • FATHER", WHICH DID WIN THE SONG OF THE YEAR AT THE
  • 00:07:42.180 --> 00:07:44.050
  • DOVE AWARDS THIS YEAR.
  • 00:07:44.070 --> 00:07:45.250
  • CONGRATULATIONS TO THE WRITERS.
  • 00:07:45.270 --> 00:07:47.240
  • AND "NEVER LOSE SIGHT" IS CHRIS TOMLIN'S LATEST, AND
  • 00:07:47.260 --> 00:07:51.220
  • THE WAY HE PUT IT, HE WAS LIKE, I DON'T WANT TO EVER
  • 00:07:51.240 --> 00:07:54.240
  • LOSE SIGHT OF THE CROSS AND THE FOCUS OF WHAT
  • 00:07:54.260 --> 00:07:58.250
  • WE'RE DOING, OF WHAT MY MINISTRY, WHAT MY
  • 00:07:58.270 --> 00:08:01.060
  • LIFE HAS BEEN ABOUT.
  • 00:08:01.080 --> 00:08:03.020
  • AND IT'S REALLY BEAUTIFUL THE WAY THAT HE HAS
  • 00:08:03.040 --> 00:08:06.020
  • EVOLVED AND GROWN AS A MAN OF GOD, AS A LEADER,
  • 00:08:06.040 --> 00:08:09.130
  • AS A FATHER.
  • 00:08:09.150 --> 00:08:11.180
  • WHEN I GOT IT TALK TO HIM, HE TOLD ME ABOUT MAKING
  • 00:08:11.200 --> 00:08:14.010
  • BREAKFAST FOR HIS GIRLS AND WHAT IT'S LIKE TO KIND
  • 00:08:14.030 --> 00:08:17.020
  • OF JUGGLE THE REALITIES OF LIFE WITH THIS VERY BUSY,
  • 00:08:17.040 --> 00:08:20.100
  • FULL CAREER THAT HE HAS BUILT FOR HIMSELF OVER THE
  • 00:08:20.120 --> 00:08:23.150
  • YEARS AND WHERE HIS FOCUS AND PRIORITY IS AND THAT
  • 00:08:23.170 --> 00:08:26.280
  • IT IS TO NEVER LOSE SIGHT OF THE CROSS AND THE
  • 00:08:27.000 --> 00:08:30.030
  • THINGS THAT ARE TRULY IMPORTANT.
  • 00:08:30.050 --> 00:08:33.110
  • SO THAT IS NEW FROM CHRIS TOMLIN.
  • 00:08:33.130 --> 00:08:35.160
  • IT'S COMING VERY SOON.
  • 00:08:35.180 --> 00:08:37.080
  • DEFINITELY WANT TO CHECK THAT OUT.
  • 00:08:37.100 --> 00:08:38.250
  • ALSO A NEW ANNOUNCEMENT RECENTLY.
  • 00:08:38.270 --> 00:08:40.110
  • COMPASSION INTERNATIONAL IS PUTTING ON THIS YEAR'S
  • 00:08:40.130 --> 00:08:42.120
  • ROCK AND WORSHIP ROAD SHOW.
  • 00:08:42.140 --> 00:08:44.040
  • IT'S GOING TO BE HITTING 23 MARKETS, AND OF COURSE
  • 00:08:44.060 --> 00:08:46.240
  • $10 AT THE DOOR FOR AN INCREDIBLE LINE UP.
  • 00:08:46.260 --> 00:08:50.030
  • I AM HOPING THAT I GET TO SEE IT WHEN IT COMES TO MY
  • 00:08:50.050 --> 00:08:52.160
  • TOWN; STEVEN CURTIS CHAPMAN, FRANCESCA
  • 00:08:52.180 --> 00:08:55.040
  • BATTISTELLI, WREN COLLECTIVE, PASSION,
  • 00:08:55.060 --> 00:08:57.060
  • FAMILY FORCE FIVE, JORDAN FELIZ, DEREK MINOR, URBAN
  • 00:08:57.080 --> 00:08:59.180
  • RESCUE, AND TONY WOLF WILL BE THE SPEAKER.
  • 00:08:59.200 --> 00:09:02.090
  • CARLOS WHITTAKER WILL BE THE HOST, FOR TEN BUCKS TO
  • 00:09:02.110 --> 00:09:06.040
  • GET ALL OF THOSE ARTISTS IS A CRAZY, CRAZY DEAL, SO
  • 00:09:06.060 --> 00:09:08.110
  • DEFINITELY WANT TO CHECK THAT OUT.
  • 00:09:08.130 --> 00:09:09.250
  • AGAIN, THAT'S THE ROCK AND WORSHIP ROAD SHOW,
  • 00:09:09.270 --> 00:09:11.150
  • COMPASSION INTERNATIONAL IS PUTTING THAT ON.
  • 00:09:11.170 --> 00:09:13.280
  • AND ALSO ANOTHER FUN BIT OF DIFFERENT KIND
  • 00:09:14.000 --> 00:09:16.020
  • OF MUSIC NEWS.
  • 00:09:16.040 --> 00:09:18.030
  • ARE YOU FAMILIAR WITH THE BAND JOURNEY?
  • 00:09:18.050 --> 00:09:20.210
  • DON'T STOP BELIEVING, THAT WAS NUMBER ONE FOREVER ON
  • 00:09:20.230 --> 00:09:22.160
  • BILLBOARD FROM WAY BACK WHEN.
  • 00:09:22.180 --> 00:09:24.200
  • WELL, THE KEYBOARDSIST AND RHYTHM GUITARIST FROM
  • 00:09:24.220 --> 00:09:26.130
  • THAT, I DON'T KNOW THAN CANE, HAS RELEASED A NEW
  • 00:09:26.150 --> 00:09:29.020
  • ALBUM CALLED WHAT GOD WANTS TO HEAR.
  • 00:09:29.040 --> 00:09:31.010
  • HE DID A FACEBOOK LIVE EVENT WITH HIS WIFE WHO IS
  • 00:09:31.030 --> 00:09:33.150
  • PASTOR PAULA WHITE, WHICH WAS NEWS TO ME.
  • 00:09:33.170 --> 00:09:35.200
  • I DIDN'T REALIZE THAT THE TWO OF THEM WERE A
  • 00:09:35.220 --> 00:09:38.230
  • COUPLE, AND HE JUST RELEASED HIS ALBUM.
  • 00:09:38.250 --> 00:09:40.180
  • AGAIN, IT'S CALLED "GOD WANTS TO HEAR." CHECK
  • 00:09:40.200 --> 00:09:42.080
  • THAT OUT FROM HIM.
  • 00:09:42.100 --> 00:09:43.290
  • IF IT'S ANYTHING LIKE THE MUSIC HE'S PRODUCED FOR
  • 00:09:44.010 --> 00:09:45.220
  • YEARS AND YEARS WITH JOURNEY, WHO HE STILL
  • 00:09:45.240 --> 00:09:47.060
  • TRAVELS, WITH IT'S GOING TO BE PRETTY
  • 00:09:47.080 --> 00:09:48.150
  • EPIC, I THINK.
  • 00:09:48.170 --> 00:09:50.000
  • LOTS MORE MUSIC NEWS, BUT I'M OUT OF TIME
  • 00:09:50.020 --> 00:09:51.130
  • FOR THIS WEEK. BE SURE TO COME BACK.
  • 00:09:51.150 --> 00:09:53.090
  • IT'S A VERY FULL FALL, AS ALWAYS.
  • 00:09:53.110 --> 00:09:54.290
  • I'LL SEE YOU NEXT WEEK.
  • 00:09:55.010 --> 00:09:57.160
  • - THANKS, CAROLINE, AND WE HAVE GLAUDI FASHION
  • 00:09:57.180 --> 00:10:00.130
  • DESIGNER BACK WITH US TO TEACH US MORE ABOUT
  • 00:10:00.150 --> 00:10:02.030
  • INNER BEAUTY WITH FASHION CORNER.
  • 00:10:02.050 --> 00:10:03.130
  • JOANNA?
  • 00:10:03.150 --> 00:10:04.260
  • [INSTRUMENTAL MUSIC]
  • 00:10:04.280 --> 00:10:18.160
  • [INSTRUMENTAL MUSIC]
  • 00:10:18.160 --> 00:10:30.280
  • [INSTRUMENTAL MUSIC]
  • 00:10:30.280 --> 00:10:38.080
  • - HI, FABULOUS PEOPLE.
  • 00:10:38.100 --> 00:10:40.030
  • I'M HERE AGAIN IN FASHION CORNER ON JUCE TV LIVE,
  • 00:10:40.050 --> 00:10:42.050
  • AND I'M GOING TO BE SHARING WITH YOU A
  • 00:10:42.070 --> 00:10:44.010
  • CONTINUATION OF INNER VERSUS OUTER BEAUTY, AND
  • 00:10:44.030 --> 00:10:46.060
  • I'M EXCITED TODAY BECAUSE I'M GOING SHARE WITH YOU
  • 00:10:46.080 --> 00:10:48.050
  • MY COLLECTION IN GLAUDI, AND I LOVE MY COLLECTION.
  • 00:10:48.070 --> 00:10:50.110
  • THE THING THAT A LOT OF WOMEN LIKE IS
  • 00:10:50.130 --> 00:10:52.040
  • IT EMPOWERS YOU.
  • 00:10:52.060 --> 00:10:53.210
  • IT MAKES YOU FEEL GREAT, AND I WANT TO SHOW YOU
  • 00:10:53.230 --> 00:10:55.150
  • WHY, AND THE FIRST DESIGN TO SHOW YOU IS WITH OUR
  • 00:10:55.170 --> 00:10:57.070
  • MODEL NATALIE TODAY.
  • 00:10:57.090 --> 00:10:58.280
  • SO IN INNER AND OUTER BEAUTY, I WANTED TO SHEAR
  • 00:10:59.000 --> 00:11:01.080
  • HOW YOU DON'T HAVE TO NECESSARILY SHOW A LOT OF
  • 00:11:01.100 --> 00:11:03.270
  • SKIN TO FEEL BEAUTIFUL.
  • 00:11:03.290 --> 00:11:05.160
  • IT'S ABOUT SHOWING COLOR AND BEING BOLD ABOUT IT.
  • 00:11:05.180 --> 00:11:07.280
  • RED IS A POWER COLOR.
  • 00:11:08.000 --> 00:11:09.160
  • NO MATTER WHERE YOU SEE IT, IT'S JUST A VERY
  • 00:11:09.180 --> 00:11:11.040
  • ATTRACTIVE, FEMININE, POWERFUL COLOR.
  • 00:11:11.060 --> 00:11:13.040
  • I LOVE THIS STYLE, AND I LOVED IT BECAUSE IT'S A
  • 00:11:13.060 --> 00:11:15.070
  • TWO PIECE, AND THAT'S REALLY IN RIGHT NOW, AND
  • 00:11:15.090 --> 00:11:17.160
  • MOSTLY BECAUSE IT'S MERMAID, BUT AT THE SAME
  • 00:11:17.180 --> 00:11:19.200
  • TIME IT'S REALLY MODERN AND FEMININE.
  • 00:11:19.220 --> 00:11:21.220
  • AS YOU CAN SEE ON THE SIDE, IT GOES LONG IN THE
  • 00:11:21.240 --> 00:11:23.160
  • BACK, AND THEN EVERYTHING THAT I LOVE TO
  • 00:11:23.180 --> 00:11:25.080
  • DESIGN IS ELEGANCE.
  • 00:11:25.100 --> 00:11:26.280
  • I LOVE TO EMPOWER WOMEN, SO THIS IS SOMETHING THAT
  • 00:11:27.000 --> 00:11:28.240
  • WOULDN'T SEE ANYWHERE.
  • 00:11:28.260 --> 00:11:30.120
  • IT'S A DRESS THAT WOULD YOU FEEL VERY UNIQUE IN,
  • 00:11:30.140 --> 00:11:32.050
  • AND I LOVE IT FOR THAT.
  • 00:11:32.070 --> 00:11:33.240
  • ANOTHER THING IS BEING FEMININE IS VERY IMPORTANT
  • 00:11:33.260 --> 00:11:35.150
  • FOR MY COLLECTION.
  • 00:11:35.170 --> 00:11:37.060
  • I LOVE BEING GIRLY AND FEMININE, BUT AT THE SAME
  • 00:11:37.080 --> 00:11:39.050
  • TIME MAKING SURE THAT IT LOOKS ELEGANT AND
  • 00:11:39.070 --> 00:11:41.130
  • APPROPRIATE FOR AN EVENING OUT.
  • 00:11:41.150 --> 00:11:44.140
  • SO THIS IS ONE OF OUR BEAUTIFUL PIECES, AND
  • 00:11:44.160 --> 00:11:46.110
  • AGAIN, IT'S A TWO PIECE.
  • 00:11:46.130 --> 00:11:48.100
  • IT'S NOT LIKE THE TWO PIECE THAT YOU SEE EVERY
  • 00:11:48.120 --> 00:11:50.070
  • DAY WHERE IT'S LIKE EXTREMELY EXPOSED
  • 00:11:50.090 --> 00:11:52.090
  • IN THE CENTER.
  • 00:11:52.110 --> 00:11:53.230
  • IT'S VERY ELEGANT AND MODEST, AND YET, YOU CAN
  • 00:11:53.250 --> 00:11:55.130
  • SHOW THAT YOU'RE A GODLY WOMAN WITH A LOT
  • 00:11:55.150 --> 00:11:56.270
  • OF GREAT STYLE.
  • 00:11:56.290 --> 00:11:58.090
  • THAT'S MY FASHION TIP FOR TODAY AT FASHION
  • 00:11:58.110 --> 00:11:59.210
  • CORNER ON JUCE TV.
  • 00:11:59.230 --> 00:12:01.120
  • SO TUNE IN, AND REMEMBER, GOD IS FABULOUS.
  • 00:12:01.140 --> 00:12:04.000
  • - IT IS SUCH AN HONOR TO INTRODUCE TO YOU OUR GUEST
  • 00:12:05.120 --> 00:12:06.260
  • TODAY, BEST SELLING AUTHOR LYSA TERKEURST.
  • 00:12:06.280 --> 00:12:09.230
  • SHE'S THE PRESIDENT OF PROVERBS 31 MINISTRIES,
  • 00:12:09.250 --> 00:12:11.140
  • AND SHE'S WERE NOT A BOOK CALLED "UNINVITED", AND
  • 00:12:11.160 --> 00:12:15.010
  • IT'S ABOUT FACING REJECTION AND LIVING
  • 00:12:15.030 --> 00:12:17.270
  • LOVED, AND IT'S BEEN SO SUCCESSFUL, SOLD SO MANY
  • 00:12:17.290 --> 00:12:22.000
  • COPIES, AND I THINK IT JUST GOES TO SHOW THAT
  • 00:12:22.020 --> 00:12:25.010
  • THERE ARE SO MANY WOMEN THAT ARE STRUGGLING WITH
  • 00:12:25.030 --> 00:12:27.200
  • THE PAIN OF REJECTION EVEN IF THEY DON'T REALIZE THAT
  • 00:12:27.220 --> 00:12:29.220
  • THAT'S ACTUALLY WHAT IT IS.
  • 00:12:29.240 --> 00:12:32.040
  • AND SO I READ THE BOOK.
  • 00:12:32.060 --> 00:12:34.290
  • IT HAS TOUCHED MY HEART SO MUCH, AND I KIND OF WANTED
  • 00:12:35.010 --> 00:12:37.100
  • TO ASK YOU HOW DID YOU KNOW THAT REJECTION WAS
  • 00:12:37.120 --> 00:12:42.090
  • THE ISSUE THAT NEEDED TO BE ADDRESSED?
  • 00:12:42.110 --> 00:12:44.210
  • - WELL, I WRITE ABOUT WHAT I STRUGGLE WITH, SO
  • 00:12:44.230 --> 00:12:47.090
  • IF YOU LOOK AT THE TITLES ANY OF MY BOOKS, YOU
  • 00:12:47.110 --> 00:12:49.210
  • PRETTY MUCH KNOW MY ISSUES, AND I DO A
  • 00:12:49.230 --> 00:12:51.140
  • LOT OF LISTENING.
  • 00:12:51.160 --> 00:12:54.080
  • WHEN I SIT DOWN TO WRITE A BOOK, I DON'T SIT DOWN AND
  • 00:12:54.100 --> 00:12:58.040
  • GO, OH, I HAVE SO MUCH BRILLIANCE TO SHARE.
  • 00:12:58.060 --> 00:13:01.030
  • LET ME JUST WRITE IT ALL OUT, YOU KNOW?
  • 00:13:01.050 --> 00:13:03.090
  • THAT'S NOT MY PROCESS.
  • 00:13:03.110 --> 00:13:05.020
  • USUALLY, MY PROCESS IS I'LL START TO REALLY ASK
  • 00:13:05.040 --> 00:13:07.240
  • THE LORD SEARCH ME, AND SEE WHAT'S IN ME, AND
  • 00:13:07.260 --> 00:13:12.110
  • REALLY STARTING TO PAY ATTENTION TO WHAT'S THE
  • 00:13:12.130 --> 00:13:15.250
  • NEXT SO YOU THAT GOD WANTS TO ADDRESS WITH ME?
  • 00:13:15.270 --> 00:13:18.240
  • AND THEN I LISTEN NOT ONLY TO GOD, BUT THEN I LISTEN
  • 00:13:18.260 --> 00:13:21.220
  • TO CONVERSATIONS OTHER PEOPLE ARE HAVING, AND I
  • 00:13:21.240 --> 00:13:23.290
  • REALLY TRY TO DISCERN WHAT IS A PART OF MY ISSUE
  • 00:13:24.010 --> 00:13:28.180
  • THAT'S KIND OF A MATCH WITH THE AUDIENCE THAT
  • 00:13:28.200 --> 00:13:31.200
  • TYPICALLY READ MY STUFF?
  • 00:13:31.220 --> 00:13:34.120
  • WHAT ARE SOME OF THE THINGS THAT THEY'RE
  • 00:13:34.140 --> 00:13:36.270
  • STRUGGLING WITH, AND THEN NAILING IT DOWN
  • 00:13:36.290 --> 00:13:39.050
  • IT ONE CORE IDEA.
  • 00:13:39.070 --> 00:13:40.260
  • SO I DON'T WRITE BOOKS ABOUT A
  • 00:13:40.280 --> 00:13:42.150
  • MILLION DIFFERENT THINGS.
  • 00:13:42.170 --> 00:13:44.090
  • I JUST TACKLE ONE TOPIC AND UNPACK IT ALL
  • 00:13:44.110 --> 00:13:45.270
  • THE WAY AROUND.
  • 00:13:45.290 --> 00:13:47.210
  • AND WITH REJECTION, WHEN I LISTEN TO WHAT I FELT LIKE
  • 00:13:47.230 --> 00:13:50.170
  • THE LORD WAS REVEALING TO ME AND THEN LISTENING TO
  • 00:13:50.190 --> 00:13:53.030
  • OTHER PEOPLE, I FELT LIKE WE'RE ALL EITHER HEALING
  • 00:13:53.050 --> 00:13:56.210
  • FROM A PAST REJECTION, DEALING WITH A PRESENT-DAY
  • 00:13:56.230 --> 00:13:59.130
  • REJECTION, OR FEARING THAT AN UNEXPECTED REJECTION IS
  • 00:13:59.150 --> 00:14:03.150
  • RIGHT AROUND THE CORNER.
  • 00:14:03.170 --> 00:14:05.110
  • SO I THINK IT'S AFFECTING US ALL.
  • 00:14:05.130 --> 00:14:07.110
  • BUT I DIDN'T WANT TO JUST WRITE A BOOK ON REJECTION
  • 00:14:07.130 --> 00:14:10.150
  • LIKE, OH, LET'S JUST ALL JUMP IN THE PIT OF HURT
  • 00:14:10.170 --> 00:14:12.200
  • AND ANXIETY ABOUT RELATIONSHIP BREAK UPS AND
  • 00:14:12.220 --> 00:14:17.010
  • FAILURES AND ALL OF THAT.
  • 00:14:17.030 --> 00:14:19.020
  • SO I THOUGHT, OKAY, I'VE GOT TO TAKE US SOMEWHERE,
  • 00:14:19.040 --> 00:14:21.060
  • SO WHERE ARE WE GOING?
  • 00:14:21.080 --> 00:14:23.010
  • AND THAT WAS MY ADVENTURE WITH GOD AND HOW HE REALLY
  • 00:14:23.030 --> 00:14:25.280
  • SPOKE TO MY HEART AND SAID, LYSA, REJECTION IS A
  • 00:14:26.000 --> 00:14:27.280
  • PART OF LIFE.
  • 00:14:28.000 --> 00:14:30.240
  • JESUS EXPERIENCED IT WHEN HE WAS HERE.
  • 00:14:30.260 --> 00:14:33.000
  • EVERY HUMAN ALIVE WILL EXPERIENCE THAT.
  • 00:14:33.020 --> 00:14:36.040
  • IT'S EITHER FULL OUT REJECTION OR JUST THOSE
  • 00:14:36.060 --> 00:14:38.220
  • NUANCES OF BEING LEFT OUT, LESS THAN, AND LONELY.
  • 00:14:38.240 --> 00:14:41.250
  • EVERYONE EXPERIENCES THAT AND WHAT WOULD IT LOOK
  • 00:14:41.270 --> 00:14:45.130
  • LIKE IF YOU COULD ACTUALLY GET TO THE PLACE WHERE YOU
  • 00:14:45.150 --> 00:14:48.250
  • LIVED LOVED; LIVED WITH THE FULL ASSURANCE OF MY
  • 00:14:48.270 --> 00:14:52.240
  • LOVE SO THAT WHEN YOU INTERACT WITH PEOPLE EACH
  • 00:14:52.260 --> 00:14:56.070
  • DAY, THEY ENCOUNTER THAT FULLNESS OF GOD'S LOVE
  • 00:14:56.090 --> 00:15:00.100
  • RATHER THAN YOUR INSECURITIES AND FALL OUT
  • 00:15:00.120 --> 00:15:02.270
  • OF PAST REJECTIONS?
  • 00:15:02.290 --> 00:15:04.270
  • - I LOVE THAT YOU'RE BRINGING THAT UP BECAUSE I
  • 00:15:04.290 --> 00:15:06.140
  • THINK LIVING LOVED IS SO POWERFUL BECAUSE WHEN YOU
  • 00:15:06.160 --> 00:15:08.120
  • ARE FULL OF GOD, THEN YOU'RE ACTUALLY GOING INTO
  • 00:15:08.140 --> 00:15:11.130
  • A ROOM OR A SITUATION ABLE TO GIVE LOVE AND
  • 00:15:11.150 --> 00:15:15.190
  • ACCEPTANCE RATHER THAN LOOK FOR IT.
  • 00:15:15.210 --> 00:15:17.160
  • - THAT'S RIGHT.
  • 00:15:17.180 --> 00:15:19.120
  • I WROTE ABOUT, IN THE BOOK...
  • 00:15:19.140 --> 00:15:20.280
  • - THE PARTY? - YEAH, THE PARTY.
  • 00:15:21.000 --> 00:15:23.010
  • - SO MANY MOMENTS LIKE THAT.
  • 00:15:23.030 --> 00:15:25.110
  • - SO MANY MOMENTS, BUT I WALKED IN, AND I HADN'T
  • 00:15:25.130 --> 00:15:29.100
  • GEARED MYSELF UP, BRING LOVE AND ACCEPTANCE
  • 00:15:29.120 --> 00:15:34.260
  • INTO THIS ROOM.
  • 00:15:34.280 --> 00:15:36.190
  • I HAD NOT DONE THAT, SO I WALKED IN AND WAS JUST
  • 00:15:36.210 --> 00:15:38.130
  • NEEDY, YOU KNOW?
  • 00:15:38.150 --> 00:15:40.040
  • I WAS LOOKING FOR SOMEONE.
  • 00:15:40.060 --> 00:15:41.230
  • WHO'S GOING MAKE ME FEEL ACCEPTED.
  • 00:15:41.250 --> 00:15:43.210
  • - WHO'S GOING TO COME UP TO ME?
  • 00:15:43.230 --> 00:15:45.010
  • - WHO'S GOING TO COME UP TO ME?
  • 00:15:45.030 --> 00:15:46.260
  • WHO'S GOING INVITE ME INTO THEIR CONVERSATION?
  • 00:15:46.280 --> 00:15:48.190
  • AND HONESTLY, THAT NEEDINESS, WHILE I THINK A
  • 00:15:48.210 --> 00:15:51.130
  • LOT OF PEOPLE CAN RELATE TO IT, FOR ME, AS I
  • 00:15:51.150 --> 00:15:54.110
  • REELECTED BACK ON IT LATER, THAT NEEDINESS WAS
  • 00:15:54.130 --> 00:15:56.190
  • ACTUALLY GREEDINESS.
  • 00:15:56.210 --> 00:15:58.120
  • IT WAS LIKE, MAKE IT ALL ABOUT ME.
  • 00:15:58.140 --> 00:16:00.020
  • MAKE IT ALL ABOUT ME.
  • 00:16:00.040 --> 00:16:01.160
  • SOMEBODY MAKE IT ALL ABOUT ME, PLEASE.
  • 00:16:01.180 --> 00:16:03.010
  • INSTEAD, WHAT I SHOULD HAVE DONE IS WALKED IN AND
  • 00:16:03.030 --> 00:16:08.000
  • THOUGHT, I CAN BRING INTO THIS ROOM AN ATMOSPHERE
  • 00:16:08.020 --> 00:16:11.280
  • BECAUSE I WALK IN WITH THE PRESENCE OF GOD, SO I CAN
  • 00:16:12.000 --> 00:16:14.160
  • FILL-IN ATMOSPHERE AND LOVE,
  • 00:16:14.180 --> 00:16:16.050
  • ACCEPTANCE, JOY, PEACE.
  • 00:16:16.070 --> 00:16:18.120
  • I CAN ACTUALLY STRIP OUT OF THIS ATMOSPHERE THAT
  • 00:16:18.140 --> 00:16:21.200
  • SENSE OF COMPETITION, THAT SENSE OF COMPARISON.
  • 00:16:21.220 --> 00:16:24.140
  • I HAVE THE FULLNESS OF GOD'S SPIRIT IN ME, SO IF
  • 00:16:24.160 --> 00:16:28.020
  • I BRING THAT INTO THE ATMOSPHERE OF THIS ROOM,
  • 00:16:28.040 --> 00:16:31.120
  • IT'S GOING TO BE BETTER FOR EVERYONE, BUT THAT WAS
  • 00:16:31.140 --> 00:16:34.010
  • NOT MY ATTITUDE AT THE PARTY.
  • 00:16:34.030 --> 00:16:36.220
  • AND SO I WROTE WHAT IT FEELS LIKE TO BE ALONE IN
  • 00:16:36.240 --> 00:16:40.020
  • A CROWDED ROOM AND THAT PANIC OF, I'M NOT WANTED.
  • 00:16:40.040 --> 00:16:43.290
  • I DON'T BELONG.
  • 00:16:44.010 --> 00:16:45.170
  • NOBODY'S INVITING ME INTO THEIR CONVERSATION.
  • 00:16:45.190 --> 00:16:47.120
  • - I'M AN IMPOSTER. - I'M AN IMPOSTER.
  • 00:16:47.140 --> 00:16:49.040
  • - I'M NOT SUPPOSED TO BE HERE.
  • 00:16:49.060 --> 00:16:50.220
  • - EXACTLY, AND THE UNRAVELING THAT HAPPENS
  • 00:16:50.240 --> 00:16:54.100
  • WHEN WE BRING THAT INTO AN ATMOSPHERE, INTO A ROOM.
  • 00:16:54.120 --> 00:16:56.250
  • - YEAH, AND I THINK A LOT OF TIMES A LOT OF PEOPLE
  • 00:16:56.270 --> 00:16:59.260
  • DON'T THINK THAT THEY ARE IN A POSITION WHERE
  • 00:16:59.280 --> 00:17:02.060
  • THEY'RE ALLOWED TO BE THAT CONFIDENT PERSON.
  • 00:17:02.080 --> 00:17:04.190
  • THEY THINK MAYBE THAT'S FOR OTHER PEOPLE, AND I
  • 00:17:04.210 --> 00:17:07.030
  • THINK THAT I'VE EVEN BEEN IN SITUATIONS LIKE THAT
  • 00:17:07.050 --> 00:17:10.040
  • BEFORE, TOO, EVEN THOUGH, LIKE YOU TALK ABOUT IN
  • 00:17:10.060 --> 00:17:12.000
  • YOUR BOOK, I HAVE ACHIEVED ACCOMPLISHMENTS.
  • 00:17:12.020 --> 00:17:14.100
  • I'M A FORMER MISS U.S.A. I'M AN AUTHOR. I HAVE THIS BLOG.
  • 00:17:14.120 --> 00:17:17.040
  • I HAVE MY OWN TV SHOW, BUT SOMETIMES, I DON'T FEEL
  • 00:17:17.060 --> 00:17:20.030
  • LIKE I'M THE ONE WHO IS SUPPOSED TO BE THE
  • 00:17:20.050 --> 00:17:22.040
  • CONFIDENT ONE, AND YOU TALK ABOUT HOW OUTSIDE
  • 00:17:22.060 --> 00:17:26.010
  • ACHIEVEMENTS DON'T HEAL INSIDE HURTS.
  • 00:17:26.030 --> 00:17:28.150
  • - THAT'S RIGHT.
  • 00:17:28.170 --> 00:17:30.060
  • THE SPOTLIGHT NEVER FIXES OUR INSECURITIES.
  • 00:17:30.080 --> 00:17:32.080
  • IT ONLY EXPOSES THEM, AND I THINK SOMETIMES WE WAIT
  • 00:17:32.100 --> 00:17:36.030
  • OUR WHOLE LIFE FOR THAT MOMENT WHERE WE FEEL
  • 00:17:36.050 --> 00:17:38.190
  • CONFIDENT, AND I'M LIKE, HMMM, I DON'T KNOW.
  • 00:17:38.210 --> 00:17:41.090
  • THE BIBLE SAYS THAT GOD'S POWER IS MADE PERFECT
  • 00:17:41.110 --> 00:17:43.220
  • THROUGH OUR WEAKNESS, AND SO I DON'T KNOW THAT GOD'S
  • 00:17:43.240 --> 00:17:46.270
  • GOAL FOR US IS GET TO THIS PLACE WHERE YOU'RE SO
  • 00:17:46.290 --> 00:17:49.080
  • CONFIDENT IN YOUR OWN STRENGTH.
  • 00:17:49.100 --> 00:17:51.120
  • I REALLY DON'T EVEN KNOW THAT THAT'S BIBLICAL, RIGHT?
  • 00:17:51.140 --> 00:17:53.280
  • SO IF I WAIT MY WHOLE LIFE FOR THAT MOMENT WHERE I
  • 00:17:54.000 --> 00:17:56.240
  • FEEL CONFIDENT TO BRING AN ATMOSPHERE OF LOVE, THEN
  • 00:17:56.260 --> 00:17:59.190
  • I'M ALWAYS GOING TO BE CHASING ACHIEVEMENTS
  • 00:17:59.210 --> 00:18:01.290
  • RATHER THAN CHASING GOD.
  • 00:18:02.010 --> 00:18:04.000
  • AND I WROTE ABOUT IN THE BOOK THAT GOD'S LOVE IS
  • 00:18:04.020 --> 00:18:06.190
  • NOT BASED ON US.
  • 00:18:06.210 --> 00:18:08.200
  • IT'S NOT BASED ON WHAT WE'VE DONE, HOW WE LOOK,
  • 00:18:08.220 --> 00:18:10.280
  • THE ACCOMPLISHMENTS WE'VE HAD IN OUR LIFE.
  • 00:18:11.000 --> 00:18:12.270
  • GOD'S LOVE IS NOT BASED ON US.
  • 00:18:12.290 --> 00:18:14.230
  • IT'S SIMPLY PLACED ON US, AND IT'S A PLACE FROM
  • 00:18:14.250 --> 00:18:17.110
  • WHICH WE SHOULD LIVE, AND THAT IS LOVE.
  • 00:18:17.130 --> 00:18:20.160
  • SO I DON'T THINK IT'S ABOUT WALKING INTO A ROOM
  • 00:18:20.180 --> 00:18:22.180
  • FEELING UBER CONFIDENT.
  • 00:18:22.200 --> 00:18:24.250
  • I THINK IT'S ABOUT WALKING INTO THE ROOM HAVING
  • 00:18:24.270 --> 00:18:27.220
  • PRE-DECIDED I AM GOING TO BRING THE ATMOSPHERE OF
  • 00:18:27.240 --> 00:18:31.010
  • GOD'S LOVE INTO THIS SPACE.
  • 00:18:31.030 --> 00:18:33.000
  • - YEAH, AND I LOVE THAT YOU TALK ABOUT, TOO, WHEN
  • 00:18:33.020 --> 00:18:35.120
  • YOU'RE FILLED UP WITH SOMETHING, THEN YOU'RE NOT
  • 00:18:35.140 --> 00:18:37.280
  • LOOKING OR SEEKING FOR SOMETHING BAD FOR
  • 00:18:38.000 --> 00:18:40.160
  • YOU LIKE PASTA.
  • 00:18:40.180 --> 00:18:42.130
  • WHEN YOU'RE FULL OF ALL THE GOOD THINGS, THEN
  • 00:18:42.150 --> 00:18:44.140
  • YOU'RE NOT GOING TO EAT THAT PASTA DISH THAT'S
  • 00:18:44.160 --> 00:18:46.040
  • ACTUALLY NOT GOOD FOR YOU.
  • 00:18:46.060 --> 00:18:48.030
  • - THAT'S RIGHT, SO LIKE IF WE WERE GOING OUT TO
  • 00:18:48.050 --> 00:18:50.040
  • LUNCH TODAY, AND I DON'T KNOW IF YOU EVER HAVE
  • 00:18:50.060 --> 00:18:52.160
  • THIS, BUT I'LL HAVE THIS LITTLE BATTLE LIKE DO
  • 00:18:52.180 --> 00:18:54.080
  • I EAT BREAD TODAY?
  • 00:18:54.100 --> 00:18:56.000
  • OR IS TODAY A NO BREAD DAY?
  • 00:18:56.020 --> 00:18:57.220
  • LIKE OH, THE PASTA LOOKS SO DELICIOUS, BUT THE
  • 00:18:57.240 --> 00:19:01.040
  • GRILLED SALMON ON TOP OF A SALAD WOULD BE
  • 00:19:01.060 --> 00:19:02.280
  • HEALTHIER FOR ME.
  • 00:19:03.000 --> 00:19:05.000
  • SO I KNOW IF I WILL CHOOSE TO EAT SOMETHING HEALTHY
  • 00:19:05.020 --> 00:19:09.250
  • AND GET FULL OF THAT HEALTHY FOOD, THEN THEY
  • 00:19:09.270 --> 00:19:13.220
  • CAN BRING THAT PASTA AND SET IT IN FRONT OF ME, AND
  • 00:19:13.240 --> 00:19:16.110
  • IT'S NOT GOING TO BE NEARLY AS TEMPTING AS
  • 00:19:16.130 --> 00:19:18.070
  • IF I'M JUST STARVING.
  • 00:19:18.090 --> 00:19:20.030
  • AND I THINK THE CORRELATION THERE IS
  • 00:19:20.050 --> 00:19:23.140
  • SOMETIMES OUR SOULS ARE LITERALLY GASPING, GASPING
  • 00:19:23.160 --> 00:19:27.180
  • FOR GOD, BUT WE'RE TOO BUSY FLIRTING WITH THE
  • 00:19:27.200 --> 00:19:30.130
  • WORLD TO NOTICE, AND WE'RE JUST GRABBING AT
  • 00:19:30.150 --> 00:19:33.080
  • EVERYTHING THAT CAN FILL UP THIS EMOTIONAL
  • 00:19:33.100 --> 00:19:35.070
  • EMPTINESS INSIDE OF US.
  • 00:19:35.090 --> 00:19:37.110
  • AND MY THOUGHT IS, NO, TAKE TIME EVERY DAY TO GO
  • 00:19:37.130 --> 00:19:40.180
  • AND BE WITH THE LORD.
  • 00:19:40.200 --> 00:19:44.090
  • BE WITH HIM, AND RECEIVE FROM HIM EVERYTHING THAT
  • 00:19:44.110 --> 00:19:49.000
  • HE'S GIVING TO YOU, AND HE HOLDS EVERY ANSWER TO
  • 00:19:49.020 --> 00:19:50.280
  • EVERY PROBLEM.
  • 00:19:51.000 --> 00:19:53.060
  • HE HOLDS ALL THE FULLNESS THAT WE NEED.
  • 00:19:53.080 --> 00:19:56.040
  • HE HOLDS THE COMPLETE SATISFYING FOR THAT DEEP
  • 00:19:56.060 --> 00:19:58.290
  • SOUL HUNGER THAT WE ALL HAVE, BUT IT'S MY CHOICE
  • 00:19:59.010 --> 00:20:01.230
  • TO GO TO HIM AND GET FULL OF HIM FIRST SO THAT I'M
  • 00:20:01.250 --> 00:20:05.000
  • NOT GRABBING AT EVERYTHING DURING THE DAY.
  • 00:20:05.020 --> 00:20:08.160
  • AND I THINK WHEN WE'RE COMPLETELY WALKING IN THE
  • 00:20:08.180 --> 00:20:13.190
  • REALITY OF GOD'S LOVE FOR US, WE WON'T SPEND OUR
  • 00:20:13.210 --> 00:20:18.160
  • DAYS BEGGING OTHERS FOR SCRAPS OF LOVE.
  • 00:20:18.180 --> 00:20:20.210
  • - THAT'S SO GOOD.
  • 00:20:20.230 --> 00:20:22.180
  • LET'S TALK ABOUT FRIENDSHIP BREAK UPS.
  • 00:20:22.200 --> 00:20:24.000
  • - TOUGH.
  • 00:20:24.020 --> 00:20:25.220
  • - BECAUSE I REALLY THINK THAT THAT IS ONE OF THE
  • 00:20:25.240 --> 00:20:28.170
  • MOST PAINFUL THINGS THAT A GIRL CAN GO THROUGH IS
  • 00:20:28.190 --> 00:20:31.070
  • GIRL PAIN, GIRLFRIEND PAIN, AND WHEN THEY CHOOSE
  • 00:20:31.090 --> 00:20:34.260
  • TO LEAVE US, AND YOU GET THAT PICTURE OF --YOU
  • 00:20:34.280 --> 00:20:38.200
  • SAY IMAGINE A PHOTOGRAPH OF YOUR FRIENDS, AND THEN
  • 00:20:38.220 --> 00:20:41.190
  • THEIR PICTURE IS BEING CUT OUT, AND SOMETIMES IT'S
  • 00:20:41.210 --> 00:20:45.150
  • BECAUSE OF DEATH, OR THEY MOVE AWAY, BUT HOW HARD IS
  • 00:20:45.170 --> 00:20:48.190
  • IT WHEN THEY CUT THEMSELVES OUT OF THE
  • 00:20:48.210 --> 00:20:50.120
  • PICTURE OF YOUR LIFE?
  • 00:20:50.140 --> 00:20:52.030
  • - THAT'S RIGHT.
  • 00:20:52.050 --> 00:20:53.220
  • - AND YOU GIVE THIS STORY OF SOMEONE WHO HURT YOU,
  • 00:20:53.240 --> 00:20:56.200
  • AND IT SEEMS LIKE THERE'S NO REAL CHANCE TO
  • 00:20:56.220 --> 00:20:59.180
  • RECONCILE, BUT GOD KEEPS TELLING YOU TO
  • 00:20:59.200 --> 00:21:01.140
  • FIGHT FOR HER.
  • 00:21:01.160 --> 00:21:03.070
  • - WELL, AND I THINK IT WASN'T BECAUSE I HAD A
  • 00:21:03.090 --> 00:21:07.250
  • HOPE THAT THE RELATIONSHIP WOULD BE RESTORED IN THAT
  • 00:21:07.270 --> 00:21:10.280
  • MOMENT, BUT IT WAS SO THAT I --I DIDN'T WANT MY HEART
  • 00:21:11.000 --> 00:21:16.060
  • TO GET FULL OF THE CLUTTER OF BITTERNESS, ANGER AND
  • 00:21:16.080 --> 00:21:18.250
  • RESENTMENT, AND I WROTE IN THE BOOK, YOUR HEART IS
  • 00:21:18.270 --> 00:21:21.090
  • TOO BEAUTIFUL OF A PLACE FOR BITTERNESS, RESENTMENT
  • 00:21:21.110 --> 00:21:24.070
  • AND ANGER, SO YOU'VE GOT TO DO WHATEVER YOU HAVE TO
  • 00:21:24.090 --> 00:21:26.170
  • DO TO GET IT OUT.
  • 00:21:26.190 --> 00:21:28.100
  • NOW, HERE'S THE CHALLENGING PART.
  • 00:21:28.120 --> 00:21:29.260
  • IF YOUR FRIEND WALKS AWAY BECAUSE THEY'VE CHOSEN TO
  • 00:21:29.280 --> 00:21:32.250
  • CUT YOU OUT OF THEIR LIFE, I THINK IT'S ALMOST MORE
  • 00:21:32.270 --> 00:21:36.210
  • PAINFUL TO GRIEVE THAT LOSS THAN IF THEY WOULD
  • 00:21:36.230 --> 00:21:40.090
  • HAVE PASSED AWAY BECAUSE THEY CHOSE TO WALK AWAY,
  • 00:21:40.110 --> 00:21:43.060
  • AND THEY MAY EVEN BE HAPPY THAT THEY WALK AWAY.
  • 00:21:43.080 --> 00:21:45.210
  • AND IF WE LOSE SOMEONE TO DEATH, THEN A COMMUNITY
  • 00:21:45.230 --> 00:21:49.200
  • RALLIES, AND EVERYONE'S GRIEVING, RIGHT?
  • 00:21:49.220 --> 00:21:52.110
  • BUT WHEN THEY'VE REJECTED YOU...
  • 00:21:52.130 --> 00:21:54.210
  • - BY CHOICE.
  • 00:21:54.230 --> 00:21:56.120
  • - BY CHOICE, YOU'RE GRIEVING PRETTY MUCH ALL
  • 00:21:56.140 --> 00:21:58.200
  • BY YOURSELF, AND IT'S EXCRUCIATINGLY PAINFUL.
  • 00:21:58.220 --> 00:22:02.030
  • AND SO I WAS PROCESSING WITH THE LORD, LIKE, I
  • 00:22:02.050 --> 00:22:04.130
  • DON'T WANT TO LOSE THIS FRIENDSHIP.
  • 00:22:04.150 --> 00:22:06.180
  • MY HEART IS BROKEN. I FEEL MISUNDERSTOOD.
  • 00:22:06.200 --> 00:22:09.020
  • I FEEL JUDGED. I FEEL HURT.
  • 00:22:09.040 --> 00:22:11.040
  • I FEEL ANGRY, AND THOSE FEELINGS ARE REAL.
  • 00:22:11.060 --> 00:22:14.180
  • I DON'T WANT TO BE RULED BY THOSE FEELS, BUT I HAVE
  • 00:22:14.200 --> 00:22:16.240
  • TO BE HONEST, SO, LORD, HELP ME PROCESS IT.
  • 00:22:16.260 --> 00:22:18.140
  • AND IN THAT INSTANT, THE LORD SAID FIGHT FOR HER.
  • 00:22:18.160 --> 00:22:20.280
  • AND I WAS LIKE, WAIT, LORD.
  • 00:22:21.000 --> 00:22:22.240
  • - THAT'S SUCH A HARD WORD.
  • 00:22:22.260 --> 00:22:24.150
  • - WAIT, LIKE WHAT DO YOU MEAN?
  • 00:22:24.170 --> 00:22:26.050
  • LIKE SHE'S BEEN FIGHTING AGAINST ME, AND NOW YOU'RE
  • 00:22:26.070 --> 00:22:29.040
  • SAYING FIGHT FOR HER? LIKE HOW DO I DO THAT?
  • 00:22:29.060 --> 00:22:31.230
  • AND I FELT LIKE THE LORD WAS SAY, LYSA, EVERY TIME
  • 00:22:31.250 --> 00:22:35.070
  • HER NAME POPS UP, OR EVERY TIME YOU HAVE A MEMORY OF
  • 00:22:35.090 --> 00:22:39.140
  • HER, FIGHT AGAINST THOSE NEGATIVE FEELINGS, AND
  • 00:22:39.160 --> 00:22:43.070
  • START TO SAY WONDERFUL THINGS ABOUT HER, AND
  • 00:22:43.090 --> 00:22:46.260
  • RECALL THE WONDERFUL THINGS THAT WERE PART OF
  • 00:22:46.280 --> 00:22:50.060
  • YOUR RELATIONSHIP, AND FIGHT TO KEEP HER MEMORY
  • 00:22:50.080 --> 00:22:53.140
  • IN A GOOD PLACE AND NOT A BAD PLACE.
  • 00:22:53.160 --> 00:22:56.040
  • AND BOY, THAT WAS TOUGH.
  • 00:22:56.060 --> 00:22:58.050
  • IT WAS REALLY TOUGH, BUT --
  • 00:22:58.070 --> 00:23:00.020
  • - YOU WANT TO DEFEND YOURSELF.
  • 00:23:00.040 --> 00:23:02.010
  • - UH-HUH, BUT I THINK WHEN WE REFUSE TO END
  • 00:23:02.030 --> 00:23:05.180
  • RIGHT IN A RELATIONSHIP, WE PROVE JUST HOW WRONG WE
  • 00:23:05.200 --> 00:23:08.290
  • WERE ALL ALONG, AND SO I DECIDED TO LISTEN TO THE
  • 00:23:09.010 --> 00:23:13.170
  • LORD AND TO FIGHT FOR HER.
  • 00:23:13.190 --> 00:23:16.140
  • NOW, HERE'S AN INTERESTING THING.
  • 00:23:16.160 --> 00:23:18.060
  • THE BOOK HAS COME OUT.
  • 00:23:18.080 --> 00:23:19.280
  • BY THE END OF THAT CHAPTER, THAT WAS IT.
  • 00:23:20.000 --> 00:23:21.210
  • SHE HAD REQUESTED I DELETE HER CONTACT. I DID.
  • 00:23:21.230 --> 00:23:23.220
  • I HONORED THAT, AND THAT'S HOW THE CHAPTER ENDS, AND
  • 00:23:23.240 --> 00:23:26.170
  • THEN I WROTE THE BOOK LAST YEAR, AND NOW
  • 00:23:26.190 --> 00:23:28.190
  • IT'S THIS YEAR.
  • 00:23:28.210 --> 00:23:30.120
  • AND DO YOU KNOW THAT THE LORD HAS DONE
  • 00:23:30.140 --> 00:23:32.180
  • SOMETHING SO SWEET.
  • 00:23:32.200 --> 00:23:34.200
  • I WAS IN THE HOSPITAL THIS SUMMER, AND SHE REACHED
  • 00:23:34.220 --> 00:23:36.210
  • OUT TO ME, AND IT WAS VERY SHORT, BUT SHE JUST SAID,
  • 00:23:36.230 --> 00:23:40.050
  • "WILL YOU PLEASE FORGIVE ME FOR EXPECTING YOU TO BE
  • 00:23:40.070 --> 00:23:44.290
  • JUST LIKE ME?
  • 00:23:45.010 --> 00:23:47.010
  • THE LORD'S REALLY WORKING ON MY HEART." AND BOY,
  • 00:23:47.030 --> 00:23:50.000
  • THAT TAUGHT ME A POWERFUL LESSON.
  • 00:23:50.020 --> 00:23:51.270
  • NOW, IT'S NOT LIKE WE'RE GETTING TOGETHER AGAIN OR
  • 00:23:51.290 --> 00:23:53.290
  • ANYTHING LIKE THAT, BUT I KNOW SHE'S PRAYING FOR ME,
  • 00:23:54.010 --> 00:23:57.260
  • AND I'M PRAYING FOR HER, BUT THE LORD
  • 00:23:57.280 --> 00:24:00.070
  • WORKED THAT OUT.
  • 00:24:00.090 --> 00:24:01.270
  • - WOW.
  • 00:24:01.290 --> 00:24:03.170
  • - BUT I THINK HE HAD TO PREPARE MY HEART TO BE A
  • 00:24:03.190 --> 00:24:05.130
  • SPACE OF GRACE SO THAT AS HE WORKED ON HER, I WOULD
  • 00:24:05.150 --> 00:24:08.140
  • BE READY TO RECEIVE THAT TEXT FROM HER, AND YOU
  • 00:24:08.160 --> 00:24:12.130
  • KNOW, WE MUST LISTEN TO THE LORD IN
  • 00:24:12.150 --> 00:24:16.070
  • SITUATIONS LIKE THAT.
  • 00:24:16.090 --> 00:24:18.060
  • WE MUST GET INTO HIS WORD, LET HIS WORD GET INTO US
  • 00:24:18.080 --> 00:24:20.260
  • SO THAT --HE HAS KNOWLEDGE WE DON'T EVEN KNOW.
  • 00:24:20.280 --> 00:24:24.250
  • HE KNOWS THEIR HURTS.
  • 00:24:24.270 --> 00:24:26.190
  • HE KNOWS THEIR PAINS, AND EPHESIANS 6 REMINDS US OUR
  • 00:24:26.210 --> 00:24:29.060
  • STRUGGLE IS NOT AGAINST FLESH AND BLOOD.
  • 00:24:29.080 --> 00:24:32.010
  • IT FEELS LIKE OUR STRUGGLE IS AGAINST FLESH
  • 00:24:32.030 --> 00:24:34.070
  • AND BLOOD, RIGHT?
  • 00:24:34.090 --> 00:24:36.010
  • - ABSOLUTELY.
  • 00:24:36.030 --> 00:24:37.260
  • - BUT I DON'T WANT TO PARTNER WITH SATAN;,I JUST
  • 00:24:37.280 --> 00:24:40.010
  • DON'T, NOT IN ANY WAY, AND I THINK ESPECIALLY NOT IN
  • 00:24:40.030 --> 00:24:42.190
  • RELATIONSHIPS, AND WHAT I MEAN BY THAT IS WE HAVE A
  • 00:24:42.210 --> 00:24:45.160
  • CHOICE IN EVERY TENSION.
  • 00:24:45.180 --> 00:24:48.120
  • WE CAN PARTNER WITH GOD BY HONORING WHAT GOD'S WORD
  • 00:24:48.140 --> 00:24:50.170
  • SAYS AND LISTENING FOR THE VOICE OF THE LORD IN OUR
  • 00:24:50.190 --> 00:24:53.210
  • INSTRUCTION THROUGH HIS WORD, OR WE PARTNER
  • 00:24:53.230 --> 00:24:56.140
  • WITH THE ENEMY.
  • 00:24:56.160 --> 00:24:59.020
  • WE PARTNER WITH DARKNESS WHEN WE DO THINGS THAT ARE
  • 00:24:59.040 --> 00:25:02.050
  • NOT IN KEEPING WITH THE DIRECTIONS OF GOD.
  • 00:25:02.070 --> 00:25:05.170
  • - I LOVE THAT YOU SAY THAT WE ALL HAVE A COMMON
  • 00:25:05.190 --> 00:25:07.140
  • ENEMY, AND IT'S NOT EACH OTHER.
  • 00:25:07.160 --> 00:25:08.250
  • - THAT'S RIGHT.
  • 00:25:08.270 --> 00:25:10.120
  • - SO MAKE SURE TO GET HER BOOK "UNINVITED".
  • 00:25:10.140 --> 00:25:12.140
  • YOUR LIFE WILL BE SO BLESSED.
  • 00:25:12.160 --> 00:25:14.150
  • YOU CAN GET IT ON AMAZON, REALLY WHEREVER
  • 00:25:14.170 --> 00:25:16.060
  • BOOKS ARE SOLD.
  • 00:25:16.080 --> 00:25:17.180
  • - WHEREVER BOOKS ARE SOLD.
  • 00:25:17.200 --> 00:25:18.270
  • - REALLY IT'S A BESTSELLER, SO JUST GOOGLE IT.
  • 00:25:18.290 --> 00:25:20.110
  • SO THANK YOU SO MUCH FOR BEING HERE WITH US LYSA.
  • 00:25:20.130 --> 00:25:22.030
  • - IT'S MY JOY TO BE WITH YOU.
  • 00:25:22.050 --> 00:25:23.140
  • - THANK YOU.
  • 00:25:23.160 --> 00:25:25.020
  • SO THAT'S ALL FOR THIS EPISODE OF HOT OFF THE PRESS.
  • 00:25:25.040 --> 00:25:27.010
  • THANK YOU SO MUCH FOR JOINING US.
  • 00:25:27.030 --> 00:25:28.230
  • BE SURE TO CHECK US OUT ON FACEBOOK AND TWITTER.
  • 00:25:28.250 --> 00:25:31.070
  • USE OUR HASH TAG JUCE TV, AND I'LL SEE YOU ALL
  • 00:25:31.090 --> 00:25:33.040
  • NEXT TIME, BYE.
  • 00:25:33.060 --> 00:25:34.190
  • [INSTRUMENTAL MUSIC]
  • 00:25:34.210 --> 00:25:48.090
  • [INSTRUMENTAL MUSIC]
  • 00:25:48.090 --> 00:25:53.170
  • [INSTRUMENTAL MUSIC]
  • 00:25:53.170 --> 00:26:01.000