Episode 1 | TBN

Episode 1

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September 11, 2019
27:15

Big Daddy Weave: When the Light Comes

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Episode 1

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  • female: I just d
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  • female: I just don
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  • female: I just don't
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  • female: I just don't w
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  • female: I just don't wan
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  • female: I just don't wanna
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  • female: I just don't wanna
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  • female: I just don't wanna
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  • female: I just don't wanna wa
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  • female: I just don't wanna walk
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  • female: I just don't wanna walk i
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  • female: I just don't wanna walk int
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  • female: I just don't wanna walk into
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  • female: I just don't wanna walk into th
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  • female: I just don't wanna walk into this
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  • female: I just don't wanna walk into this s
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  • female: I just don't wanna walk into this sea
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  • female: I just don't wanna walk into this seaso
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  • female: I just don't wanna walk into this season
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  • an
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  • and
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  • and lo
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  • and lose
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  • and lose s
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  • and lose sig
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  • and lose sight
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  • and lose sight o
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  • and lose sight of
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  • and lose sight of th
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  • and lose sight of the
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  • and lose sight of the th
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  • and lose sight of the thin
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  • and lose sight of the things
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  • and lose sight of the things
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  • and lose sight of the things
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  • and lose sight of the things th
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  • and lose sight of the things that
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  • and lose sight of the things that a
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  • and lose sight of the things that are
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  • and lose sight of the things that are s
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  • and lose sight of the things that are so
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  • and lose sight of the things that are so go
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  • and lose sight of the things that are so good
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  • and lose sight of the things that are so good.
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  • I'
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  • I'm
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  • I'm af
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  • I'm afra
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  • I'm afraid
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  • I'm afraid o
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  • I'm afraid of
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  • I'm afraid of no
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  • I'm afraid of not
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  • I'm afraid of not
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  • I'm afraid of not
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  • I'm afraid of not ha
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  • I'm afraid of not havi
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  • I'm afraid of not having
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  • I'm afraid of not having t
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  • I'm afraid of not having tho
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  • I'm afraid of not having those
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  • I'm afraid of not having those.
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  • Jeremy Redmon: We gotta get the record done though.
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  • I mean, it's--
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  • Jim Scherer: The clock's ticking.
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  • So it's not something you can put off.
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  • You pretty much have to dig in.
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  • Brian Beihl: And Mike and Jay lost their dad.
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  • Joe has lost his father.
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  • Jay's health has been bad.
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  • The journey that Kim and I have been on with infertility.
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  • Joe Shirk: This is the hardest season we've been
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  • through as a band.
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  • It's not just with one person. It's been across the board.
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  • When the light comes, darkness runs away
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  • And only what lives in the light can stay
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  • When the light comes, nothing left to hide
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  • So come out of the darkness and turn on the light
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  • I shall open the door, I fall to my knees
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  • I lay down my pride, no secrets to keep
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  • The light of your love is shining on me
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  • The goodness of God is setting me free
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  • When the light comes, darkness runs away
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  • And only what lives in the light can stay
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  • When the light comes, nothing left to hide
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  • So come out of the darkness and turn on the light
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  • Jay Weaver: Man, it has been a rough season.
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  • It's not every season you go through life
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  • and you lose your feet, you know?
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  • Mike Weaver: We're going in the studio again,
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  • starting a brand-new record, and we are about
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  • to go out on tour again.
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  • The last bit of this 20 years has been pretty rough,
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  • though, so we're excited for this new part of life.
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  • Jeremy: It's crazy the things we've gone through.
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  • We're not strangers to either side of the highs
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  • and lows, from house fires to sicknesses to losses.
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  • So, man, it feels so good to be able to go to
  • 00:02:05.080 --> 00:02:07.280
  • a new season.
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  • Joe: I think it's great to get back in the studio.
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  • It's, like, man, there's so much that's happened
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  • and so therefore that's in the writing,
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  • and that's in even the sounds.
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  • Brian: I think with this new record we're excited
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  • about the songs that are on there.
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  • It's gonna be a fun experience getting to see
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  • how these songs actually minister to people, even
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  • through the hard times that we've been through.
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  • Jeremy: The guys travel with their families on the road.
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  • Mine does not and so it makes it bittersweet
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  • whenever we start a new tour 'cause I know there's gonna
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  • be a big chunk of time that I'm gonna be away from the house.
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  • On top of that, I produce our records and I've been so
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  • busy so even my time at home has been trying to focus on
  • 00:02:45.190 --> 00:02:48.260
  • working on that and I'm hoping to find some time
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  • or be able to figure out some way to make this happen
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  • and still balance family.
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  • Jeremy: Kids still asleep?
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  • female: Yeah. Jeremy: Cool.
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  • Jim's coming over, trying to figure out what
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  • the schedule's gonna look like with the tour starting and
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  • he's supposed to be telling me dates today.
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  • It's probably gonna be worse than I'm thinking it will be
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  • as far as like--as far as them wanting it
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  • sooner than I can do it.
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  • I mean, I don't know how to--
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  • female: I don't know how you're gonna do it either
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  • with being on the road.
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  • It's gonna take every hour that you're home.
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  • I don't want you to be stressed.
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  • Jeremy: We've got a lot of prep for--
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  • and it's kind of our last season before the baby comes
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  • to have any time together and--
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  • female: The concern that I have is that while
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  • everyone else gets to be with their families out on
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  • the road, and then they come home and they get to rest,
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  • you're not gonna have any of that.
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  • I know the toll that being in the studio takes on you
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  • when it is under pressure.
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  • And with the baby coming, I want you to have a rest.
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  • I want you to be able to enjoy this and I just think that--
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  • I just don't wanna walk into this season and lose sight
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  • of the things that are so good because we've pushed too hard.
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  • This is our last time to experience this,
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  • and I wanna be able to cherish 'em, those moments, you know?
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  • I'm afraid of not having those.
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  • And you, being so tired and things that it does to your
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  • health and I wish we had more time.
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  • Jeremy: My wife has a way of helping me bring things
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  • to focus sometimes.
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  • From a health standpoint, she's right.
  • 00:04:51.100 --> 00:04:53.140
  • I've had some chronic health things that I've dealt with
  • 00:04:53.150 --> 00:04:55.220
  • and it seems like every time I get stressed and start
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  • stress eating and start not being as careful with the
  • 00:04:58.160 --> 00:05:02.260
  • lifestyle of just managing stress.
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  • It tends to wear on me pretty quickly,
  • 00:05:05.220 --> 00:05:07.240
  • and I think she's right.
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  • We don't wanna waste it.
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  • Don't wanna blow the time that we have.
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  • I want the family to win and I want this to be
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  • the most important thing.
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  • Jim: So Jeremy, going back to our earlier
  • 00:05:19.110 --> 00:05:21.080
  • conversations about when this album is gonna be due,
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  • September is the time for this album to come out.
  • 00:05:24.040 --> 00:05:26.190
  • Jeremy: For the fall tour?
  • 00:05:26.200 --> 00:05:28.210
  • Jim: Yeah, for the fall tour.
  • 00:05:28.220 --> 00:05:30.090
  • So I took that to the label to get the production
  • 00:05:30.100 --> 00:05:32.010
  • deadline, working backwards, and so they gave me
  • 00:05:32.020 --> 00:05:35.090
  • the due date for the album is April 12.
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  • Jeremy: Ouch.
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  • That's--man, we're still on tour.
  • 00:05:40.250 --> 00:05:42.190
  • We're on tour that whole time between now and then.
  • 00:05:42.200 --> 00:05:46.080
  • And also our baby is due April 13.
  • 00:05:46.090 --> 00:05:50.080
  • Jim: The stress on Jeremy, I mean,
  • 00:05:50.090 --> 00:05:52.040
  • you can almost read it like a book
  • 00:05:52.050 --> 00:05:53.240
  • because he has not only got this album due
  • 00:05:53.250 --> 00:05:55.200
  • which he's trying to make different than anything
  • 00:05:55.210 --> 00:05:57.180
  • they've ever done which is what I love
  • 00:05:57.190 --> 00:05:59.170
  • about Jeremy's production.
  • 00:05:59.180 --> 00:06:01.130
  • But he has a baby due on the same day.
  • 00:06:01.140 --> 00:06:04.010
  • That's a lot of pressure for anybody,
  • 00:06:04.020 --> 00:06:06.000
  • but that's just what it is.
  • 00:06:06.010 --> 00:06:08.040
  • Jeremy: I don't know.
  • 00:06:08.050 --> 00:06:09.150
  • I don't know how--
  • 00:06:09.160 --> 00:06:11.040
  • there's not enough days to make that happen.
  • 00:06:11.050 --> 00:06:12.220
  • Jim: And there's not enough you.
  • 00:06:12.230 --> 00:06:14.090
  • And the number of days and everything that needs
  • 00:06:14.100 --> 00:06:15.260
  • to be done.
  • 00:06:15.270 --> 00:06:17.120
  • Jeremy: Is there any way to get extra time?
  • 00:06:17.130 --> 00:06:18.240
  • Jim: Yeah, I'll certainly--
  • 00:06:18.250 --> 00:06:20.040
  • Jeremy: Without delaying the release.
  • 00:06:20.050 --> 00:06:22.220
  • Jeremy: April 12?
  • 00:06:22.230 --> 00:06:24.230
  • Uhh, there's no way this is gonna happen.
  • 00:06:24.240 --> 00:06:27.290
  • Jim: I did have one idea to throw out at you,
  • 00:06:28.000 --> 00:06:29.270
  • was what if you just didn't play the whole tour?
  • 00:06:29.280 --> 00:06:32.210
  • What if we got a sub?
  • 00:06:32.220 --> 00:06:34.150
  • You stay home, make the record,
  • 00:06:34.160 --> 00:06:36.050
  • and somebody else would finish out this tour?
  • 00:06:36.060 --> 00:06:38.170
  • Jeremy: We've never done that into this degree but,
  • 00:06:38.180 --> 00:06:41.050
  • wow, staying home from touring.
  • 00:06:41.060 --> 00:06:45.100
  • Man, that's interesting.
  • 00:06:45.110 --> 00:06:46.240
  • That's not something I've ever done before.
  • 00:06:46.250 --> 00:06:48.080
  • Actually, none of us have ever done that before.
  • 00:06:48.090 --> 00:06:50.100
  • I don't know.
  • 00:06:50.110 --> 00:06:51.280
  • I dunno how the guys are gonna see this.
  • 00:06:51.290 --> 00:06:53.150
  • I don't know how this is gonna feel, plus, man,
  • 00:06:53.160 --> 00:06:56.020
  • finding somebody to fill in is not all that easy to do.
  • 00:06:56.030 --> 00:06:58.290
  • Jeremy: Seems like our hands are kind of tied.
  • 00:06:59.000 --> 00:07:03.030
  • Jeremy: Hey, y'all, come on in.
  • 00:07:03.040 --> 00:07:05.190
  • Jim: Hey, what's up, guys?
  • 00:07:05.200 --> 00:07:09.090
  • Brian: Jimbo.
  • 00:07:09.100 --> 00:07:10.270
  • I think you've grown an inch at least.
  • 00:07:10.280 --> 00:07:13.010
  • Mike: What's going on, dudes?
  • 00:07:13.020 --> 00:07:15.000
  • Jim: We're trying to figure some things out.
  • 00:07:15.010 --> 00:07:17.120
  • I shared with Jeremy that the production deadline
  • 00:07:17.130 --> 00:07:20.090
  • is April 12.
  • 00:07:20.100 --> 00:07:22.090
  • Jeremy: We're still on the road during that time.
  • 00:07:22.100 --> 00:07:24.020
  • I mean, we're touring between now and then.
  • 00:07:24.030 --> 00:07:26.030
  • Mike: When does the baby come?
  • 00:07:26.040 --> 00:07:29.110
  • Jeremy: The next day, technically.
  • 00:07:29.120 --> 00:07:32.140
  • I mean, who knows what the Lord's gonna do,
  • 00:07:32.150 --> 00:07:34.200
  • what timing--
  • 00:07:34.210 --> 00:07:36.140
  • Mike: Let's put a hold on this conversation.
  • 00:07:36.150 --> 00:07:38.000
  • Nobody tell this to Anna.
  • 00:07:38.010 --> 00:07:41.100
  • Jeremy: We gotta get the record done though.
  • 00:07:41.110 --> 00:07:43.000
  • I mean, it's--there's no--
  • 00:07:43.010 --> 00:07:45.120
  • Jim: Well, I threw out an idea to Jeremy that is--
  • 00:07:45.130 --> 00:07:47.220
  • what if he came off the road and just stayed home
  • 00:07:47.230 --> 00:07:49.260
  • and made the record?
  • 00:07:49.270 --> 00:07:51.120
  • You guys get somebody else to sub out for the tour
  • 00:07:51.130 --> 00:07:53.270
  • which we've never really done anything like this
  • 00:07:53.280 --> 00:07:55.170
  • before in all this time, but I don't know
  • 00:07:55.180 --> 00:07:58.210
  • any other way to do it.
  • 00:07:58.220 --> 00:08:00.150
  • Mike: Jeremy is such an integral part of making
  • 00:08:00.160 --> 00:08:02.080
  • records but Jeremy is also such a huge part of playing
  • 00:08:02.090 --> 00:08:05.110
  • in Big Daddy Weave and there have been seasons where
  • 00:08:05.120 --> 00:08:08.060
  • somebody will have to take a couple of dates off
  • 00:08:08.070 --> 00:08:10.000
  • and so I don't know how this is gonna work.
  • 00:08:10.010 --> 00:08:12.060
  • Joe: Man, for Jeremy to come off the road
  • 00:08:12.070 --> 00:08:14.110
  • and do this instead, that's--
  • 00:08:14.120 --> 00:08:17.060
  • we actually haven't had to do that before.
  • 00:08:17.070 --> 00:08:19.180
  • Jeremy: I mean, obviously, there's mixed
  • 00:08:19.190 --> 00:08:21.070
  • emotions there, you know.
  • 00:08:21.080 --> 00:08:22.230
  • I think one of the things that's we've really fought
  • 00:08:22.240 --> 00:08:24.150
  • for is unity and it's--feels a little ununified to not be
  • 00:08:24.160 --> 00:08:27.200
  • out there but maybe there's a different way to approach
  • 00:08:27.210 --> 00:08:30.170
  • unity, you know?
  • 00:08:30.180 --> 00:08:32.080
  • Mike: Well, I mean, dude, there's like no--
  • 00:08:32.090 --> 00:08:34.010
  • I was gonna say is there time to think about this.
  • 00:08:34.020 --> 00:08:35.250
  • There's like not hardly any time.
  • 00:08:35.260 --> 00:08:37.150
  • Jim: The clock's ticking.
  • 00:08:37.160 --> 00:08:39.010
  • So it's not something you can put off.
  • 00:08:39.020 --> 00:08:40.210
  • You pretty much have to dig in.
  • 00:08:40.220 --> 00:08:43.010
  • Mike: Bro, I feel like settling, like, on your
  • 00:08:43.020 --> 00:08:45.090
  • shoulders, dude, do you know what I mean?
  • 00:08:45.100 --> 00:08:47.230
  • It's like, it's not funny.
  • 00:08:47.240 --> 00:08:49.060
  • I'm laughing but it's not funny.
  • 00:08:49.070 --> 00:08:50.240
  • Jeremy: I wanna be excited about the record.
  • 00:08:50.250 --> 00:08:52.090
  • I wanna be excited but it's kind of like, oh-ho,
  • 00:08:52.100 --> 00:08:53.280
  • this just feels heavy.
  • 00:08:53.290 --> 00:08:55.180
  • Jim: This is a burden of your talents.
  • 00:08:55.190 --> 00:08:57.130
  • Jeremy: Oh, guys.
  • 00:08:57.140 --> 00:08:58.230
  • Jim: Well, we'll dig in. We'll let you guys get to work.
  • 00:08:58.240 --> 00:09:00.160
  • Mike: I'll be back in a little bit but I gotta go,
  • 00:09:00.170 --> 00:09:02.250
  • do a Internet, right, and then I'll be right back.
  • 00:09:02.260 --> 00:09:05.290
  • Jeremy: Okay, that's fine.
  • 00:09:06.000 --> 00:09:07.160
  • Mike: I'll see you guys after a while.
  • 00:09:07.170 --> 00:09:10.080
  • Joe: It seems like every time we're doing an album
  • 00:09:10.090 --> 00:09:12.020
  • it's always something whoever--
  • 00:09:12.030 --> 00:09:14.070
  • yeah, we're cutting tracks over in this room
  • 00:09:14.080 --> 00:09:16.030
  • and setting up a mattress real quick
  • 00:09:16.040 --> 00:09:17.260
  • and we're playing a show that same night
  • 00:09:17.270 --> 00:09:19.160
  • or it's something crazy, you know, but, man,
  • 00:09:19.170 --> 00:09:22.010
  • this is the first time that Jeremy's gonna actually have
  • 00:09:22.020 --> 00:09:24.090
  • to come off the road for a bit and have a fill-in so we can
  • 00:09:24.100 --> 00:09:26.250
  • finish by our deadline.
  • 00:09:26.260 --> 00:09:32.090
  • 00:09:32.100 --> 00:09:38.140
  • Jay: Back in 1998, man, we all met around
  • 00:09:38.150 --> 00:09:41.190
  • the University of Mobile.
  • 00:09:41.200 --> 00:09:43.250
  • Just a bunch of young knuckleheads in college,
  • 00:09:43.260 --> 00:09:48.040
  • didn't know any better, you know?
  • 00:09:48.050 --> 00:09:51.010
  • Mike: In the first weeks that I was on campus,
  • 00:09:51.020 --> 00:09:53.060
  • I met Joe who is our keyboard player, sax player,
  • 00:09:53.070 --> 00:09:58.010
  • and I remember stopping him after class and being, like,
  • 00:09:58.020 --> 00:10:01.080
  • "Dude, I heard you're a really good player.
  • 00:10:01.090 --> 00:10:04.120
  • I wanna show you some song ideas that we had."
  • 00:10:04.130 --> 00:10:07.000
  • And at first it looked like maybe, "Yeah, we're gonna
  • 00:10:07.010 --> 00:10:09.100
  • get around to that sometime or whatever."
  • 00:10:09.110 --> 00:10:10.270
  • I was like, "Well, can I show you, like, right now?
  • 00:10:10.280 --> 00:10:12.190
  • I have my guitar, like, right now," you know?
  • 00:10:12.200 --> 00:10:15.050
  • Then we stepped over into this practice room.
  • 00:10:15.060 --> 00:10:17.210
  • Jay: We'd been playing literally together for about
  • 00:10:17.220 --> 00:10:20.000
  • 15 minutes and the girl walked in and said,
  • 00:10:20.010 --> 00:10:22.050
  • "Hey, got a band coming across campus next month.
  • 00:10:22.060 --> 00:10:25.220
  • Would you guys open for 'em?"
  • 00:10:25.230 --> 00:10:27.190
  • Like, pardon?
  • 00:10:27.200 --> 00:10:30.030
  • Mike: We'd only been together 15 minutes
  • 00:10:30.040 --> 00:10:31.250
  • and we already got our first gig.
  • 00:10:31.260 --> 00:10:33.120
  • This is gonna be amazing, right?
  • 00:10:33.130 --> 00:10:35.010
  • And then they ask us the question that has haunted us
  • 00:10:35.020 --> 00:10:37.250
  • every day since then: "What do you call your group?"
  • 00:10:37.260 --> 00:10:41.150
  • Jay: We need a name for the flyer please.
  • 00:10:41.160 --> 00:10:43.200
  • And that's how you end up with a name
  • 00:10:43.210 --> 00:10:45.090
  • like Big Daddy Weave.
  • 00:10:45.100 --> 00:10:46.240
  • Mike: Big Daddy Weave, you know?
  • 00:10:46.250 --> 00:10:48.150
  • Joe: Before we know it, we're playing at a function
  • 00:10:48.160 --> 00:10:50.100
  • there on campus and, you know, the temporary name of
  • 00:10:50.110 --> 00:10:53.190
  • the band just to get through a night that ends up being
  • 00:10:53.200 --> 00:10:56.010
  • something that we roll with for the next, you know,
  • 00:10:56.020 --> 00:10:58.030
  • X amount of years of booking, like, oh my goodness.
  • 00:10:58.040 --> 00:11:00.120
  • Jim: When I met the guys, they had just gotten
  • 00:11:00.130 --> 00:11:02.040
  • their record deal.
  • 00:11:02.050 --> 00:11:03.250
  • Right from the beginning, they had hits and they were
  • 00:11:03.260 --> 00:11:05.240
  • great songs like, "In Christ" started it all off.
  • 00:11:05.250 --> 00:11:08.010
  • And then, "Audience of One," then "Redeemed,"
  • 00:11:08.020 --> 00:11:10.110
  • and "My Story," and "Overwhelmed."
  • 00:11:10.120 --> 00:11:12.060
  • There are so many special songs to people.
  • 00:11:12.070 --> 00:11:14.020
  • Today, they're one of the biggest touring bands
  • 00:11:14.030 --> 00:11:16.040
  • and one of the most loved artists that we have
  • 00:11:16.050 --> 00:11:18.010
  • in Christian music.
  • 00:11:18.020 --> 00:11:19.240
  • Brian: Man, some of the cool things we get to do
  • 00:11:19.250 --> 00:11:21.250
  • night after night, and some of these venues that we get
  • 00:11:21.260 --> 00:11:24.000
  • to play, like, Carnegie Hall and the Ryman Auditorium,
  • 00:11:24.010 --> 00:11:27.150
  • places like that.
  • 00:11:27.160 --> 00:11:29.090
  • It's just really cool that God has opened these doors
  • 00:11:29.100 --> 00:11:31.100
  • for us to come and minister to people in that way.
  • 00:11:31.110 --> 00:11:34.080
  • Mike: We've been really blessed, and over these 20 years
  • 00:11:34.090 --> 00:11:36.220
  • we've just seen so many incredible things happen.
  • 00:11:36.230 --> 00:11:38.240
  • I mean, Christian radio has really embraced our songs,
  • 00:11:38.250 --> 00:11:42.070
  • man, and because of that we've heard stories from all
  • 00:11:42.080 --> 00:11:44.200
  • over the world about how God has used the music.
  • 00:11:44.210 --> 00:11:47.060
  • We've played in some places that we've dreamed of,
  • 00:11:47.070 --> 00:11:49.190
  • even just a year ago, playing in Carnegie Hall was just
  • 00:11:49.200 --> 00:11:52.020
  • a bucket list thing for me.
  • 00:11:52.030 --> 00:11:54.040
  • Seeing these other guys, you know, getting married and
  • 00:11:54.050 --> 00:11:57.270
  • seeing these other guys become dads, I mean,
  • 00:11:57.280 --> 00:12:00.200
  • we've just been through a lot of life together, man,
  • 00:12:00.210 --> 00:12:02.210
  • a lot of really great life together.
  • 00:12:02.220 --> 00:12:04.290
  • Jeremy: None of us like to even really think about
  • 00:12:05.000 --> 00:12:06.200
  • all that much because it's kind of awkward.
  • 00:12:06.210 --> 00:12:08.140
  • You feel like, "Oh, I've gotta be humble,"
  • 00:12:08.150 --> 00:12:09.240
  • and all this kind of stuff.
  • 00:12:09.250 --> 00:12:11.050
  • But it's really cool.
  • 00:12:11.060 --> 00:12:12.150
  • It's really cool that we had five songs that went number
  • 00:12:12.160 --> 00:12:15.140
  • one in a row and, you know, the success
  • 00:12:15.150 --> 00:12:17.290
  • of "Redeemed" and--
  • 00:12:18.000 --> 00:12:19.270
  • Jay: We've had lots of high points and we go out
  • 00:12:19.280 --> 00:12:21.180
  • and we see people restored and renewed every night.
  • 00:12:21.190 --> 00:12:26.060
  • I mean, literally, that's our job, seeing the kingdom
  • 00:12:26.070 --> 00:12:29.120
  • advance, watching Jesus come to life in people's eyes
  • 00:12:29.130 --> 00:12:33.000
  • while you pray with 'em.
  • 00:12:33.010 --> 00:12:34.230
  • Never gets old.
  • 00:12:34.240 --> 00:12:37.090
  • [whistling]
  • 00:12:37.100 --> 00:12:41.240
  • male: What is that?
  • 00:12:41.250 --> 00:12:43.040
  • Mike: I remember the very first time I showed
  • 00:12:43.050 --> 00:12:44.290
  • the guys the song "Pursuit," it's not--
  • 00:12:45.000 --> 00:12:48.130
  • it wasn't even done yet, you know?
  • 00:12:48.140 --> 00:12:50.030
  • We were out on the road and we're catching just
  • 00:12:50.040 --> 00:12:52.260
  • a few minutes in a music minister's office in Texas
  • 00:12:52.270 --> 00:12:56.190
  • and because we're so--we're so up against the clock,
  • 00:12:56.200 --> 00:12:59.230
  • like, we've got to finish these songs, and so I got
  • 00:12:59.240 --> 00:13:03.020
  • to invite Joe and Jeremy into the process of helping
  • 00:13:03.030 --> 00:13:07.000
  • finish the song "Pursuit."
  • 00:13:07.010 --> 00:13:08.260
  • Mike: It's kind of weird-- it's weird but it's like...
  • 00:13:08.270 --> 00:13:11.160
  • [humming]
  • 00:13:11.170 --> 00:13:13.270
  • Mike: Writing songs has been part of my life
  • 00:13:13.280 --> 00:13:15.150
  • since I was kind of my early teenage years.
  • 00:13:15.160 --> 00:13:18.110
  • To me, the best songs happen to you.
  • 00:13:18.120 --> 00:13:23.140
  • Mike: You know, the inspiration happens and
  • 00:13:25.080 --> 00:13:26.280
  • you're running for, like, a pad and a, you know,
  • 00:13:26.290 --> 00:13:30.050
  • piece of paper or whatever.
  • 00:13:30.060 --> 00:13:31.280
  • Jeremy: I love this part of the process.
  • 00:13:31.290 --> 00:13:33.150
  • I love coming up with new sounds, new ideas, trying to
  • 00:13:33.160 --> 00:13:37.230
  • figure out how to make this idea that Mike's bringing
  • 00:13:37.240 --> 00:13:42.110
  • to the table into something that's still sounds
  • 00:13:42.120 --> 00:13:45.160
  • like Big Daddy Weave but is new and updated and fresh.
  • 00:13:45.170 --> 00:13:50.050
  • Jeremy: And don't worry about full chords on those
  • 00:13:50.060 --> 00:13:51.240
  • if you don't want to.
  • 00:13:51.250 --> 00:13:53.040
  • You can just hold on boon, doon, doon, doon.
  • 00:13:53.050 --> 00:13:55.020
  • Joe: When you're there to collaborate,
  • 00:13:55.030 --> 00:13:56.240
  • there's just something more organic about it.
  • 00:13:56.250 --> 00:13:58.280
  • Here's the initial idea.
  • 00:13:58.290 --> 00:14:00.250
  • Let's work out the chord structure.
  • 00:14:00.260 --> 00:14:02.120
  • It's like, "Oh, let's change--
  • 00:14:02.130 --> 00:14:04.030
  • what do you think about this idea?"
  • 00:14:04.040 --> 00:14:05.150
  • You're like, "Ooh, you know, I like that."
  • 00:14:05.160 --> 00:14:07.100
  • But then it's like, "Yeah, something's
  • 00:14:07.110 --> 00:14:08.210
  • not quite right here."
  • 00:14:08.220 --> 00:14:10.010
  • It's like, "Well, try this," you know?
  • 00:14:10.020 --> 00:14:11.260
  • So that's a lot of fun in that process.
  • 00:14:11.270 --> 00:14:13.220
  • Mike: See, and in my mind there's a double chorus.
  • 00:14:13.230 --> 00:14:16.050
  • Like, so I'm thinking, like, so the form would be, like,
  • 00:14:16.060 --> 00:14:18.150
  • verse, pre-chorus, second pre-chorus, chorus.
  • 00:14:18.160 --> 00:14:23.070
  • 00:14:23.080 --> 00:14:32.020
  • Mike: Since we moved to Nashville and we've been
  • 00:14:32.030 --> 00:14:34.090
  • making records, man, there's so many amazing songwriters
  • 00:14:34.100 --> 00:14:37.180
  • in Nashville and some of those songwriters are also,
  • 00:14:37.190 --> 00:14:40.080
  • man, people that I just really resonate with as friends.
  • 00:14:40.090 --> 00:14:43.130
  • Benji Cowart is, man, one of my favorite people
  • 00:14:43.140 --> 00:14:46.270
  • ever to write songs with.
  • 00:14:46.280 --> 00:14:48.240
  • We just kind of finish each other's sentences.
  • 00:14:48.250 --> 00:14:50.180
  • Man, it's really easy for us to just kind of share life
  • 00:14:50.190 --> 00:14:53.140
  • and to write from that place of life.
  • 00:14:53.150 --> 00:14:56.130
  • We wrote a song together a few years ago called
  • 00:14:56.140 --> 00:14:58.290
  • "Redeemed," and, man, the Lord just has brought some
  • 00:14:59.000 --> 00:15:02.190
  • of the most incredible stories from that song.
  • 00:15:02.200 --> 00:15:06.130
  • And so since that time until now, man,
  • 00:15:06.140 --> 00:15:09.150
  • we're still writing songs together.
  • 00:15:09.160 --> 00:15:11.230
  • I'm really excited to get to spend some time with Benji,
  • 00:15:11.240 --> 00:15:15.190
  • writing a special song for this new record.
  • 00:15:15.200 --> 00:15:18.010
  • Singleheartedly
  • 00:15:18.020 --> 00:15:20.070
  • Mike: It's just like a repeater, you know.
  • 00:15:20.080 --> 00:15:21.280
  • Benji Cowart: So speak that out.
  • 00:15:21.290 --> 00:15:23.080
  • So it's, "Coming after you,
  • 00:15:23.090 --> 00:15:24.180
  • coming after you, singleheartedly."
  • 00:15:24.190 --> 00:15:26.020
  • Mike: "I am in pursuit. Coming after you."
  • 00:15:26.030 --> 00:15:29.080
  • Mike: There was a-- there's some lyrics
  • 00:15:29.090 --> 00:15:31.000
  • we had in Reading too and, hey, I'm gonna like--
  • 00:15:31.010 --> 00:15:33.120
  • I'm gonna send it to you as we're doing this right here.
  • 00:15:33.130 --> 00:15:36.010
  • Benji: How you sending those lyrics?
  • 00:15:36.020 --> 00:15:38.250
  • 00:15:38.260 --> 00:15:41.240
  • Jeremy: If you wanted, you could actually sing.
  • 00:15:41.250 --> 00:15:45.000
  • 00:15:45.010 --> 00:15:47.150
  • Mike: I wouldn't mind a shot at it Friday.
  • 00:15:47.160 --> 00:15:50.140
  • Just like to sing a actual one.
  • 00:15:50.150 --> 00:15:53.240
  • Jeremy: So pursue "Pursuit" this week.
  • 00:15:53.250 --> 00:15:57.020
  • Mike: Yeah.
  • 00:15:57.030 --> 00:15:59.250
  • Mike: Dudes, I got words.
  • 00:16:01.040 --> 00:16:04.140
  • Jeremy: Oh, man, good.
  • 00:16:04.150 --> 00:16:06.080
  • Mike: I got with Benji. We, like, finished it.
  • 00:16:06.090 --> 00:16:07.270
  • Jeremy: Perfect, perfect.
  • 00:16:07.280 --> 00:16:09.100
  • Do you think you can sing a scratch on it?
  • 00:16:09.110 --> 00:16:10.230
  • We've been working on the track.
  • 00:16:10.240 --> 00:16:12.030
  • Mike: Oh, you're working on it right now?
  • 00:16:12.040 --> 00:16:13.190
  • Jeremy: Yeah, yeah, yeah.
  • 00:16:13.200 --> 00:16:15.010
  • We got it pulled up so we can just jump on it.
  • 00:16:15.020 --> 00:16:16.130
  • The only thing-- you gonna sing it?
  • 00:16:16.140 --> 00:16:17.230
  • Are you ready?
  • 00:16:17.240 --> 00:16:19.030
  • Mike: Yeah.
  • 00:16:19.040 --> 00:16:20.130
  • Jeremy: One more time on the intro.
  • 00:16:20.140 --> 00:16:21.230
  • Jeremy: One of the things that I always tell Mike
  • 00:16:21.240 --> 00:16:23.030
  • or Jim, our manager, whenever any--
  • 00:16:23.040 --> 00:16:24.130
  • or the label, whenever anybody gets nervous,
  • 00:16:24.140 --> 00:16:25.260
  • Mike's voice is the constant.
  • 00:16:25.270 --> 00:16:27.080
  • As long as he's the one delivering the message,
  • 00:16:27.090 --> 00:16:29.280
  • we got some wide bumper rails that we can
  • 00:16:29.290 --> 00:16:32.120
  • play around with.
  • 00:16:32.130 --> 00:16:33.250
  • So we may have a pop Daddy Weave or something.
  • 00:16:33.260 --> 00:16:35.130
  • I don't know what's gonna happen but it's gonna be fun
  • 00:16:35.140 --> 00:16:38.010
  • and I'll--yeah, just love the process.
  • 00:16:38.020 --> 00:16:41.000
  • Brian: The last 6 1/2 years being with Big Daddy Weave,
  • 00:16:43.260 --> 00:16:46.280
  • you know, we've seen a lot.
  • 00:16:46.290 --> 00:16:48.080
  • There have been some really hard times over the last
  • 00:16:48.090 --> 00:16:51.040
  • couple of years, anyway.
  • 00:16:51.050 --> 00:16:52.280
  • Mike and Jay lost their dad.
  • 00:16:52.290 --> 00:16:55.130
  • Joe has lost his father as well.
  • 00:16:55.140 --> 00:16:57.180
  • Of course, Jay's health has been bad, dealing with that.
  • 00:16:57.190 --> 00:17:01.280
  • The journey that Kim and I have been on with infertility.
  • 00:17:01.290 --> 00:17:04.250
  • Joe: It's not just one person. It's been across the board.
  • 00:17:04.260 --> 00:17:07.260
  • Many things going on and with each one of us that has
  • 00:17:07.270 --> 00:17:11.230
  • caused us to really say, "Man, this is the hardest
  • 00:17:11.240 --> 00:17:14.040
  • season we've been through as a band."
  • 00:17:14.050 --> 00:17:16.090
  • Jim: I remember getting a call.
  • 00:17:16.100 --> 00:17:17.280
  • I was in New York City and I get a call from Jay
  • 00:17:17.290 --> 00:17:19.260
  • and he says, "Is it serious when your toe falls off?"
  • 00:17:19.270 --> 00:17:22.270
  • I'm like, "Yes."
  • 00:17:22.280 --> 00:17:24.280
  • And this was the beginning, Jay, of his getting ill
  • 00:17:24.290 --> 00:17:28.160
  • and continued to progress to the point
  • 00:17:28.170 --> 00:17:30.250
  • where it nearly killed him.
  • 00:17:30.260 --> 00:17:32.260
  • Jay: Well, this has been one of the roughest seasons
  • 00:17:32.270 --> 00:17:35.040
  • we've ever been through, for sure.
  • 00:17:35.050 --> 00:17:37.020
  • I'd say probably the roughest.
  • 00:17:37.030 --> 00:17:38.260
  • We like to fake a lot of things, you know,
  • 00:17:38.270 --> 00:17:41.030
  • a lot of times, even as believers, you know?
  • 00:17:41.040 --> 00:17:43.180
  • But the truth is, man, like, everybody goes through this
  • 00:17:43.190 --> 00:17:46.110
  • stuff and everybody hurts.
  • 00:17:46.120 --> 00:17:49.000
  • It's what we do with our hurt that matters.
  • 00:17:49.010 --> 00:17:51.260
  • Jeremy: Man, we're going in this new season,
  • 00:17:51.270 --> 00:17:54.010
  • this new tour, this new year.
  • 00:17:54.020 --> 00:17:56.030
  • I really think it's gonna get better.
  • 00:17:56.040 --> 00:17:58.080
  • I really hope it's gonna get better.
  • 00:17:58.090 --> 00:18:00.020
  • Mike: The best songs I think come out of real life
  • 00:18:00.030 --> 00:18:03.240
  • and I think the songs that connect the most are born
  • 00:18:03.250 --> 00:18:07.090
  • out of some of the most difficult seasons
  • 00:18:07.100 --> 00:18:09.180
  • that we go through in life.
  • 00:18:09.190 --> 00:18:11.220
  • All of the songs from this record are born from this
  • 00:18:11.230 --> 00:18:14.090
  • place of our experiences in that difficulty.
  • 00:18:14.100 --> 00:18:18.180
  • Pursuit is a decision, as much as it is,
  • 00:18:18.190 --> 00:18:22.290
  • like, an emotional response, you know?
  • 00:18:23.000 --> 00:18:25.110
  • After we've been through all these things we wanna come
  • 00:18:25.120 --> 00:18:27.240
  • to the place like the disciples said to Jesus
  • 00:18:27.250 --> 00:18:30.290
  • when he's like-- when Jesus is like,
  • 00:18:31.000 --> 00:18:32.230
  • "Are you gonna leave me too now?"
  • 00:18:32.240 --> 00:18:34.120
  • And they were like, "Where else would we go?
  • 00:18:34.130 --> 00:18:36.040
  • We got nothing else."
  • 00:18:36.050 --> 00:18:37.240
  • And I feel like after being so long together in this,
  • 00:18:37.250 --> 00:18:39.280
  • that's sort of our response to the Lord too.
  • 00:18:39.290 --> 00:18:42.050
  • I mean, we've been through a rough time,
  • 00:18:42.060 --> 00:18:44.010
  • but where else would we go?
  • 00:18:44.020 --> 00:18:45.190
  • You're all we have and we're after you.
  • 00:18:45.200 --> 00:18:47.140
  • We're still in this after you.
  • 00:18:47.150 --> 00:18:50.090
  • Jeremy: Double intro.
  • 00:18:50.260 --> 00:18:53.000
  • 00:18:53.010 --> 00:19:02.100
  • Caught in a romance
  • 00:19:02.110 --> 00:19:07.040
  • Desperate devotion
  • 00:19:07.050 --> 00:19:11.230
  • Higher than mountains
  • 00:19:11.240 --> 00:19:16.120
  • Deeper than an ocean
  • 00:19:16.130 --> 00:19:20.160
  • We're the brokenhearted, Lord
  • 00:19:20.170 --> 00:19:23.290
  • I'll sing like a son
  • 00:19:24.000 --> 00:19:26.100
  • and won't be satisfied with less than what you want
  • 00:19:26.110 --> 00:19:32.010
  • No other love will do
  • 00:19:35.100 --> 00:19:39.170
  • How I'm burning alive with one pursuit
  • 00:19:39.180 --> 00:19:44.100
  • My heart is an open wound
  • 00:19:44.110 --> 00:19:48.280
  • Jesus, calling for more of you
  • 00:19:48.290 --> 00:19:52.050
  • longing for more of you
  • 00:19:52.060 --> 00:19:56.270
  • Oh-oh-oh-oh
  • 00:19:57.210 --> 00:20:01.070
  • I hear you calling, cheering me closer
  • 00:20:03.170 --> 00:20:12.240
  • out of religion and into your favor
  • 00:20:12.250 --> 00:20:20.160
  • With a fearless heart I run
  • 00:20:21.210 --> 00:20:24.280
  • fall down at your feet
  • 00:20:24.290 --> 00:20:27.050
  • I won't be satisfied with less
  • 00:20:27.060 --> 00:20:30.000
  • than what you want from me
  • 00:20:30.010 --> 00:20:34.260
  • No other love will do
  • 00:20:36.140 --> 00:20:40.220
  • I'm burning alive with one pursuit
  • 00:20:40.230 --> 00:20:45.090
  • My heart is an open wound
  • 00:20:45.100 --> 00:20:49.280
  • Jesus, calling for more of you
  • 00:20:49.290 --> 00:20:52.290
  • longing for more of you
  • 00:20:53.000 --> 00:20:55.110
  • No other love will do
  • 00:20:55.120 --> 00:20:59.150
  • I'm burning alive with one pursuit
  • 00:20:59.160 --> 00:21:04.070
  • My heart is an open wound
  • 00:21:04.080 --> 00:21:08.270
  • Jesus, calling for more of you
  • 00:21:08.280 --> 00:21:12.020
  • longing for more of you
  • 00:21:12.030 --> 00:21:17.240
  • I'm in pursuit
  • 00:21:17.250 --> 00:21:22.130
  • I am coming after you, coming after you
  • 00:21:23.090 --> 00:21:28.150
  • singleheartedly, I am in pursuit
  • 00:21:28.160 --> 00:21:33.020
  • Coming after you, coming after you, Jesus
  • 00:21:33.030 --> 00:21:39.000
  • After you, Jesus
  • 00:21:39.010 --> 00:21:41.290
  • I am coming after you, coming after you
  • 00:21:42.000 --> 00:21:47.080
  • singleheartedly, I am in pursuit
  • 00:21:47.090 --> 00:21:51.290
  • Coming after you, coming after you, Jesus
  • 00:21:52.000 --> 00:21:57.220
  • After you, Jesus
  • 00:21:57.230 --> 00:22:01.050
  • But no other love will do
  • 00:22:01.060 --> 00:22:05.120
  • I'm burning alive with one pursuit
  • 00:22:05.130 --> 00:22:10.010
  • My heart is an open wound
  • 00:22:10.020 --> 00:22:14.190
  • Jesus, calling for more of you
  • 00:22:14.200 --> 00:22:17.180
  • longing for more of you
  • 00:22:17.190 --> 00:22:20.000
  • No other love will do
  • 00:22:20.010 --> 00:22:24.080
  • I'm burning alive with one pursuit
  • 00:22:24.090 --> 00:22:29.030
  • My heart is an open wound
  • 00:22:29.040 --> 00:22:33.140
  • Jesus, calling for more of you
  • 00:22:33.150 --> 00:22:36.050
  • longing for more of you
  • 00:22:36.060 --> 00:22:42.060
  • I'm in pursuit
  • 00:22:42.210 --> 00:22:45.240
  • I'm in pursuit
  • 00:22:51.210 --> 00:22:56.140
  • Jeremy: Yeah, that works.
  • 00:23:08.000 --> 00:23:09.230
  • That's great.
  • 00:23:09.240 --> 00:23:11.050
  • Mike: Sweet.
  • 00:23:11.060 --> 00:23:14.020
  • So I could rise
  • 00:23:16.150 --> 00:23:19.260
  • Now I'm alive
  • 00:23:19.270 --> 00:23:22.290
  • Mike: Hey, everybody.
  • 00:23:23.170 --> 00:23:24.270
  • We're so excited to announce that our brand-new record,
  • 00:23:24.280 --> 00:23:26.180
  • "When the Light Comes," is available now.
  • 00:23:26.190 --> 00:23:29.270
  • We're so excited to share these songs that were
  • 00:23:29.280 --> 00:23:31.240
  • birthed out of this last season of life.
  • 00:23:31.250 --> 00:23:33.270
  • For more info, go to BIGDADDYWEAVE.COM
  • 00:23:33.280 --> 00:23:36.170
  • or listen wherever you listen to music.
  • 00:23:36.180 --> 00:23:39.250
  • God, you called me out
  • 00:23:39.260 --> 00:23:43.030
  • Now I'm alive
  • 00:23:43.040 --> 00:23:45.210
  • Jeremy: Hey, dude.
  • 00:23:46.220 --> 00:23:49.140
  • Mike: How's it going?
  • 00:23:50.010 --> 00:23:52.190
  • Jeremy: Well, I feel okay.
  • 00:23:52.200 --> 00:23:55.140
  • I mean, just trying to figure out, you know,
  • 00:23:55.150 --> 00:23:58.040
  • what the season looks like of, you know,
  • 00:23:58.050 --> 00:24:00.220
  • from not helping out on the road.
  • 00:24:00.230 --> 00:24:02.260
  • It's tough 'cause I know that we've been going
  • 00:24:02.270 --> 00:24:04.200
  • through the season of trying to figure out
  • 00:24:04.210 --> 00:24:06.130
  • what unity looks like.
  • 00:24:06.140 --> 00:24:08.070
  • Mike: I just wanna encourage Jeremy
  • 00:24:08.080 --> 00:24:09.240
  • 'cause when Jim came and we began to talk about this,
  • 00:24:09.250 --> 00:24:12.200
  • if I could see the weight of everything
  • 00:24:12.210 --> 00:24:15.100
  • that's coming up sort of like land on him, you know?
  • 00:24:15.110 --> 00:24:19.020
  • And I feel that weight too but nowhere near what he
  • 00:24:19.030 --> 00:24:22.190
  • does and so, man, he's the man for this job
  • 00:24:22.200 --> 00:24:26.250
  • and we need to love on him and we
  • 00:24:26.260 --> 00:24:28.120
  • need to encourage him through this.
  • 00:24:28.130 --> 00:24:30.150
  • Jeremy: Even on our own separate paths
  • 00:24:30.160 --> 00:24:32.140
  • and, not separate paths but we're isolated and with the way
  • 00:24:32.150 --> 00:24:36.290
  • that we travel now and--
  • 00:24:37.000 --> 00:24:38.230
  • Mike: So I don't know what the answer is yet but,
  • 00:24:38.240 --> 00:24:41.040
  • I mean, I just want you to be at rest.
  • 00:24:41.050 --> 00:24:43.250
  • No matter what the solution is, we're in this with you
  • 00:24:43.260 --> 00:24:47.020
  • and even if you're not there, you are with us,
  • 00:24:47.030 --> 00:24:50.010
  • you know what I mean?
  • 00:24:50.020 --> 00:24:51.180
  • You're in this--we're in this together, dude.
  • 00:24:51.190 --> 00:24:53.090
  • Jeremy: Thanks, man.
  • 00:24:53.100 --> 00:24:54.260
  • Mike: You know, though, nobody could do
  • 00:24:54.270 --> 00:24:56.290
  • what you do like you do it, you know, for us.
  • 00:24:57.000 --> 00:25:00.170
  • This is what it is because of you doing this,
  • 00:25:00.180 --> 00:25:03.100
  • you know what I mean?
  • 00:25:03.110 --> 00:25:04.230
  • There's an element of that.
  • 00:25:04.240 --> 00:25:06.050
  • There could--nobody could ever replace that.
  • 00:25:06.060 --> 00:25:08.080
  • Jeremy: Thanks, man. That helps.
  • 00:25:08.090 --> 00:25:10.010
  • That helps just try to navigate the logistics of this, so.
  • 00:25:10.020 --> 00:25:14.030
  • Mike: And make a record in, like, no time.
  • 00:25:14.040 --> 00:25:16.130
  • [laughing]
  • 00:25:16.140 --> 00:25:18.190
  • Jeremy: All while practicing changing diapers soon.
  • 00:25:18.200 --> 00:25:20.220
  • I got to figure that out.
  • 00:25:20.230 --> 00:25:22.170
  • Mike: Dude, I know.
  • 00:25:22.180 --> 00:25:24.010
  • It's been a minute, it's been a minute, you know.
  • 00:25:24.020 --> 00:25:25.130
  • Jeremy: Oh man, it's been a long time.
  • 00:25:25.140 --> 00:25:26.250
  • But no, I'm excited.
  • 00:25:26.260 --> 00:25:28.050
  • I'm excited for these new songs, and the Lord's got it.
  • 00:25:28.060 --> 00:25:30.150
  • I know. I know he does.
  • 00:25:30.160 --> 00:25:32.140
  • Mike: He got it, man. Right on, bro, awesome.
  • 00:25:32.150 --> 00:25:34.010
  • Jeremy: Thanks, man.
  • 00:25:34.020 --> 00:25:35.150
  • Well, I'ma finish working on this and, yeah,
  • 00:25:35.160 --> 00:25:37.160
  • I'll connect with you soon.
  • 00:25:37.170 --> 00:25:39.030
  • Mike: Can't wait to hear, all right.
  • 00:25:39.040 --> 00:25:40.130
  • Jeremy: Thanks, buddy. Mike: Get her done, homey.
  • 00:25:40.140 --> 00:25:41.230
  • Jeremy: Thanks, man. I appreciate it.
  • 00:25:41.240 --> 00:25:43.140
  • Jeremy: That was good to hear.
  • 00:25:43.150 --> 00:25:44.290
  • I didn't know how Mike was gonna take that, you know.
  • 00:25:45.000 --> 00:25:47.270
  • For us, Mike, in a lot of ways, steers the ship just,
  • 00:25:47.280 --> 00:25:51.290
  • I mean, he's a natural leader of the band and we
  • 00:25:52.000 --> 00:25:54.160
  • all look for him for, you know, just helping with the
  • 00:25:54.170 --> 00:25:57.260
  • vision and the execution of the calling that we have
  • 00:25:57.270 --> 00:26:01.280
  • and so that really helps, just hearing
  • 00:26:01.290 --> 00:26:04.260
  • his support through this.
  • 00:26:04.270 --> 00:26:06.150
  • I don't know what it's gonna look like yet but I can tell
  • 00:26:06.160 --> 00:26:09.030
  • that there's a sense of unity even in trying
  • 00:26:09.040 --> 00:26:12.060
  • to figure this out to make it work.
  • 00:26:12.070 --> 00:26:14.150
  • CC BY ABERDEEN CAPTIONING 1-800-688-6621 WWW.ABERCAP.COM
  • 00:26:16.130 --> 00:26:21.120
  • Mike: Hey, everybody.
  • 00:26:21.130 --> 00:26:23.010
  • We're so excited to be bringing The Alive Tour
  • 00:26:23.020 --> 00:26:25.100
  • with Big Daddy Weave to a city near you.
  • 00:26:25.110 --> 00:26:28.010
  • We would love for you to join us in a night of worship.
  • 00:26:28.020 --> 00:26:31.030
  • Go to BIGDADDYWEAVE.COM for more info.
  • 00:26:31.040 --> 00:26:36.250
  • But God had called me out
  • 00:26:36.260 --> 00:26:40.120
  • Now I'm alive
  • 00:26:40.130 --> 00:26:42.270
  • When the light comes, darkness runs away
  • 00:26:44.270 --> 00:26:50.090
  • And only what lives in the light can stay
  • 00:26:50.100 --> 00:26:55.020
  • When the light comes, nothing left to hide
  • 00:26:55.030 --> 00:27:00.200
  • So come out of the darkness and turn on the light
  • 00:27:00.210 --> 00:27:05.130

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